| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
По разделу |
334269 | 1540 |
83 |
417 |
185 |
197 |
87 |
92 |
78 |
79 |
79 |
73 |
79 |
91 |
1 |
5 |
6 |
5 |
3 |
3 |
5 |
2 |
3 |
3 |
3 |
4 |
5 |
4 |
11 |
3 |
4 |
4 |
3 |
6 |
5 |
3 |
3 |
4 |
4 |
4 |
15 |
7 |
10 |
25 |
2 |
3 |
4 |
11 |
20 |
14 |
26 |
26 |
25 |
26 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
6 |
9 |
6 |
15 |
31 |
20 |
3 |
5 |
5 |
6 |
3 |
4 |
3 |
3 |
Графики Самары |
2172 | 505 |
33 |
56 |
51 |
52 |
58 |
55 |
46 |
36 |
23 |
24 |
37 |
34 |
0 |
3 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
4 |
5 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
4 |
4 |
1 |
3 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
Елена Титова.пленница красоты |
435 | 435 |
19 |
350 |
66 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
11 |
20 |
14 |
26 |
26 |
25 |
26 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
5 |
9 |
6 |
15 |
31 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кутяков Сергей. Династия Кутяковых. Простая история |
1916 | 313 |
28 |
45 |
42 |
31 |
24 |
24 |
20 |
19 |
21 |
16 |
18 |
25 |
0 |
2 |
6 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
5 |
4 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
6 |
1 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
2 |
Дина Богусонова. Амазонка неоабстракционизма |
2762 | 298 |
37 |
45 |
39 |
29 |
23 |
20 |
25 |
21 |
16 |
15 |
12 |
16 |
0 |
1 |
1 |
4 |
1 |
3 |
4 |
1 |
3 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
5 |
3 |
5 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
Бакумов Вячеслав летописец нашей жизни |
260 | 260 |
19 |
33 |
69 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
Самаринкина Алиса. Из чего же вырастают художники? |
2450 | 254 |
17 |
32 |
34 |
37 |
25 |
22 |
19 |
13 |
13 |
15 |
10 |
17 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
Самарские графики. Живое наследие |
1272 | 241 |
12 |
40 |
30 |
37 |
19 |
24 |
13 |
7 |
11 |
13 |
16 |
19 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
2 |
6 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
672 | 225 |
13 |
28 |
27 |
28 |
14 |
24 |
10 |
16 |
14 |
17 |
14 |
20 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
Виноградова Анна. Блеск национальной романтики |
1553 | 224 |
11 |
39 |
28 |
24 |
12 |
21 |
16 |
15 |
8 |
10 |
17 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
4 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
1 |
0 |
Южанин Сергей |
215 | 215 |
14 |
40 |
21 |
27 |
10 |
19 |
12 |
51 |
21 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
5 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
Сергей Цедилов - мастер книги |
1453 | 214 |
12 |
38 |
33 |
30 |
20 |
16 |
12 |
6 |
13 |
12 |
9 |
13 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
5 |
3 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
4 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
2 |
Валентин Пурыгин. Мифы о художнике |
1778 | 213 |
17 |
41 |
32 |
22 |
13 |
13 |
12 |
10 |
14 |
13 |
13 |
13 |
0 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
6 |
4 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
4 |
4 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
Георгий Кикин.Женщины,подруги и ню |
1037 | 211 |
13 |
19 |
29 |
36 |
19 |
20 |
14 |
15 |
20 |
7 |
6 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
Образ и время в советской живописи 30-х годов |
1417 | 207 |
13 |
26 |
19 |
33 |
17 |
17 |
13 |
13 |
11 |
16 |
17 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Константин Коровин. Моцарт русской живописи |
2150 | 204 |
30 |
29 |
26 |
27 |
11 |
9 |
9 |
9 |
9 |
12 |
11 |
22 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
11 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Юрий Скачков |
1133 | 203 |
12 |
28 |
27 |
25 |
18 |
22 |
16 |
9 |
9 |
14 |
12 |
11 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
Станислав Щеглов |
644 | 203 |
12 |
27 |
28 |
18 |
16 |
7 |
11 |
8 |
7 |
14 |
20 |
35 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
Художник Вадим Петрович Свешников |
505 | 201 |
14 |
30 |
25 |
28 |
17 |
10 |
10 |
11 |
9 |
14 |
16 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Валентин Белоусов. Творчество |
3082 | 198 |
15 |
23 |
31 |
19 |
16 |
28 |
10 |
8 |
11 |
12 |
13 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
0 |
5 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Карл Брюллов - наследие из Петербурга |
1854 | 194 |
10 |
33 |
35 |
26 |
10 |
18 |
6 |
9 |
8 |
11 |
9 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
Свечников Владимир |
671 | 194 |
15 |
29 |
28 |
24 |
16 |
11 |
12 |
7 |
12 |
13 |
15 |
12 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
Рудольф Баранов и академическая живопись России |
2789 | 193 |
17 |
25 |
48 |
24 |
16 |
9 |
7 |
7 |
8 |
7 |
9 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
5 |
4 |
1 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
Артур Фонвизин |
1077 | 192 |
13 |
37 |
27 |
26 |
16 |
11 |
10 |
7 |
9 |
12 |
10 |
14 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
Городу модерна - Музей Модерна |
2269 | 192 |
15 |
33 |
34 |
25 |
11 |
9 |
6 |
8 |
7 |
13 |
14 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
4 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
Ю.И.Филиппов художник - жизнелюб |
1407 | 191 |
12 |
31 |
34 |
25 |
11 |
15 |
8 |
12 |
12 |
13 |
10 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
0 |
Карэн Саркисов |
2211 | 186 |
8 |
26 |
26 |
20 |
10 |
11 |
11 |
8 |
13 |
16 |
20 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Уильям Хогарт -основатель английской живописи |
1829 | 185 |
12 |
27 |
30 |
20 |
14 |
17 |
10 |
10 |
13 |
10 |
10 |
12 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
4 |
2 |
0 |
0 |
5 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
Портрет семьи в русской живописи 18-19вв |
738 | 185 |
11 |
28 |
23 |
21 |
15 |
17 |
11 |
8 |
11 |
13 |
12 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
Карпунов Иван. Я всегда хотел быть художником |
2472 | 183 |
14 |
26 |
19 |
21 |
11 |
16 |
22 |
8 |
8 |
14 |
13 |
11 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
Евгений Чертыковцев. На тропе к образу |
1449 | 182 |
17 |
25 |
38 |
28 |
5 |
13 |
10 |
10 |
7 |
11 |
6 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
Палех. Маленькие шедевры |
1523 | 182 |
16 |
24 |
28 |
24 |
15 |
7 |
8 |
9 |
4 |
15 |
10 |
22 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Геннадий Филатов.Мастер видового пейзажа |
1166 | 180 |
12 |
27 |
23 |
22 |
15 |
12 |
15 |
5 |
13 |
9 |
9 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2422 | 180 |
12 |
28 |
20 |
23 |
6 |
15 |
13 |
10 |
12 |
14 |
15 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
Наталья Сюзева. Девичьи игры |
2366 | 179 |
14 |
27 |
28 |
20 |
14 |
20 |
10 |
7 |
7 |
14 |
7 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
Марко Грасси и его Персонажи |
2895 | 178 |
13 |
37 |
22 |
21 |
15 |
11 |
6 |
7 |
10 |
12 |
8 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
6 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Татьяна Пудова. Новые технологии в творчестве художников |
1693 | 176 |
14 |
28 |
28 |
23 |
14 |
10 |
8 |
10 |
3 |
17 |
11 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
Арон Бух. главное его достижение - свобода |
1013 | 175 |
8 |
31 |
26 |
21 |
8 |
9 |
5 |
8 |
10 |
22 |
12 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
Западоевропейское искусство в собрании Сохм |
2285 | 174 |
12 |
38 |
27 |
22 |
20 |
13 |
11 |
9 |
4 |
4 |
3 |
11 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
6 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
6 |
1 |
0 |
0 |
0 |
Горовых Ксения.Большая и малая жизнь в творчестве |
1963 | 174 |
26 |
29 |
27 |
26 |
13 |
14 |
8 |
6 |
5 |
3 |
3 |
14 |
0 |
2 |
1 |
5 |
0 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
5 |
2 |
1 |
5 |
2 |
0 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Передвижники и бытовой жанр |
507 | 174 |
12 |
26 |
25 |
23 |
13 |
14 |
5 |
9 |
7 |
9 |
13 |
18 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
Аннэта Басс. Музей как смысл жизни |
613 | 172 |
14 |
22 |
28 |
21 |
9 |
9 |
11 |
7 |
7 |
24 |
10 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
0 |
2 |
Иван Комиссаров.Красота и восторг как необходимость для художника |
2584 | 171 |
17 |
27 |
23 |
24 |
6 |
13 |
8 |
10 |
8 |
11 |
11 |
13 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
Шульпин Михаил. Образ Венеции для России |
2075 | 171 |
14 |
26 |
28 |
20 |
8 |
15 |
11 |
9 |
10 |
8 |
13 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
Портрет семьи в советской живописи.20век |
1067 | 170 |
13 |
27 |
22 |
20 |
12 |
17 |
8 |
14 |
4 |
9 |
8 |
16 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
Семейные ценности из Росизо |
1296 | 167 |
8 |
33 |
55 |
12 |
5 |
11 |
5 |
7 |
6 |
9 |
7 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
4 |
3 |
3 |
3 |
3 |
2 |
2 |
1 |
4 |
1 |
2 |
2 |
3 |
1 |
Борис Иевлев.Живопись мазками |
1362 | 167 |
15 |
23 |
25 |
22 |
15 |
14 |
10 |
8 |
10 |
7 |
7 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
О чем молчат куклы. Третья кукольная выставка |
1726 | 167 |
14 |
22 |
25 |
20 |
11 |
12 |
13 |
11 |
5 |
10 |
6 |
18 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2059 | 166 |
12 |
33 |
22 |
21 |
7 |
12 |
10 |
10 |
6 |
12 |
8 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
5 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Передвижники и портретный жанр |
578 | 165 |
10 |
20 |
17 |
30 |
12 |
10 |
12 |
8 |
7 |
7 |
13 |
19 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Кулебакин Николай |
553 | 165 |
8 |
30 |
30 |
23 |
17 |
12 |
3 |
7 |
9 |
7 |
10 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
1986 | 165 |
17 |
21 |
23 |
21 |
6 |
12 |
8 |
11 |
8 |
14 |
10 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
Самарские мечтатели или новое на Арт-рынке Самары |
2148 | 165 |
9 |
29 |
19 |
22 |
11 |
19 |
8 |
5 |
11 |
9 |
13 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Олег Рамодин -творец сказочной вселенной |
2042 | 163 |
13 |
29 |
31 |
20 |
9 |
12 |
7 |
7 |
7 |
8 |
6 |
14 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
Оттепель 60х в искусстве.Все оттенки оттепели |
1606 | 162 |
9 |
26 |
21 |
21 |
9 |
12 |
11 |
11 |
8 |
12 |
15 |
7 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
Маковские. Братья |
804 | 162 |
13 |
27 |
25 |
18 |
15 |
12 |
7 |
6 |
8 |
10 |
9 |
12 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
Виктор Норкин и его Вантастическая живопись |
2106 | 162 |
14 |
26 |
21 |
21 |
12 |
13 |
9 |
8 |
9 |
9 |
9 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Нижегородский художественный музей и его шедевры |
648 | 161 |
9 |
21 |
27 |
20 |
19 |
12 |
11 |
10 |
10 |
7 |
6 |
9 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
Счастливый мир детства в зеркале русской живописи |
3532 | 161 |
12 |
23 |
19 |
15 |
8 |
17 |
12 |
12 |
8 |
9 |
15 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
В.Башкиров. Нестареющая Природа в его живописи |
1790 | 161 |
15 |
27 |
22 |
19 |
11 |
10 |
8 |
8 |
7 |
10 |
13 |
11 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
5.Людмила Петтоки. Рассказы музейного человечка |
709 | 160 |
15 |
25 |
27 |
24 |
16 |
13 |
7 |
6 |
6 |
8 |
3 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
Панкратов Василий - портретист |
771 | 159 |
14 |
30 |
26 |
17 |
14 |
10 |
6 |
6 |
4 |
10 |
6 |
16 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
От утопии до игры.Новые поступления авангарда в Сохм |
1486 | 159 |
11 |
30 |
54 |
14 |
7 |
8 |
2 |
6 |
3 |
5 |
6 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
5 |
2 |
3 |
1 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1713 | 159 |
14 |
26 |
28 |
19 |
10 |
8 |
4 |
11 |
3 |
15 |
8 |
13 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
1902 | 159 |
10 |
25 |
24 |
18 |
10 |
12 |
7 |
4 |
10 |
14 |
11 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
Вилковы.На нашей маленькой земле |
2174 | 158 |
16 |
23 |
24 |
17 |
13 |
14 |
9 |
5 |
5 |
12 |
5 |
15 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1348 | 158 |
9 |
23 |
35 |
15 |
11 |
20 |
7 |
8 |
7 |
9 |
4 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Сергей Шнуров про брендреализм |
1082 | 158 |
7 |
29 |
22 |
17 |
11 |
15 |
8 |
7 |
8 |
12 |
13 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Дмитрий Мантров.Теплая выставка в холодный сезон |
1167 | 158 |
11 |
24 |
28 |
20 |
10 |
10 |
7 |
11 |
6 |
10 |
8 |
13 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
6. Василий Ващенко. Рассказы музейного человечка |
785 | 157 |
14 |
23 |
21 |
22 |
17 |
17 |
8 |
6 |
4 |
8 |
8 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
Андреев Юрий. Найди себе учителя и приобрети друга |
2036 | 157 |
17 |
25 |
20 |
19 |
12 |
10 |
9 |
8 |
6 |
12 |
8 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2230 | 157 |
10 |
26 |
31 |
22 |
8 |
10 |
7 |
9 |
5 |
10 |
8 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
Владимир Романов.Портреты и акварели |
1074 | 156 |
10 |
26 |
26 |
19 |
10 |
11 |
8 |
7 |
7 |
13 |
8 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
Запечатленное время в мировоззрении поколения семидесятых |
1965 | 156 |
15 |
24 |
37 |
22 |
12 |
9 |
6 |
4 |
1 |
6 |
11 |
9 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
Павел Филонов и его механика Вселенной |
1406 | 156 |
13 |
30 |
21 |
19 |
10 |
9 |
9 |
6 |
6 |
9 |
13 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Японская гравюра |
1185 | 155 |
12 |
22 |
24 |
18 |
13 |
9 |
6 |
8 |
9 |
8 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
Арнольд Лаховский.Наследие Эмигранта |
2086 | 155 |
10 |
28 |
29 |
24 |
10 |
6 |
7 |
8 |
3 |
7 |
8 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
5 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
Левитан и его современники |
1119 | 154 |
12 |
31 |
23 |
29 |
8 |
17 |
7 |
5 |
3 |
3 |
3 |
13 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
В.Пентюх и Н.Непьянова.Образ Отечества |
1962 | 154 |
16 |
28 |
27 |
22 |
10 |
10 |
10 |
5 |
5 |
6 |
5 |
10 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
Валерий Самаринкин.Дорога к храму |
478 | 154 |
14 |
25 |
23 |
20 |
11 |
13 |
7 |
16 |
7 |
6 |
3 |
9 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1839 | 154 |
10 |
30 |
28 |
18 |
9 |
13 |
7 |
7 |
5 |
8 |
7 |
12 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1494 | 154 |
9 |
23 |
23 |
19 |
11 |
15 |
6 |
11 |
8 |
11 |
9 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
Выставка.Лицо старого дома.Самара |
1549 | 153 |
12 |
29 |
36 |
13 |
9 |
10 |
10 |
4 |
4 |
9 |
6 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
3 |
0 |
4 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2418 | 153 |
10 |
24 |
20 |
15 |
13 |
13 |
7 |
9 |
9 |
8 |
13 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Корнелия Функе.Волшебные сказки для взрослых" |
2227 | 153 |
10 |
28 |
24 |
25 |
6 |
13 |
6 |
5 |
6 |
9 |
7 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
Дхш им Марка Шагала -30 лет |
673 | 152 |
11 |
26 |
27 |
16 |
10 |
13 |
5 |
6 |
3 |
14 |
6 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
Солдат Победы. История жизни |
2438 | 152 |
14 |
21 |
24 |
24 |
11 |
13 |
6 |
6 |
8 |
6 |
8 |
11 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
Бойчукисты в Самаре |
2231 | 150 |
10 |
30 |
22 |
20 |
9 |
9 |
8 |
7 |
9 |
7 |
9 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
11 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1. Чернова Валентина.Пленники искусства |
2503 | 150 |
11 |
24 |
25 |
17 |
8 |
13 |
7 |
6 |
8 |
8 |
11 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
Юлия Кузнецова ее пленэрная живопись |
1759 | 149 |
11 |
31 |
29 |
20 |
8 |
6 |
6 |
6 |
3 |
9 |
9 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
4 |
3 |
2 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Коновалов Ген Гри -художник 20 века |
1749 | 148 |
9 |
21 |
24 |
24 |
13 |
11 |
5 |
5 |
5 |
10 |
11 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
В Лабиринте книжной иллюстрации |
1922 | 147 |
13 |
19 |
26 |
17 |
11 |
10 |
5 |
10 |
8 |
5 |
9 |
14 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1705 | 146 |
13 |
22 |
23 |
21 |
8 |
10 |
7 |
7 |
7 |
9 |
9 |
10 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
Вадим Сушко.Я люблю судьбу свою |
2542 | 146 |
10 |
34 |
17 |
21 |
11 |
12 |
10 |
6 |
2 |
8 |
6 |
9 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Альфред фон Вакано. Его музей |
506 | 146 |
13 |
28 |
22 |
15 |
10 |
12 |
7 |
9 |
8 |
5 |
6 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
457 | 146 |
10 |
21 |
27 |
17 |
9 |
16 |
6 |
9 |
8 |
7 |
4 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
Игорь Петров Гений места |
1557 | 145 |
12 |
21 |
24 |
18 |
10 |
12 |
8 |
10 |
3 |
6 |
5 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
Рерих и его держава на долгую память |
1705 | 145 |
11 |
27 |
24 |
19 |
8 |
8 |
7 |
6 |
6 |
8 |
11 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
Станислав Федоров |
1371 | 145 |
11 |
23 |
23 |
18 |
7 |
10 |
4 |
8 |
5 |
10 |
13 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
Бородачев Юрий Петрович. Вспоминая современника |
957 | 144 |
13 |
21 |
23 |
17 |
11 |
13 |
10 |
8 |
2 |
10 |
5 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Е.Поленова и М.Якунчикова творительницы красоты |
418 | 144 |
13 |
21 |
23 |
23 |
9 |
8 |
7 |
5 |
3 |
3 |
12 |
17 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
Станислав Федоров. Графика |
1120 | 144 |
14 |
22 |
21 |
14 |
10 |
14 |
7 |
6 |
4 |
9 |
9 |
14 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
Дмитрий Кондратьев |
1156 | 144 |
12 |
24 |
28 |
16 |
10 |
9 |
8 |
4 |
5 |
8 |
5 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
Эрбштейн Борис.Часть вторая |
485 | 144 |
10 |
27 |
18 |
20 |
12 |
11 |
5 |
5 |
6 |
9 |
13 |
8 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
Любить жизнь глазами Виктора Новокрещенова |
2827 | 144 |
8 |
24 |
23 |
21 |
13 |
12 |
8 |
5 |
7 |
7 |
6 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
Восток в Сохм |
1575 | 143 |
12 |
25 |
22 |
15 |
11 |
12 |
8 |
6 |
6 |
10 |
9 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
Юлия Кузнецова.Игры Солнца и теней |
1500 | 142 |
10 |
26 |
26 |
18 |
16 |
6 |
6 |
6 |
5 |
9 |
7 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
2 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
Юферев Геннадий |
470 | 142 |
12 |
23 |
23 |
22 |
14 |
11 |
6 |
3 |
5 |
8 |
6 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
1948 | 141 |
13 |
27 |
25 |
26 |
10 |
12 |
3 |
5 |
2 |
6 |
2 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
Андрей Бодров -мастер сухой иглы |
1617 | 141 |
7 |
32 |
25 |
13 |
10 |
11 |
5 |
7 |
4 |
10 |
9 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
Портретная галерея "Сыны Отечества" |
2236 | 140 |
12 |
26 |
25 |
17 |
6 |
13 |
8 |
9 |
5 |
7 |
4 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
Дневник влюбленного предпринимателя |
2738 | 140 |
14 |
21 |
25 |
20 |
9 |
8 |
7 |
7 |
2 |
10 |
5 |
12 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
Валентина Крушинина.Своя тема |
1570 | 140 |
12 |
27 |
22 |
17 |
8 |
11 |
7 |
6 |
4 |
8 |
10 |
8 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
5 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
Острецов Анатолий -художник наблюдатель |
2022 | 139 |
11 |
20 |
26 |
20 |
11 |
16 |
4 |
5 |
5 |
3 |
5 |
13 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
Елена Макеева. Стремительная живопись |
2117 | 138 |
9 |
23 |
24 |
21 |
6 |
14 |
4 |
4 |
5 |
10 |
4 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
Время волшебников, кукольники |
2319 | 137 |
14 |
25 |
26 |
23 |
7 |
10 |
6 |
5 |
3 |
6 |
5 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
Егорова Любовь. Творчество под знаком воздуха и потока |
890 | 137 |
11 |
25 |
21 |
17 |
11 |
6 |
10 |
6 |
4 |
8 |
5 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1650 | 136 |
11 |
20 |
27 |
19 |
13 |
8 |
6 |
7 |
1 |
8 |
6 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
Эрбштейн Борис. Часть первая |
583 | 135 |
9 |
20 |
20 |
20 |
9 |
15 |
5 |
6 |
5 |
8 |
8 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
Рассказы из прошлого века |
2371 | 135 |
14 |
24 |
21 |
13 |
9 |
15 |
5 |
5 |
6 |
3 |
7 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2046 | 135 |
16 |
22 |
30 |
11 |
7 |
11 |
8 |
5 |
4 |
4 |
5 |
12 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
Европейские фаянсы 18 века в собрании Сохм |
1716 | 135 |
15 |
21 |
21 |
14 |
7 |
14 |
6 |
7 |
5 |
6 |
7 |
12 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1804 | 134 |
14 |
23 |
24 |
22 |
7 |
10 |
3 |
5 |
4 |
7 |
5 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1893 | 134 |
12 |
27 |
20 |
21 |
10 |
12 |
10 |
5 |
1 |
2 |
5 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
Кустодиев.Наследие художника в живописи,графике и фотографии |
873 | 133 |
17 |
19 |
27 |
14 |
7 |
8 |
7 |
6 |
3 |
7 |
4 |
14 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
2 |
0 |
0 |
0 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1860 | 133 |
10 |
29 |
17 |
17 |
9 |
9 |
8 |
10 |
4 |
4 |
6 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1755 | 133 |
24 |
19 |
21 |
18 |
9 |
7 |
4 |
7 |
2 |
7 |
4 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
9 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Анна Голубкина - русский гений |
626 | 133 |
12 |
23 |
20 |
19 |
9 |
11 |
6 |
5 |
5 |
6 |
8 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
1937 | 133 |
13 |
25 |
18 |
19 |
7 |
12 |
9 |
6 |
3 |
9 |
2 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Летние вернисажи |
1628 | 132 |
15 |
24 |
21 |
16 |
7 |
10 |
6 |
6 |
2 |
6 |
5 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
100 картин из Оренбурга для Самары |
1983 | 132 |
11 |
19 |
19 |
26 |
8 |
12 |
2 |
6 |
4 |
8 |
7 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
С любовью из Крыма". Выставка |
1848 | 132 |
10 |
27 |
19 |
16 |
7 |
12 |
5 |
6 |
5 |
6 |
7 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
Информация о владельце раздела |
2008 | 132 |
8 |
22 |
19 |
23 |
11 |
10 |
7 |
5 |
3 |
7 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Самара в творчестве семидесятников |
2337 | 132 |
10 |
22 |
19 |
18 |
8 |
7 |
9 |
10 |
2 |
6 |
8 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Ковалева Дина и ее теория Красоты |
685 | 132 |
11 |
24 |
24 |
17 |
9 |
11 |
2 |
4 |
4 |
5 |
6 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Акварель -хорошая девка |
2022 | 132 |
14 |
17 |
27 |
15 |
8 |
13 |
5 |
5 |
4 |
9 |
4 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Женя Бабушкин.Пыльные цветы |
2070 | 132 |
12 |
19 |
23 |
15 |
12 |
10 |
10 |
6 |
5 |
8 |
5 |
7 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
Евгений Штыров.По дорогам Древней Руси |
851 | 132 |
14 |
18 |
22 |
17 |
10 |
15 |
4 |
4 |
6 |
8 |
5 |
9 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
Волжский самовар в экзистенциальных поисках |
939 | 131 |
9 |
21 |
21 |
18 |
8 |
10 |
4 |
5 |
6 |
5 |
13 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
В.Герасимов -монументалист,живописец,график |
1442 | 131 |
11 |
19 |
24 |
15 |
8 |
11 |
7 |
9 |
6 |
5 |
6 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
1999 | 130 |
9 |
29 |
21 |
13 |
10 |
14 |
6 |
6 |
4 |
5 |
6 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
Выставка к 100 -летию революции |
1168 | 130 |
11 |
22 |
23 |
15 |
12 |
13 |
4 |
7 |
3 |
4 |
6 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
Туман Жумабаев. Свет старой Самары |
2012 | 129 |
10 |
23 |
20 |
18 |
8 |
14 |
4 |
5 |
4 |
6 |
6 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2082 | 128 |
8 |
25 |
24 |
17 |
8 |
9 |
6 |
3 |
3 |
8 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Концептуалисты. Увидели и живем,или повидали и оживились |
1665 | 128 |
13 |
21 |
20 |
19 |
8 |
10 |
7 |
6 |
4 |
8 |
2 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
5 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
Степан Эрьзя - русский Роден ? |
2687 | 128 |
11 |
20 |
19 |
19 |
7 |
10 |
8 |
4 |
4 |
9 |
7 |
10 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Самарский художественный музей. Дары |
1022 | 128 |
16 |
20 |
17 |
17 |
10 |
13 |
5 |
8 |
3 |
5 |
4 |
10 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Дина Богусонова мастер эмали |
373 | 127 |
11 |
19 |
25 |
14 |
8 |
10 |
6 |
5 |
5 |
6 |
6 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
Альфред фон Вакано.Путешествие в Японию начинается |
437 | 127 |
15 |
19 |
22 |
22 |
9 |
9 |
7 |
5 |
3 |
4 |
6 |
6 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Выставка.Краски Солнцеворота |
1638 | 127 |
10 |
23 |
21 |
19 |
6 |
9 |
5 |
8 |
3 |
3 |
7 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
Гобелены - славное ремесло из старого Парижа |
2681 | 127 |
16 |
21 |
18 |
17 |
10 |
7 |
7 |
5 |
3 |
4 |
6 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
Лариса Кондратова. Валяние не Валенков |
2293 | 126 |
12 |
22 |
26 |
14 |
10 |
10 |
5 |
5 |
5 |
4 |
4 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
По закону племени |
2017 | 126 |
15 |
23 |
23 |
18 |
6 |
8 |
4 |
4 |
5 |
3 |
6 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
Кукольный марш |
2048 | 126 |
11 |
23 |
19 |
18 |
12 |
13 |
6 |
3 |
5 |
4 |
3 |
9 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
1940 | 126 |
11 |
26 |
21 |
20 |
10 |
10 |
7 |
3 |
2 |
5 |
2 |
9 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
Народное искусство и его новая жизнь |
1248 | 126 |
13 |
27 |
20 |
17 |
5 |
7 |
5 |
7 |
2 |
4 |
5 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Дубровин Игорь Викторович |
126 | 126 |
49 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
5 |
3 |
5 |
3 |
2 |
2 |
2 |
5 |
3 |
3 |
3 |
4 |
4 |
3 |
15 |
7 |
10 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
1946 | 126 |
16 |
17 |
20 |
16 |
9 |
11 |
3 |
8 |
4 |
8 |
3 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Карнавал в искусстве. Посвящение |
1260 | 125 |
11 |
21 |
22 |
15 |
8 |
10 |
3 |
7 |
4 |
3 |
7 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
Великие модернисты. Взгляд Artmedia Plei |
1588 | 125 |
8 |
17 |
19 |
16 |
5 |
14 |
9 |
5 |
3 |
5 |
11 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2170 | 125 |
8 |
23 |
21 |
13 |
12 |
13 |
4 |
4 |
5 |
7 |
5 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1905 | 124 |
14 |
15 |
22 |
13 |
8 |
9 |
9 |
5 |
3 |
6 |
6 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
Гений ар- деко. Эрте |
946 | 124 |
13 |
22 |
18 |
18 |
7 |
11 |
5 |
4 |
1 |
10 |
4 |
11 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Иван Карпунов.Как я позировала художнику |
862 | 124 |
23 |
15 |
17 |
19 |
6 |
11 |
5 |
4 |
3 |
8 |
5 |
8 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
9 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
Галина Лемкова.Время города, мгновенья хайку |
1946 | 124 |
11 |
26 |
19 |
17 |
8 |
9 |
7 |
4 |
2 |
10 |
4 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1639 | 123 |
15 |
18 |
23 |
21 |
10 |
11 |
4 |
5 |
1 |
4 |
2 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2. Чернова Валентина. В мастерской художника |
2108 | 123 |
11 |
24 |
17 |
14 |
8 |
7 |
6 |
5 |
4 |
6 |
9 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
Наталья Шепелева. Мастер детского портрета |
1803 | 123 |
8 |
24 |
18 |
20 |
9 |
15 |
4 |
3 |
3 |
7 |
5 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Художественное образование в Самаре |
719 | 123 |
8 |
22 |
15 |
21 |
11 |
11 |
7 |
3 |
3 |
5 |
6 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
Свет живописи старых мастеров |
1246 | 123 |
13 |
23 |
18 |
13 |
7 |
11 |
3 |
3 |
8 |
9 |
5 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Мысли вслух в технике гобелена |
1221 | 123 |
16 |
19 |
21 |
15 |
6 |
12 |
7 |
4 |
3 |
5 |
3 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
Маргарита Бортникова. Кружево |
2003 | 123 |
12 |
19 |
22 |
20 |
6 |
9 |
5 |
4 |
7 |
4 |
4 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Мужская гостиная в Музее Модерна |
1766 | 123 |
10 |
18 |
20 |
17 |
10 |
11 |
5 |
3 |
0 |
7 |
5 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
5 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2391 | 122 |
13 |
16 |
23 |
15 |
9 |
9 |
3 |
6 |
6 |
8 |
5 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
Мальвы самарского кэмпа |
2626 | 121 |
11 |
21 |
22 |
16 |
6 |
12 |
6 |
7 |
1 |
6 |
4 |
9 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
Дина Богусонова.Эмали |
687 | 121 |
10 |
19 |
21 |
16 |
10 |
12 |
5 |
7 |
2 |
6 |
5 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
Многообразие фактур и таинство стиля |
2012 | 121 |
11 |
19 |
25 |
15 |
8 |
8 |
4 |
6 |
2 |
8 |
4 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
Юрий Филиппов. Паломники в Древнюю Русь |
1600 | 121 |
8 |
23 |
21 |
18 |
8 |
7 |
7 |
5 |
1 |
7 |
4 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
Тольятти.Союз художников |
419 | 121 |
10 |
20 |
19 |
18 |
10 |
9 |
7 |
3 |
3 |
5 |
10 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1531 | 121 |
12 |
31 |
15 |
16 |
6 |
10 |
5 |
3 |
2 |
3 |
4 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Хохлова Наталья |
334 | 120 |
10 |
21 |
18 |
15 |
8 |
10 |
7 |
4 |
5 |
7 |
5 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Самарские амазонки в интерьере цветущего папорпотника |
1407 | 120 |
11 |
19 |
25 |
17 |
8 |
7 |
5 |
5 |
5 |
4 |
5 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
Шепелева Наталья.Цели и грезы |
421 | 120 |
10 |
19 |
20 |
16 |
8 |
10 |
6 |
3 |
6 |
3 |
4 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
Аромат сластей над садами |
2012 | 120 |
10 |
20 |
19 |
15 |
8 |
14 |
7 |
5 |
2 |
3 |
5 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
Обзор выставок ноября 2016 |
1419 | 120 |
10 |
20 |
24 |
18 |
7 |
12 |
5 |
3 |
2 |
2 |
8 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
Осенние вернисажи 2016 |
1466 | 119 |
8 |
21 |
19 |
17 |
6 |
12 |
3 |
6 |
3 |
2 |
11 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
Владимир Булеков.Экспрессивный портрет художника |
353 | 119 |
7 |
19 |
20 |
17 |
11 |
9 |
3 |
7 |
4 |
5 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1625 | 118 |
13 |
21 |
18 |
18 |
8 |
10 |
4 |
5 |
3 |
6 |
6 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Цыганская рапсодия |
1850 | 118 |
11 |
22 |
22 |
16 |
6 |
9 |
4 |
3 |
5 |
6 |
1 |
13 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Обзор выставок в Самаре. Экспозиция это? |
1888 | 117 |
11 |
22 |
19 |
13 |
8 |
8 |
3 |
4 |
3 |
7 |
8 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
Что собирают в Самаре |
2082 | 117 |
11 |
19 |
24 |
14 |
9 |
8 |
5 |
4 |
4 |
6 |
4 |
9 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
Зураб Церетели. Мелодии Грузии |
1489 | 117 |
11 |
20 |
27 |
18 |
8 |
6 |
5 |
3 |
2 |
5 |
2 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
Илья Репин, наше все? |
1790 | 116 |
11 |
19 |
19 |
20 |
6 |
7 |
6 |
3 |
4 |
6 |
6 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1583 | 115 |
12 |
22 |
20 |
13 |
6 |
8 |
7 |
6 |
2 |
3 |
2 |
14 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Все краски весенней выставки |
1213 | 115 |
10 |
20 |
18 |
13 |
8 |
10 |
4 |
6 |
4 |
4 |
8 |
10 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Три рассказа о грустном Фане |
1933 | 115 |
11 |
16 |
17 |
17 |
8 |
8 |
5 |
7 |
3 |
7 |
4 |
12 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Иван Айвазовский. Среди стихий |
2010 | 115 |
11 |
24 |
22 |
14 |
6 |
8 |
5 |
4 |
3 |
5 |
5 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1571 | 114 |
11 |
17 |
22 |
13 |
8 |
12 |
7 |
3 |
2 |
6 |
4 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
Сон в осеннюю ночь |
2240 | 114 |
10 |
17 |
23 |
14 |
7 |
9 |
3 |
5 |
4 |
5 |
5 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Передвижники |
483 | 113 |
7 |
26 |
20 |
12 |
7 |
10 |
4 |
5 |
4 |
6 |
4 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |