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Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
По разделу | 80378 | 2439 | 249 | 245 | 530 | 485 | 255 | 181 | 83 | 93 | 91 | 81 | 59 | 87 | 2 | 19 | 21 | 13 | 18 | 14 | 23 | 16 | 20 | 18 | 5 | 3 | 4 | 30 | 15 | 26 | 2 | 3 | 3 | 4 | 4 | 4 | 3 | 4 | 5 | 6 | 8 | 9 | 14 | 32 | 17 | 20 | 3 | 4 | 4 | 5 | 4 | 3 | 5 | 6 | 5 | 10 | 5 | 7 | 6 | 21 | 21 | 22 | 27 | 5 | 4 | 3 | 4 | 5 | 5 | 4 | 2 | 3 | 5 | 8 | 14 | 9 |
Сингулярность, Бессмертные Химеры и Прочие Издержки Неожиданных, Непредсказуемых и Утраченных Технологий | 517 | 517 | 19 | 34 | 464 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 3 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 5 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 3 | 3 | 3 | 1 | 4 | 2 | 2 | 5 | 8 | 14 | 9 |
Tilapia as a Sacred Symbol | 2046 | 381 | 27 | 51 | 44 | 47 | 44 | 32 | 30 | 26 | 22 | 20 | 21 | 17 | 0 | 4 | 1 | 2 | 1 | 0 | 5 | 0 | 2 | 1 | 3 | 2 | 0 | 2 | 3 | 1 | 0 | 2 | 0 | 3 | 3 | 4 | 0 | 0 | 5 | 1 | 3 | 0 | 2 | 4 | 2 | 3 | 1 | 4 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 |
Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4328 | 358 | 20 | 37 | 39 | 36 | 53 | 29 | 30 | 27 | 31 | 16 | 16 | 24 | 0 | 6 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 4 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 3 | 2 | 2 |
Der Yuppie-Blues (written with the help of artificial intelligence) | 308 | 308 | 176 | 132 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 19 | 21 | 13 | 18 | 14 | 23 | 16 | 20 | 18 | 1 | 3 | 1 | 1 | 2 | 4 | 2 | 3 | 3 | 4 | 4 | 3 | 3 | 2 | 4 | 6 | 8 | 9 | 14 | 32 | 17 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 496 | 299 | 26 | 34 | 53 | 36 | 42 | 28 | 13 | 20 | 12 | 11 | 10 | 14 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 3 | 2 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 5 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 1 | 3 | 3 | 0 |
Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1617 | 292 | 20 | 31 | 49 | 42 | 33 | 20 | 27 | 10 | 14 | 20 | 12 | 14 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 3 | 5 | 1 | 1 | 0 |
Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 326 | 290 | 16 | 41 | 38 | 38 | 30 | 26 | 18 | 13 | 12 | 20 | 14 | 24 | 0 | 3 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 |
Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2784 | 288 | 10 | 42 | 40 | 40 | 42 | 25 | 29 | 9 | 8 | 16 | 13 | 14 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 3 | 0 | 4 | 0 | 3 | 1 | 4 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Попытки возрождения древнейших засекреченных технологий | 278 | 278 | 18 | 26 | 36 | 198 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 5 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 2 |
"Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 277 | 277 | 13 | 25 | 29 | 41 | 47 | 122 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 |
La Pasiega Cave | 1216 | 268 | 15 | 31 | 32 | 41 | 36 | 20 | 13 | 13 | 22 | 15 | 16 | 14 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 3 | 3 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Эти методы самоомоложения изначально открыты магом Абрахамом фон Вормсом | 264 | 264 | 12 | 29 | 39 | 184 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 6 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 5 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 |
Секреты мага фон Вормса, доктора Хартлиба и доктора Видеманна или колдовская мазь "unguentum morphosis" | 287 | 255 | 22 | 22 | 39 | 36 | 24 | 20 | 19 | 16 | 15 | 16 | 10 | 16 | 0 | 9 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 |
Wünsche und Metamorphosen | 241 | 241 | 19 | 30 | 44 | 34 | 114 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 |
Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1756 | 239 | 22 | 20 | 39 | 38 | 33 | 18 | 17 | 10 | 8 | 9 | 9 | 16 | 0 | 2 | 3 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 571 | 237 | 9 | 34 | 33 | 27 | 31 | 20 | 17 | 16 | 14 | 12 | 15 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 9 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 |
Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 687 | 233 | 11 | 23 | 36 | 55 | 24 | 19 | 13 | 9 | 5 | 9 | 10 | 19 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Kandinsky | 1483 | 232 | 19 | 20 | 34 | 35 | 31 | 22 | 19 | 9 | 10 | 9 | 8 | 16 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 5 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 |
Радио Войнич М - Radio Voynich M | 382 | 229 | 13 | 24 | 29 | 31 | 29 | 14 | 17 | 9 | 11 | 14 | 12 | 26 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 1050 | 228 | 18 | 29 | 36 | 35 | 33 | 25 | 9 | 12 | 8 | 4 | 8 | 11 | 0 | 1 | 4 | 4 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 5 | 2 | 2 | 0 | 1 | 1 | 0 | 0 |
Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 789 | 228 | 18 | 22 | 27 | 30 | 32 | 18 | 20 | 15 | 6 | 10 | 15 | 15 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 5 | 1 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 609 | 226 | 17 | 19 | 41 | 28 | 28 | 18 | 16 | 12 | 16 | 12 | 11 | 8 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 5 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
Geheimnisse der weißen Magie und Hexereitechnologien: unguentum morphosis | 365 | 222 | 14 | 24 | 31 | 35 | 23 | 21 | 11 | 15 | 13 | 14 | 13 | 8 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
Doktor Hartlieb | 276 | 220 | 16 | 22 | 33 | 31 | 27 | 31 | 11 | 15 | 11 | 8 | 8 | 7 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 |
Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 337 | 219 | 12 | 17 | 32 | 30 | 26 | 35 | 22 | 9 | 8 | 7 | 7 | 14 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 |
"Голос Вселенной" - подражание Кандинскому | 1514 | 218 | 15 | 49 | 30 | 25 | 29 | 16 | 11 | 14 | 3 | 9 | 6 | 11 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 5 | 9 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 |
От Абстракционизма (Беспредметности) к Панпсихореализму | 989 | 217 | 23 | 17 | 34 | 36 | 33 | 19 | 13 | 10 | 5 | 7 | 11 | 9 | 1 | 9 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
Панпсихореализм / Panpsychorealism | 836 | 217 | 14 | 38 | 24 | 24 | 27 | 15 | 19 | 16 | 7 | 9 | 9 | 15 | 0 | 2 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 5 | 7 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
The topic of white magic sessions in the 15th century is completely classified | 222 | 217 | 10 | 35 | 33 | 25 | 30 | 17 | 6 | 9 | 10 | 10 | 11 | 21 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 5 | 8 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 1084 | 217 | 14 | 23 | 35 | 18 | 24 | 16 | 11 | 17 | 6 | 6 | 15 | 32 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 2111 | 216 | 24 | 29 | 37 | 34 | 19 | 14 | 9 | 6 | 9 | 8 | 13 | 14 | 0 | 8 | 3 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 |
Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 213 | 213 | 23 | 19 | 37 | 25 | 29 | 22 | 22 | 12 | 16 | 8 | 0 | 0 | 0 | 11 | 1 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 5 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 |
Предупреждение: карается законом! | 209 | 209 | 20 | 23 | 47 | 28 | 19 | 15 | 14 | 17 | 17 | 9 | 0 | 0 | 0 | 11 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 |
Вода | 1005 | 208 | 15 | 23 | 37 | 27 | 33 | 21 | 10 | 14 | 5 | 5 | 8 | 10 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 |
So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 355 | 208 | 8 | 19 | 39 | 27 | 29 | 21 | 16 | 13 | 7 | 8 | 11 | 10 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 |
Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1511 | 207 | 20 | 29 | 30 | 23 | 30 | 21 | 13 | 8 | 7 | 6 | 12 | 8 | 0 | 10 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 |
Unguentum Morphosis | 207 | 207 | 11 | 21 | 37 | 138 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 |
In Secret Archives there are several Voynich Manuscripts | 223 | 205 | 13 | 25 | 33 | 26 | 25 | 14 | 14 | 9 | 8 | 9 | 11 | 18 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
Вода | 918 | 204 | 17 | 28 | 31 | 26 | 33 | 20 | 7 | 10 | 6 | 6 | 9 | 11 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 4 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1188 | 203 | 13 | 38 | 27 | 20 | 26 | 16 | 13 | 13 | 10 | 7 | 8 | 12 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 4 | 10 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Художник-Панпсихореалист Александр Амелькин | 913 | 201 | 17 | 26 | 29 | 31 | 25 | 18 | 11 | 11 | 8 | 4 | 9 | 12 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Философия панпсихореализма и панпсихореалистическая культура | 531 | 199 | 15 | 15 | 30 | 50 | 31 | 16 | 11 | 6 | 5 | 6 | 7 | 7 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 |
Агрегатор Панпсихизма | 1018 | 198 | 16 | 20 | 29 | 25 | 33 | 21 | 9 | 9 | 12 | 7 | 8 | 9 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 5 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
"Кандинский" / "Kandinsky" | 1140 | 198 | 11 | 20 | 30 | 22 | 36 | 27 | 10 | 9 | 8 | 7 | 8 | 10 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 536 | 197 | 15 | 22 | 22 | 26 | 34 | 16 | 17 | 10 | 10 | 8 | 8 | 9 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Манускрипт Войнича написал Абрахам Вормсский | 286 | 196 | 11 | 41 | 26 | 32 | 23 | 17 | 9 | 5 | 6 | 9 | 8 | 9 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 5 | 9 | 0 | 3 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 529 | 195 | 18 | 41 | 31 | 22 | 20 | 23 | 8 | 7 | 4 | 6 | 10 | 5 | 0 | 8 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 5 | 9 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 |
Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 280 | 194 | 11 | 26 | 30 | 25 | 29 | 19 | 13 | 9 | 7 | 6 | 8 | 11 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 |
Сюжет (синопсис) фильма "Hartlieb" | 309 | 194 | 18 | 25 | 26 | 33 | 16 | 23 | 11 | 9 | 7 | 9 | 9 | 8 | 0 | 2 | 2 | 0 | 1 | 5 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 |
Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 817 | 193 | 15 | 17 | 36 | 29 | 22 | 17 | 18 | 11 | 5 | 6 | 6 | 11 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 627 | 192 | 15 | 24 | 33 | 28 | 25 | 15 | 10 | 11 | 9 | 4 | 8 | 10 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 |
От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 1021 | 191 | 12 | 26 | 31 | 24 | 23 | 23 | 12 | 7 | 6 | 7 | 7 | 13 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 |
Василий Васильевич Кандинский (Wassily Kandinsky) | 1171 | 191 | 8 | 20 | 26 | 23 | 25 | 24 | 13 | 10 | 9 | 13 | 9 | 11 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 643 | 188 | 13 | 24 | 33 | 30 | 19 | 18 | 12 | 9 | 8 | 5 | 9 | 8 | 0 | 2 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Неандертало-Препротобаскская Водная Цивилизация и Современность | 892 | 188 | 12 | 20 | 25 | 34 | 31 | 13 | 11 | 7 | 9 | 6 | 10 | 10 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Проект Спасения Человечества | 1182 | 187 | 12 | 23 | 30 | 19 | 30 | 15 | 10 | 14 | 7 | 10 | 5 | 12 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 |
Утренний Кофе для Карманной Чёрной Дыры | 2071 | 187 | 19 | 24 | 27 | 20 | 25 | 21 | 7 | 8 | 10 | 5 | 15 | 6 | 0 | 1 | 2 | 0 | 3 | 4 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 |
Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 814 | 186 | 12 | 25 | 36 | 30 | 17 | 16 | 9 | 6 | 5 | 8 | 11 | 11 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 186 | 186 | 13 | 25 | 28 | 21 | 22 | 19 | 14 | 13 | 31 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 388 | 186 | 23 | 26 | 26 | 25 | 28 | 15 | 8 | 8 | 6 | 6 | 9 | 6 | 0 | 10 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 |
Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1150 | 186 | 18 | 24 | 23 | 22 | 25 | 16 | 13 | 8 | 6 | 10 | 7 | 14 | 1 | 2 | 2 | 0 | 4 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 946 | 185 | 13 | 21 | 28 | 24 | 25 | 19 | 9 | 10 | 9 | 7 | 12 | 8 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Hoax | 210 | 185 | 13 | 20 | 29 | 24 | 22 | 15 | 11 | 10 | 9 | 9 | 10 | 13 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 |
Тот самый шоколад из детства, тот самый чарующий аромат! | 879 | 184 | 14 | 19 | 32 | 27 | 22 | 19 | 10 | 8 | 5 | 5 | 12 | 11 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 |
Системный подход в искусстве и истории | 274 | 183 | 16 | 33 | 25 | 20 | 21 | 22 | 10 | 5 | 5 | 4 | 7 | 15 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 8 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 |
Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 409 | 182 | 19 | 30 | 22 | 26 | 18 | 19 | 11 | 4 | 8 | 6 | 12 | 7 | 0 | 9 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 8 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 |
Машуня | 1225 | 182 | 15 | 20 | 33 | 22 | 21 | 16 | 14 | 11 | 7 | 9 | 6 | 8 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 |
В начале был Образ... | 648 | 177 | 11 | 21 | 25 | 24 | 29 | 13 | 12 | 8 | 5 | 5 | 14 | 10 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 684 | 176 | 11 | 24 | 29 | 24 | 27 | 18 | 7 | 7 | 7 | 7 | 7 | 8 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 |
Wish ist the Essence of Life / Wunsch kann alles bewirken: Wunsch ist Essenz des Lebens | 176 | 176 | 12 | 115 | 49 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 0 | 4 | 5 | 4 | 1 | 5 | 6 | 5 | 8 | 3 | 7 | 6 | 21 | 21 | 22 | 27 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 832 | 176 | 11 | 19 | 28 | 22 | 26 | 21 | 7 | 7 | 6 | 6 | 7 | 16 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Сильное Желание Улучшает Генетику! | 176 | 176 | 12 | 21 | 33 | 25 | 17 | 20 | 11 | 12 | 15 | 10 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2226 | 175 | 16 | 22 | 26 | 22 | 24 | 14 | 13 | 6 | 5 | 10 | 9 | 8 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Настройка механизма исполнения желаний | 175 | 175 | 15 | 20 | 29 | 42 | 69 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 2 |
Тайна Рукописи Войнича раскрыта | 250 | 174 | 14 | 17 | 30 | 22 | 28 | 14 | 12 | 10 | 9 | 6 | 4 | 8 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
Предпатентный Отчёт | 891 | 174 | 18 | 16 | 25 | 23 | 22 | 11 | 14 | 8 | 7 | 7 | 9 | 14 | 0 | 7 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
"Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 909 | 174 | 8 | 27 | 29 | 22 | 23 | 18 | 13 | 7 | 7 | 5 | 8 | 7 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 711 | 172 | 12 | 19 | 25 | 20 | 24 | 17 | 8 | 11 | 6 | 6 | 9 | 15 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
Изгнание из Рая | 511 | 171 | 13 | 18 | 31 | 22 | 25 | 20 | 6 | 11 | 5 | 7 | 7 | 6 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 171 | 171 | 12 | 16 | 33 | 21 | 23 | 14 | 12 | 7 | 14 | 19 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 |
Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 732 | 171 | 11 | 18 | 33 | 30 | 18 | 19 | 9 | 7 | 6 | 5 | 7 | 8 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 |
The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 942 | 170 | 15 | 18 | 23 | 24 | 29 | 15 | 9 | 10 | 4 | 8 | 4 | 11 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 714 | 169 | 10 | 23 | 28 | 25 | 21 | 21 | 6 | 11 | 5 | 7 | 6 | 6 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 227 | 169 | 11 | 22 | 28 | 19 | 25 | 18 | 11 | 8 | 5 | 8 | 6 | 8 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 |
"Панпсихореализм" / "Panpsychorealismus" | 892 | 168 | 10 | 19 | 26 | 21 | 22 | 24 | 4 | 10 | 13 | 3 | 10 | 6 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 |
Различные формы нло (ufo) с точки зрения панпсихореализма | 696 | 167 | 9 | 23 | 26 | 25 | 20 | 17 | 11 | 11 | 5 | 3 | 8 | 9 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Der Yuppie-Blues | 778 | 167 | 11 | 21 | 27 | 26 | 20 | 15 | 9 | 7 | 8 | 4 | 8 | 11 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 166 | 166 | 13 | 24 | 29 | 23 | 29 | 16 | 8 | 24 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 |
Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 633 | 165 | 14 | 17 | 25 | 18 | 26 | 12 | 13 | 8 | 7 | 7 | 7 | 11 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 992 | 165 | 9 | 25 | 25 | 23 | 26 | 16 | 10 | 8 | 6 | 3 | 8 | 6 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
Die Geschichte präsentiert eine Zusammenfassung von drei mysteriösen Manuskripten | 165 | 165 | 11 | 21 | 30 | 37 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 |
Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 826 | 165 | 13 | 20 | 30 | 19 | 22 | 13 | 11 | 7 | 6 | 3 | 9 | 12 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 615 | 164 | 20 | 21 | 25 | 16 | 25 | 15 | 11 | 6 | 6 | 2 | 6 | 11 | 0 | 6 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1366 | 163 | 11 | 18 | 22 | 22 | 22 | 14 | 11 | 7 | 7 | 4 | 12 | 13 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 443 | 160 | 10 | 21 | 24 | 20 | 31 | 17 | 8 | 5 | 5 | 5 | 9 | 5 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 440 | 158 | 9 | 22 | 26 | 26 | 18 | 14 | 6 | 7 | 7 | 8 | 6 | 9 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 154 | 154 | 11 | 22 | 29 | 20 | 23 | 22 | 17 | 10 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 |
Das Voynich-Manuskript | 198 | 153 | 10 | 18 | 25 | 23 | 18 | 17 | 8 | 7 | 6 | 4 | 6 | 11 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 |
Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 841 | 152 | 9 | 19 | 28 | 15 | 24 | 13 | 10 | 8 | 3 | 6 | 10 | 7 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 426 | 152 | 12 | 20 | 18 | 17 | 24 | 16 | 11 | 8 | 3 | 6 | 9 | 8 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 798 | 144 | 10 | 16 | 27 | 21 | 19 | 13 | 8 | 7 | 4 | 4 | 5 | 10 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 144 | 144 | 12 | 20 | 32 | 18 | 39 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 |
Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 138 | 138 | 14 | 15 | 28 | 30 | 51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
Информация о владельце раздела | 2286 | 132 | 3 | 22 | 20 | 23 | 17 | 16 | 8 | 5 | 2 | 3 | 8 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
Der Yuppie-Blues 2025 | 84 | 84 | 84 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 5 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 30 | 15 | 26 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"