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Suno Tags |
Meta-Tag | Meaning | Placement | Values | Sample Usage | Advice |
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accelerando | Indicates a gradual increase in tempo. | Before or within structural tags. | Gradual tempo increase, speed descriptors (e.g., 'slight', 'rapid'). | [accelerando: Gradually increases tempo in the bridge section.] | Use for creating excitement or tension in transitions. |
ad-lib | Specifies improvisational or spontaneous elements. | Within structural tags such as verse, bridge, or solo. | Improvisational elements (e.g., 'scat singing', 'guitar solo'). | [ad-lib: Jazz-inspired piano solo over the chord progression.] | Best used in sections like bridges or transitions to add creativity. |
ambient | Creates an atmospheric or textural background. | Before structure or inside '[mixing]'. | Background styles (e.g., 'calm', 'mysterious', 'dark'). | [ambient: Ethereal pads create a calm atmosphere throughout.] | Combine with sound effects or field recordings for richer textures. |
arpeggio | Specifies use of arpeggiated notes or chords. | Within structural or instrument-related tags. | Instrument or style (e.g., 'guitar', 'piano'). | [arpeggio: Gentle piano arpeggios accompany the verse.] | Use for melodic embellishments or rhythmic textures. |
arrangement | Defines the overall structure or layering of elements. | Before '[structure]' or '[instruments]'. | Descriptors for structure (e.g., 'minimal', 'orchestral'). | [arrangement: Minimal layers with focus on lead vocals.] | Set a clear vision for track complexity or simplicity. |
articulation | Specifies how notes are played in terms of attack and transition. | Within '[instruments]' or '[style]'. | Descriptors like 'staccato', 'legato', 'marcato'. | [articulation: Staccato violins for a sharp rhythmic effect.] | Use to refine how an instrument delivers notes. |
attack | Defines how quickly a note or sound reaches its full volume. | Within '[dynamics]' or '[mixing]'. | Descriptors like 'soft', 'sharp', 'gradual'. | [attack: Sharp attack on electronic bass.] | Sharp attacks create percussive effects, while soft attacks smooth transitions. |
background-vocals | Specifies supporting vocals accompanying the lead. | Within '[vocals]' or structural tags like '[chorus]'. | Harmonies, roles, or styles (e.g., 'soft harmonies', 'call-response'). | [background-vocals: Gentle harmonies in thirds for the chorus.] | Layer for richer vocal textures in choruses or bridges. |
bass | Defines the bassline characteristics and role in the track. | Within `[instruments]` or `[mixing]`. | Descriptors like 'deep', 'pulsing', 'sub-bass', 'saturated'. | [bass: Deep sub-bass with rhythmic pulsation.] | Use to emphasize the low-end and define groove, especially in electronic, hip-hop, and rock music. |
bass-slide | Describes a sliding bass effect or technique. | Within '[instruments]' or '[verse]' descriptions. | Direction or style (e.g., 'upward slide', 'smooth'). | [bass-slide: Smooth upward slides accentuate transitions.] | Use sparingly for impactful transitions or climaxes. |
beat-switch | Indicates a rhythmic or percussive shift within the track. | Within structural tags or '[rhythm]'. | Switch type (e.g., 'double-time', 'offbeat'). | [beat-switch: Changes to half-time in the bridge.] | Effective for keeping rhythmic variety in dynamic sections. |
big finish | Indicates a climactic conclusion to the track. | Within '[outro]' or '[finale]' tags. | Descriptors like 'dramatic', 'layered'. | [big finish: Climactic orchestral tutti with cymbal crashes.] | Use for cinematic or impactful endings. |
break | Defines a pause or breakdown in the music. | Within structural tags like '[bridge]' or '[verse]'. | Pause descriptors (e.g., 'sudden', 'dramatic'). | [break: Sudden pause after the second chorus.] | Effective for building suspense before climaxes. |
breakdown | Defines a simplified or stripped-back section. | Within structural tags like '[bridge]' or '[verse]'. | Descriptors like 'minimal', 'percussive'. | [breakdown: Stripped percussion with faint synth pads.] | Best used to contrast with fuller sections. |
bridge | Defines a transitional section in the track. | In '[structure]' or as its own tag. | Bridge content or style (e.g., 'lyrical contrast', 'instrumental'). | [bridge: A soaring melody contrasts the verses.] | Use for variety and narrative shifts in tracks. |
buildup | Indicates a rising intensity leading to a climax. | Within '[structure]' or '[dynamics]'. | Descriptors like 'orchestral swell', 'percussive rise'. | [buildup: Rising synth pads and accelerating drums.] | Use to create anticipation before a drop or climax. |
cadence | Defines the harmonic resolution at the end of a phrase. | Within '[structure]' or '[theme]'. | Descriptors like 'perfect', 'plagal', 'deceptive'. | [cadence: Deceptive cadence before final resolution.] | Use for emotional impact and finality. |
cadential | Refers to chord progressions leading into a cadence. | Within '[harmony]' or '[structure]'. | Descriptors like 'strong', 'weak', 'suspended'. | [cadential: Strong V-I cadence for a classical feel.] | Important for harmonic movement. |
call-and-response | Defines a musical conversation between different instruments or voices. | Within '[structure]' or '[vocals]'. | Descriptors like 'echoing', 'dialogue'. | [call-and-response: Trumpet phrase followed by string echoes.] | Useful in blues, gospel, jazz, and world music. |
chant | Defines a rhythmic or repetitive vocal element. | Within '[vocals]' or '[chorus]'. | Style or intensity (e.g., 'tribal', 'crowd chant'). | [chant: Rhythmic tribal chanting builds intensity in the bridge.] | Layer with percussion or effects for dramatic impact. |
choir | Specifies choral or ensemble vocal elements. | Within '[vocals]' or '[chorus]'. | Style or range (e.g., 'ethereal', 'baritone'). | [choir: Ethereal harmonies create a celestial atmosphere.] | Use for grand or spiritual themes. |
chorus | Defines the primary refrain or hook of the track. | In '[structure]' or as its own tag. | Descriptors of content or mood (e.g., 'uplifting', 'anthemic'). | [chorus: Uplifting melody with harmonized vocals.] | Ensure contrast and memorability for the chorus. |
chromatic | Indicates frequent use of semitones outside the main scale. | Within '[harmony]' or '[melody]'. | Descriptors like 'ascending', 'descending'. | [chromatic: Descending chromatic line in strings.] | Used in jazz, classical, and modern experimental music. |
climax | Defines the most intense or dramatic moment of the track. | Within structural tags like '[verse]', '[bridge]', or '[chorus]'. | Descriptors for intensity or instrumentation (e.g., 'orchestral', 'layered'). | [climax: Orchestral buildup with soaring strings and brass.] | Position near the end or during transitions for maximum impact. |
cluster | Defines a dense group of close notes played simultaneously. | Within '[harmony]' or '[theme]'. | Descriptors like 'soft', 'aggressive'. | [cluster: Dissonant piano clusters add tension.] | Common in avant-garde and experimental compositions. |
coda | Specifies the concluding section of the track. | Within '[structure]' or as its own tag. | Descriptors for mood or texture (e.g., 'soft', 'repetitive'). | [coda: Repeated piano motif fading into silence.] | Use to create a definitive or lingering end to the composition. |
compression | Controls dynamic range to balance loud and soft elements. | Before '[mixing]' or '[structure]'. | Levels or style (e.g., 'light', 'heavy'). | [compression: Light compression for smooth transitions.] | Apply sparingly to retain natural dynamics. |
consonance | Defines harmonic intervals that sound stable and pleasant. | Within '[harmony]' or '[chords]'. | Descriptors like 'soft', 'bright'. | [consonance: Bright consonant harmonies in the refrain.] | Use to contrast with dissonance for emotional depth. |
content | Describes thematic or lyrical content of the track. | Before structural tags or as a global directive. | Keywords or phrases describing themes (e.g., 'romantic', 'melancholic'). | [content: Reflective themes of loss and recovery.] | Provide a concise description to guide the track's mood or narrative. |
control | Directs specific aspects of the track's production or arrangement. | Before '[structure]' or '[mixing]'. | Parameters like 'length', 'tempo', or 'no-repeat'. | [control: No repetition of verses.] | Use to fine-tune the structure or flow of the track. |
counterpoint | Specifies use of independent melodic lines that interact harmoniously. | Within '[instruments]' or '[verse]' tags. | Instruments or interaction styles (e.g., 'strings and woodwinds'). | [counterpoint: Strings and brass weave contrasting melodies.] | Best used in classical or cinematic compositions. |
crescendo | Indicates a gradual increase in volume or intensity. | Within structural tags or as a directive for '[dynamics]'. | Intensity or duration (e.g., 'gradual', 'dramatic'). | [crescendo: Gradually builds to a dramatic peak in the chorus.] | Combine with '[climax]' for a powerful effect. |
development | Specifies thematic or melodic evolution in a section. | Within '[verse]', '[bridge]', or '[section]' tags. | Descriptors of change (e.g., 'layered', 'expanding'). | [development: Expanding harmonic layers in the bridge.] | Use to maintain interest and build complexity. |
diminuendo | Indicates a gradual decrease in volume or intensity. | Within '[dynamics]' or structural tags. | Descriptors for duration or effect (e.g., 'gentle', 'abrupt'). | [diminuendo: Gradual fade of strings and pads in the outro.] | Use to create a sense of resolution or calm. |
dissonance | Refers to harmonic tension created by unstable note combinations. | Within '[harmony]' or '[chords]'. | Descriptors like 'mild', 'harsh'. | [dissonance: Harsh dissonance in the climax.] | Use to create tension that needs resolution. |
distortion | Specifies audio processing that adds harmonic saturation or clipping. | Within '[instruments]' or '[mixing]'. | Descriptors like 'light', 'heavy', 'crushed'. | [distortion: Heavy guitar distortion in the chorus.] | Use in rock, metal, and industrial music for an aggressive feel. |
drop | Defines a sudden transition or release of energy in the track. | Within '[chorus]', '[bridge]', or '[verse]' tags. | Descriptors for style (e.g., 'bass-heavy', 'dramatic'). | [drop: Bass-heavy impact with distorted synths.] | Commonly used in electronic or cinematic genres. |
drum-fill | Specifies a short drum pattern to transition between sections. | Within '[bridge]', '[chorus]', or '[verse]' tags. | Descriptors for style or intensity (e.g., 'rapid', 'complex'). | [drum-fill: Rapid snare and tom pattern builds into the chorus.] | Use sparingly to avoid over-complicating transitions. |
dynamics | Controls changes in volume and intensity across the track. | Before '[structure]' or within '[mixing]'. | Descriptors like 'soft', 'intense', 'gradual'. | [dynamics: Gradual swells leading to intense peaks.] | Combine with '[crescendo]' or '[diminuendo]' for expressive tracks. |
echo | Defines reverberant repetitions of sound. | Within '[effects]' or '[mixing]'. | Descriptors like 'short', 'long', 'delayed'. | [echo: Long vocal echoes for a spacey effect.] | Works well in ambient, cinematic, and dub music. |
effects | Specifies additional sound effects applied to instruments or the track as a whole. | Within `[mixing]` or `[sfx]`. | Descriptors like 'reverb', 'delay', 'distortion', 'flanger'. | [effects: Heavy distortion on the lead guitar.] | Use to shape the sonic character of instruments and add depth to the mix. |
element | Specifies key components or features of a section. | Within '[structure]' or '[instruments]'. | Descriptors for instrumentation or focus (e.g., 'melodic', 'textural'). | [element: Textural pads create an atmospheric backdrop.] | Use to highlight specific parts of the arrangement. |
emotional | Sets the emotional tone or feeling of a section. | Before '[mood]' or structural tags. | Descriptors like 'uplifting', 'melancholic'. | [emotional: Melancholic strings add depth to the verse.] | Combine with '[content]' or '[harmony]' for greater impact. |
end | Marks the conclusion of the track. | Within '[structure]' or as its own tag. | Descriptors like 'fading', 'abrupt'. | [end: Fading strings with ambient echoes.] | Use to signal a clear or lingering resolution. |
ensemble | Defines the group of instruments or performers used in the track. | Before '[instruments]' or '[structure]' tags. | Descriptors like 'chamber', 'orchestral', 'jazz trio'. | [ensemble: Small string quartet for a classical theme.] | Specify to set the overall sound palette or style. |
epic | Indicates a grand or dramatic scale for the composition. | Before '[structure]' or in '[style]'. | Descriptors for mood or instrumentation (e.g., 'heroic', 'cinematic'). | [epic: Cinematic orchestral arrangement with a heroic climax.] | Combine with '[climax]' and '[crescendo]' for maximum impact. |
episode | Specifies a contrasting section in the composition, common in classical forms like fugues. | Within '[structure]' or as a section directive. | Descriptors for development or contrast (e.g., 'lyrical', 'intense'). | [episode: Lyrical woodwind section provides contrast.] | Use in larger forms to add variety and depth. |
eq | Controls the tonal balance by emphasizing or de-emphasizing certain frequencies. | Before '[mixing]' or '[structure]'. | Descriptors like 'bass-heavy', 'bright', 'mid-focused'. | [eq: Bright treble with reduced mids for clarity.] | Use to shape the overall sound profile. |
etude | A short composition focused on showcasing technical skills, often with repeated patterns. | Usually follows the intro to set up the musical theme. | - [etude: rapid, technical arpeggios] - [etude: dexterous guitar phrases] - [etude: rhythmic complexity] |
[structure: intro, etude, outro] [etude: challenging piano runs] |
Ideal for progressive rock, math rock, shred guitar, or jazz improvisation. |
exposition | Defines the initial presentation of themes, commonly in classical forms. | Before '[structure]' or within '[intro]'. | Descriptors like 'bold', 'lyrical'. | [exposition: Bold piano motif introduces the main theme.] | Effective in sonata or fugue structures. |
extend-style | Extends or modifies the stylistic elements of the track. | Before '[style]' or '[structure]'. | Descriptors like 'fusion', 'hybrid'. | [extend-style: Blends jazz with ambient textures.] | Use to mix genres or styles creatively. |
fade | Indicates a gradual fade-in or fade-out effect. | Within '[intro]' or '[outro]' tags. | Descriptors like 'slow', 'abrupt'. | [fade: Slow fade-out with reverberating pads.] | Use in intros or outros for smooth transitions. |
female | Specifies female vocals or voice type. | Within '[vocals]' or '[style]'. | Descriptors like 'soprano', 'alto'. | [vocals: Female soprano with ethereal harmonies.] | Specify pitch and style for vocal tracks. |
fermata | Indicates a note or chord held longer than usual. | Within '[harmony]' or '[structure]'. | Descriptors like 'sustained', 'dramatic'. | [fermata: Dramatic fermata on the final chord.] | Use to create emotional emphasis or suspense. |
filter | Applies audio filters like high-pass, low-pass, or band-pass effects. | Before '[mixing]' or within '[instruments]'. | Descriptors like 'low-pass', 'resonant'. | [filter: Low-pass filter applied to synth bass.] | Use to add texture or alter the tone dynamically. |
finale | Defines the concluding and often dramatic section of the composition. | Within '[structure]' or as its own tag. | Descriptors like 'grand', 'layered'. | [finale: Grand orchestral tutti with full brass and strings.] | Combine with '[crescendo]' for a strong finish. |
focus | Specifies the main element or instrument in a section. | Before '[structure]' or '[instruments]'. | Descriptors like 'melody', 'bassline'. | [focus: Emphasis on the cello in the bridge.] | Use to direct attention in multi-layered arrangements. |
fragmentation | Indicates breaking down a melody into smaller motifs. | Within '[theme]' or '[variation]'. | Descriptors like 'short', 'detailed'. | [fragmentation: Breaking the main theme into smaller parts.] | Use for variation and musical development. |
fugue | Specifies contrapuntal techniques common in fugues. | Within '[structure]' or '[style]'. | Descriptors like 'three-part', 'canon'. | [fugue: Three-part counterpoint with overlapping themes.] | Use for classical or complex melodic interactions. |
genre | Defines the primary genre(s) of the track. | Before '[structure]' or '[style]'. | Descriptors like 'ambient', 'classical', 'jazz'. | [genre: Ambient with dark undertones.] | Combine with '[style]' for specific hybrids. |
glissando | Indicates a continuous slide between two pitches. | Within '[melody]' or '[instruments]'. | Descriptors like 'fast', 'slow'. | [glissando: Slow descending violin glissando.] | Used in orchestral music, jazz, and experimental electronic. |
glitch | Incorporates glitch effects or sound textures. | Before '[sfx]' or within '[style]'. | Descriptors like 'distorted', 'static'. | [glitch: Distorted static patterns create rhythmic textures.] | Effective for experimental or electronic genres. |
grind | Defines grinding or distorted sound textures. | Within '[instruments]' or '[mixing]'. | Descriptors like 'metallic', 'rough'. | [grind: Rough metallic textures accentuate the bridge.] | Use sparingly for tension or dramatic effects. |
happy | Specifies a cheerful or uplifting mood for the track. | Within '[mood]' or '[style]'. | Descriptors like 'bright', 'joyful', 'playful'. | [mood: Happy and bright with playful melodies.] | Combine with upbeat tempos and major keys for effectiveness. |
harmonics | Defines overtone frequencies produced above the fundamental pitch. | Within '[instruments]' or '[style]'. | Descriptors like 'natural', 'artificial', 'ringing'. | [harmonics: Natural string harmonics for an ethereal tone.] | Used to create shimmering, resonant textures in acoustic and electronic music. |
harmony | Defines harmonic structure or layering. | Within '[structure]' or '[instruments]'. | Descriptors like 'simple', 'complex', 'thirds', 'fifths'. | [harmony: Rich layered harmonies in thirds and fifths.] | Use to add depth to choral or instrumental parts. |
hook | Specifies the central, catchy part of the track. | Within '[chorus]' or '[verse]' tags. | Descriptors like 'melodic', 'lyrical'. | [hook: A catchy guitar riff opens the chorus.] | Ensure repetition and prominence for memorability. |
improvisation | Allows performers to spontaneously create melodic or harmonic variations. | Within '[style]' or '[structure]'. | Descriptors like 'freeform', 'jazzy', 'ornamental'. | [improvisation: Freeform saxophone over sustained chords.] | Best used in jazz, blues, and experimental music. |
inflection | Specifies tonal or dynamic variation within a phrase. | Within '[dynamics]' or '[melody]'. | Descriptors like 'subtle', 'dramatic'. | [inflection: Subtle vocal inflection for expressive delivery.] | Useful for expressive and emotional emphasis in vocal or instrumental passages. |
instrument | Defines specific instruments used in the track. | Within '[instruments]' or '[structure]'. | Any instrument (e.g., 'piano', 'violin', 'synth'). | [instrument: Soft piano leads the melody.] | Specify instruments clearly to shape the soundscape. |
instrumental | Indicates that the track has no vocals. | Before '[structure]' or '[style]'. | Used as a standalone directive. | [instrumental] Defines a purely instrumental track. | Use when generating music without lyrical content. |
instruments | Specifies the set of instruments used in the arrangement. | Before or within '[structure]'. | Multiple instruments (e.g., 'strings, brass, piano'). | [instruments: Strings, brass, and piano create the foundation.] | Combine with '[ensemble]' for more specific arrangements. |
interlude | Defines a brief instrumental or transitional section. | Within '[structure]' or as its own tag. | Descriptors like 'piano solo', 'ambient'. | [interlude: A calm piano solo bridges the verses.] | Use for variety and to separate sections effectively. |
intermezzo | A short, contrasting piece inserted between larger sections. | Within '[structure]' or '[section]' tags. | Descriptors like 'lyrical', 'dramatic'. | [intermezzo: Dramatic string passage contrasts the main theme.] | Common in classical or cinematic arrangements. |
intro | Defines the opening section of the track. | Within '[structure]' or as its own tag. | Descriptors like 'soft', 'dramatic'. | [intro: Soft ambient pads introduce the mood.] | Set the tone for the track's narrative or mood. |
key | Specifies the key or tonality of the track. | Before '[structure]' or '[style]'. | Keys like 'C major', 'A minor'. | [key: A minor for a melancholic tone.] | Align key choice with the desired mood or emotion. |
language | Specifies the language of any vocals or lyrics. | Before '[vocals]' or '[lyrics]'. | Languages like 'English', 'French', 'Spanish'. | [language: French vocals for a romantic mood.] | Use for multilingual or culturally specific tracks. |
laughter | Adds laughing sound effects or textures. | Within '[sfx]' or '[vocals]'. | Descriptors like 'haunting', 'playful'. | [sfx: Haunting laughter echoes through the background.] | Combine with reverb or delay for atmospheric effects. |
layering | Defines the stacking of multiple sounds or instruments. | Within '[mixing]' or '[orchestration]'. | Descriptors like 'dense', 'thin', 'gradual'. | [layering: Thick layered synth pads for a cinematic feel.] | Use to enhance depth and texture in the track. |
legato | Indicates smooth, connected note transitions. | Within '[instruments]' or '[style]'. | Descriptors like 'strings', 'melodic'. | [legato: Smooth legato strings enhance the verse.] | Use for flowing and emotive sections. |
length | Defines the duration of the track. | Before '[structure]' or '[control]'. | Time in minutes or seconds (e.g., '2:30'). | [length: 3:45 for a standard pop structure.] | Ensure length matches the intended format or purpose. |
loop | Defines repeating sections or patterns within the track. | Within '[structure]' or as its own tag. | Descriptors like 'short', 'layered', or 'seamless'. | [loop: Seamless synth patterns in the background.] | Use for rhythmic consistency or background textures. |
male | Specifies male vocals or voice type. | Within '[vocals]' or '[style]'. | Descriptors like 'tenor', 'baritone'. | [vocals: Male tenor voice leads the melody.] | Combine with '[harmony]' for layered vocal effects. |
marcato | Indicates strong, emphasized notes or accents. | Within '[instruments]' or '[style]'. | Descriptors like 'strings', 'brass'. | [marcato: Strong brass accents in the intro.] | Use for bold and dramatic sections. |
melody | Defines the main melodic content and characteristics. | Within `[theme]` or `[structure]`. | Descriptors like 'lyrical', 'flowing', 'syncopated', 'chromatic'. | [melody: Flowing piano melody with subtle syncopation.] | Essential for defining the song's identity; pair with `[harmony]` for fuller arrangements. |
minuet | Specifies a classical dance form in 3/4 time signature. | Before '[structure]' or within '[style]'. | Descriptors like 'light', 'elegant'. | [minuet: Elegant string arrangement in 3/4 time.] | Combine with '[orchestra]' for authenticity. |
mixing | Defines the audio balance and spatial characteristics. | Before '[structure]' or within '[control]'. | Descriptors like 'wide', 'centered', 'balanced'. | [mixing: Wide stereo field with focused vocals.] | Use to shape the overall track's soundscape. |
modulation | Defines a shift in key within the composition. | Within '[harmony]' or '[structure]'. | Descriptors like 'subtle', 'dramatic'. | [modulation: Sudden shift from C major to A minor.] | Used for dynamic key changes and mood shifts. |
mood | Specifies the emotional tone or feeling of the track. | Before '[structure]' or '[style]'. | Descriptors like 'happy', 'sad', 'mysterious'. | [mood: Mysterious and suspenseful with dark undertones.] | Align with the narrative or intended atmosphere. |
mutation | Refers to transformation of a melody, harmony, or rhythm. | Within '[structure]' or '[theme]'. | Descriptors like 'gradual', 'abrupt'. | [mutation: Gradual transformation of main theme into a distorted motif.] | Useful in experimental and progressive compositions. |
no | Prevents inclusion of specific elements or features. | Before '[structure]' or '[style]'. | Descriptors like 'vocals', 'repetition', 'sfx'. | [no: Vocals and percussive elements.] | Use to exclude unwanted elements. |
no-repeat | Prevents repetition of specified sections or themes. | Before '[structure]' or '[control]'. | Used as a standalone directive. | [no-repeat: Avoid repetition of verses.] | Use for unique, non-repetitive structures. |
nocturne | A slow, expressive piece, evoking nighttime moods with lyrical, flowing melodies and soft harmonies. | Usually after [structure], shaping the emotional core of the piece. | - [nocturne: delicate, flowing melody] - [nocturne: minor-key, romantic character] - [nocturne: soft dynamics, ethereal atmosphere] |
[structure: intro, nocturne, outro] [nocturne: haunting solo piano with reverb] |
Works best in ambient, lo-fi, dark jazz, or cinematic soundtracks. |
orchestra | Specifies orchestral elements or ensembles. | Before '[instruments]' or '[structure]'. | Descriptors like 'chamber', 'symphonic', 'full'. | [orchestra: Full symphonic arrangement with strings and brass.] | Combine with '[ensemble]' for detailed instrumentation. |
orchestration | Defines arrangement and distribution of instruments in a composition. | Within '[ensemble]' or '[structure]'. | Descriptors like 'dense', 'transparent', 'layered'. | [orchestration: Full orchestral arrangement with brass emphasis.] | Essential for structuring symphonic or large-scale arrangements. |
outro | Defines the closing section of the track. | Within '[structure]' or as its own tag. | Descriptors like 'fading', 'resolving'. | [outro: Fading piano chords with soft pads.] | Ensure it provides a sense of closure. |
pad | Specifies the use of sustained background textures. | Within '[instruments]' or '[style]'. | Descriptors like 'warm', 'evolving', 'ambient'. | [pad: Evolving synth pads create an atmospheric backdrop.] | Use for ambient or cinematic effects. |
pedal-point | Indicates a sustained or repeated note, typically in the bass. | Within '[harmony]' or '[bass]'. | Descriptors like 'low', 'high', 'suspended'. | [pedal-point: Sustained low D in the bass throughout the section.] | Used for tension-building or grounding harmonic movement. |
personae | Defines a virtual persona or voice type for vocals. | Within '[vocals]' or '[style]'. | Descriptors like 'calm', 'dramatic', 'ethereal'. | [personae: Ethereal female voice leads the melody.] | Use to customize vocal performance characteristics. |
pizzicato | Indicates plucked string techniques. | Within '[instruments]' or '[style]'. | Descriptors like 'light', 'bouncy'. | [pizzicato: Light pizzicato strings add rhythmic texture.] | Use for playful or textural effects. |
power-off drop | Describes a sudden cut in audio for dramatic effect. | Within '[structure]' or '[style]'. | Descriptors like 'abrupt', 'smooth fade'. | [power-off drop: Abrupt silence before the chorus drop.] | Use sparingly to maintain impact. |
pre-chorus | Defines a transitional section leading to the chorus. | Within '[structure]' or as its own tag. | Descriptors like 'building', 'melodic'. | [pre-chorus: Building tension with rising synths and layered vocals.] | Use to build anticipation for the chorus. |
prelude | Defines the introductory section of a track, often setting the mood. | Within '[structure]' or as its own tag. | Descriptors like 'soft', 'mysterious'. | [prelude: Mysterious piano chords with soft ambient pads.] | Use for tracks with a narrative or cinematic quality. |
pronunciation | Specifies vocal pronunciation style or accent. | Within '[vocals]' or '[lyrics]'. | Descriptors like 'British', 'neutral', 'emphasized'. | [pronunciation: Neutral accent with soft emphasis on vowels.] | Use for multilingual tracks or precise vocal control. |
pulse | Defines rhythmic or percussive pulsation. | Within '[rhythm]' or '[structure]'. | Descriptors like 'steady', 'dynamic'. | [pulse: Dynamic bass pulse drives the rhythm.] | Use for creating motion and energy in the track. |
recapitulation | Marks the return of the main theme, often in classical forms. | Within '[structure]' or as its own tag. | Descriptors like 'dramatic', 'lyrical'. | [recapitulation: Return of the main theme with full orchestration.] | Position near the end for resolution and emphasis. |
refrain | Defines a repeated section, often the chorus or hook. | Within '[structure]' or '[chorus]'. | Descriptors like 'uplifting', 'anthemic'. | [refrain: Uplifting melody with harmonized vocals.] | Ensure repetition for memorability. |
register | Defines the pitch range of a melody or harmony. | Within '[melody]' or '[harmony]'. | Descriptors like 'high', 'low', 'mid'. | [register: High register violin melodies for a soaring effect.] | Use to specify instrument range and create contrast. |
resolution | Marks the resolution of harmonic tension. | Within '[harmony]' or '[structure]'. | Descriptors like 'strong', 'soft'. | [resolution: Strong V-I resolution for a satisfying ending.] | Use to conclude phrases with a sense of completion. |
retrograde | Reverses a melody or motif. | Within '[theme]' or '[variation]'. | Descriptors like 'melodic', 'harmonic'. | [retrograde: The main theme played in reverse order.] | Used in classical fugues and avant-garde compositions. |
reverb | Applies reverb effects to instruments or vocals. | Within '[mixing]' or '[instruments]'. | Descriptors like 'light', 'cathedral', 'ambient'. | [reverb: Light ambient reverb for soft vocal echoes.] | Use sparingly to avoid muddying the mix. |
reverberate | Specifies resonant echoes or reverb-like effects. | Within '[sfx]' or '[structure]'. | Descriptors like 'deep', 'metallic'. | [reverberate: Deep metallic echoes create a haunting atmosphere.] | Combine with '[ambient]' for cinematic soundscapes. |
rhythm | Defines the rhythmic structure or style of the track. | Before '[structure]' or '[style]'. | Descriptors like 'syncopated', 'steady', 'complex'. | [rhythm: Syncopated beats drive the verses.] | Match rhythm with genre and mood for coherence. |
rhythmic-motif | Defines a recurring rhythmic idea or pattern. | Within '[rhythm]' or '[structure]'. | Descriptors like 'syncopated', 'driving'. | [rhythmic-motif: Syncopated rhythm repeating throughout the chorus.] | Use to establish groove and rhythmic identity in the track. |
ritardando | Indicates a gradual slowing of tempo. | Within '[tempo]' or '[structure]'. | Descriptors like 'subtle', 'dramatic'. | [ritardando: Dramatic tempo decrease leading to the coda.] | Use to transition to slower, reflective sections. |
riff | Specifies a repeated instrumental motif or phrase. | Within '[structure]' or '[instruments]'. | Descriptors like 'guitar', 'bass'. | [riff: Energetic guitar riff opens the track.] | Use for hooks or thematic consistency. |
rise | Defines a buildup or crescendo effect. | Within '[structure]' or '[dynamics]'. | Descriptors like 'gradual', 'intense'. | [rise: Gradual orchestral rise leads to the climax.] | Combine with '[climax]' for dramatic effect. |
rondo | Defines a classical form with alternating themes (ABACA). | Before '[structure]' or as its own tag. | Descriptors like 'playful', 'contrasting'. | [rondo: Alternating piano and string themes create contrast.] | Use for classical or structured compositions. |
sad | Sets a melancholic or emotional mood. | Within '[mood]' or '[style]'. | Descriptors like 'melancholic', 'haunting'. | [mood: Sad with soft, haunting piano melodies.] | Combine with minor keys for emotional depth. |
scale | Specifies the musical scale or mode of the track. | Before '[structure]' or '[style]'. | Descriptors like 'major', 'minor', 'dorian'. | [scale: Minor scale for a dark, mysterious tone.] | Align scale choice with mood and genre. |
scherzo | Defines a playful, fast-paced classical movement. | Before '[structure]' or as its own tag. | Descriptors like 'light', 'humorous'. | [scherzo: Light, playful string movement in 3/4 time.] | Use for energetic or contrasting sections in classical forms. |
secondary theme | Defines a contrasting theme to the primary melody. | Within '[structure]' or '[theme]' tags. | Descriptors like 'lyrical', 'contrasting'. | [secondary theme: Contrasting lyrical flute melody in A minor.] | Use to add depth and variation to thematic compositions. |
section | Defines a segment or part of the track. | Before '[structure]' or as its own tag. | Descriptors like 'intro', 'bridge', 'chorus'. | [section: A brief instrumental interlude with soft pads.] | Use for structural clarity and to organize the track. |
sequence | Specifies the order of sections in the track. | Before '[structure]' or as a global directive. | Descriptors like 'intro, verse, chorus, outro'. | [sequence: intro, verse, bridge, chorus, outro.] | Ensure sequence aligns with the intended narrative. |
sforzando | Indicates a strong, sudden emphasis on a note or chord. | Within '[instruments]' or '[dynamics]'. | Descriptors like 'brass', 'strings'. | [sforzando: Strong brass accents in the climax.] | Use sparingly for dramatic or energetic sections. |
sfx | Adds sound effects to the track. | Before '[structure]' or as its own tag. | Descriptors like 'wind', 'footsteps', 'laughter'. | [sfx: Wind howling creates an eerie atmosphere.] | Combine with '[ambient]' for immersive soundscapes. |
shout | Defines a shouted vocal effect or phrase. | Within '[vocals]' or '[style]'. | Descriptors like 'energetic', 'group'. | [shout: Group shouts add energy to the chorus.] | Use for emphasis in dynamic or aggressive tracks. |
signal-processing | Indicates electronic effects applied to audio signals. | Within '[mixing]' or '[effects]'. | Descriptors like 'reverb', 'compression', 'delay'. | [signal-processing: Heavy reverb on vocals for ethereal ambiance.] | Use to enhance sound design and texture. |
silence | Specifies pauses or breaks in the audio. | Within '[structure]' or '[dynamics]'. | Descriptors like 'brief', 'dramatic'. | [silence: Brief pause before the climax.] | Use for tension or to highlight transitions. |
sincopation | Defines offbeat or syncopated rhythms. | Within '[rhythm]' or '[structure]'. | Descriptors like 'jazzy', 'percussive'. | [sincopation: Jazzy syncopated rhythm drives the verses.] | Use to create rhythmic interest and complexity. |
solo | Defines a prominent instrumental or vocal solo. | Within '[structure]' or '[instruments]'. | Descriptors like 'guitar', 'violin'. | [solo: Energetic guitar solo in the bridge.] | Highlight key moments or transitions with solos. |
sonority | Defines the richness and tonal quality of a sound or harmony. | Within '[harmony]' or '[tone]'. | Descriptors like 'bright', 'dark', 'rich'. | [sonority: Dark, rich brass sonorities for a cinematic feel.] | Important for shaping the overall timbral character of a composition. |
staccato | Indicates short, detached notes. | Within '[instruments]' or '[style]'. | Descriptors like 'strings', 'playful'. | [staccato: Playful staccato strings accentuate the melody.] | Use for rhythmic texture or light, energetic sections. |
start | Marks the beginning of the track or section. | Before '[structure]' or as its own tag. | Descriptors like 'abrupt', 'gradual'. | [start: Abrupt piano chords introduce the track.] | Set the tone and mood with a strong start. |
stereo | Defines stereo field properties. | Within '[mixing]' or '[structure]'. | Descriptors like 'wide', 'centered', 'panned'. | [stereo: Wide stereo field with panned instruments.] | Use to create depth and spatial awareness. |
structure | Specifies the overall structure of the track. | Before '[sequence]' or as its own tag. | Descriptors like 'intro, verse, chorus'. | [structure: intro, verse, chorus, outro.] | Ensure structure aligns with genre conventions. |
style | Defines the stylistic approach of the track. | Before '[structure]' or '[instruments]'. | Descriptors like 'ambient', 'jazz', 'orchestral'. | [style: Ambient with orchestral undertones.] | Combine with '[genre]' for detailed customization. |
subharmonic | Indicates frequencies below the fundamental pitch. | Within '[bass]' or '[mixing]'. | Descriptors like 'deep', 'rumbling'. | [subharmonic: Deep subharmonic bass frequencies for added depth.] | Useful for low-end reinforcement in electronic and orchestral music. |
sustain | Defines how long a note or chord is held before fading. | Within '[dynamics]' or '[instruments]'. | Descriptors like 'long', 'short', 'moderate'. | [sustain: Long sustained strings for a cinematic feel.] | Use for dramatic or atmospheric effects in ambient, orchestral, and cinematic music. |
swell | Indicates a gradual increase in volume or intensity. | Within '[dynamics]' or '[structure]'. | Descriptors like 'orchestral', 'crescendo'. | [swell: Gradual orchestral swell leads to the climax.] | Use for transitions or dramatic buildups. |
syncopation | Specifies offbeat rhythms that contrast the main beat. | Within '[rhythm]' or '[style]'. | Descriptors like 'jazzy', 'stuttering'. | [syncopation: Jazzy offbeat groove in the bassline.] | Works well in funk, jazz, reggae, and electronic genres. |
tempo | Defines the speed or pace of the track. | Before '[structure]' or '[style]'. | Descriptors like 'slow', 'moderate', 'fast', or BPM (e.g., '120 BPM'). | [tempo: Slow tempo around 60 BPM for a reflective mood.] | Match tempo to the mood and purpose of the track. |
tension-release | Defines moments of tension and their resolution in the composition. | Within '[structure]' or '[harmony]'. | Descriptors like 'gradual', 'sudden'. | [tension-release: Gradual buildup resolving into a major chord.] | Essential for building drama and emotional impact in orchestral and cinematic pieces. |
tenuto | Indicates notes played with sustained emphasis. | Within '[instruments]' or '[style]'. | Descriptors like 'smooth', 'emphatic'. | [tenuto: Smooth, sustained violin notes in the bridge.] | Use for lyrical or emotive passages. |
tessitura | Defines the most frequently used pitch range of an instrument or voice. | Within '[vocals]' or '[melody]'. | Descriptors like 'high', 'low', 'mid'. | [tessitura: High tessitura soprano line for expressive melodies.] | Useful for defining vocal or instrumental ranges and ensuring comfortable performance dynamics. |
texture | Specifies the density or complexity of the sound. | Before '[structure]' or within '[style]'. | Descriptors like 'rich', 'sparse', 'layered'. | [texture: Layered strings with light synth pads.] | Combine with '[arrangement]' for detailed sound design. |
theme | Defines the primary melodic or harmonic idea of the track. | Within '[structure]' or '[style]'. | Descriptors like 'lyrical', 'repetitive', 'contrasting'. | [theme: Lyrical piano melody in C major.] | Use to establish the track's identity and emotional core. |
theme-and-variations | A compositional form where a central theme is presented and altered through key changes, rhythm, and instrumentation. | Placed after the intro as the primary developmental structure. | - [theme-and-variations: dramatic tempo shifts] - [theme-and-variations: evolving harmony] - [theme-and-variations: progressive orchestration] |
[structure: intro, theme-and-variations, outro] [theme-and-variations: intricate, evolving motifs] |
Works well in progressive electronic music, orchestral cinematic scores, or psytrance. |
timbre | Defines the tonal color of an instrument or sound. | Within '[mixing]' or '[style]'. | Descriptors like 'warm', 'cold', 'metallic'. | [timbre: Metallic percussion tones with a dark texture.] | Used to shape the sonic identity of a track. |
toccata | A fast, virtuosic composition, typically featuring rapid passages, technical arpeggios, and improvisatory energy. | Usually after [structure] and before [outro] to define the central development. | - [toccata: cascading arpeggios] - [toccata: intense rhythm shifts] - [toccata: sharp articulation, quick phrasing] |
[structure: intro, toccata, outro] [toccata: dramatic, virtuoso piano runs] |
Use in genres with rapid, complex phrasing such as neoclassical metal, jazz fusion, or breakcore. |
tone | Specifies the tonal quality or mood of the track. | Before '[structure]' or '[style]'. | Descriptors like 'bright', 'dark', 'warm'. | [tone: Warm and soft with minimal harshness.] | Align tone with the desired mood and instrumentation. |
tone-cluster | Refers to large groups of adjacent notes played together. | Within '[harmony]' or '[theme]'. | Descriptors like 'soft', 'chaotic'. | [tone-cluster: Chaotic piano tone clusters for dramatic tension.] | Used in avant-garde and contemporary classical compositions. |
transition | Defines the connection between two sections of the track. | Within '[structure]' or '[sequence]'. | Descriptors like 'smooth', 'abrupt', 'layered'. | [transition: Smooth fade from intro to verse.] | Use transitions to maintain flow and coherence. |
tremolo | Specifies rapid repetition or oscillation of notes. | Within '[instruments]' or '[style]'. | Descriptors like 'violin', 'intense'. | [tremolo: Rapid tremolo strings add tension to the climax.] | Use for dramatic or suspenseful effects. |
trio | Specifies a composition for three instruments or voices. | Before '[structure]' or within '[ensemble]'. | Descriptors like 'piano, violin, cello'. | [trio: Piano, violin, and cello create a chamber ensemble.] | Combine with '[arrangement]' for specific voicing. |
variation | Indicates alterations or developments of a theme. | Within '[structure]' or '[theme]'. | Descriptors like 'ornamental', 'contrasting'. | [variation: Contrasting variation of the main theme in minor.] | Use to maintain interest and complexity. |
verse | Defines a lyrical or thematic section of the track. | Within '[structure]' or as its own tag. | Descriptors like 'lyrical', 'narrative'. | [verse: Reflective lyrics with soft guitar accompaniment.] | Ensure verses build towards the chorus or refrain. |
vibe | Specifies the overall feel or atmosphere of the track. | Before '[style]' or '[structure]'. | Descriptors like 'chill', 'intense', 'playful'. | [vibe: Chill and relaxed with soft beats.] | Combine with '[mood]' for more specificity. |
vocals | Defines the type and style of vocals in the track. | Before '[structure]' or within '[style]'. | Descriptors like 'female', 'male', 'choir'. | [vocals: Female soprano with ethereal harmonies.] | Specify pitch and style for tailored vocal effects. |
voicing | Defines how notes are distributed across instruments or voices. | Within '[harmony]' or '[orchestration]'. | Descriptors like 'open', 'close', 'spread'. | [voicing: Open chord voicings for a spacious feel.] | Used to control the harmonic texture and clarity of chords in orchestral and jazz arrangements. |
whisper | Specifies whispered vocal elements. | Within '[vocals]' or '[style]'. | Descriptors like 'soft', 'haunting'. | [whisper: Haunting whispers echo in the background.] | Use sparingly for atmospheric or eerie effects. |
whispering | Indicates continuous or rhythmic whispered vocals. | Within '[vocals]' or '[style]'. | Descriptors like 'rhythmic', 'layered'. | [whispering: Layered whispers create an unsettling atmosphere.] | Combine with '[ambient]' or '[sfx]' for cinematic soundscapes. |
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Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"