Meta-tags: Errata

Last modified: 2025, April 08.

Known misbehaving tags/tags values

Tag	Status	Notes
[accent: ...]	❌ High hallucination risk	Unpredictable. Will often produce gibberish lyrics. Avoid.
[autotune: ...]	⚠️ Unstable	Can trigger vocal glitches or ghost vocals; not recommended.
[bpm: ...]	❌ Deprecated	Explicit BPM values (e.g., [bpm: 120]) are ignored. Use [tempo: slow/fast/moderate/variable] instead.
[emotion: ...]	❌ Ignored	Appears valid, but ignored; use [mood:] or [vocal-style:] instead.
[key: ...]	❌ Broken	Although musically logical, does not affect harmonic key. Use [modulation: ...] if available.
[language: ...]	❌ Dangerous	Causes hallucinated pseudo-languages or gibberish. Use [vocal-language:] experimentally and carefully.
[loop: ...]	⚠️ Risky	Might work in intro/outro for ambient, but often misinterpreted.
[master: ...]	❌ Ignored	"Mastering" tags like [master: soft/bright] do not apply.
[melody: ...]	❌ Invalid	Melody directives are not directly controllable via this tag.
[mix: clean/dirty]	❌ Misfires	Mix preferences often misunderstood; prefer [compression:] or [filter:] tags.
[panning: ...]	❌ Broken alias	Use [pan: ...] instead — panning is not a valid tag.
[persona: ...]	❌ Mode conflict	Should not be placed in lyrics. Persona is a generation mode, not a tag.
[sing-style: ...]	❌ Deprecated	Early alpha tag. Replaced by [vocal-style:].
[style: none]	❌ Invalid	"none" is not interpreted as a meaningful style. Will confuse output.
[section: ...]	❌ Redundant	Rejected or misread; use [intro: ...], [verse: ...] etc.
[song-type: ...]	❌ Ignored	Used in early Suno alpha; currently has no effect.
[theme: ...]	❌ Conflicting	Rejected by parser; use named theme, i.e. [theme A: ...] or [theme B: ...].
[volume: ...]	❌ Ignored	No effect; prefer [gain:] or [intensity:].

Tips on using meta-tags

1. Use only known or confirmed tags.
2. Avoid alias or ambiguous tags like bpm, key, language.
3. Test in Standalone mode first — many tags that break in Extend or Cover work fine solo.
4. If in doubt, use "[style: experimental]" or "[control: hallucinatory]" to encourage flexible output instead of forcing

Meta-tags definitions

Below is the list of meta-tags recognized by Suno audio tracks generation service (as confirmed by user tests and official Suno documentation).

[accelerando]

• Meaning: Specifies a gradual increase in tempo, creating a sense of urgency, excitement, or transition.
• Placement: Typically used within [tempo], [structure], or [rhythm].
• Accepted Parameters:
  • gradual – Slow, steady increase in speed.
  • sudden – Sharp, quick tempo increase.
  • layered – Different instruments accelerating at different rates.
  • intensified – Accompanied by increased dynamics or harmonic tension.
  • syncopated – Rhythmic acceleration with offbeat emphasis.
• Sample Usage:

  [accelerando: Gradual tempo increase leading into the climax.]
  

• Genre-Based Usage:
  • Classical & Orchestral: Used in symphonic works and fugues for momentum.
  • Jazz & Latin: Accelerando builds swing and groove over a solo section.
  • Rock & Metal: Driving guitar riffs increase tempo for intensity.
  • EDM & Trance: Used in buildups before a drop.

Track Structure Recommendation

• [intro: Steady tempo with calm instrumentation]
• [verse: Gradual accelerando with layering synths]
• [chorus: Full-speed section with high energy]
• [bridge: Slowdown before another accelerando]
• [outro: Return to a slower tempo]

[ad-lib]

• Meaning: Specifies a freely improvised vocal or instrumental phrase, often used in solos or embellishments.
• Placement: Typically used within [vocals] or [structure].
• Accepted Parameters:
  • vocal – Spontaneous, expressive singing.
  • instrumental – Improvised instrumental fills.
  • rhythmic – Ad-libbed drum patterns.
  • melodic – Improvised melody variations.
  • harmonic – Free chordal movement.
• Sample Usage:

  [ad-lib: Vocal runs in the final chorus for emotional impact.]
  

• Genre-Based Usage:
  • Jazz & Blues: Essential for improvised solos.
  • Hip-Hop & R&B: Vocal ad-libs enhance expressiveness.
  • Rock & Metal: Guitar ad-libs add raw energy.
  • Latin & Afrobeat: Percussion ad-libs for dance groove.

Track Structure Recommendation

• [intro: Sparse vocals with ad-lib whispers]
• [verse: Structured melody with ad-libbed embellishments]
• [chorus: Powerful vocal ad-libs on key lines]
• [bridge: Improvised guitar or sax solo]
• [outro: Soft, fading ad-lib phrases]

[ambient]

• Meaning: Defines a track as atmospheric, textural, and non-rhythmic, often using drones, pads, or environmental sounds.
• Placement: Typically used within [style], [mixing], or [structure].
• Accepted Parameters:
  • textural – Emphasizes layered sound textures.
  • minimal – Sparse and open sound design.
  • dark – Mysterious, eerie ambient tones.
  • bright – Ethereal, uplifting ambiance.
  • dissonant – Subtle or strong unresolved tension.
• Sample Usage:

  [ambient: Dark, textural drones fading in and out.]
  

• Genre-Based Usage:
  • Cinematic & Soundtrack: Enhances scene-setting and emotion.
  • Electronic & Drone: Builds slow-moving soundscapes.
  • Experimental & Avant-Garde: Creates abstract sonic experiences.
  • Lo-Fi & Chill: Soft ambient pads provide a relaxing background.

Track Structure Recommendation

• [intro: Faint, layered ambient textures]
• [verse: Soft ambient swells and deep bass pads]
• [chorus: Expanding textures with shimmering synths]
• [bridge: Minimalist moment with evolving drones]
• [outro: Fading ambient echoes]

[arpeggio]

• Meaning: Defines a broken chord sequence, where notes are played individually instead of simultaneously.
• Placement: Typically used within [harmony] or [rhythm].
• Accepted Parameters:
  • rising – Arpeggio pattern ascends.
  • falling – Arpeggio pattern descends.
  • circular – Continuously repeating patterns.
  • syncopated – Offbeat rhythmic arpeggios.
  • randomized – Variations in note sequence.
• Sample Usage:

  [arpeggio: Syncopated synth arpeggios driving the groove.]
  

• Genre-Based Usage:
  • Classical & Baroque: Harpsichord and piano arpeggios provide intricate motion.
  • Rock & Progressive: Guitar arpeggios enhance melody flow.
  • Electronic & Synthwave: Rapid, repeating synth arpeggios create movement.
  • Jazz & Blues: Improvised arpeggios add harmonic fluidity.

Track Structure Recommendation

• [intro: Soft, rising piano arpeggios]
• [verse: Low arpeggios supporting the melody]
• [chorus: Faster, syncopated arpeggio patterns]
• [bridge: Swirling synth arpeggios layered over bass]
• [outro: Descending, fading arpeggios]

[arrangement]

• Meaning: Defines the organization of musical elements, including instrumentation, section order, and layering.
• Placement: Typically used within [structure], [orchestration], or [mixing].
• Accepted Parameters:
  • dense – Full, layered orchestration.
  • minimal – Sparse, delicate textures.
  • layered – Different instrumental layers building over time.
  • dynamic – Varying section energy throughout.
  • orchestral – Classical-style arrangement.
• Sample Usage:

  [arrangement: Layered instrumentation building towards climax.]
  

• Genre-Based Usage:
  • Classical & Symphonic: Dense orchestral arrangements for cinematic pieces.
  • Jazz & Big Band: Dynamic arrangements with brass and woodwinds.
  • Electronic & Pop: Layered synth arrangements create depth.
  • Minimalist & Experimental: Sparse arrangements leave room for textures.

Track Structure Recommendation

• [intro: Minimal arrangement with only a piano and soft pads]
• [verse: Gradually introducing more instruments]
• [chorus: Full, layered arrangement with harmonies]
• [bridge: Stripped-down section before a build-up]
• [outro: Gradual removal of instruments for a soft fade-out]

[articulation]

• Meaning: Specifies how notes are played in terms of attack, transition, and connection between them.
• Placement: Typically placed within [instruments] or [style].
• Accepted Parameters:
  • staccato – Short, detached notes.
  • legato – Smooth, connected notes.
  • marcato – Strongly accented notes.
  • tenuto – Notes played at full duration.
  • accented – Notes emphasized with additional force.
  • spiccato – Lightly bouncing bow strokes (for strings).
  • sustained – Notes held for extended durations.
• Sample Usage:

  [articulation: Staccato strings and legato woodwinds for contrast.]
  

• Advice:
  • Use "staccato" for punchy, rhythmic compositions.
  • Use "legato" for smooth and flowing melodies.
  • Combine articulations to create dynamic contrasts.

[attack]

• Meaning: Defines how quickly a note reaches its full volume after being played.
• Placement: Typically placed within [dynamics], [instruments], or [mixing].
• Accepted Parameters:
  • sharp – A quick, percussive attack (good for plucked strings, electronic leads).
  • soft – A gentle, gradual attack (suitable for pads, ambient textures).
  • gradual – Slow attack leading to full volume (useful for swells and cinematic soundscapes).
  • percussive – Extremely sharp attack for rhythmic impact.
• Sample Usage:

  [attack: Soft attack on synth pads for smooth transitions.]
  

• Advice:
  • Use sharp attack for rhythmic punch (percussion, electric bass).
  • Use gradual attack for build-ups and orchestral swells.
  • Combine with [sustain] to shape the envelope of a sound.

[background-vocals]

• Meaning: Specifies harmonized or complementary vocals that support the lead vocal.
• Placement: Typically used within [vocals], [harmony], or [structure].
• Accepted Parameters:
  • harmonic – Background vocals provide harmonic support.
  • call-response – Background vocals interact with the lead.
  • layered – Multiple vocal tracks stacked for richness.
  • ethereal – Distant, reverb-heavy vocals for ambiance.
  • chant – Repeated, rhythmic background phrases.
• Sample Usage:

  [background-vocals: Layered harmonies in the chorus for depth.]
  

• Genre-Based Usage:
  • Pop & R&B: Rich harmonic background vocals enhance melodies.
  • Gospel & Soul: Call-and-response vocals create intensity.
  • Electronic & Dream Pop: Ethereal vocals blend into atmospheric textures.
  • Rock & Metal: Chanted or shouted background vocals add energy.

Track Structure Recommendation

• [intro: Sparse, whispered background vocals]
• [verse: Subtle harmonies supporting the melody]
• [chorus: Layered, full background harmonies]
• [bridge: Call-and-response vocals adding drama]
• [outro: Ethereal fade-out with reverb on background vocals]

[bass]

• Meaning: Defines the bassline characteristics, its prominence, and style.
• Placement: Typically placed within [instruments], [mixing], or [rhythm].
• Accepted Parameters:
  • deep – Low, rumbling bass frequencies.
  • sub-bass – Focus on low-end frequencies under 60Hz.
  • pulsing – Repetitive bass rhythm, often in electronic music.
  • saturated – Heavy, distorted bass (common in phonk, industrial, metal).
  • modulated – Bass with frequency or amplitude variations.
  • syncopated – Offbeat or groove-heavy bass patterns.
• Sample Usage:

  [bass: Deep, pulsating sub-bass driving the rhythm.]
  

• Advice:
  • Deep/sub-bass works best for electronic, trap, and cinematic music.
  • Syncopated bass is ideal for funk, jazz, and reggae.
  • Use saturation or distortion to create a gritty, aggressive tone.

[bass-slide]

• Meaning: Specifies a sliding bass note, often used for groove or tension.
• Placement: Typically used within [bass], [rhythm], or [effects].
• Accepted Parameters:
  • upward – Slide from a lower pitch to a higher note.
  • downward – Slide from a higher pitch to a lower note.
  • glissando – A smooth, continuous slide.
  • percussive – Short, quick slides for rhythmic emphasis.
  • synth – A bass slide effect generated on a synthesizer.
• Sample Usage:

  [bass-slide: Downward glissando before the chorus drop.]
  

• Genre-Based Usage:
  • Funk & Jazz: Upward bass slides add groove.
  • Hip-Hop & Trap: 808 sub-bass slides create deep movement.
  • Rock & Metal: Aggressive bass slides introduce breakdowns.
  • Electronic & House: Synth bass slides add energy to drops.

Track Structure Recommendation

• [intro: Deep, slow bass slide into the groove]
• [verse: Subtle slides in the bassline for fluidity]
• [chorus: Upward bass-slide leading into the drop]
• [bridge: Dramatic downward slide transitioning to tension]
• [outro: Fading bass-slide resolving into silence]

[beat-switch]

• Meaning: Indicates a sudden or gradual change in rhythm, often altering tempo, groove, or drum patterns.
• Placement: Typically used within [rhythm], [structure], or [break].
• Accepted Parameters:
  • sudden – A sharp, unexpected change in beat.
  • gradual – A slow transition from one beat to another.
  • double-time – The beat shifts to twice the original speed.
  • half-time – The beat slows to half speed.
  • syncopated – The rhythm becomes more unpredictable.
• Sample Usage:

  [beat-switch: Sudden double-time transition into the drop.]
  

• Genre-Based Usage:
  • Hip-Hop & Phonk: Beat-switches create contrast between sections.
  • Trap & EDM: Half-time switches slow the groove for tension.
  • Jazz & Funk: Syncopated beat-switches add complexity.
  • Rock & Metal: Double-time sections increase intensity.

Track Structure Recommendation

• [intro: Slow, steady beat]
• [verse: Syncopated groove with tension]
• [chorus: Sudden beat-switch to double-time]
• [bridge: Half-time breakdown for contrast]
• [outro: Gradual fade into the original groove]

[big finish]

• Meaning: Defines a grand, climactic ending, often with increased volume, instrumentation, or dramatic buildup.
• Placement: Typically used within [structure], [dynamics], or [orchestration].
• Accepted Parameters:
  • orchestral – Full symphonic ending.
  • rock – Extended guitar and drum finale.
  • electronic – Massive synth drop or explosion.
  • fade-out – Grand but gradually diminishing.
  • percussive – Intense drum fills leading to the end.
• Sample Usage:

  [big finish: Orchestral swells and cymbal crashes building to a dramatic ending.]
  

• Genre-Based Usage:
  • Cinematic & Classical: Orchestral swells for epic finales.
  • Rock & Metal: Explosive guitar solos and drum fills.
  • EDM & House: Huge synth climax followed by silence.
  • Pop & Ballads: Gradual fade-out with layered vocals.

Track Structure Recommendation

• [intro: Soft, minimal entry]
• [verse: Building intensity with each phrase]
• [chorus: Expanding into rich harmonies]
• [bridge: Peak of emotional tension]
• [outro: Big finish with all instruments at full power]

[break]

• Meaning: A brief pause or stripped-down section in the song, often used for tension or transition.
• Placement: Typically used within [structure], [rhythm], or [dynamics].
• Accepted Parameters:
  • instrumental – A solo instrumental section.
  • percussive – A drum break with no melody.
  • silence – A moment of complete pause.
  • glitch – A digitally processed stutter effect.
  • acapella – Vocals only, no instrumentation.
• Sample Usage:

  [break: Silence before the final chorus drop.]
  

• Genre-Based Usage:
  • Hip-Hop & Breakbeat: Percussive breaks for sampling and scratching.
  • Jazz & Funk: Drum breaks set up improvised solos.
  • Electronic & Trap: Glitch or silence breaks before a drop.
  • Rock & Metal: Instrumental breakdowns add intensity.

Track Structure Recommendation

• [intro: Full-band intro leading into break]
• [verse: Steady groove with instrumental build]
• [chorus: Strong energy before break]
• [bridge: Sudden percussive break leading to climax]
• [outro: Soft acapella break before fade-out]

[breakdown]

• Meaning: A section where the instrumentation is stripped down, usually reducing intensity before building back up.
• Placement: Typically used within [structure], [rhythm], or [dynamics].
• Accepted Parameters:
  • percussive – Emphasis on drums or rhythmic elements.
  • instrumental – Focused on instruments with minimal vocals.
  • electronic – Filtered or chopped electronic elements.
  • syncopated – A more rhythmically complex breakdown.
  • minimal – Only a few instruments, creating an intimate moment.
• Sample Usage:

  [breakdown: Percussive break with syncopated drum fills before the final chorus.]
  

• Genre-Based Usage:
  • Electronic & EDM: Often used before a drop, with filtered synths.
  • Rock & Metal: Stripped-down guitar and bass sections before a climax.
  • Hip-Hop & Trap: Beat-only sections for rapping emphasis.
  • Jazz & Funk: Instrumental solo breaks for improvisation.

Track Structure Recommendation

• [intro: Soft ambient pads leading into verse]
• [verse: Full instrumentation with vocal delivery]
• [chorus: Energetic, layered section]
• [breakdown: Stripped percussion and bass, creating anticipation]
• [bridge: Gradual build-up leading back into chorus]
• [outro: Fading synths with percussion elements]

[bridge]

• Meaning: A contrasting section that connects different parts of a song, often providing harmonic or melodic variation.
• Placement: Typically used within [structure] or [harmony].
• Accepted Parameters:
  • melodic – Focus on a new melody line.
  • harmonic – Introduces a new chord progression.
  • instrumental – No vocals, only instrumental contrast.
  • climactic – Builds intensity leading into the final chorus.
  • stripped-down – Softer than other sections, creating contrast.
• Sample Usage:

  [bridge: Stripped-down vocals with subtle guitar arpeggios before the climax.]
  

• Genre-Based Usage:
  • Pop & Rock: A melodic shift before returning to the chorus.
  • Jazz & Soul: Modulations to new harmonic territories.
  • Metal & Prog Rock: Dynamic tempo or key changes.
  • Electronic & House: Filter sweeps and instrumental shifts.

Track Structure Recommendation

• [intro: Instrumental fade-in]
• [verse: Primary melody and lyrics]
• [chorus: Energetic, memorable hook]
• [bridge: Harmonic variation leading into tension]
• [chorus: Final, climactic return]
• [outro: Slow fade-out with ambient textures]

[buildup]

• Meaning: Indicates a section where energy gradually increases, leading into a climax or drop.
• Placement: Typically placed within [structure], [dynamics], or [arrangement].
• Accepted Parameters:
  • orchestral swell – Gradual increase in volume using orchestral instruments.
  • percussive rise – Increasing drum intensity.
  • synth riser – Electronic sound increasing in pitch and volume.
  • filtered buildup – Progressive removal of low/high frequencies to create anticipation.
  • crescendo – General increase in intensity.
• Sample Usage:

  [buildup: Synth risers and filtered drums lead into the drop.]
  

• Advice:
  • Layer different instruments (e.g., drums, synths, strings) for more dramatic buildups.
  • Use filtered buildups to emphasize tension and release.
  • Keep buildups consistent with genre norms (orchestral in cinematic, risers in EDM).

[cadence]

• Meaning: Defines how a musical phrase ends in terms of chord progression or resolution.
• Placement: Typically placed within [harmony], [structure], or [theme].
• Accepted Parameters:
  • perfect cadence – Strong resolution (V-I progression).
  • plagal cadence – "Amen" sound, softer resolution (IV-I progression).
  • deceptive cadence – Leads to an unexpected chord (V-vi progression).
  • suspended cadence – Leaves the resolution hanging (V-IV or unresolved progressions).
  • chromatic cadence – Ending involving non-diatonic movement.
• Sample Usage:

  [cadence: Deceptive cadence keeps the suspense before resolution.]
  

• Advice:
  • Perfect cadences create strong closures in classical and pop.
  • Deceptive cadences are useful for suspenseful or dramatic effects.
  • Use suspended cadences to create open-ended, atmospheric conclusions.

[cadential]

• Meaning: Specifies the type of harmonic progression leading into a cadence (the ending of a musical phrase or section).
• Placement: Typically used within [harmony], [structure], or [theme].
• Accepted Parameters:
  • strong – A definitive cadence, often V-I (dominant to tonic).
  • weak – Less conclusive, often ending on a subdominant or supertonic.
  • suspended – An unresolved cadence, leaving harmonic tension.
  • interrupted – A deceptive cadence, leading to an unexpected chord.
  • chromatic – Cadences involving non-diatonic notes for added color.
• Sample Usage:

  [cadential: Strong V-I resolution at the end of the chorus.]
  

• Advice:
  • Use strong cadences to create a sense of closure.
  • Weak or suspended cadences are great for building anticipation.
  • Chromatic cadences can add emotional or exotic harmonic effects.

[call-and-response]

• Meaning: Defines a musical interaction where a phrase (the "call") is followed by a responding phrase (the "response"), commonly used in blues, gospel, jazz, and African music.
• Placement: Typically placed within [structure] or [vocals].
• Accepted Parameters:
  • instrumental – The response is played by instruments.
  • vocal – The response is sung by another voice or choir.
  • echoed – The response mimics the original call.
  • contrapuntal – The response creates a counterpoint rather than direct imitation.
  • syncopated – The response shifts the rhythmic pattern.
• Sample Usage:

  [call-and-response: Saxophone calls with trumpet responses.]
  

• Advice:
  • Use instrumental call-and-response for jazz and funk.
  • Use vocal responses for choir and gospel.
  • Contrapuntal responses work well for baroque or jazz improvisation.

[chant]

• Meaning: Specifies a repetitive, rhythmic vocal phrase, often used for emphasis or ritualistic effect.
• Placement: Typically used within [vocals], [structure], or [harmony].
• Accepted Parameters:
  • repetitive – The phrase is looped multiple times.
  • monotone – A single note chant without melody variation.
  • harmonic – Layered chanting with harmonies.
  • tribal – Percussion-driven, earthy rhythmic chants.
  • ritualistic – Dark or mystical chanting style.
• Sample Usage:

  [chant: Deep, monotone chanting layered over bass drones.]
  

• Genre-Based Usage:
  • Gothic & Darkwave: Ritualistic chants add eerie depth.
  • Hip-Hop & Trap: Repetitive chants provide rhythmic hooks.
  • Folk & World Music: Tribal-style chants for cultural influence.
  • Electronic & Psytrance: Layered chant loops create hypnotic vibes.

Track Structure Recommendation

• [intro: Distant chants fading in]
• [verse: Lead vocals with rhythmic chant backing]
• [chorus: Full harmonic chanting with layered vocals]
• [bridge: Stripped-down percussion with solo chanting]
• [outro: Chanting fading into silence]

[choir]

• Meaning: Specifies group vocal harmonization, often for a grand, emotional effect.
• Placement: Typically used within [vocals], [harmony], or [structure].
• Accepted Parameters:
  • layered – Thick, multi-part harmony.
  • angelic – Light, ethereal vocal blending.
  • powerful – Strong, dominant choir presence.
  • dissonant – Slight harmonic tension in the choral arrangement.
  • gospel – Energetic, uplifting choir harmonies.
• Sample Usage:

  [choir: Angelic high-pitched harmonies in the background of the chorus.]
  

• Genre-Based Usage:
  • Gospel & Soul: Full, harmonic choir sections drive emotional power.
  • Classical & Cinematic: Layered choral voices for grandeur.
  • Metal & Symphonic Rock: Dark choirs create drama and tension.
  • Electronic & Ambient: Reverb-heavy ethereal choirs add texture.

Track Structure Recommendation

• [intro: Soft choir hums with pads]
• [verse: Subtle choral harmonies under lead vocals]
• [chorus: Full choir harmonization]
• [bridge: Choir-only interlude with layered harmonies]
• [outro: Angelic choir fading into silence]

[chorus]

• Meaning: Defines the main repeated hook of the song, often the most memorable part.
• Placement: Typically used within [structure] or [vocals].
• Accepted Parameters:
  • anthemic – Big, singalong chorus.
  • soft – Gentle, contrasting chorus.
  • harmonic – Focus on vocal harmonies.
  • dynamic – Instrumentation builds in the chorus.
  • stripped – Minimal arrangement for emotional impact.
• Sample Usage:

  [chorus: Anthemic vocal-driven hook with layered harmonies.]
  

• Genre-Based Usage:
  • Pop & Rock: Catchy, energetic chorus hooks.
  • Ballads & Folk: Soft, emotionally driven choruses.
  • Metal & Punk: Aggressive, high-energy choruses.
  • Electronic & Dance: Instrumentally rich choruses that peak dynamically.

Track Structure Recommendation

• [intro: Instrumental buildup]
• [verse: Lead-in to the hook]
• [chorus: High-energy, anthem-like section]
• [bridge: Dynamic contrast leading into final chorus]
• [outro: Stripped-down reprise of the chorus]

[chromatic]

• Meaning: Refers to the use of notes outside the diatonic scale, creating richer harmonic movement and tension.
• Placement: Typically used within [harmony] or [structure].
• Accepted Parameters:
  • ascending – A chromatic passage moving upwards.
  • descending – A chromatic passage moving downwards.
  • full – A passage that uses every semitone within an octave.
  • partial – Chromaticism used sparingly.
  • ornamental – Used for embellishment rather than harmonic movement.
• Sample Usage:

  [chromatic: Descending chromatic scale in the bridge section.]
  

• Advice:
  • Chromatic melodies create a jazzy or dramatic effect.
  • Partial chromaticism is great for adding melodic color.
  • Descending chromatic movement often conveys melancholy or tension.

[climax]

• Meaning: Defines the peak moment of intensity in the composition, usually involving increased dynamics, energy, or harmonic tension.
• Placement: Typically used within [structure], [dynamics], or [harmony].
• Accepted Parameters:
  • sudden – A sharp, unexpected burst of intensity.
  • gradual – A slow build-up leading to the climax.
  • instrumental – The peak is led by instruments rather than vocals.
  • vocal-driven – The climax is focused on an expressive vocal moment.
  • layered – Various instruments stack up to build the intensity.
• Sample Usage:

  [climax: Gradual build with layered strings and a powerful vocal peak.]
  

• Genre-Based Usage:
  • Classical & Cinematic: Strings and brass swelling into an orchestral explosion.
  • Rock & Metal: Guitar solos and drum intensity heighten energy.
  • EDM & Trance: Big synth rises leading into a massive drop.
  • Pop & Ballads: A vocal belt moment paired with orchestral backing.

Track Structure Recommendation

• [intro: Soft, slow instrumental opening]
• [verse: Gradual increase in energy with layered melodies]
• [chorus: Expanded arrangement with stronger vocals]
• [climax: Full intensity with drums, vocals, and orchestral backing]
• [outro: Gradual descent back into soft textures]

[cluster]

• Meaning: Specifies the use of tone clusters—closely spaced notes played together to create a dissonant or textured sound.
• Placement: Typically used within [harmony] or [structure].
• Accepted Parameters:
  • soft – Gentle, ambient clusters (e.g., softly played piano or synth pads).
  • harsh – Dissonant, aggressive clusters used for tension.
  • chaotic – Unpredictable, heavily layered tone clusters.
  • orchestral – Clusters played by string sections, woodwinds, or brass.
  • electronic – Synth-based clusters with modulated frequencies.
• Sample Usage:

  [cluster: Harsh orchestral brass clusters in the climax.]
  

• Advice:
  • Soft clusters work well for ambient and impressionistic music.
  • Harsh clusters are used in horror scores, avant-garde, and industrial.
  • Electronic clusters can create textural drone effects.

[coda]

• Meaning: Specifies the concluding section of a piece, often distinct from the main body, used for closure or reinforcement of themes.
• Placement: Typically used within [structure] or [harmony].
• Accepted Parameters:
  • recapitulative – Revisits earlier themes before resolving.
  • unexpected – Provides a twist at the end.
  • fading – Gradually reduces in volume and texture.
  • dramatic – A sudden, strong ending.
  • layered – Multiple instrument groups resolving together.
• Sample Usage:

  [coda: Soft piano outro echoing the main melody.]
  

• Genre-Based Usage:
  • Classical & Symphonic: Recapitulation of themes for structural unity.
  • Rock & Progressive: Extended guitar-driven codas for epic conclusions.
  • Electronic & Ambient: Fading textures to leave an open-ended feel.
  • Pop & Jazz: Reharmonized final phrases for a smooth exit.

Track Structure Recommendation

• [intro: Gentle motif introduction]
• [verse: Expands on the theme with dynamic variations]
• [chorus: Peak energy with full harmonization]
• [bridge: A contrasting section to heighten emotional impact]
• [coda: Slow, resolving melody fading into silence]

[compression]

• Meaning: Defines dynamic range processing, used to balance loud and soft parts in a track.
• Placement: Typically used within [mixing], [dynamics], or [effects].
• Accepted Parameters:
  • light – Soft compression, retaining dynamic variation.
  • heavy – Strong compression, flattening peaks.
  • pumping – Rhythmic compression, common in EDM.
  • transparent – Subtle compression that smooths dynamics without altering tone.
  • aggressive – High-ratio compression for a punchy sound.
• Sample Usage:

  [compression: Transparent vocal compression for clarity.]
  

• Genre-Based Usage:
  • Pop & Vocal Music: Light compression ensures consistent vocals.
  • EDM & Trap: Pumping compression creates rhythmic breathing effects.
  • Rock & Metal: Aggressive compression enhances impact.
  • Jazz & Acoustic: Transparent compression maintains dynamics.

Track Structure Recommendation

• [intro: No compression, natural ambiance]
• [verse: Light compression to keep vocal dynamics intact]
• [chorus: Heavier compression to emphasize power]
• [bridge: Subtle compression to create contrast]
• [outro: Gradual release of compression for a more organic fade-out]

[consonance]

• Meaning: Specifies harmonies that sound stable, resolved, and pleasant, in contrast to dissonance.
• Placement: Typically used within [harmony], [chords], or [theme].
• Accepted Parameters:
  • soft – Warm, gentle consonance (e.g., major 3rds, perfect 5ths).
  • bright – Open, ringing consonance (e.g., high-frequency harmonics).
  • rich – Full, extended consonance (e.g., added 6th or 9th chords).
  • ethereal – Light, floating consonance (e.g., unresolved 7th chords).
• Sample Usage:

  [consonance: Rich harmonies with open voicings.]
  

• Advice:
  • Bright consonance works well for orchestral and cinematic music.
  • Soft consonance is ideal for lullabies, ambient music, and smooth jazz.
  • Rich consonance creates a fuller, emotional harmonic structure.

[content]

• Meaning: Specifies the lyrical or thematic focus of the composition.
• Placement: Typically used within [lyrics], [theme], or [mood].
• Accepted Parameters:
  • narrative – A storytelling-driven approach.
  • abstract – Non-linear or impressionistic themes.
  • emotional – Focused on deep emotional expression.
  • philosophical – Reflective, thought-provoking themes.
  • surreal – Dreamlike, otherworldly imagery.
• Sample Usage:

  [content: Abstract reflections on dreams and memories.]
  

• Genre-Based Usage:
  • Singer-Songwriter & Folk: Narrative lyrics tell stories.
  • Experimental & Psychedelic: Surreal and abstract imagery dominates.
  • Hip-Hop & Rap: Philosophical and personal themes drive lyricism.
  • Rock & Metal: Emotional intensity leads storytelling.

Track Structure Recommendation

• [intro: Setting the theme with instrumental tone]
• [verse: Lyrical exposition developing the story]
• [chorus: Emotional peak with expressive delivery]
• [bridge: A contrasting lyrical idea or realization]
• [outro: Poetic resolution or lingering question]

[control]

• Meaning: Specifies how certain elements of the composition are structured, processed, or restricted.
• Placement: Typically used at the beginning of the definition, as it applies to global track parameters.
• Accepted Parameters:
  • instrumental – No vocals in the track.
  • acapella – Vocals only, no instrumentation.
  • looped – The structure is cyclic or repetitive.
  • no-repeat – Ensures no section is repeated.
  • dynamic – Allows variation in tempo, intensity, and texture.
• Sample Usage:

  [control: Instrumental, no-repeat, dynamic transitions.]
  

• Genre-Based Usage:
  • Ambient & Minimalist: Looped structures maintain atmosphere.
  • Jazz & Improvised Music: Dynamic control allows live feel.
  • Electronic & Dance: No-repeat variations create continuous evolution.
  • Symphonic & Cinematic: Instrumental focus supports narrative flow.

Track Structure Recommendation

• [intro: Loop-based rhythmic foundation]
• [verse: Dynamic texture variations]
• [chorus: Expanding soundscape with thematic growth]
• [bridge: Contrast through modulation]
• [outro: Instrumental fade-out, sustaining tension]

[counterpoint]

• Meaning: Specifies the interweaving of multiple independent melodic lines, often used in classical and complex compositions.
• Placement: Typically used within [harmony] or [structure].
• Accepted Parameters:
  • simple – Light counterpoint with two melodies.
  • complex – Multiple layers of melodic interplay.
  • fugue-like – A strict contrapuntal structure with variations.
  • imitative – One melodic line repeats or mimics another.
  • contrasting – The counter-melodies are highly distinct from each other.
• Sample Usage:

  [counterpoint: Imitative string lines weaving around the main theme.]
  

• Genre-Based Usage:
  • Classical & Baroque: Used in fugues and choral compositions.
  • Progressive Rock & Jazz: Contrapuntal guitar and keyboard interplay.
  • Electronic & Synthwave: Layered arpeggios acting as counter-melodies.
  • Film Scores & Orchestral: Rich, multi-voiced textures create drama.

Track Structure Recommendation

• [intro: Soft piano motif introduced]
• [verse: Simple counterpoint between strings and woodwinds]
• [chorus: Richer layers, adding brass and backing vocals]
• [bridge: Complex fugue-like variations of the main melody]
• [outro: Counterpoint gradually fading out into resolution]

[crescendo]

• Meaning: Specifies a gradual increase in volume and intensity, building anticipation and emotional impact.
• Placement: Typically used within [dynamics], [structure], or [orchestration].
• Accepted Parameters:
  • slow – A long, drawn-out build-up.
  • fast – A rapid dynamic swell.
  • layered – Instruments gradually enter to increase intensity.
  • orchestral – A full-bodied cinematic swell.
  • electronic – Synth and effect-based crescendo leading to a drop.
• Sample Usage:

  [crescendo: Slow orchestral build leading into a dramatic climax.]
  

• Genre-Based Usage:
  • Classical & Cinematic: Used for dramatic moments in symphonic music.
  • Rock & Metal: Builds into guitar solos or intense chorus entries.
  • EDM & Dance: Leads into drops using risers and FX.
  • Ambient & Post-Rock: Layered textures swelling into climaxes.

Track Structure Recommendation

• [intro: Soft pad textures with slow crescendo]
• [verse: Gradual instrumental layering]
• [chorus: Full orchestration at peak intensity]
• [bridge: Lower dynamic, preparing for another crescendo]
• [outro: Slow fade, diminishing in volume]

[development]

• Meaning: Defines the evolution of a theme, whether through variations, new harmonies, or instrumental shifts.
• Placement: Typically used within [structure] or [theme].
• Accepted Parameters:
  • thematic – The original theme evolves over time.
  • harmonic – Chord progressions gradually transform.
  • orchestral – Increasing instrumental complexity.
  • electronic – Gradual modulation of synth textures.
  • minimalist – Subtle, repeated transformations.
• Sample Usage:

  [development: Harmonic shifts and layered instrumentation evolving throughout.]
  

• Genre-Based Usage:
  • Classical & Romantic: Central to sonatas and symphonies.
  • Jazz & Blues: Improvised solos develop the core theme.
  • Electronic & Progressive Rock: Gradual synth or guitar evolution.
  • Soundtrack & Ambient: Slow-moving changes in texture and harmony.

Track Structure Recommendation

• [intro: Simple motif introduced]
• [verse: Thematic variation with subtle instrumentation shifts]
• [chorus: Expanded version with harmonic changes]
• [bridge: Completely transformed theme with contrasting elements]
• [outro: Final statement of theme with subtle alterations]

[diminuendo]

• Meaning: Specifies a gradual decrease in volume and intensity, opposite of a crescendo.
• Placement: Typically used within [dynamics], [structure], or [orchestration].
• Accepted Parameters:
  • slow – A long, gradual decrease.
  • fast – A sudden reduction in intensity.
  • layered – Elements fade one by one.
  • orchestral – Strings and brass fading into softer instruments.
  • electronic – Filters and reverb reducing volume dynamically.
• Sample Usage:

  [diminuendo: Orchestral swell fading into a solo violin melody.]
  

• Genre-Based Usage:
  • Classical & Opera: Used to end pieces with elegance.
  • Rock & Pop: Applied to chorus fade-outs.
  • Electronic & Ambient: Gradual filters and reverb reductions.
  • Jazz & Funk: Soft brass and piano fade-outs.

Track Structure Recommendation

• [intro: Building harmonies with dynamic intensity]
• [verse: Strong, rhythmic presence]
• [chorus: Peak volume and instrumentation]
• [bridge: Gradual dimming of layers]
• [outro: Soft resolution with fading notes]

[dissonance]

• Meaning: Refers to harmonic tension created by unstable or clashing note combinations. Often used to create drama, tension, and emotional intensity.
• Placement: Typically used within [harmony], [chords], or [theme].
• Accepted Parameters:
  • mild – Subtle tension, often used in jazz or cinematic music.
  • harsh – Strong, aggressive dissonance (common in horror, avant-garde).
  • clashing – Extreme dissonance, used for unsettling effects.
  • resolved – Temporary dissonance that moves toward consonance.
  • sustained – A prolonged dissonant harmony for atmospheric effect.
• Sample Usage:

  [dissonance: Harsh sustained strings for eerie suspense.]
  

• Advice:
  • Use mild dissonance for jazz, blues, and orchestral compositions.
  • Harsh dissonance is great for horror, experimental, and industrial music.
  • Resolved dissonance creates a balance between tension and relief.

[distortion]

• Meaning: Specifies audio processing that adds harmonic saturation, clipping, or fuzz to an instrument or sound.
• Placement: Typically used within [instruments], [mixing], or [effects].
• Accepted Parameters:
  • light – Gentle distortion for warmth (often in blues, rock).
  • heavy – Strong, aggressive distortion (common in metal, industrial).
  • overdrive – Mild saturation (used in classic rock and blues).
  • fuzz – Extreme distortion with a rough edge.
  • crushed – Digital bit-crushing for lo-fi and glitch effects.
• Sample Usage:

  [distortion: Heavy electric guitar in the chorus.]
  

• Advice:
  • Overdrive works well for blues, funk, and vintage rock.
  • Heavy distortion is essential in metal, industrial, and punk.
  • Crushed distortion is perfect for lo-fi, glitch, and experimental tracks.

[drop]

• Meaning: Defines a sudden shift in intensity, often a key element in EDM and modern music styles.
• Placement: Typically used within [structure], [dynamics], or [effects].
• Accepted Parameters:
  • bass-heavy – A deep, sub-bass-driven drop.
  • melodic – A drop that introduces a powerful melody.
  • glitchy – The drop is fragmented and unpredictable.
  • orchestral – A cinematic drop into high-energy themes.
  • minimalist – A subtle yet effective drop with reduced elements.
• Sample Usage:

  [drop: Bass-heavy synth explosion after the build-up.]
  

• Genre-Based Usage:
  • EDM & Dubstep: Central to massive beat drops.
  • Hip-Hop & Trap: 808-driven drops enhance groove.
  • Rock & Metal: Drum-heavy and guitar-driven breakdowns.
  • Cinematic & Experimental: Tension-building orchestral drops.

Track Structure Recommendation

• [intro: Minimal build-up with rising tension]
• [verse: Establishing groove and melody]
• [chorus: Expanding harmonic textures]
• [build-up: Crescendo leading into drop]
• [drop: Heavy bass and dynamic shift]
• [outro: Soft landing with reverb decay]

[drum-fill]

• Meaning: Specifies a short percussive passage that serves as a transition between sections.
• Placement: Typically used within [rhythm], [structure], or [effects].
• Accepted Parameters:
  • simple – A short, clean drum fill.
  • complex – A fast, multi-layered fill.
  • syncopated – A rhythmically offbeat drum fill.
  • rolling – A continuous roll into the next section.
  • heavy – A powerful drum fill with toms and cymbals.
• Sample Usage:

  [drum-fill: Heavy rolling toms leading into the chorus.]
  

• Genre-Based Usage:
  • Rock & Metal: Powerful tom fills drive intensity.
  • Jazz & Funk: Syncopated snare and hi-hat fills.
  • Electronic & House: Quick snare builds leading into a drop.
  • Pop & R&B: Smooth transition fills for polished production.

Track Structure Recommendation

• [intro: Soft beat introduction]
• [verse: Groove with subtle fills]
• [chorus: Heavy rolling toms leading into the next section]
• [bridge: Syncopated drum fill increasing tension]
• [outro: Final drum hit fade-out]

[dynamics]

• Meaning: Defines how volume and intensity change over the course of the track.
• Placement: Typically used within [mixing], [structure], or [harmony].
• Accepted Parameters:
  • soft-loud – Gradual build from quiet to intense.
  • loud-soft – A sudden drop in intensity.
  • balanced – Evenly maintained dynamics throughout.
  • layered – Different instruments fade in and out dynamically.
  • swelling – Gradual increases and decreases over time.
• Sample Usage:

  [dynamics: Soft-loud progression, building toward the climax.]
  

• Genre-Based Usage:
  • Classical & Cinematic: Swelling orchestral sections.
  • Rock & Metal: Loud-soft contrasts for dramatic effect.
  • Electronic & House: Gradual builds leading into drops.
  • Jazz & Blues: Dynamic phrasing in solos and vocals.

Track Structure Recommendation

• [intro: Soft ambient tones]
• [verse: Gradual increase in instrumentation]
• [chorus: Full dynamic intensity]
• [bridge: Drop in intensity for contrast]
• [outro: Fading, quiet textures]

[echo]

• Meaning: Defines delayed repetitions of a sound, creating a sense of space and depth.
• Placement: Typically used within [effects], [mixing], or [sfx].
• Accepted Parameters:
  • short – Quick, tight echo (adds rhythmic texture).
  • long – Extended echoes, used for atmospheric effects.
  • delayed – A noticeable delay before repetition.
  • stereo – Echo panned to different sides of the stereo field.
  • reversed – Echoes played in reverse for surreal effects.
• Sample Usage:

  [echo: Long stereo vocal echoes for a spacious feel.]
  

• Advice:
  • Short echo is useful for adding presence to vocals.
  • Long or stereo echoes create dreamy or cinematic atmospheres.
  • Reversed echoes can be used for psychedelic and experimental tracks.

[effects]

• Meaning: Specifies additional sound effects applied to instruments, vocals, or the overall track.
• Placement: Typically used within [mixing], [sfx], or [instruments].
• Accepted Parameters:
  • reverb – Adds spaciousness to the sound.
  • delay – Repeats the sound with a slight time gap.
  • flanger – Creates a swirling, modulated effect.
  • chorus – Slightly detuned copies of the sound for a richer tone.
  • phaser – Phase-shifted sound creating a sweeping effect.
  • compression – Balances volume dynamics.
  • glitch – Adds unpredictable distortions and pitch shifts.
• Sample Usage:

  [effects: Reverb and chorus on electric piano for a lush feel.]
  

• Advice:
  • Reverb is essential for natural space and ambiance.
  • Use flanger and phaser for psychedelic and electronic textures.
  • Glitch effects are great for experimental and electronic genres.

[element]

• Meaning: Specifies a specific musical component to emphasize in the mix.
• Placement: Typically used within [mixing], [focus], or [structure].
• Accepted Parameters:
  • melody – Focus on lead melodic instruments.
  • harmony – Chordal structure is prominent.
  • bass – Emphasis on low-end frequencies.
  • percussion – Drums and rhythmic textures take priority.
  • synth – Electronic textures and pads are featured.
• Sample Usage:

  [element: Melody-focused orchestration with soaring violin leads.]
  

• Genre-Based Usage:
  • Orchestral & Cinematic: Emphasizing melody and harmony.
  • Electronic & Ambient: Focused on synth and bass layers.
  • Jazz & Blues: Highlighting improvisational elements.
  • Rock & Metal: Balancing bass, drums, and melody.

Track Structure Recommendation

• [intro: Bass-heavy foundation]
• [verse: Melody-driven section with harmonic support]
• [chorus: Synth elements becoming more prominent]
• [bridge: Emphasis on percussion and bass]
• [outro: Melody fading into silence]

[emotional]

• Meaning: Defines the emotional tone of the composition.
• Placement: Typically used within [mood], [style], or [vocals].
• Accepted Parameters:
  • melancholic – Sad, reflective tone.
  • uplifting – Positive, energetic mood.
  • dramatic – High emotional stakes.
  • nostalgic – Reminiscent of past themes.
  • ethereal – Dreamlike, otherworldly quality.
• Sample Usage:

  [emotional: Dramatic, swelling orchestration building into a powerful finale.]
  

• Genre-Based Usage:
  • Cinematic & Orchestral: Grand, emotive compositions.
  • Indie & Alternative: Melancholic storytelling.
  • Electronic & Ambient: Ethereal and nostalgic moods.
  • Pop & R&B: Uplifting, emotional vocals.

Track Structure Recommendation

• [intro: Soft piano intro setting a melancholic tone]
• [verse: Nostalgic vocal delivery with swelling strings]
• [chorus: Dramatic peak with layered harmonies]
• [bridge: Soft breakdown emphasizing emotion]
• [outro: Ethereal fade-out with lingering vocals]

[end]

• Meaning: Defines the final section or conclusion of a piece.
• Placement: Typically used within [structure], [coda], or [outro].
• Accepted Parameters:
  • sudden – An abrupt stop.
  • fade-out – Gradual volume reduction.
  • orchestral – A grand, full-bodied closing.
  • acoustic – A stripped-down, intimate ending.
  • reprise – A final return to the main theme.
• Sample Usage:

  [end: Soft piano outro fading into silence.]
  

• Genre-Based Usage:
  • Rock & Metal: Sudden or crashing finales.
  • Pop & R&B: Smooth fade-out endings.
  • Jazz & Blues: Soft, improvisational finishes.
  • Classical & Film Score: Grand orchestral closings.

Track Structure Recommendation

• [intro: Thematic motif introduced]
• [verse: Expands on theme]
• [chorus: Peak intensity with full instrumentation]
• [bridge: Contrast in tone or harmony]
• [end: Reprise of main theme with fading dynamics]

[ensemble]

• Meaning: Specifies the type and size of musical group performing the piece, ranging from small acoustic duos to full orchestras.
• Placement: Typically used within [instruments], [orchestration], or [structure].
• Accepted Parameters:
  • duo – Two performers or instruments.
  • quartet – A four-instrument or vocal ensemble.
  • chamber – Small classical ensemble (e.g., strings, woodwinds).
  • symphonic – Full symphony orchestra.
  • big-band – Jazz-oriented large ensemble.
  • electronic – Synth-heavy layered instrumentals.
• Sample Usage:

  [ensemble: Chamber strings with light percussive support.]
  

• Genre-Based Usage:
  • Classical & Cinematic: Chamber and symphonic ensembles.
  • Jazz & Swing: Big-band brass sections.
  • Folk & Acoustic: Duo or quartet-style arrangements.
  • Electronic & Synthwave: Layered digital ensembles.

Track Structure Recommendation

• [intro: Sparse strings setting a contemplative tone]
• [verse: Expanding ensemble with additional harmonies]
• [chorus: Full symphonic sound with layered brass and percussion]
• [bridge: Stripped-down quartet section for contrast]
• [outro: Gentle fade-out with only a piano duo]

[epic]

• Meaning: Defines a grand, large-scale, and dramatic quality in the composition.
• Placement: Typically used within [style], [orchestration], or [dynamics].
• Accepted Parameters:
  • cinematic – Large orchestral arrangements, often used in film scoring.
  • battle – High-energy, intense rhythmic focus.
  • triumphant – Builds toward a heroic climax.
  • dark – Mysterious and heavy, with tension.
  • ethereal – Grand but with an airy, floating quality.
• Sample Usage:

  [epic: Triumphant orchestral buildup with heavy percussion and brass.]
  

• Genre-Based Usage:
  • Film Score & Classical: Cinematic, orchestral crescendos.
  • Metal & Symphonic Rock: Heavy, dramatic instrumentation.
  • Electronic & Hybrid: Synth-driven epic buildups.
  • World & Folk Fusion: Large-scale, battle-march compositions.

Track Structure Recommendation

• [intro: Slow, brooding strings with distant percussion]
• [verse: Rising tension with low brass and deep drums]
• [chorus: Full explosion of sound with choirs and heavy percussion]
• [bridge: Soft, ethereal section leading into the final push]
• [outro: Grand, fading orchestral finale with triumphant tones]

[episode]

• Meaning: Defines a self-contained musical section, often functioning as a contrasting or transitional moment.
• Placement: Typically used within [structure], [form], or [development].
• Accepted Parameters:
  • melodic – The episode introduces a new melody.
  • harmonic – A shift in chordal structure.
  • percussive – A drum-heavy interlude.
  • instrumental – Features only instruments, no vocals.
  • syncopated – Rhythmically complex, often jazz- or funk-based.
• Sample Usage:

  [episode: Syncopated piano-driven section before returning to the main theme.]
  

• Genre-Based Usage:
  • Classical & Fugue: Melodic development episodes.
  • Progressive Rock & Jazz: Instrumental solos and rhythmic variations.
  • Electronic & Dance: Breakbeat episodes in house or techno.
  • Hip-Hop & Trap: Beat switches creating contrast.

Track Structure Recommendation

• [intro: Establishing the main theme]
• [verse: Developing the first melodic phrase]
• [episode: Harmonic shift with new instrumentation]
• [chorus: Returning to the primary hook]
• [outro: Reintroducing elements from the episode for a final twist]

[eq]

• Meaning: Defines equalization settings, adjusting frequency balance for clarity or effect.
• Placement: Typically used within [mixing], [effects], or [instrument].
• Accepted Parameters:
  • bass-heavy – Emphasizes low-end frequencies.
  • bright – Boosts high frequencies.
  • warm – A smooth, midrange-heavy mix.
  • punchy – Emphasized mid-bass for impact.
  • lo-fi – Reduced high frequencies for a vintage feel.
• Sample Usage:

  [eq: Bright, airy vocals with deep, warm bass.]
  

• Genre-Based Usage:
  • Hip-Hop & Trap: Bass-heavy EQ for deep kicks.
  • Lo-Fi & Chillwave: Mellow, soft EQ filtering.
  • Rock & Punk: Punchy midrange guitar presence.
  • Orchestral & Film Score: Balanced, bright EQ for clarity.

Track Structure Recommendation

• [intro: Filtered low-end build-up]
• [verse: Bright EQ on vocals, deep bass support]
• [chorus: Full-spectrum EQ for dynamic impact]
• [bridge: Warm, reduced treble section for contrast]
• [outro: High-frequency fade-out, reducing to bass elements]

[exposition]

• Meaning: The first introduction of the main musical theme, often recurring in various forms throughout the track.
• Placement: Typically used within [structure] or [theme].
• Accepted Parameters:
  • thematic – Clearly introduces the song's main theme.
  • contrapuntal – Introduces multiple independent voices.
  • layered – Builds up gradually with textures.
  • stripped-down – A minimal, soft exposition.
  • dramatic – Begins with strong impact.
• Sample Usage:

  [exposition: A quiet, ethereal solo piano introduces the primary theme.]
  

• Genre-Based Usage:
  • Classical & Sonata Form: Expositions are crucial in symphonies.
  • Film & Theatrical Scores: Opening motifs return in different variations.
  • Jazz & Improvisational Music: Thematic statements set up solos.
  • Electronic & Progressive Rock: Layered build-up of primary elements.

Track Structure Recommendation

• [intro: Gentle soundscape preparing for exposition]
• [exposition: Main theme introduced with minimal accompaniment]
• [development: Variation of the theme with additional instruments]
• [recapitulation: Return to the exposition theme with a fuller sound]
• [outro: Soft restatement of the exposition, fading out]

[extend-style]

• Meaning: Defines the way an extension of the track is handled, particularly in Suno's extension feature.
• Placement: Typically used at the beginning of the "Lyrics" input, as it applies to how the track is extended beyond its original length.
• Accepted Parameters:
  • seamless – The extension continues smoothly from the original.
  • contrasting – The extension introduces new elements for variety.
  • thematic – The extension builds upon the main theme.
  • instrumental – The extension focuses on instrumental variations.
  • looped – The extension repeats existing material with minor changes.
• Sample Usage:

  [extend-style: Seamless continuation of the theme with evolving synth textures.]
  

• Genre-Based Usage:
  • Electronic & Ambient: Seamless looping for continuous atmospheres.
  • Jazz & Classical: Thematic extensions for long-form improvisation.
  • EDM & House: Extended instrumental builds before a drop.
  • Rock & Progressive: Contrasting sections for dynamic variation.

Track Structure Recommendation

• [intro: Establishing theme with soft pads]
• [verse: Smooth transition into rhythmic elements]
• [chorus: Strong melodic hook with harmonic backing]
• [bridge: Gradual development, leading to an extension]
• [extend-style: Thematic expansion with orchestral layering]
• [outro: Gentle fade-out with sustained reverb]

[fade]

• Meaning: Specifies how the track gradually reduces volume, often at the end or between sections.
• Placement: Typically used within [structure], [dynamics], or [outro].
• Accepted Parameters:
  • slow – Gradual volume decrease over an extended period.
  • fast – Quick, abrupt fade.
  • layered – Different instruments fade at different times.
  • filtering – Frequencies fade gradually rather than pure volume.
  • reverb-tail – The fade relies on reverb decay.
• Sample Usage:

  [fade: Slow orchestral fade-out with lingering string harmonics.]
  

• Genre-Based Usage:
  • Pop & Rock: Classic fade-outs on repeated chorus.
  • Ambient & Chillout: Long reverb-based fades.
  • Jazz & Blues: Instrumental fades with solo improvisations.
  • Electronic & Dance: Filtered high-end fades for club mixes.

Track Structure Recommendation

• [intro: Gentle fade-in of ambient textures]
• [verse: Gradual build in energy]
• [chorus: Full intensity, sustained instrumentation]
• [bridge: Reducing elements, preparing for fade-out]
• [fade: Slow disappearance of melodic elements, leaving soft pads]

[female]

• Meaning: Specifies that the lead or backing vocals should be female.
• Placement: Typically used within [vocals], [harmony], or [structure].
• Accepted Parameters:
  • high – Soprano or high-pitched female vocals.
  • mid – Mezzo-soprano or natural female vocals.
  • low – Alto or lower-pitched female voice.
  • ethereal – Soft, airy female voice with reverb.
  • powerful – Strong, belting female vocals.
• Sample Usage:

  [female: Ethereal soprano voice leading the chorus with reverb.]
  

• Genre-Based Usage:
  • Pop & R&B: Powerful female lead vocals for emotional impact.
  • Classical & Opera: High-pitched soprano arias.
  • Electronic & Dream Pop: Airy female vocals blending into textures.
  • Jazz & Soul: Smooth, rich alto tones for expressive delivery.

Track Structure Recommendation

• [intro: Soft high-pitched female vocal humming]
• [verse: Mid-range female vocals over light instrumentation]
• [chorus: Powerful belting vocals with rich harmonies]
• [bridge: Ethereal, reverb-drenched vocal echoes]
• [outro: Gentle soprano whispers fading into silence]

[fermata]

• Meaning: Indicates that a note or chord is held longer than its usual duration, creating a moment of emphasis or suspense.
• Placement: Typically used within [harmony] or [structure].
• Accepted Parameters:
  • sustained – A long hold on a note.
  • dramatic – A fermata that creates tension before resolving.
  • subtle – A small pause, slightly extending the note duration.
  • orchestral – Fermata used in orchestral settings to highlight a phrase.
• Sample Usage:

  [fermata: Dramatic hold on final chord before resolution.]
  

• Advice:
  • Use fermatas sparingly to maintain pacing.
  • Dramatic fermatas work well for cinematic, orchestral, and classical music.
  • Subtle fermatas add expressiveness to jazz and ballads.

[filter]

• Meaning: Defines frequency-based effects applied to the sound, commonly used in electronic music.
• Placement: Typically used within [effects], [mixing], or [dynamics].
• Accepted Parameters:
  • low-pass – Removes high frequencies, creating a muffled effect.
  • high-pass – Removes low frequencies, leaving only treble sounds.
  • band-pass – Emphasizes a mid-frequency range.
  • resonant – Adds resonance at the cutoff frequency.
  • sweep – A filter gradually moving through the frequency spectrum.
• Sample Usage:

  [filter: Low-pass filter sweep on intro synth, gradually revealing full frequencies.]
  

• Genre-Based Usage:
  • EDM & House: Filter sweeps in buildups before drops.
  • Lo-Fi & Chill: Low-pass filtering to create vintage warmth.
  • Hip-Hop & Trap: High-pass filtering on vocals for radio effect.
  • Experimental & Industrial: Extreme resonant filtering for alien sounds.

Track Structure Recommendation

• [intro: Low-pass filter on pads, gradually revealing sound]
• [verse: Band-pass on synths, cutting bass for contrast]
• [chorus: Full spectrum, open mix]
• [bridge: High-pass filtering applied for ethereal effect]
• [outro: Low-pass filter applied to fade-out frequencies]

[finale]

• Meaning: Defines the grand, concluding section of a composition, often marked by increased intensity or a resolution.
• Placement: Typically used within [structure], [coda], or [dynamics].
• Accepted Parameters:
  • grand – A strong, full-orchestra or multi-instrument climax.
  • sparse – A minimal, intimate closing section.
  • thematic – A return to the main theme for final resolution.
  • dramatic – A sudden, unexpected conclusion.
  • fade – A closing that gradually diminishes in sound.
• Sample Usage:

  [finale: Grand orchestral climax with full choir and cymbal crashes.]
  

• Genre-Based Usage:
  • Classical & Opera: Large-scale orchestral conclusions.
  • Rock & Metal: Heavy, sustained guitar and drum finales.
  • Electronic & EDM: Layered synth peaks leading to silence.
  • Film Score & Symphonic: Thematic resolution with emotional payoff.

Track Structure Recommendation

• [intro: Soft thematic motif]
• [verse: Expanding instrumentation and harmonic depth]
• [chorus: Peak intensity with layered melodies]
• [bridge: A soft contrast before the final build-up]
• [finale: Grand orchestral resolution with full instrumentation]

[focus]

• Meaning: Specifies which instrumental, rhythmic, or harmonic elements should be most prominent in the track.
• Placement: Typically used within [mixing], [dynamics], or [structure].
• Accepted Parameters:
  • melody – Emphasis on the lead melodic line.
  • harmony – The focus is on chord progression and harmonization.
  • bass – The low-end frequencies and bassline are the most prominent.
  • percussion – The beat and rhythm take precedence.
  • vocals – The voice is the central element in the mix.
• Sample Usage:

  [focus: Deep bass and layered harmonies driving the composition.]
  

• Genre-Based Usage:
  • Electronic & Dance: Bass-focused tracks for groove-heavy compositions.
  • Orchestral & Classical: Melody-focused with prominent lead instruments.
  • Rock & Metal: Guitar riffs and harmonic progressions in focus.
  • Hip-Hop & Trap: Emphasis on vocals and heavy 808 bass.

Track Structure Recommendation

• [intro: Subtle pads setting the mood]
• [verse: Bass-focused groove with minimal chords]
• [chorus: Expanding harmonies to create fullness]
• [bridge: Stripped-down percussion focus]
• [outro: Melody fades into a soft reverb tail]

[fragmentation]

• Meaning: Refers to breaking down a melodic, harmonic, or rhythmic theme into smaller motifs or segments, which are then repeated, altered, or developed.
• Placement: Typically used within [theme] or [variation].
• Accepted Parameters:
  • melodic – A fragmented version of the main melody.
  • rhythmic – The main rhythm is split into smaller units.
  • counterpoint – Fragmented elements are layered for complexity.
  • staggered – The fragments enter at different time intervals.
  • randomized – Unpredictable fragmentation for an avant-garde feel.
• Sample Usage:

  [fragmentation: Staggered melodic fragments echo across different instruments.]
  

• Advice:
  • Use melodic fragmentation to create variation and interest.
  • Rhythmic fragmentation adds a complex groove.
  • Counterpoint fragmentation is great for fugues and orchestral works.

[fugue]

• Meaning: Defines a counterpoint-based composition where a theme is introduced and then developed through layered entries.
• Placement: Typically used within [structure] or [theme].
• Accepted Parameters:
  • subject – The main theme, stated clearly at the beginning.
  • answer – The second entry of the theme, either in the dominant or another voice.
  • counterpoint – Additional lines interacting with the main theme.
  • development – Harmonic and rhythmic expansion of the theme.
  • stretto – Overlapping and condensed theme entries.
• Sample Usage:

  [fugue: Staggered theme entries in strings, building into a layered climax.]
  

• Genre-Based Usage:
  • Classical & Baroque: Organ fugues and contrapuntal choral works.
  • Jazz & Improvisation: Interwoven melodic lines between instruments.
  • Progressive Rock & Metal: Complex multi-guitar or keyboard fugue structures.
  • Electronic & Experimental: Synth fugues with automated counterpoint.

Track Structure Recommendation

• [intro: Single voice introducing the subject]
• [fugue: Additional voices enter, answering the main theme]
• [development: Expanding the harmonic complexity]
• [stretto: Overlapping faster-paced theme entries]
• [outro: Soft resolution with fading counterpoint lines]

[gain]

• Meaning: Adjusts relative loudness/emphasis of a section or instrument layer.
• Placement: Section-based; best in [intro:], [climax:], or [bridge:].
• Accepted Parameters:
  • low, medium, high – Relative section gain.
  • fade-in, fade-out, surge – Dynamic behavior.
  • compressed, peaking – Useful for distortion or emotional exaggeraton.
• Sample Usage:

  [climax: Vocals rise above a wall of distorted guitars, reaching emotional peak.]
  [gain: high, peaking, compressed]
  

• Genre-Based Usage:
  • Post-rock, cinematic scores: long gain surges.
  • EDM, glitch-hop: peaking beats, fade-in bass.
  • Ballads, soft-pop: fade-in vocals in intro, rising chorus.

[genre]

• Meaning: Defines the overall stylistic category of the composition.
• Placement: Typically at the start of the definition, as it determines how the track is structured.
• Accepted Parameters:
  • single-genre – A single, well-defined musical genre (e.g., [genre: jazz]).
  • hybrid-genre – A fusion of two or more genres (e.g., [genre: jazz-electronic-fusion]).
  • subgenre – A more specific style within a genre (e.g., [genre: dark-ambient]).
• Sample Usage:

  [genre: cinematic-orchestral hybrid with electronic textures.]
  

• Genre-Based Usage:
  • Rock & Pop: [genre: classic-rock], [genre: indie-pop]
  • Electronic & Dance: [genre: deep-house], [genre: industrial-techno]
  • Hip-Hop & R&B: [genre: trap-soul], [genre: boom-bap]
  • Experimental & Soundscape: [genre: musique-concrete], [genre: noise-drone]

Track Structure Recommendation

• [intro: Atmospheric textures setting the tone]
• [verse: Genre-defining elements introduced]
• [chorus: Fully developed style with layered instruments]
• [bridge: A contrasting section that reinterprets genre tropes]
• [outro: Genre's characteristic resolution or fade-out]

[glissando]

• Meaning: Specifies a continuous slide from one pitch to another, often associated with string instruments, trombones, synths, or harps.
• Placement: Typically used within [instruments] or [harmony].
• Accepted Parameters:
  • ascending – The pitch slides upwards.
  • descending – The pitch slides downwards.
  • slow – A gradual slide between pitches.
  • fast – A rapid slide between notes.
  • chromatic – A glissando that includes all chromatic steps.
• Sample Usage:

  [glissando: Fast ascending synth glissando for a futuristic feel.]
  

• Advice:
  • Slow glissandos create a dreamy or eerie atmosphere.
  • Fast glissandos add excitement, especially before a climax.
  • Descending glissandos are often used for melancholy or fading effects.

[glitch]

• Meaning: Specifies artificial, digital-style distortions that contribute to a fractured or unpredictable sound.
• Placement: Typically used within [effects], [structure], or [rhythm].
• Accepted Parameters:
  • stutter – Repetitive chopping of audio.
  • bit-crush – Lower-resolution sound for a pixelated effect.
  • tape-stop – Sudden halting of sound as if stopping playback.
  • granular – Fragmented, layered playback of the sound.
  • randomized – Unpredictable glitches throughout.
• Sample Usage:

  [glitch: Randomized stutters and granular synthesis applied to drums.]
  

• Genre-Based Usage:
  • IDM & Glitchcore: Highly processed and manipulated electronic beats.
  • Industrial & Cyberpunk: Harsh, mechanical distortions.
  • Hip-Hop & Phonk: Chopped vocals with stutter effects.
  • Experimental & Noise: Extreme sound degradation for atmospheric effect.

Track Structure Recommendation

• [intro: Filtered pads with occasional glitch artifacts]
• [verse: Glitchy percussion and vocal chops]
• [chorus: Stuttering synths and bit-crushed drums]
• [bridge: Tape-stop effect leading into a drop]
• [outro: Fading granular effects into silence]

[grind]

• Meaning: Defines aggressive, fast-paced, or heavily distorted instrumentation, often used in extreme genres.
• Placement: Typically used within [rhythm], [dynamics], or [mixing].
• Accepted Parameters:
  • metallic – Sharp, industrial-style distortion.
  • low-end – Heavy, bass-driven grinding.
  • machine-like – Mechanized repetition and intensity.
  • dissonant – Unpleasant, abrasive tonalities.
  • chaotic – Unstructured, frenetic arrangement.
• Sample Usage:

  [grind: Low-end distorted bass and machine-like rhythmic intensity.]
  

• Genre-Based Usage:
  • Grindcore & Metal: Fast, aggressive guitars and blast beats.
  • Industrial & Cyberpunk: Machine-driven rhythms and harsh noise.
  • Noise & Experimental: Chaotic, dissonant soundscapes.
  • Electronic & Breakcore: Distorted synths and fractured beats.

Track Structure Recommendation

• [intro: Dark, grinding bass drone]
• [verse: Heavy distorted guitars with fast drumming]
• [chorus: Full power, chaotic grind elements]
• [bridge: Industrial machine-like breakdown]
• [outro: Sudden stop with high-pitched feedback]

[happy]

• Meaning: Defines the emotional tone of the track, ensuring that the composition conveys joy, positivity, and energy.
• Placement: Typically used within [mood], [style], or [dynamics].
• Accepted Parameters:
  • bright – A cheerful, lighthearted mood.
  • upbeat – Energetic and lively.
  • playful – Fun, quirky, and whimsical.
  • joyful – Warm and emotionally uplifting.
  • danceable – Optimized for rhythmic movement.
• Sample Usage:

  [happy: Upbeat and bright chord progressions with playful melodies.]
  

• Genre-Based Usage:
  • Pop & Funk: Bright, danceable rhythms.
  • Jazz & Swing: Bouncy, uplifting harmonies.
  • Electronic & House: Fast tempos and feel-good synth leads.
  • Orchestral & Classical: Light, staccato string sections.

Track Structure Recommendation

• [intro: Light piano motif with uplifting string swells]
• [verse: Playful syncopated rhythms]
• [chorus: Full instrumentation with soaring melody]
• [bridge: Soft breakdown, preparing for a final joyful chorus]
• [outro: Bright, sustained chords fading out]

[harmonics]

• Meaning: Refers to overtones produced above a fundamental pitch, common in strings, brass, and woodwinds. They create an airy or shimmering sound.
• Placement: Typically used within [instruments], [harmony], or [style].
• Accepted Parameters:
  • natural – Harmonics produced by lightly touching a string.
  • artificial – Forced harmonics, often used on guitar.
  • bell-like – High, ringing harmonics.
  • ethereal – Soft, floating harmonic tones.
  • sustained – Long-lasting harmonic sounds.
• Sample Usage:

  [harmonics: Ethereal violin harmonics for a mysterious atmosphere.]
  

• Advice:
  • Natural harmonics work well in orchestral and ambient compositions.
  • Bell-like harmonics are perfect for fantasy and cinematic scores.
  • Sustained harmonics blend well with pads and ambient textures.

[harmony]

• Meaning: Defines how chords and multiple voices interact, emphasizing harmony-driven elements in the track.
• Placement: Typically used within [vocals], [structure], or [arrangement].
• Accepted Parameters:
  • simple – Basic, diatonic harmonies.
  • rich – Complex, layered chord structures.
  • choral – Choir-like vocal harmonization.
  • jazz-influenced – Extended and colorful harmonies.
  • barbershop – Tight, four-part vocal harmonies.
• Sample Usage:

  [harmony: Rich, layered choral harmonization with sustained voicings.]
  

• Genre-Based Usage:
  • Classical & Choral: Polyphonic vocal harmonization.
  • Jazz & Soul: Complex harmonic textures.
  • Rock & Pop: Layered vocal harmonies in choruses.
  • Folk & World: Natural, acoustic harmony blending.

Track Structure Recommendation

• [intro: Gentle piano chords introducing harmonic motif]
• [verse: Simple harmonized vocals over guitar]
• [chorus: Rich vocal harmonies layered for intensity]
• [bridge: Jazz-influenced modulations]
• [outro: Soft fading harmonies resolving into silence]

[hook]

• Meaning: Specifies the most memorable, catchy part of the song, whether instrumental or vocal.
• Placement: Typically used within [structure] or [vocals].
• Accepted Parameters:
  • vocal – The hook is a sung phrase.
  • instrumental – A riff or melody serves as the hook.
  • repetitive – The hook repeats multiple times for memorability.
  • syncopated – Rhythmically engaging hook.
  • anthemic – A bold, singalong-style hook.
• Sample Usage:

  [hook: Repetitive vocal melody layered over punchy drums.]
  

• Genre-Based Usage:
  • Pop & R&B: Melodic, lyrical hooks.
  • Rock & Metal: Guitar riff-driven hooks.
  • Electronic & House: Synth-based recurring motifs.
  • Hip-Hop & Trap: Catchy, chant-like refrains.

Track Structure Recommendation

• [intro: Soft build-up introducing hook melody]
• [verse: Developing lyrics leading to the hook]
• [chorus: The main hook is fully introduced]
• [bridge: A breakdown section leading to the final hook repetition]
• [outro: The hook fades out with a reverb tail]

[improvisation]

• Meaning: Allows performers to freely create melodic, harmonic, or rhythmic variations during performance.
• Placement: Typically used within [harmony], [style], or [theme].
• Accepted Parameters:
  • freeform – Fully spontaneous improvisation.
  • jazzy – Improvised elements in a jazz style.
  • ornamental – Embellishments added to the main melody.
  • structured – Improvisation within a set harmonic framework.
  • call-and-response – Improvised phrases between instruments or voices.
• Sample Usage:

  [improvisation: Jazzy trumpet solo over a soft piano accompaniment.]
  

• Advice:
  • Freeform improvisation works well for ambient and experimental music.
  • Structured improvisation is ideal for jazz, blues, and classical variations.
  • Ornamental improvisation can enhance baroque, romantic, and cinematic styles.

[inflection]

• Meaning: Refers to subtle tonal or dynamic variations that alter expressiveness.
• Placement: Typically used within [vocals], [dynamics], or [harmony].
• Accepted Parameters:
  • subtle – Gentle variations in pitch or dynamics.
  • dramatic – Strong inflections for emotional impact.
  • vocal – Inflection in singing or spoken words.
  • instrumental – Expressive changes in phrasing for instruments.
  • crescendo-inflection – Gradual intensity increase.
• Sample Usage:

  [inflection: Subtle vocal inflection for expressive storytelling.]
  

• Advice:
  • Use vocal inflection for expressive singing and spoken word delivery.
  • Dramatic inflection is great for orchestral and cinematic builds.
  • Subtle inflection can enhance emotion without overpowering the mix.

[instrument]

• Meaning: Specifies a particular instrument that is prominent in the track.
• Placement: Typically used within [instruments], [arrangement], or [focus].
• Accepted Parameters:
  • piano – Emphasizes piano as a lead instrument.
  • guitar – Focus on electric or acoustic guitar.
  • violin – Strings take the lead.
  • synth – Synth-heavy composition.
  • brass – Horns and brass section as a central element.
• Sample Usage:

  [instrument: Acoustic guitar fingerpicking leading the melody.]
  

• Genre-Based Usage:
  • Folk & Country: Guitar and banjo prominence.
  • Jazz & Blues: Saxophone and brass-led arrangements.
  • Electronic & Synthwave: Heavy use of analog synthesizers.
  • Classical & Orchestral: Rich string sections.

Track Structure Recommendation

• [intro: Solo violin melody establishing the theme]
• [verse: Piano accompaniment supporting the main melody]
• [chorus: Strings swell alongside brass accents]
• [bridge: Guitar interlude providing contrast]
• [outro: Gentle harp plucking fading into silence]

[instrumental]

• Meaning: Ensures that the track contains no vocals, focusing entirely on instrumentation.
• Placement: Typically used at the beginning of the "Lyrics" section to indicate that no lyrics should be generated.
• Accepted Parameters:
  • orchestral – Fully symphonic arrangement.
  • electronic – Focused on synths and digital instruments.
  • acoustic – Natural, unplugged instrumental piece.
  • cinematic – Score-like, narrative-driven instrumental.
  • jazz-improvised – Live, free-form instrumental sections.
• Sample Usage:

  [instrumental: Cinematic orchestral composition with no vocals.]
  

• Genre-Based Usage:
  • Film Scores & Soundtracks: Fully orchestral compositions.
  • Electronic & Ambient: Synth-heavy soundscapes with no voice.
  • Classical & Chamber Music: Solo or ensemble instrumentals.
  • Progressive Rock & Metal: Extended instrumental solos.

Track Structure Recommendation

• [intro: Slowly building orchestral strings]
• [verse: Main melody introduced on piano]
• [chorus: Full arrangement swells with brass]
• [bridge: Percussion-driven section with dynamic shifts]
• [outro: Soft fade-out with distant reverberations]

[instruments]

• Meaning: Specifies the instruments used in the composition, helping define the timbre and orchestration of the track.
• Placement: Typically placed before structure tags to establish instrumentation at the beginning of the track definition.
• Accepted Parameters:
  • Specific instruments – e.g., piano, violin, electric guitar, synthesizer, brass, flute, harp.
  • Ensembles – e.g., string quartet, symphonic orchestra, jazz trio.
  • Electronic elements – e.g., 808 bass, modular synth, vocoder, pads.
• Sample Usage:

  [instruments: Acoustic guitar, soft synth pads, subtle piano accompaniment.]
  

• Genre-Based Usage:
  • Rock & Pop: Electric guitar, bass, drums, synths.
  • Classical & Cinematic: Orchestral strings, brass, harp.
  • Electronic & Ambient: Synth pads, drones, digital bells.
  • Jazz & Blues: Saxophone, upright bass, electric piano.

Track Structure Recommendation

• [instruments: Piano, cello, atmospheric synths]
• [intro: Solo piano melody introducing the theme]
• [verse: Cello enters with deep harmonies]
• [chorus: Synth pads build a cinematic atmosphere]
• [outro: Instruments fade out into soft reverberation]

[intensity]

• Meaning: Controls emotional/musical tension and arc of energy throughout the song.
• Placement:
  • Can be placed globally or per section.
  • Highly effective in [control:] or [sequence:] aligned use.
• Accepted Parameters:
  • low, medium, high – Base level of emotional delivery
  • rising, falling, fluctuating – Movement of energy
  • flat, plateau, explosive, collapsing – Specialized arc patterns
  • low → high → collapse – Composite form (good for dramatic forms)
• Sample Usage:

  [control: cinematic, emotional, slow-build]
  [intensity: low → medium → explosive → collapse]
  

• Genre-Based Usage:
  • Post-metal, cinematic orchestral: extreme rise-to-collapse.
  • Synthwave, vaportrap: plateau with sudden spike.
  • Indie folk, lo-fi pop: subtle rising arcs.

[interlude]

• Meaning: Defines a short instrumental break between sections, often used to provide contrast or transition between verses and choruses.
• Placement: Typically placed between structured sections such as [verse], [chorus], and [bridge].
• Accepted Parameters:
  • instrumental – Purely instrumental passage.
  • melodic – A recurring theme or motif.
  • rhythmic – A percussive, groove-based break.
  • ambient – A textural or atmospheric transition.
  • minimal – A sparse, stripped-down moment before the next section.
• Sample Usage:

  [interlude: Soft guitar arpeggios transitioning into the next verse.]
  

• Genre-Based Usage:
  • Rock & Alternative: Guitar solo-based interludes.
  • Electronic & House: Synth builds and filter sweeps.
  • Orchestral & Classical: Short instrumental cadenzas.
  • Hip-Hop & R&B: Beat-driven breaks before the next verse.

Track Structure Recommendation

• [intro: Dreamy piano chords]
• [verse: Soft vocals over light synth textures]
• [interlude: Atmospheric pad swells before the chorus]
• [chorus: Full arrangement kicks in with deep bass]
• [outro: Minimal fade-out of synth echoes]

[intermezzo]

• Meaning: Specifies a self-contained musical passage that may be unrelated to the main sections but serves as a brief contrast.
• Placement: Typically placed between primary musical sections like [movement], [theme], or [structure].
• Accepted Parameters:
  • contrasting – A section that differs from the main theme.
  • reflective – A slow, introspective segment.
  • dramatic – A sudden, intense moment before resolving.
  • ornamental – A decorative or virtuosic passage.
• Sample Usage:

  [intermezzo: Dramatic orchestral swell before returning to the main theme.]
  

• Genre-Based Usage:
  • Classical & Opera: Orchestral interludes in multi-movement pieces.
  • Progressive Rock & Metal: Sudden changes in dynamics or tempo.
  • Jazz & Fusion: Improvised instrumental detours.
  • Cinematic & Score: Dramatic moments before action sequences.

Track Structure Recommendation

• [intro: Solo piano introduction]
• [theme: Strings carry the main melody]
• [intermezzo: Sudden timpani rolls and brass swells]
• [development: Main theme modulated into a darker key]
• [outro: Soft flute reprise of the melody]

[intro]

• Meaning: Defines the opening section of a track, setting the mood, instrumentation, and rhythm before transitioning into structured sections.
• Placement: Typically at the beginning of the track definition.
• Accepted Parameters:
  • soft – Gentle, understated opening.
  • dramatic – Strong, impactful beginning.
  • percussive – Driven by rhythmic elements.
  • atmospheric – Textural, ambient soundscapes.
  • synth-driven – Electronic intro using pads, arpeggios.
• Sample Usage:

  [intro: Soft choral voices fading in with ambient pads.]
  

• Genre-Based Usage:
  • Rock & Metal: Guitar intros leading into heavy riffs.
  • Electronic & Synthwave: Filtered synths and arpeggios.
  • Jazz & Fusion: Solo saxophone or piano introduction.
  • Cinematic & Classical: Grand orchestral swells.

Track Structure Recommendation

• [intro: Low strings rumbling beneath ethereal choral voices]
• [verse: Vocal melody enters with soft piano accompaniment]
• [chorus: Full orchestration with percussion layers]
• [bridge: Drop in intensity, shifting to solo violin]
• [outro: Gentle fade-out with harp and flute]

[language]

• Meaning: Specifies the language of the lyrics or vocal performance in the generated track.
• Placement: Typically placed at the beginning of the track definition or before [vocals].
• Accepted Parameters:
  • English – Standard default setting.
  • Spanish – Latin-inspired phonetics.
  • French – Romantic and flowing vocal tone.
  • Japanese – Suitable for J-Pop, anime-style vocals.
  • Italian – Often used in opera and classical pieces.
  • Multilingual – A mix of different languages in the song.
• Sample Usage:

  [language: French]
  

• Genre-Based Usage:
  • Pop & Rock: English, Spanish, Japanese.
  • Classical & Opera: Italian, German, French.
  • World & Folk: Multilingual, Arabic, Mandarin.
  • Hip-Hop & R&B: English, Spanish, African dialects.

Track Structure Recommendation

• [language: Italian]
• [intro: Operatic soprano melody with light piano accompaniment]
• [verse: Dramatic vocal lines with orchestral backing]
• [chorus: Emotional crescendo, fully harmonized vocals]
• [outro: Fading choral resolution in Latin]

[laughter]

• Meaning: Adds laughter as a sound effect or vocal element in the track.
• Placement: Typically used within [sfx], [vocals], or [effects].
• Accepted Parameters:
  • subtle – Light chuckles, background effect.
  • maniacal – Evil, exaggerated laughter.
  • nervous – Uneasy or trembling chuckles.
  • group – Multiple voices laughing together.
  • looped – Continuous, rhythmic laughter.
• Sample Usage:

  [laughter: Maniacal, distorted laughter echoing in the background.]
  

• Genre-Based Usage:
  • Horror & Darkwave: Evil, unsettling vocal effects.
  • Jazz & Theatrical: Playful, vaudeville-style laughing breaks.
  • Hip-Hop & Phonk: Dark, menacing laugh samples.
  • Experimental & Avant-Garde: Layered, manipulated laughter textures.

Track Structure Recommendation

• [intro: Low synth hum with distant, eerie laughter]
• [verse: Tension-building piano progression]
• [laughter: Maniacal chuckles creeping in the background]
• [chorus: Full instrumental impact, layered horror effects]
• [outro: Echoing laughter fading into silence]

[layering]

• Meaning: Defines the use of multiple sounds, instruments, or textures stacked together to create a thicker or more dynamic sound.
• Placement: Typically used within [mixing], [orchestration], or [structure].
• Accepted Parameters:
  • dense – A full, rich arrangement with multiple instruments layered.
  • thin – A minimal arrangement with subtle layers.
  • gradual – Layers that slowly build up over time.
  • dynamic – Layers that shift and evolve throughout the track.
  • textural – Subtle atmospheric layering for ambiance.
• Sample Usage:

  [layering: Dense synth pads supporting dynamic brass and strings.]
  

• Advice:
  • Dense layering is useful for cinematic, symphonic, and electronic builds.
  • Gradual layering works well for progressive music or ambient styles.
  • Textural layering enhances atmosphere and depth.

[legato]

• Meaning: Specifies smooth, connected note transitions in melodies and harmonies.
• Placement: Typically used within [harmony] or [vocals].
• Accepted Parameters:
  • soft – Gentle legato phrasing.
  • flowing – Constantly connected and expressive.
  • orchestral – String and wind instruments blending seamlessly.
  • electronic – Synth-based legato glide effects.
  • intense – Dramatic, film-score-like smooth phrasing.
• Sample Usage:

  [legato: Flowing, cinematic string movements blending with choir.]
  

• Genre-Based Usage:
  • Classical & Orchestral: Smooth violin and wind melodies.
  • Jazz & Blues: Expressive, slurred saxophone phrasing.
  • Electronic & Synthwave: Gliding synth leads.
  • Ambient & Soundtrack: Ethereal, evolving soundscapes.

Track Structure Recommendation

• [intro: Slow, legato string swells fading in]
• [verse: Flowing vocal line with smooth piano accompaniment]
• [chorus: Expansive, cinematic orchestration with legato phrasing]
• [bridge: Soft legato violin solo transitioning back to vocals]
• [outro: Gentle legato fade-out of choir and strings]

[length]

• Meaning: Specifies the desired duration of the track, controlling overall runtime.
• Placement: Typically placed before [structure] to ensure Suno processes it before structuring the composition.
• Accepted Parameters:
  • short – 30–60 seconds.
  • standard – 2–3 minutes (default).
  • extended – 4–5 minutes.
  • loopable – Designed to seamlessly loop.
  • epic – 5+ minutes with grand arrangements.
• Sample Usage:

  [length: Extended, with a cinematic build-up]
  

• Genre-Based Usage:
  • Pop & Mainstream: Standard radio-friendly lengths (2–3 min).
  • Electronic & Dance: Extended club mixes (5+ min).
  • Classical & Film Score: Epic storytelling (5+ min orchestral).
  • Game Music & Ambient: Loopable background tracks.

Track Structure Recommendation

• [length: Loopable]
• [intro: Smooth ambient pad fade-in]
• [verse: Subtle arpeggiated melodies drifting through]
• [chorus: Slightly intensified layering for dynamic movement]
• [outro: Seamless transition to start again]

[loop]

• Meaning: Ensures that the composition can seamlessly repeat without noticeable gaps.
• Placement: Typically used before [structure] to define the track’s looping capabilities.
• Accepted Parameters:
  • seamless – No break between the end and restart.
  • fading – Gentle fade-out, followed by a fade-in.
  • percussive – Drums and rhythm keep momentum consistent.
  • atmospheric – Textures evolve smoothly with repetition.
  • syncopated – Grooves designed to cycle rhythmically.
• Sample Usage:

  [loop: Seamless transition, continuous melodic flow.]
  

• Genre-Based Usage:
  • Ambient & Chill: Long-form, evolving loops.
  • Electronic & House: Repetitive beat structures.
  • Video Game Music: Background loops for interactive use.
  • Minimalist & Experimental: Hypnotic, recurring motifs.

Track Structure Recommendation

• [loop: Seamless atmospheric transition]
• [intro: Distant drones and reversed piano samples]
• [verse: Rising synth pads with layered textures]
• [chorus: Subtle percussive pulse maintaining rhythm]
• [outro: Fading into a repeatable transition]

[male]

• Meaning: Specifies that the lead or backing vocals should be performed by a male voice.
• Placement: Typically used within [vocals], [harmony], or [structure].
• Accepted Parameters:
  • low – Deep bass or baritone male vocals.
  • mid – Natural tenor range.
  • high – Falsetto or high tenor vocals.
  • gritty – Rough, textured male vocals.
  • operatic – Classical, dramatic male vocals.
• Sample Usage:

  [male: Deep, rich baritone leading the verse.]
  

• Genre-Based Usage:
  • Rock & Blues: Gritty, raspy male vocals.
  • Pop & R&B: Smooth tenor male leads.
  • Classical & Opera: Operatic bass or tenor voices.
  • Jazz & Soul: Expressive male vocals with vibrato.

Track Structure Recommendation

• [intro: Soft spoken male intro with ambient backing]
• [verse: Deep baritone vocals over piano]
• [chorus: Powerful mid-range male harmonies]
• [bridge: Falsetto rise into emotional climax]
• [outro: Whispered male harmonics fading into silence]

[marcato]

• Meaning: Indicates that notes should be played in a forceful, accented manner.
• Placement: Typically used within [rhythm] or [dynamics].
• Accepted Parameters:
  • sharp – Sudden, pronounced attack on each note.
  • percussive – Rhythmically strong articulation.
  • orchestral – Bold, dynamic orchestral accents.
  • syncopated – Accents placed off the beat.
• Sample Usage:

  [marcato: Orchestral brass accents, sharp and dramatic.]
  

• Genre-Based Usage:
  • Classical & Baroque: String sections playing in sharp articulation.
  • Jazz & Big Band: Bold brass accents.
  • Rock & Metal: Aggressive, percussive riffing.
  • Electronic & Industrial: Heavily accented synth stabs.

Track Structure Recommendation

• [intro: Percussive piano intro with marcato strings]
• [verse: Syncopated marcato brass hits]
• [chorus: Full orchestra with pronounced articulation]
• [bridge: Short, staccato motifs developing tension]
• [outro: Dramatic brass ending with accented closure]

[minuet]

• Meaning: Specifies a dance-like, triple-meter (3/4 or 6/8) structure reminiscent of classical minuets.
• Placement: Typically used within [style], [rhythm], or [tempo].
• Accepted Parameters:
  • baroque – Authentic minuet style from the 17th-18th century.
  • waltz-like – Flowing, romantic interpretation.
  • modernized – Updated for contemporary instruments.
  • chamber – Designed for small ensembles.
• Sample Usage:

  [minuet: Baroque-style string minuet in 3/4 time.]
  

• Genre-Based Usage:
  • Classical & Renaissance: Authentic minuet structures.
  • Jazz & Fusion: Swing-infused minuet adaptations.
  • Folk & Acoustic: Waltz-like guitar arrangements.
  • Electronic & Experimental: Synth-based minuets with arpeggiated lines.

Track Structure Recommendation

• [intro: Light harpsichord motif introducing the minuet]
• [theme: Baroque-inspired strings in 3/4 time]
• [variation: Flute melody complementing the minuet rhythm]
• [outro: Soft piano closing in minuet style]

[mixing]

• Meaning: Controls the balance of frequencies, stereo width, and sound clarity.
• Placement: Typically used within [dynamics], [effects], or [structure].
• Accepted Parameters:
  • bass-heavy – Deep, low-end emphasis.
  • bright – High-frequency clarity.
  • wide – Expanded stereo imaging.
  • lo-fi – Retro, softened sound with analog warmth.
  • punchy – Tight, high-impact sound.
• Sample Usage:

  [mixing: Wide stereo imaging with bright vocal clarity.]
  

• Genre-Based Usage:
  • Hip-Hop & Trap: Heavy bass emphasis and crisp percussion.
  • Rock & Metal: Midrange guitar presence and punchy drums.
  • Jazz & Funk: Warm, analog mixing for rich textures.
  • Electronic & Ambient: Wide stereo effects with deep reverb.

Track Structure Recommendation

• [intro: Filtered low-end build-up]
• [verse: Bright vocals, punchy percussion]
• [chorus: Expansive stereo depth with deep bass]
• [bridge: High-frequency fade-out leading into drop]
• [outro: Soft reverberated delay fading away]

[modulation]

• Meaning: Specifies a change in key or tonal shift within the composition.
• Placement: Typically used within [harmony], [structure], or [theme].
• Accepted Parameters:
  • sudden, abrupt – An abrupt key change for dramatic effect.
  • ascending, rising – Moves up in pitch (e.g., C major to D major).
  • descending, falling – Moves down in pitch (e.g., G major to F major).
  • gradual, smooth, subtle – Slow harmonic drift.
  • minor-shift, major-shift – Mood-altering key changes.
  • chromatic, modal, atonal – Modulation using non-diatonic steps.
• Sample Usage:

  [modulation: Sudden shift from A minor to C major in the bridge.]
  

• Advice:
  • Subtle modulations create a flowing progression in pop and classical music.
  • Sudden modulations enhance dramatic or surprise elements.
  • Chromatic modulations work well for film scores and jazz.

[mood]

• Meaning: Defines the emotional atmosphere of the track.
• Placement: Typically used at the start of the track definition to guide composition style.
• Accepted Parameters:
  • dark – Brooding, mysterious, or ominous.
  • uplifting – Positive, energizing.
  • melancholic – Sad, introspective.
  • mystical – Ethereal, otherworldly.
  • playful – Lighthearted and fun.
• Sample Usage:

  [mood: Dark, atmospheric tension with deep drones.]
  

• Genre-Based Usage:
  • Rock & Metal: Dark and aggressive moods.
  • Electronic & Chill: Uplifting or melancholic textures.
  • Cinematic & Orchestral: Mystical and grand moods.
  • Jazz & Soul: Playful and laid-back vibes.

Track Structure Recommendation

• [mood: Melancholic, soft and reflective]
• [intro: Gentle strings and atmospheric pads]
• [verse: Emotional, expressive melody on piano]
• [chorus: Expansive orchestration with rising intensity]
• [outro: Soft, fading resolution in minor tonality]

[mutation]

• Meaning: Refers to the transformation of a melody, harmony, or rhythm into a new variation over time.
• Placement: Typically used within [structure], [theme], or [variation].
• Accepted Parameters:
  • gradual – The transformation happens slowly.
  • abrupt – Sudden shifts in melody or harmony.
  • textural – Changes in sound design rather than pitch.
  • harmonic – The harmonic foundation shifts over time.
  • rhythmic – The rhythm gradually evolves.
• Sample Usage:

  [mutation: Gradual harmonic shift from major to minor.]
  

• Advice:
  • Gradual mutation works well for ambient and electronic music.
  • Abrupt mutation is useful for avant-garde and progressive rock.
  • Textural mutation is great for experimental and cinematic music.

[no]

• Meaning: Negates or disables a particular feature or characteristic in the track. It is used to explicitly prevent the inclusion of certain musical elements.
• Placement: Typically placed before structure or vocal tags to ensure exclusions are processed early.
• Accepted Parameters:
  • no-vocals – Ensures the track is fully instrumental.
  • no-drums – Removes percussion elements.
  • no-bass – Prevents the presence of bass frequencies or instruments.
  • no-reverb – Avoids reverb effects.
  • no-fade – Disables fade-in or fade-out.
• Sample Usage:

  [no: no-vocals, no-drums]
  

• Genre-Based Usage:
  • Ambient & Soundscape: "No-drums" for pure atmospheric textures.
  • Classical & Cinematic: "No-reverb" for a dry, raw recording feel.
  • Electronic & House: "No-bass" to create a floating, ethereal quality.
  • Minimalist & Acoustic: "No-fade" for sharp track endings.

Track Structure Recommendation

• [no: no-vocals, no-reverb]
• [intro: Soft piano with dry orchestration]
• [verse: Subtle string backing, no atmospheric effects]
• [chorus: Main melody played without reverberation]
• [outro: Quick, abrupt stop on the final note]

[no-repeat]

• Meaning: Ensures that no section of the track is repeated, forcing Suno to generate unique progressions throughout the composition.
• Placement: Typically placed before [structure] to define how sections behave.
• Accepted Parameters:
  • strict – No elements (lyrics, instrumental phrases) repeat.
  • chorus-only – Allows repetition of the chorus, but prevents repeating verses.
  • instrumental-varied – Ensures each instrumental section is distinct.
• Sample Usage:

  [no-repeat: chorus-only]
  

• Genre-Based Usage:
  • Jazz & Improvisation: "Instrumental-varied" for evolving solos.
  • Progressive Rock & Metal: "Strict" to ensure unique song progression.
  • Orchestral & Film Score: "No-repeat" to avoid looping motifs.
  • Minimalist & Ambient: "Chorus-only" to maintain some repetition while avoiding redundancy.

Track Structure Recommendation

• [no-repeat: strict]
• [intro: Unique evolving soundscape]
• [verse: Slow piano chords, building in complexity]
• [chorus: Choir enters with swelling orchestration]
• [bridge: Modulated transition into new harmony]
• [outro: Resolved final theme, no recurrence]

[orchestra]

• Meaning: Specifies the type of orchestral arrangement used in the track.
• Placement: Typically placed before [instruments] or [structure] to define the orchestration.
• Accepted Parameters:
  • symphonic – Full orchestra with all sections.
  • chamber – Small ensemble, often with strings and winds.
  • brass-heavy – Focus on bold brass sections.
  • string-dominant – Emphasizes violins, cellos, and other stringed instruments.
  • percussion-driven – Strong orchestral percussion presence.
• Sample Usage:

  [orchestra: chamber, string-dominant]
  

• Genre-Based Usage:
  • Classical & Romantic: "Symphonic" for grand compositions.
  • Jazz & Big Band: "Brass-heavy" for powerful sound.
  • Cinematic & Soundtrack: "Percussion-driven" for dramatic scoring.
  • Electronic & Hybrid: "Chamber" for intimate, modern fusion.

Track Structure Recommendation

• [orchestra: symphonic, brass-heavy]
• [intro: Slow strings swelling into a majestic brass fanfare]
• [theme: Heroic brass melody over rich orchestration]
• [development: Expanding harmonic complexity with woodwinds]
• [outro: Gentle string diminuendo fading into silence]

[orchestration]

• Meaning: Defines how instruments are arranged and distributed in the composition.
• Placement: Typically used within [ensemble], [structure], or [style].
• Accepted Parameters:
  • dense – A rich, full orchestral arrangement.
  • transparent – A light and airy arrangement with space.
  • layered – Different instrumental groups are stacked in layers.
  • chamber – A small ensemble with intimate textures.
  • cinematic – A dramatic, film-score-like orchestration.
• Sample Usage:

  [orchestration: Layered strings and brass for a cinematic build-up.]
  

• Advice:
  • Dense orchestration is great for epic scores and symphonic metal.
  • Transparent orchestration works for baroque, jazz, and folk music.
  • Layered orchestration adds depth and richness to any genre.

[outro]

• Meaning: Defines the final section of the track, specifying how it concludes.
• Placement: Typically placed after [structure], indicating the closing style.
• Accepted Parameters:
  • fade-out – Gradually decreasing volume to silence.
  • sudden-stop – A sharp, abrupt end.
  • reverb-tail – Ending with a long reverberation.
  • soft-landing – A gentle, resolving finish.
  • climactic – A dramatic final section.
• Sample Usage:

  [outro: Climactic brass swell with a sudden-stop ending.]
  

• Genre-Based Usage:
  • Rock & Pop: "Fade-out" for classic endings.
  • Classical & Jazz: "Soft-landing" for smooth resolutions.
  • EDM & Dance: "Reverb-tail" for atmospheric club endings.
  • Cinematic & Epic: "Climactic" for impactful finishes.

Track Structure Recommendation

• [intro: Delicate harp melody building into orchestral swells]
• [verse: Expanding dynamic range with layered vocals]
• [chorus: Powerful string and brass crescendos]
• [outro: Sudden-stop ending for dramatic effect]

[pad]

• Meaning: Defines the type of sustained, atmospheric background sound layers used to enhance depth.
• Placement: Typically used within [instruments], [structure], or [effects].
• Accepted Parameters:
  • warm – Soft, analog-style pads.
  • bright – High-frequency shimmering pads.
  • evolving – Slowly shifting, morphing pads.
  • dark – Low, ominous textures.
  • orchestral – Simulated string ensemble pads.
• Sample Usage:

  [pad: Warm, evolving synth textures filling the background.]
  

• Genre-Based Usage:
  • Ambient & Drone: "Evolving" pads for immersive atmospheres.
  • Cinematic & Soundtrack: "Orchestral" pads for emotional weight.
  • Electronic & Chillout: "Warm" pads for relaxed textures.
  • Industrial & Experimental: "Dark" pads for unsettling tension.

Track Structure Recommendation

• [pad: Evolving orchestral strings with warm synth undertones]
• [intro: Deep synth pads fading in]
• [verse: Soft piano melody supported by atmospheric pads]
• [chorus: Full orchestral pad swell behind lead vocals]
• [outro: Dark, haunting pad fading into silence]

[pan]

• Meaning: Defines stereo field placement of instruments or vocals.
• Placement: Works best inside section tags, especially [intro:], [theme A:], [verse:].
• Accepted Parameters:
  • warm – Soft, analog-style pads.
  • bright – High-frequency shimmering pads.
  • evolving – Slowly shifting, morphing pads.
  • dark – Low, ominous textures.
  • orchestral – Simulated string ensemble pads.
• Sample Usage:

  [theme A: Electric guitars pan left/right in alternating pulses, under a centered vocal harmony.]
  [pan: ping-pong guitars, centered vocals]
  

• Genre-Based Usage:
  • Shoegaze, post-rock, synthwave: wide stereo guitars and ambient pads.
  • Jazz, funk: stereo horns with centered rhythm.
  • Ambient/lo-fi: rotating textures or field-width exploration.

[pedal-point]

• Meaning: A sustained or repeated note, typically in the bass, that remains constant while harmonies above it change.
• Placement: Typically used within [harmony], [bass], or [structure].
• Accepted Parameters:
  • low – A deep, rumbling pedal note in the bass.
  • high – A sustained note in the treble register.
  • suspended – A pedal point that delays resolution.
  • dissonant – A pedal tone that clashes with the chords above it.
  • resolved – A pedal point that smoothly transitions into a cadence.
• Sample Usage:

  [pedal-point: Low sustained organ note for a gothic atmosphere.]
  

• Genre-Based Usage:
  • Classical: Used in Bach’s fugues and organ compositions for harmonic grounding.
  • Jazz: Walking bass lines often contain pedal points for harmonic tension and release.
  • Cinematic: Low drone-like pedal points in horror or thriller soundtracks enhance unease.
  • Metal/Rock: Guitar pedal tones sustain dissonance before heavy riffing.

[personae]

• Meaning: Specifies the vocal character or persona performing the track, ensuring consistency across verses, harmonies, and vocal layers.
• Placement: Typically placed before [vocals] or [harmony], defining a character or vocal identity early in the track.
• Accepted Parameters:
  • gritty-male – A deep, textured male voice.
  • ethereal-female – Light, airy female vocals.
  • robotic – Artificial, vocoder-like singing.
  • opera-tenor – Classical, operatic male tenor.
  • soft-whisper – Gentle, whispered tones.
• Sample Usage:

  [personae: Robotic male voice with synthetic textures.]
  

• Genre-Based Usage:
  • Electronic & Cyberpunk: "Robotic" for digital, AI-like vocals.
  • Rock & Metal: "Gritty-male" for powerful lead vocals.
  • Classical & Operatic: "Opera-tenor" for dramatic arias.
  • Ambient & Experimental: "Soft-whisper" for eerie textures.

Track Structure Recommendation

• [personae: Ethereal female voice leading into soft whispers]
• [intro: Solo vocal phrase floating over atmospheric synths]
• [verse: Expressive lines carried by delicate vocal textures]
• [chorus: Full harmonization expanding the character’s voice]
• [outro: Whispered phrases fading into echoes]

[pizzicato]

• Meaning: Defines plucked string articulations for a more rhythmic and staccato effect in string instruments.
• Placement: Typically used within [instruments] or [harmony].
• Accepted Parameters:
  • light – Subtle, delicate pizzicato.
  • sharp – Pronounced, dynamic plucks.
  • bouncy – Playful, rhythmic feel.
  • dark – Ominous, low-register pizzicato.
• Sample Usage:

  [pizzicato: Bouncy, rhythmic plucked strings over a jazz groove.]
  

• Genre-Based Usage:
  • Classical & Baroque: Light pizzicato passages in string quartets.
  • Jazz & Swing: Bouncy plucks in basslines and violin accents.
  • Cinematic & Horror: Dark, eerie pizzicato used for suspense.
  • Electronic & Pop: Pizzicato-like synth plucks for texture.

Track Structure Recommendation

• [pizzicato: Light, playful plucks introducing the theme]
• [verse: Delicate pizzicato string backing under lead melody]
• [chorus: Expanding harmonies with layered pizzicato texture]
• [bridge: Deep, dramatic low-string plucks]
• [outro: Soft pizzicato fading into silence]

[power-off drop]

• Meaning: Defines a dramatic, abrupt silence effect, simulating an electronic system suddenly turning off.
• Placement: Typically used within [structure], [drop], or [effects].
• Accepted Parameters:
  • sudden – Instant drop with no reverb tail.
  • glitchy – Stuttering before the cut-off.
  • resonant – A slight echo before silence.
  • percussive – Accompanied by a bass thump or impact.
• Sample Usage:

  [power-off drop: Sudden, glitchy silence after the beat build-up.]
  

• Genre-Based Usage:
  • Electronic & EDM: Used for suspense before beat drops.
  • Hip-Hop & Trap: Tactical silence before 808 kicks return.
  • Industrial & Experimental: Creates eerie interruptions in rhythm.
  • Cinematic & Sci-Fi: Futuristic breakdowns with simulated glitches.

Track Structure Recommendation

• [intro: Rising synth arpeggios building tension]
• [verse: Heavy bass and beat-driven groove]
• [power-off drop: Abrupt silence before the chorus]
• [chorus: Full re-entry with dramatic percussion]
• [outro: Distant echoes fading into silence]

[pre-chorus]

• Meaning: Defines the section leading from the verse into the chorus, building tension and anticipation.
• Placement: Typically placed between [verse] and [chorus] in [structure].
• Accepted Parameters:
  • rising – Gradual build-up into the chorus.
  • syncopated – Off-beat rhythms to create anticipation.
  • minimal – Stripped-down before a strong chorus impact.
  • harmonized – Vocally layered to enhance tension.
• Sample Usage:

  [pre-chorus: Rising vocal harmonies with increasing synth layers.]
  

• Genre-Based Usage:
  • Pop & R&B: Melodic pre-choruses setting up catchy hooks.
  • Rock & Alternative: Guitar-driven pre-choruses for tension.
  • Hip-Hop & Trap: Minimalist, beat-only pre-choruses.
  • Cinematic & Epic: Orchestral swells leading into grand moments.

Track Structure Recommendation

• [verse: Soft piano melody with subdued vocals]
• [pre-chorus: Gradual rise in vocal intensity and instrumentation]
• [chorus: Full orchestral and vocal explosion]
• [outro: Smooth transition back to soft textures]

[prelude]

• Meaning: Specifies an introductory musical passage, often setting the mood for the entire composition.
• Placement: Typically used before [structure], [intro], or [theme].
• Accepted Parameters:
  • solo – A single instrument introduction.
  • orchestral – Full symphonic opening.
  • ambient – Atmospheric, pad-driven textures.
  • rhythmic – Percussion-driven thematic intro.
• Sample Usage:

  [prelude: Orchestral string overture with a cinematic buildup.]
  

• Genre-Based Usage:
  • Classical & Romantic: Grand, symphonic preludes before themes.
  • Electronic & Synthwave: Slow ambient buildups into beats.
  • Cinematic & Epic: Huge orchestral introductions before action.
  • Jazz & Blues: Piano-based preludes before main motifs.

Track Structure Recommendation

• [prelude: Solo piano opening with emotional phrasing]
• [theme: Full string orchestra carrying the melody]
• [development: Expansion into a cinematic arrangement]
• [outro: Soft fade-out with distant echoes]

[pronunciation]

• Meaning: Specifies how words should be enunciated in the vocal performance, which can be useful for ensuring clarity or stylization.
• Placement: Typically placed within [vocals] or [language] to ensure it is applied correctly.
• Accepted Parameters:
  • clear – Words are pronounced distinctly.
  • soft – Slightly subdued, gentle enunciation.
  • accented – Adds a specific accent (e.g., French, British, Southern).
  • slurred – Lazy or smooth pronunciation.
  • robotic – AI-style, flat vocal articulation.
• Sample Usage:

  [pronunciation: Clear and crisp, ensuring every word is understood.]
  

• Genre-Based Usage:
  • Pop & R&B: "Soft" for emotional delivery.
  • Hip-Hop & Trap: "Accented" for stylized flow.
  • Jazz & Blues: "Slurred" for relaxed phrasing.
  • Electronic & Experimental: "Robotic" for synthetic vocals.

Track Structure Recommendation

• [pronunciation: Clear, with a slightly accented delivery]
• [verse: Precise articulation with moderate pacing]
• [chorus: Expressive, slightly exaggerated vowels]
• [bridge: Whispered delivery, intimate phrasing]
• [outro: Words fading into a breathy whisper]

[pulse]

• Meaning: Defines the rhythmic foundation or heartbeat of the track.
• Placement: Typically used within [rhythm], [tempo], or [structure] to guide the groove.
• Accepted Parameters:
  • steady – A constant, unchanging pulse.
  • driving – Strong, forceful rhythmic push.
  • syncopated – Off-beat or complex rhythmic emphasis.
  • irregular – Changing tempo patterns.
  • subtle – Light, minimal rhythmic presence.
• Sample Usage:

  [pulse: Driving and syncopated, creating a hypnotic groove.]
  

• Genre-Based Usage:
  • House & Techno: "Steady" for dance beats.
  • Jazz & Funk: "Syncopated" for groove.
  • Progressive Rock & Metal: "Irregular" for time changes.
  • Orchestral & Cinematic: "Subtle" for gradual builds.

Track Structure Recommendation

• [pulse: Steady with slight acceleration in the chorus]
• [verse: Rhythmic guitar pattern anchoring the beat]
• [chorus: Full percussion section emphasizing pulse]
• [bridge: Pulse breaks down into irregular phrasing]
• [outro: Slow rhythmic fade into silence]

[recapitulation]

• Meaning: Refers to the return of the main theme, often after a development section, commonly used in classical and cinematic compositions.
• Placement: Typically used within [structure] or [theme].
• Accepted Parameters:
  • exact – Identical to the original theme.
  • varied – Altered slightly with new harmonies.
  • orchestral – Expanded for a larger arrangement.
  • minimal – Stripped-down return of the theme.
• Sample Usage:

  [recapitulation: Orchestral reprise of the opening theme with added brass.]
  

• Genre-Based Usage:
  • Classical & Symphonic: "Exact" for structured returns.
  • Jazz & Improvisation: "Varied" for theme reinventions.
  • Rock & Progressive: "Orchestral" for dramatic finales.
  • Electronic & Ambient: "Minimal" for subtle motif callbacks.

Track Structure Recommendation

• [intro: Gentle string introduction with a main theme]
• [verse: Variation of the theme with light piano support]
• [bridge: Expansion into different harmonic territory]
• [recapitulation: Full orchestral return of the main melody]
• [outro: Quiet resolution with a softened reprise]

[refrain]

• Meaning: Defines a repeated phrase or musical passage, typically appearing in multiple sections of the track.
• Placement: Typically placed within [structure], [chorus], or [vocals].
• Accepted Parameters:
  • melodic – A tune repeated throughout.
  • lyrical – A repeated vocal phrase.
  • instrumental – A motif repeated by instruments.
  • harmonic – A chord progression appearing multiple times.
• Sample Usage:

  [refrain: Repeated vocal phrase that echoes at the end of each chorus.]
  

• Genre-Based Usage:
  • Pop & Rock: "Melodic" refrains for earworms.
  • Hip-Hop & R&B: "Lyrical" refrains for hook-based tracks.
  • Electronic & House: "Instrumental" refrains for looping textures.
  • Orchestral & Jazz: "Harmonic" refrains for theme consistency.

Track Structure Recommendation

• [intro: Refrain introduced as an instrumental hook]
• [verse: New melody leading toward the refrain]
• [chorus: Full refrain, sung with layered harmonies]
• [bridge: A break before the refrain returns]
• [outro: Fading refrain, gradually repeating into silence]

[register]

• Meaning: Specifies the pitch range where a melody or harmony is played.
• Placement: Typically used within [harmony] or [orchestration].
• Accepted Parameters:
  • low – Deep bass registers.
  • mid – Middle range instruments or vocals.
  • high – Treble instruments or falsetto vocals.
  • extended – Unusually high or low registers for an instrument.
  • shifted – The melody is transposed up or down an octave.
• Sample Usage:

  [register: High violin melodies soaring over low brass.]
  

• Genre-Based Usage:
  • Opera & Classical: Sopranos sing in high register, basses in low register.
  • Electronic & Ambient: Pads or drones in the low register add warmth.
  • Rock & Pop: Shifting vocal registers enhances emotional contrast in choruses.
  • Jazz & Blues: Saxophones explore extended registers for expressive solos.

[resolution]

• Meaning: Defines how musical tension is released, often through chord progressions or phrase endings.
• Placement: Typically used within [harmony], [structure], or [cadence].
• Accepted Parameters:
  • strong – A definitive resolution (e.g., V-I in classical music).
  • weak – A soft or unresolved cadence (e.g., IV-I in gospel music).
  • delayed – The resolution is postponed for suspense.
  • suspended – The resolution is avoided, keeping tension.
  • chromatic – The resolution involves non-diatonic steps.
• Sample Usage:

  [resolution: Delayed V-I movement to build anticipation.]
  

• Genre-Based Usage:
  • Classical: Strong resolutions create a satisfying harmonic closure.
  • Jazz: Weak or chromatic resolutions add complexity and unpredictability.
  • Electronic & Ambient: Delayed or suspended resolutions create an open, floating sound.
  • Rock & Blues: Using blues-style resolutions (e.g., V-IV-I) keeps a song feeling raw.

[retrograde]

• Meaning: Indicates a melody, motif, or harmony played in reverse.
• Placement: Typically used within [theme], [variation], or [counterpoint].
• Accepted Parameters:
  • melodic – The notes of the melody are played in reverse order.
  • harmonic – Chord progressions move backward.
  • inverted – Both retrograde and inversion (flipping the melody upside down).
  • canon – Retrograde used in a fugue-like counterpoint.
  • mirrored – The rhythm is also reversed.
• Sample Usage:

  [retrograde: Melodic retrograde variation for an avant-garde effect.]
  

• Genre-Based Usage:
  • Classical & Baroque: Used in fugues and canons (e.g., Bach’s musical riddles).
  • Jazz & Avant-Garde: Reversing licks or motifs adds unexpected complexity.
  • Electronic & Experimental: Retrograde sequences create glitchy, surreal effects.
  • Horror & Sci-Fi Soundtracks: Retrograde harmonies can sound eerie and unnatural.

[reverb]

• Meaning: Specifies the level and type of reverberation, controlling depth and space in the track’s mix.
• Placement: Typically used within [effects], [mixing], or [vocals].
• Accepted Parameters:
  • dry – Minimal or no reverb.
  • hall – Large, expansive reverb.
  • plate – Vintage, metallic reverb sound.
  • cathedral – Extremely large, church-like reflections.
  • echoed – Delayed, bouncing reflections.
• Sample Usage:

  [reverb: Soft hall reverb on vocals with a deep echo on the outro.]
  

• Genre-Based Usage:
  • Ambient & Soundscape: "Cathedral" for massive, immersive spaces.
  • Rock & Shoegaze: "Hall" for atmospheric guitars.
  • Jazz & Classical: "Plate" for warm, natural tone.
  • Electronic & Pop: "Echoed" for dreamy vocal effects.

Track Structure Recommendation

• [intro: Soft piano with plate reverb]
• [verse: Vocals with subtle hall reverb]
• [chorus: Expansive reverb creating a wide stereo field]
• [bridge: Delay-heavy echo effect on vocals]
• [outro: Deep, long reverb tail fading into silence]

[reverberate]

• Meaning: Specifies a strong and continuous reverb effect, creating an echoing, immersive atmosphere.
• Placement: Typically used within [effects], [mixing], or [vocals].
• Accepted Parameters:
  • soft – Gentle, subtle reverb.
  • deep – Pronounced, long-decay reverberation.
  • distant – Creates a feeling of space and separation.
  • metallic – Sharp, bright reflections.
  • drenched – Heavy, all-encompassing reverb effect.
• Sample Usage:

  [reverberate: Deep, atmospheric echo on lead vocals.]
  

• Genre-Based Usage:
  • Ambient & Shoegaze: "Drenched" for massive, swirling textures.
  • Cinematic & Soundscape: "Distant" for haunting atmospheres.
  • Rock & Blues: "Soft" for classic studio-style reverb.
  • Industrial & Experimental: "Metallic" for sharp, robotic echoes.

Track Structure Recommendation

• [intro: Distant reverberating piano fading in]
• [verse: Vocals with soft reverberation on the tail]
• [chorus: Expansive reverberate effect on backing vocals]
• [outro: Deep, slow echo fade-out into silence]

[rhythm]

• Meaning: Defines the rhythmic pattern and overall groove of the track.
• Placement: Typically used within [tempo], [pulse], or [structure].
• Accepted Parameters:
  • steady – Even, predictable rhythm.
  • syncopated – Off-beat accents and complexity.
  • driving – Strong, propulsive beat.
  • loose – Free, unstructured rhythm.
  • polyrhythmic – Layered, multiple rhythms at once.
• Sample Usage:

  [rhythm: Syncopated percussion with a driving bassline.]
  

• Genre-Based Usage:
  • Jazz & Funk: "Syncopated" for groovy rhythms.
  • Rock & Metal: "Driving" for relentless energy.
  • Electronic & House: "Steady" for dance floor beats.
  • Orchestral & Classical: "Polyrhythmic" for layered, complex motion.

Track Structure Recommendation

• [rhythm: Driving beat with syncopated percussion]
• [verse: Light rhythmic presence with hi-hat groove]
• [chorus: Full-on, steady kick and bass lock]
• [outro: Rhythmic fade-out with low percussion echoes]

[rhythmic-motif]

• Meaning: Specifies a recurring rhythmic pattern or idea that defines the groove of a piece.
• Placement: Typically used within [rhythm], [structure], or [theme].
• Accepted Parameters:
  • syncopated – Offbeat rhythmic patterns.
  • driving – Repetitive, high-energy patterns.
  • sparse – Minimal rhythmic elements, creating space.
  • polyrhythmic – Overlapping rhythms of different time signatures.
  • irregular – Unpredictable rhythmic phrasing.
• Sample Usage:

  [rhythmic-motif: Driving polyrhythms layered with syncopated hi-hats.]
  

• Genre-Based Usage:
  • Classical & Minimalist: Used in Steve Reich’s works (e.g., phasing motifs).
  • Jazz & Funk: Syncopated motifs create a groove-heavy feel.
  • Electronic & House: Repeating motifs define the core pulse of the track.
  • Progressive Rock & Metal: Odd-time signatures make rhythm motifs feel complex and dynamic.

[ritardando]

• Meaning: Indicates a gradual slowing down of tempo, commonly used in classical, cinematic, and dramatic music.
• Placement: Typically placed within [tempo], [structure], or [dynamics].
• Accepted Parameters:
  • gradual – Smooth, drawn-out slowing.
  • sudden – Abrupt tempo reduction.
  • expressive – Emotional, flexible tempo shift.
  • orchestral – Large-scale slowing for dramatic effect.
• Sample Usage:

  [ritardando: Gradual orchestral slowdown leading into the outro.]
  

• Genre-Based Usage:
  • Classical & Film Score: "Orchestral" ritardando for cinematic moments.
  • Jazz & Ballads: "Expressive" ritardando for emotional phrasing.
  • Progressive Rock & Metal: "Sudden" tempo changes for impact.
  • Electronic & Experimental: "Gradual" ritardando for transitions.

Track Structure Recommendation

• [intro: Steady tempo with melodic buildup]
• [verse: Moderate pacing with slight tempo variations]
• [bridge: Gradual ritardando leading into the climax]
• [outro: Full ritardando to silence]

[riff]

• Meaning: Defines a recurring instrumental phrase, typically for guitars, bass, or synths.
• Placement: Typically used within [structure] or [theme].
• Accepted Parameters:
  • heavy – Distorted, strong rock/metal riff.
  • groovy – Funky, rhythm-driven riffs.
  • melodic – A tuneful, repeating phrase.
  • minimal – Subtle, background riffing.
• Sample Usage:

  [riff: Heavy distorted guitar riff driving the chorus.]
  

• Genre-Based Usage:
  • Rock & Metal: "Heavy" for dominant, powerful riffs.
  • Funk & Jazz: "Groovy" for rhythmically engaging motifs.
  • Electronic & Synthwave: "Melodic" for repeating synth leads.
  • Minimalist & Experimental: "Minimal" for atmospheric textures.

Track Structure Recommendation

• [intro: Solo bass riff leading into the verse]
• [verse: Light accompaniment, riff building up]
• [chorus: Full-band riff repetition with harmonies]
• [bridge: Riff transforms into a more complex variation]
• [outro: Stripped-down riff fading out]

[rise]

• Meaning: Specifies a buildup or gradual increase in energy, often used before a climax or drop.
• Placement: Typically used within [structure], [build-up], or [dynamics].
• Accepted Parameters:
  • slow – Gradual, long buildup.
  • fast – Quick, tension-building rise.
  • orchestral – Swelling, cinematic rise.
  • synth-driven – Filter sweeps and pitch risers.
• Sample Usage:

  [rise: Fast synth build leading into an explosive drop.]
  

• Genre-Based Usage:
  • Electronic & Dance: "Synth-driven" for high-energy transitions.
  • Rock & Metal: "Fast" for intense lead-ins to choruses.
  • Orchestral & Film Score: "Orchestral" for swelling crescendos.
  • Ambient & Experimental: "Slow" for gradually intensifying textures.

Track Structure Recommendation

• [intro: Soft piano with distant pads]
• [verse: Gradual instrument layering]
• [rise: Orchestral crescendo into the chorus]
• [chorus: Full-blown sound with intense energy]
• [outro: Decaying echo after the final rise]

[rondo]

• Meaning: Defines a musical structure based on a recurring main theme (A) alternating with contrasting sections (B, C, etc.), typically structured as ABACA or ABACABA.
• Placement: Typically used within [structure], [form], or [theme].
• Accepted Parameters:
  • classical – Traditional rondo form as found in sonatas and concertos.
  • modern – A flexible interpretation with contemporary instrumentation.
  • fast – A rapid, lively rondo typical in finales.
  • lyrical – A slower, expressive form of rondo.
• Sample Usage:

  [rondo: Classical fast rondo with a recurring violin melody.]
  

• Genre-Based Usage:
  • Classical & Baroque: "Classical" for authentic rondo structures.
  • Jazz & Improvisation: "Modern" for thematic call-and-response phrasing.
  • Progressive Rock & Metal: "Fast" for energetic repeating motifs.
  • Electronic & Cinematic: "Lyrical" for evolving soundscapes.

Track Structure Recommendation

• [intro: Soft piano theme establishing the main melody]
• [rondo: Main theme played on violin, alternating with variations]
• [section: Contrasting percussive transition before the theme returns]
• [secondary theme: A new melody introduced for variation]
• [outro: Recap of the main theme, fading into an orchestral swell]

[sad]

• Meaning: Specifies a melancholic or emotional mood for the track.
• Placement: Typically used within [mood], [dynamics], or [harmony].
• Accepted Parameters:
  • melancholic – Gloomy, sorrowful tone.
  • introspective – Thoughtful, nostalgic feel.
  • haunting – Dark, eerie sadness.
  • soft – Gentle, emotional sadness.
  • tragic – Deep, dramatic expression of sorrow.
• Sample Usage:

  [sad: Introspective piano chords with deep string harmonies.]
  

• Genre-Based Usage:
  • Classical & Orchestral: "Tragic" for operatic, sorrowful climaxes.
  • Indie & Folk: "Soft" for delicate, emotional songwriting.
  • Ambient & Cinematic: "Haunting" for atmospheric sadness.
  • Blues & Jazz: "Melancholic" for expressive phrasing.

Track Structure Recommendation

• [intro: Solo violin introducing a melancholic theme]
• [verse: Soft piano chords with distant echoing guitar]
• [chorus: Layered vocal harmonies intensifying the emotion]
• [bridge: Slow cello solo with fading resonance]
• [outro: Gentle decrescendo into silence]

[scale]

• Meaning: Defines the musical scale or mode used in the composition.
• Placement: Typically used within [harmony].
• Accepted Parameters:
  • major – A bright, uplifting scale.
  • minor – A darker, more melancholic scale.
  • chromatic – A scale using all 12 notes of the octave.
  • modal – Specific modes like Dorian, Phrygian, Mixolydian.
  • pentatonic – Five-note scale common in blues and folk.
• Sample Usage:

  [scale: Phrygian mode for a mystical, Middle Eastern feel.]
  

• Genre-Based Usage:
  • Classical & Jazz: "Modal" for harmonic variety.
  • Blues & Rock: "Pentatonic" for expressive solos.
  • Metal & Darkwave: "Phrygian" for exotic tension.
  • Electronic & Experimental: "Chromatic" for avant-garde dissonance.

Track Structure Recommendation

• [intro: Flute solo introducing a minor pentatonic melody]
• [verse: Gently evolving harmonic phrases in Dorian mode]
• [chorus: Expansive major key modulation for contrast]
• [bridge: Chromatic scale run leading into an energetic climax]
• [outro: Modal resolution with subtle cadences]

[scherzo]

• Meaning: Defines a lively, fast-paced musical section, often humorous or energetic.
• Placement: Typically used within [structure], [theme], or [rhythm].
• Accepted Parameters:
  • playful – Light, whimsical feel.
  • dramatic – Intense, dynamic contrast.
  • orchestral – Traditional classical scherzo form.
  • modern – Contemporary, fusion scherzo styles.
• Sample Usage:

  [scherzo: Playful, rapid string interplay with unexpected shifts.]
  

• Genre-Based Usage:
  • Classical & Romantic: "Orchestral" scherzos in symphonies.
  • Jazz & Swing: "Playful" with improvisatory phrasing.
  • Rock & Metal: "Dramatic" scherzo-style fast breaks.
  • Electronic & Experimental: "Modern" for glitchy, unpredictable textures.

Track Structure Recommendation

• [intro: High-energy piano arpeggios]
• [scherzo: Playful violin and flute interactions]
• [section: Rhythmic variation with unexpected accents]
• [outro: Decrescendo into a light, fading motif]

[secondary theme]

• Meaning: Defines a contrasting melody or motif introduced after the main theme.
• Placement: Typically used within [theme], [development], or [structure].
• Accepted Parameters:
  • contrasting – Distinctly different from the main theme.
  • harmonized – Played in parallel with the main theme.
  • variational – A variation of the original theme.
  • dramatic – High-impact, contrasting intensity.
• Sample Usage:

  [secondary theme: A darker, harmonized variation of the main melody.]
  

• Genre-Based Usage:
  • Classical & Romantic: "Contrasting" for sonata forms.
  • Jazz & Fusion: "Variational" for evolving solos.
  • Rock & Metal: "Dramatic" for intense counter-melodies.
  • Electronic & Ambient: "Harmonized" for rich layering.

Track Structure Recommendation

• [intro: Main theme introduced by solo piano]
• [secondary theme: Contrasting melody introduced by strings]
• [development: Expansion of both themes into interweaving motifs]
• [outro: Final resolution where both themes blend together]

[sequence]

• Meaning: Specifies the order and repetition of musical sections, helping structure the track dynamically.
• Placement: Typically used within [structure], ensuring that segments appear in a defined order.
• Accepted Parameters:
  • linear – A straightforward progression of sections.
  • cyclical – Repeating sections in a structured manner.
  • reversed – Themes appear in the opposite order.
  • mirrored – The second half of the track reflects the first.
• Sample Usage:

  [sequence: Linear with a mirrored return in the final section.]
  

• Genre-Based Usage:
  • Classical & Film Score: "Mirrored" for symmetrical compositions.
  • Dance & Electronic: "Cyclical" for repeating, looping sections.
  • Rock & Pop: "Linear" for conventional storytelling structures.
  • Progressive & Jazz: "Reversed" for unconventional arrangements.

Track Structure Recommendation

• [sequence: Cyclical, alternating between verse and instrumental interludes]
• [intro: Soft pad textures leading into rhythm]
• [section: Thematic section introducing melody]
• [section: Repeated development with slight variation]
• [outro: Return of the theme in a mirrored resolution]

[sforzando]

• Meaning: Indicates a sudden, strong accent on a note or chord, creating dramatic impact.
• Placement: Typically used within [dynamics] or [harmony], marking specific sections that need extra emphasis.
• Accepted Parameters:
  • single-hit – One strong, immediate accent.
  • repeated – Several forceful accents in succession.
  • orchestral – Emphasized brass or strings.
  • percussive – Applied to drums or rhythmic hits.
• Sample Usage:

  [sforzando: Sudden brass stabs leading into the chorus.]
  

• Genre-Based Usage:
  • Classical & Romantic: "Orchestral" for bold symphonic hits.
  • Jazz & Big Band: "Single-hit" for sharp brass accents.
  • Rock & Metal: "Repeated" for aggressive drum fills.
  • Electronic & Experimental: "Percussive" for rhythmic punches.

Track Structure Recommendation

• [intro: String crescendo into sforzando brass explosion]
• [verse: Subtle build-up with occasional accented piano notes]
• [chorus: Repeated sforzando orchestral stabs]
• [outro: Single sforzando impact followed by silence]

[sfx]

• Meaning: Inserts non-musical sound effects, such as ambient noises, environmental recordings, or mechanical sounds.
• Placement: Typically used within [effects], [mixing], or [atmosphere].
• Accepted Parameters:
  • wind – Background wind or stormy gusts.
  • whispering – Eerie vocal whispers.
  • industrial – Mechanical clanks, gears, factory sounds.
  • nature – Birds, water, natural ambiance.
  • glitch – Digital distortion effects.
• Sample Usage:

  [sfx: Distant whispering layered over orchestral swells.]
  

• Genre-Based Usage:
  • Ambient & Experimental: "Nature" for immersive soundscapes.
  • Horror & Industrial: "Whispering" for eerie effects.
  • Electronic & Cyberpunk: "Glitch" for digital distortions.
  • Cinematic & Sci-Fi: "Industrial" for futuristic settings.

Track Structure Recommendation

• [intro: Distant sfx of wind gusts and mechanical hum]
• [verse: Subtle use of whispered sfx in the background]
• [chorus: Heavy industrial sounds layered under percussion]
• [outro: Distant echoes of glitching, distorted sfx fading out]

[shout]

• Meaning: Defines a shouted or forcefully spoken vocal element, typically for intensity or emphasis.
• Placement: Typically used within [vocals], [effects], or [background-vocals].
• Accepted Parameters:
  • single – One loud, emphasized shout.
  • group – A collective shout, chant-like.
  • layered – Blended with other vocal harmonies.
  • distorted – Aggressive, processed shouting.
• Sample Usage:

  [shout: Group chant layered over the chorus for intensity.]
  

• Genre-Based Usage:
  • Rock & Punk: "Single" for raw emotional delivery.
  • Hip-Hop & Trap: "Layered" for hype vocals.
  • Metal & Hardcore: "Distorted" for growling or aggressive shouts.
  • Electronic & Industrial: "Group" for robotic crowd effects.

Track Structure Recommendation

• [intro: Gradual rise leading to a shouted exclamation]
• [verse: Tense buildup with occasional shouted words]
• [chorus: Group shouts layered for anthem-like energy]
• [bridge: Intense, distorted shouting transitioning into climax]
• [outro: Final lingering echoes of the last shout]

[signal-processing]

• Meaning: Defines digital or analog audio effects applied to instruments, vocals, or the entire mix to enhance or alter the sound.
• Placement: Typically used within [effects], [mixing], or [instruments].
• Accepted Parameters:
  • reverb – Adds depth and space to the sound.
  • delay – Creates echo-like repetitions.
  • compression – Balances volume dynamics.
  • saturation – Adds harmonic warmth or analog distortion.
  • bitcrush – Reduces sound quality for a lo-fi or glitchy effect.
  • phaser – Creates swirling, modulated movement.
  • flanger – Produces sweeping, jet-like effects.
  • chorus – Thickens the sound by doubling and detuning.
  • distortion – Adds clipping and grit.
• Sample Usage:

  [signal-processing: Heavy saturation on synth bass for a warm, analog feel.]
  

• Genre-Based Usage:
  • Electronic: Bitcrush and phaser for lo-fi or cyberpunk aesthetics.
  • Rock & Metal: Saturation and distortion for aggressive, high-energy tracks.
  • Ambient & Cinematic: Reverb and delay for wide, spacious soundscapes.
  • Funk & Disco: Chorus and flanger for groovy textures.

Track Structure Recommendation

• [intro: Dry signal]
• [verse: Light reverb on vocals, subtle compression]
• [chorus: Heavy delay and saturation on guitars]
• [bridge: Phased-out synths for psychedelic effect]
• [outro: Bitcrushed drums fading into silence]

[silence]

• Meaning: Inserts intentional moments of complete silence into the track, often used for dramatic effect or transitions.
• Placement: Typically used within [structure], [dynamics], or [effects], often in conjunction with [drop], [break], or [pause] to create contrast.
• Accepted Parameters:
  • short – A brief moment of silence, lasting milliseconds to a few seconds.
  • sudden – An immediate, unexpected cut-off.
  • gradual – A slow fade into silence.
  • echoed – A silence followed by reverberating echoes.
• Sample Usage:

  [silence: Sudden, dramatic pause before the chorus drop.]
  

• Genre-Based Usage:
  • Electronic & EDM: "Sudden" before a bass drop for extra impact.
  • Cinematic & Orchestral: "Gradual" for suspense-building moments.
  • Jazz & Funk: "Short" to create rhythmic breathing space.
  • Metal & Industrial: "Echoed" for a mechanical glitch effect.

Track Structure Recommendation

• [intro: Soft pad textures leading into rhythm]
• [verse: Build-up of rhythmic energy]
• [silence: Short, dramatic pause before the chorus]
• [chorus: Full-on instrumental explosion]
• [outro: Gradual silence leading to a final reverb tail]

[sincopation]

(Often written as "syncopation")

• Meaning: Defines off-beat rhythmic accents, often creating a more dynamic and unpredictable groove.
• Placement: Typically used within [rhythm], [pulse], or [structure] to alter the beat pattern.
• Accepted Parameters:
  • light – Subtle syncopation, slightly off-grid but smooth.
  • complex – Multi-layered, unexpected rhythmic accents.
  • jazzy – Swung and groovy syncopation.
  • heavily-accented – Extreme offbeat accents, commonly in funk and experimental music.
• Sample Usage:

  [sincopation: Jazzy groove with subtle off-beat snare accents.]
  

• Genre-Based Usage:
  • Jazz & Funk: "Jazzy" for swing-influenced beats.
  • Rock & Progressive Metal: "Complex" for intricate time signatures.
  • Hip-Hop & Trap: "Light" for smooth yet unpredictable rhythms.
  • Electronic & Drum & Bass: "Heavily-accented" for breakbeat patterns.

Track Structure Recommendation

• [intro: Straight beat with occasional syncopated kicks]
• [verse: Lightly syncopated snare rhythm for groove]
• [chorus: Full, complex syncopation with layered percussions]
• [outro: Slow fading groove with light rhythmic stutters]

[solo]

• Meaning: Highlights a single instrument or voice performing an exposed lead passage within the track.
• Placement: Typically used within [instrument] or [bridge] to indicate a featured instrumental performance.
• Accepted Parameters:
  • guitar – A classic electric or acoustic guitar solo.
  • saxophone – A jazz or blues-inspired lead.
  • synth – A lead solo using synthesizer sounds.
  • piano – A melodic or virtuosic piano passage.
  • drum – A rhythmically intense drum solo.
• Sample Usage:

  [solo: Melodic piano improvisation leading into the final chorus.]
  

• Genre-Based Usage:
  • Rock & Metal: "Guitar" for shredding lead breaks.
  • Jazz & Blues: "Saxophone" for smooth, expressive leads.
  • Electronic & Synthwave: "Synth" for atmospheric or arpeggiated solos.
  • Funk & Fusion: "Drum" for a high-energy breakdown.

Track Structure Recommendation

• [intro: Slow melodic buildup]
• [verse: Establishes theme with groove]
• [solo: Extended guitar solo with harmonic layering]
• [chorus: Return of the main theme with higher intensity]
• [outro: Synth fade-out featuring final soloing phrases]

[sonority]

• Meaning: Describes the overall tonal quality and richness of a sound.
• Placement: Typically used within [harmony], [tone], or [mixing].
• Accepted Parameters:
  • bright – Crisp, high-frequency emphasis.
  • dark – Lower, mellow tones.
  • warm – Smooth and full.
  • rich – Harmonically dense and layered.
  • thin – Lacking fullness, sparse.
  • harsh – Overly bright or aggressive.
• Sample Usage:

  [sonority: Warm, rich brass sections to add cinematic depth.]
  

• Genre-Based Usage:
  • Orchestral & Classical: Rich and warm sonority for full-bodied compositions.
  • Jazz: Dark and warm sonorities for saxophone and double bass.
  • Electronic & Industrial: Bright and harsh sonorities for intense leads.
  • Lo-Fi & Chill: Thin and soft sonorities to create a relaxed vibe.

Track Structure Recommendation

• [intro: Thin sonority with only ambient pads]
• [verse: Warm piano chords with dark cello layers]
• [chorus: Rich orchestration, deep strings, and bright brass]
• [bridge: High, bright synth arpeggios for contrast]
• [outro: Dark ambient tones fading into silence]

[staccato]

• Meaning: Specifies short, detached musical notes, often used for rhythmic sharpness.
• Placement: Typically used within [harmony] or [rhythm].
• Accepted Parameters:
  • sharp – Strong, abrupt articulation.
  • soft – Light but detached playing.
  • accented – Heavily pronounced and rhythmically emphasized.
  • orchestral – Typically applied to string sections.
• Sample Usage:

  [staccato: Sharp, syncopated brass stabs punctuating the chorus.]
  

• Genre-Based Usage:
  • Classical & Film Score: "Orchestral" for dramatic tension-building.
  • Funk & Groove: "Accented" for punchy horn stabs.
  • Rock & Metal: "Sharp" for palm-muted guitar chugging.
  • Electronic & House: "Soft" for bouncy, short synth plucks.

Track Structure Recommendation

• [intro: Staccato string plucks over soft pads]
• [verse: Playful interplay between staccato horns and rhythm guitar]
• [chorus: Heavy accented brass stabs leading into a full sound]
• [outro: Subtle fading staccato arpeggios]

[start]

• Meaning: Specifies how the track begins, controlling the intro's structure and impact.
• Placement: Typically used before [intro], defining the opening.
• Accepted Parameters:
  • sudden – An immediate, high-energy start.
  • gradual – A slow, evolving intro.
  • orchestral – A symphonic overture-like beginning.
  • percussive – A rhythm-driven introduction.
  • fade-in – A slow volume increase from silence.
• Sample Usage:

  [start: Gradual, orchestral swelling leading into full instrumentation.]
  

• Genre-Based Usage:
  • Electronic & Ambient: "Fade-in" for smooth transitions.
  • Rock & Punk: "Sudden" for immediate impact.
  • Hip-Hop & Trap: "Percussive" for beat-driven introductions.
  • Classical & Cinematic: "Orchestral" for dramatic overtures.

Track Structure Recommendation

• [start: Percussive, high-energy drum fills]
• [intro: Deep synth bass rumbling in the background]
• [verse: Beat drops with full melodic elements]
• [chorus: Peak intensity with layered instruments]
• [outro: Gradual fade-out to silence]

[stereo]

• Meaning: Controls the stereo width and spatial balance of the track, affecting how instruments and sounds are positioned in the left-right stereo field.
• Placement: Typically used before [mixing] or [effects], but can also appear independently to guide the track’s overall stereo imaging.
• Accepted Parameters:
  • narrow – Focused, centered mix with little stereo spread.
  • wide – Broad, spacious stereo imaging.
  • panning – Dynamic left-right movement of elements.
  • immersive – Full stereo depth with layered sounds.
  • mono – Collapsed stereo for vintage/lo-fi sound.
• Sample Usage:

  [stereo: Wide mix with immersive spatial reverb.]
  

• Genre-Based Usage:
  • Electronic & Ambient: "Immersive" for deep, spatially rich mixes.
  • Rock & Metal: "Wide" for guitars panned left/right.
  • Lo-Fi & Vintage: "Mono" for old-school tape-style sound.
  • Orchestral & Cinematic: "Panning" for dynamic instrument movement.

Track Structure Recommendation

• [stereo: Wide panning for an immersive intro]
• [verse: Instruments focused in the center with slight stereo spread]
• [chorus: Wide stereo mix for an expansive, open feel]
• [outro: Gradual stereo collapse into mono for a vintage fade-out]

[stretto]

• Meaning: A contrapuntal technique where overlapping melodic phrases occur in close succession, commonly found in fugues and polyphonic compositions.
• Placement: Typically used within [counterpoint] or [structure].
• Accepted Parameters:
  • tight – Very close entries of the theme.
  • moderate – Slightly spaced-out but still overlapping.
  • dense – Multiple themes layered simultaneously.
  • descending – The entries come in progressively lower registers.
  • ascending – The entries rise in pitch.
• Sample Usage:

  [stretto: Tight, ascending theme entries increasing tension.]
  

• Genre-Based Usage:
  • Classical & Baroque: Fugue compositions.
  • Jazz & Improvisation: Call-and-response phrasing.
  • Progressive Rock & Metal: Layered, interwoven guitar parts.
  • Electronic & Experimental: Synth arpeggios in contrapuntal motion.

Track Structure Recommendation

• [intro: Single melody stated clearly]
• [stretto: Additional voices entering in close succession]
• [development: Expansion of the theme in different registers]
• [recapitulation: Full-scale overlapping entry of all voices]
• [outro: Resolving back into a single voice, fading out]

[structure]

• Meaning: Defines the overall song arrangement, specifying how sections like intro, verse, chorus, and bridge are organized.
• Placement: Before structural meta-tags (intro, verse, chorus, etc.), outlining their sequence.
• Accepted Parameters:
  • standard – Conventional verse-chorus form.
  • through-composed – Continuous, evolving structure without repetition.
  • loop-based – Repeating segments forming a cyclic composition.
  • progressive – Gradually evolving, dynamically shifting structure.
  • experimental – Unconventional, unpredictable development.
• Sample Usage:

  [structure: Progressive, evolving sections with gradual build-up.]
  

• Genre-Based Usage:
  • Pop & Rock: "Standard" for radio-friendly verse-chorus structures.
  • Orchestral & Film Score: "Through-composed" for evolving storytelling.
  • Electronic & House: "Loop-based" for continuous dance grooves.
  • Metal & Progressive Rock: "Progressive" for complex arrangements.

Track Structure Recommendation

• [structure: Through-composed with seamless transitions]
• [intro: Soft synth textures building tension]
• [verse: Vocal-driven melody with deep harmonies]
• [chorus: Expansive, anthemic instrumental swells]
• [bridge: Unexpected tempo shift and modulation]
• [outro: Gradual fade into atmospheric soundscapes]

[style]

• Meaning: Defines the musical style or aesthetic of the track, influencing genre fusion and overall production approach.
• Placement: Before [genre] or [mood], specifying artistic direction.
• Accepted Parameters:
  • minimalist – Sparse instrumentation, subtle textures.
  • cinematic – Large-scale, soundtrack-like arrangements.
  • lo-fi – Vintage, tape-saturated, and degraded sound.
  • high-energy – Intense, fast-paced composition.
  • experimental – Non-traditional elements and unpredictable shifts.
• Sample Usage:

  [style: Cinematic with sweeping orchestral arrangements.]
  

• Genre-Based Usage:
  • Ambient & Minimalist: "Minimalist" for delicate, sparse textures.
  • Film Score & Symphonic: "Cinematic" for dramatic orchestrations.
  • Lo-Fi & Vintage Hip-Hop: "Lo-fi" for nostalgic sound.
  • Electronic & Industrial: "Experimental" for glitch and non-traditional structures.

Track Structure Recommendation

• [style: Minimalist, focusing on space and subtle dynamics]
• [intro: Soft ambient pads and distant reverberations]
• [verse: Sparse instrumentation with delayed plucks]
• [chorus: Slow chordal swells creating depth]
• [outro: Fading echoes and cinematic strings]

[subharmonic]

• Meaning: Refers to frequencies below the fundamental pitch, often used to enhance low-end power.
• Placement: Typically used within [bass], [mixing], or [instruments].
• Accepted Parameters:
  • deep – Emphasized low-end, rumbling bass.
  • saturated – Enhanced with harmonic overtones.
  • modulated – Varying frequency for movement.
  • layered – Multiple subharmonic layers for impact.
• Sample Usage:

  [subharmonic: Deep sub-bass layered with modulated synth tones.]
  

• Genre-Based Usage:
  • Trap & Hip-Hop: Heavy 808 sub-bass for deep, rolling basslines.
  • Electronic & Techno: Modulated subharmonics for club-shaking power.
  • Cinematic & Horror: Low-end subharmonic drones for tension.
  • Industrial & Metal: Saturated subharmonic distortion for intensity.

Track Structure Recommendation

• [intro: Soft subharmonic pulse under ambient textures]
• [verse: Sub-bass only slightly present for subtle groove]
• [chorus: Layered deep subharmonic frequencies with distortion]
• [bridge: Modulated subharmonic sweeps for transition]
• [outro: Fading, rumbling bass tones]

[sustain]

• Meaning: Defines how long a note or sound is held before fading.
• Placement: Typically used within [dynamics], [instruments], or [mixing].
• Accepted Parameters:
  • long – Notes are held for a prolonged period.
  • short – Notes decay quickly.
  • moderate – Balanced sustain between short and long.
  • swelling – Gradual increase in sustain intensity.
• Sample Usage:

  [sustain: Long-held string pads for atmospheric depth.]
  

• Genre-Based Usage:
  • Cinematic & Orchestral: Long sustain for strings and brass.
  • Jazz & Blues: Short sustain for percussive articulation.
  • Rock & Metal: Saturated sustain on guitars for a powerful effect.
  • Electronic & Ambient: Swelling sustain for evolving soundscapes.

Track Structure Recommendation

• [intro: Short percussive elements with no sustain]
• [verse: Moderate sustain on vocals and chords]
• [chorus: Long, swelling synths and string pads]
• [bridge: Sudden contrast with short sustain piano notes]
• [outro: Gradually fading sustained guitar notes]

[swell]

• Meaning: Defines a gradual increase in volume or intensity, often leading into climactic sections.
• Placement: Typically used before [dynamics], [chorus], or [build-up], signaling increasing energy.
• Accepted Parameters:
  • orchestral – Expanding instrumentation, often with strings or brass.
  • synth-driven – Electronic rise with filter automation.
  • percussive – Gradual increase in drum intensity.
  • dramatic – High-impact crescendo leading to a climax.
• Sample Usage:

  [swell: Dramatic orchestral crescendo before the final chorus.]
  

• Genre-Based Usage:
  • Orchestral & Film Score: "Orchestral" for sweeping, symphonic rises.
  • Electronic & Dance: "Synth-driven" for pre-drop build-ups.
  • Rock & Metal: "Percussive" for drum-driven energy lifts.
  • Ambient & Experimental: "Dramatic" for cinematic suspense.

Track Structure Recommendation

• [swell: Percussive crescendo leading into climax]
• [intro: Subtle textures gradually growing in volume]
• [verse: Light instrumentation with rising tension]
• [chorus: Full dynamic explosion following the swell]
• [outro: Swelling strings resolving into soft ambience]

[syncopation]

• Meaning: Defines offbeat rhythmic emphasis that disrupts a regular pattern.
• Placement: Typically used within [rhythm] or [structure].
• Accepted Parameters:
  • funky – Offbeat groove, typical in funk and jazz.
  • irregular – Unexpected offbeat accents.
  • subtle – Light syncopation for a slight groove.
  • heavy – Strong syncopation that dominates the rhythm.
  • polyrhythmic – Overlapping syncopated patterns.
• Sample Usage:

  [syncopation: Funky offbeat hi-hats layered with irregular snare hits.]
  

• Genre-Based Usage:
  • Funk & Jazz: Heavy syncopation to create groove.
  • Reggae: Offbeat rhythmic patterns for laid-back feel.
  • Hip-Hop & Trap: Irregular hi-hats and kicks for rhythmic bounce.
  • Progressive Rock & Metal: Complex polyrhythmic syncopation for dynamic motion.

Track Structure Recommendation

• [intro: Subtle syncopation in hi-hats]
• [verse: Irregular bass and drum groove]
• [chorus: Heavy syncopated guitar riffs and percussion]
• [bridge: Polyrhythmic overlapping elements]
• [outro: Simplified rhythm gradually fading]

[tempo]

• Meaning: Defines the speed (BPM) and pacing of the track.
• Placement: Typically before [rhythm] or [mood], influencing groove and feel.
• Accepted Parameters:
  • slow – Relaxed, chill pacing (BPM 60-90).
  • moderate – Balanced, mid-tempo energy (BPM 90-120).
  • fast – High-energy, upbeat (BPM 120-160).
  • variable – Tempo changes dynamically.
• Sample Usage:

  [tempo: Fast, high-energy BPM with driving percussion.]
  

• Genre-Based Usage:
  • Ballads & Lo-Fi: "Slow" for relaxed pacing.
  • Pop & Rock: "Moderate" for steady song flow.
  • EDM & Metal: "Fast" for energetic, danceable beats.
  • Prog Rock & Experimental: "Variable" for tempo shifts.

Track Structure Recommendation

• [tempo: Moderate with a slight increase in the chorus]
• [intro: Smooth tempo introduction with light percussion]
• [verse: Consistent mid-tempo groove]
• [chorus: Slightly faster tempo for added intensity]
• [outro: Gradual slow-down leading into a soft fade]

[tension-release]

• Meaning: Defines the contrast between musical tension and resolution, essential for emotional impact.
• Placement: Typically used within [harmony], [structure], or [dynamics].
• Accepted Parameters:
  • gradual – Slow buildup of tension leading to resolution.
  • sudden – Sharp contrast between tension and release.
  • sustained – Prolonged tension without immediate resolution.
  • layered – Different instrumental groups build tension in stages.
  • chromatic – Tension created by non-diatonic movement.
• Sample Usage:

  [tension-release: Gradual orchestral buildup resolving into a peaceful melody.]
  

• Genre-Based Usage:
  • Cinematic & Orchestral: Tension swells using strings and brass, resolved with open chords.
  • Jazz & Blues: Chromatic chords build suspense before resolving into smooth progressions.
  • Electronic & EDM: Sudden release after a filtered buildup, often leading into a drop.
  • Rock & Metal: Guitar tremolos and dissonance before resolving into power chords.

Track Structure Recommendation

• [intro: Subtle drone pads establishing tension]
• [verse: Gradual harmonic tension with unresolved phrases]
• [chorus: Sudden release into a wide, open melody]
• [bridge: Layered tension with orchestral swells]
• [outro: Dissolving tension with slow fade-out]

[tenuto]

• Meaning: Marks notes or phrases that should be sustained for their full value, often giving them expressive weight.
• Placement: Typically used within [dynamics] or [articulation], indicating emphasis on certain musical phrases.
• Accepted Parameters:
  • soft – Gentle sustain with delicate phrasing.
  • bold – Strong, commanding sustain.
  • orchestral – Used in symphonic settings for expressive long notes.
  • legato-tenuto – Combined with legato phrasing for seamless expression.
• Sample Usage:

  [tenuto: Bold brass accents in the climax section.]
  

• Genre-Based Usage:
  • Classical & Orchestral: "Orchestral" for dynamic long notes.
  • Jazz & Blues: "Soft" for expressive phrasing in solos.
  • Rock & Metal: "Bold" for sustaining power chords.
  • Electronic & Cinematic: "Legato-tenuto" for evolving ambient pads.

Track Structure Recommendation

• [intro: Soft tenuto strings swelling into melody]
• [verse: Light, expressive piano with tenuto emphasis]
• [chorus: Bold brass stabs with sustained power]
• [outro: Legato-tenuto strings fading to silence]

[tessitura]

• Meaning: Defines the average vocal or instrumental pitch range within a composition.
• Placement: Typically used within [vocals] or [orchestration].
• Accepted Parameters:
  • low – Notes are concentrated in the lower range.
  • mid – Melody stays within a moderate range.
  • high – Notes are mostly in the upper range.
  • wide – A large range is covered.
  • focused – Limited to a small pitch range.
• Sample Usage:

  [tessitura: High soprano melody soaring over deep cellos.]
  

• Genre-Based Usage:
  • Opera & Classical: High tessitura is common for dramatic soprano parts.
  • Jazz & Soul: Mid-range tessitura enhances warm, expressive vocal lines.
  • Pop & Rock: Wide tessitura in the chorus for emotional intensity.
  • Electronic & Ambient: Focused tessitura keeps consistency in textures.

Track Structure Recommendation

• [intro: Low tessitura for warmth and depth]
• [verse: Mid-range vocal tessitura for balance]
• [chorus: Wide-range melodic expansion]
• [bridge: High tessitura, building to climax]
• [outro: Gradual drop back to lower tessitura]

[texture]

• Meaning: Defines the density and layering of sound within the composition.
• Placement: Typically used within [style], [mixing], or [harmony], describing how elements are combined.
• Accepted Parameters:
  • thin – Sparse, minimal instrumentation.
  • dense – Rich, multi-layered textures.
  • polyphonic – Independent melodies playing simultaneously.
  • homophonic – Chordal texture with melody and accompaniment.
• Sample Usage:

  [texture: Polyphonic, with layered vocal harmonies and interwoven melodies.]
  

• Genre-Based Usage:
  • Classical & Jazz: "Polyphonic" for interwoven lines.
  • Pop & Rock: "Homophonic" for melody-driven sections.
  • Ambient & Soundscape: "Dense" for lush, immersive textures.
  • Minimalist & Experimental: "Thin" for spacious, atmospheric compositions.

Track Structure Recommendation

• [texture: Gradually shifting from thin to dense layers]
• [intro: Sparse, ambient textures fading in]
• [verse: Light, minimal layers with open space]
• [chorus: Full, rich orchestral density]
• [outro: Gradual deconstruction into a thin, fading texture]