| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
По разделу |
331915 | 1464 |
7 |
417 |
185 |
197 |
87 |
92 |
78 |
79 |
79 |
73 |
79 |
91 |
1 |
6 |
5 |
3 |
3 |
4 |
4 |
4 |
15 |
7 |
10 |
25 |
2 |
3 |
4 |
11 |
20 |
14 |
26 |
26 |
25 |
26 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
6 |
9 |
6 |
15 |
31 |
20 |
3 |
5 |
5 |
6 |
3 |
4 |
3 |
3 |
4 |
4 |
7 |
4 |
8 |
5 |
8 |
5 |
5 |
3 |
3 |
4 |
7 |
4 |
8 |
4 |
4 |
3 |
Графики Самары |
2143 | 476 |
4 |
56 |
51 |
52 |
58 |
55 |
46 |
36 |
23 |
24 |
37 |
34 |
0 |
4 |
5 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
4 |
4 |
1 |
3 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
3 |
4 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
4 |
2 |
2 |
2 |
Елена Титова.пленница красоты |
419 | 419 |
3 |
350 |
66 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
11 |
20 |
14 |
26 |
26 |
25 |
26 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
5 |
9 |
6 |
15 |
31 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кутяков Сергей. Династия Кутяковых. Простая история |
1892 | 289 |
4 |
45 |
42 |
31 |
24 |
24 |
20 |
19 |
21 |
16 |
18 |
25 |
0 |
4 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
5 |
4 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
6 |
1 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
Дина Богусонова. Амазонка неоабстракционизма |
2727 | 263 |
2 |
45 |
39 |
29 |
23 |
20 |
25 |
21 |
16 |
15 |
12 |
16 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
5 |
3 |
5 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
Бакумов Вячеслав летописец нашей жизни |
247 | 247 |
6 |
33 |
69 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
7 |
4 |
8 |
4 |
4 |
5 |
5 |
1 |
1 |
3 |
3 |
2 |
8 |
1 |
3 |
2 |
Самаринкина Алиса. Из чего же вырастают художники? |
2433 | 237 |
0 |
32 |
34 |
37 |
25 |
22 |
19 |
13 |
13 |
15 |
10 |
17 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
Самарские графики. Живое наследие |
1262 | 231 |
2 |
40 |
30 |
37 |
19 |
24 |
13 |
7 |
11 |
13 |
16 |
19 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
2 |
6 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
Виноградова Анна. Блеск национальной романтики |
1543 | 214 |
1 |
39 |
28 |
24 |
12 |
21 |
16 |
15 |
8 |
10 |
17 |
23 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
4 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
660 | 213 |
1 |
28 |
27 |
28 |
14 |
24 |
10 |
16 |
14 |
17 |
14 |
20 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
2 |
0 |
Сергей Цедилов - мастер книги |
1444 | 205 |
3 |
38 |
33 |
30 |
20 |
16 |
12 |
6 |
13 |
12 |
9 |
13 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
5 |
3 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
4 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
Южанин Сергей |
204 | 204 |
3 |
40 |
21 |
27 |
10 |
19 |
12 |
51 |
21 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
5 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
Георгий Кикин.Женщины,подруги и ню |
1026 | 200 |
2 |
19 |
29 |
36 |
19 |
20 |
14 |
15 |
20 |
7 |
6 |
13 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
Валентин Пурыгин. Мифы о художнике |
1764 | 199 |
3 |
41 |
32 |
22 |
13 |
13 |
12 |
10 |
14 |
13 |
13 |
13 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
6 |
4 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
4 |
4 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
Образ и время в советской живописи 30-х годов |
1404 | 194 |
0 |
26 |
19 |
33 |
17 |
17 |
13 |
13 |
11 |
16 |
17 |
12 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
Юрий Скачков |
1123 | 193 |
2 |
28 |
27 |
25 |
18 |
22 |
16 |
9 |
9 |
14 |
12 |
11 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
Станислав Щеглов |
633 | 192 |
1 |
27 |
28 |
18 |
16 |
7 |
11 |
8 |
7 |
14 |
20 |
35 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
Художник Вадим Петрович Свешников |
493 | 189 |
2 |
30 |
25 |
28 |
17 |
10 |
10 |
11 |
9 |
14 |
16 |
17 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
Карл Брюллов - наследие из Петербурга |
1846 | 186 |
2 |
33 |
35 |
26 |
10 |
18 |
6 |
9 |
8 |
11 |
9 |
19 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
1 |
0 |
Валентин Белоусов. Творчество |
3068 | 184 |
1 |
23 |
31 |
19 |
16 |
28 |
10 |
8 |
11 |
12 |
13 |
12 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
0 |
5 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Артур Фонвизин |
1065 | 180 |
1 |
37 |
27 |
26 |
16 |
11 |
10 |
7 |
9 |
12 |
10 |
14 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Свечников Владимир |
657 | 180 |
1 |
29 |
28 |
24 |
16 |
11 |
12 |
7 |
12 |
13 |
15 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
Ю.И.Филиппов художник - жизнелюб |
1396 | 180 |
1 |
31 |
34 |
25 |
11 |
15 |
8 |
12 |
12 |
13 |
10 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
Рудольф Баранов и академическая живопись России |
2776 | 180 |
4 |
25 |
48 |
24 |
16 |
9 |
7 |
7 |
8 |
7 |
9 |
16 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
5 |
4 |
1 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
1 |
4 |
3 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
Городу модерна - Музей Модерна |
2256 | 179 |
2 |
33 |
34 |
25 |
11 |
9 |
6 |
8 |
7 |
13 |
14 |
17 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
4 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
2 |
3 |
1 |
0 |
Карэн Саркисов |
2203 | 178 |
0 |
26 |
26 |
20 |
10 |
11 |
11 |
8 |
13 |
16 |
20 |
17 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
Константин Коровин. Моцарт русской живописи |
2122 | 176 |
2 |
29 |
26 |
27 |
11 |
9 |
9 |
9 |
9 |
12 |
11 |
22 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
Портрет семьи в русской живописи 18-19вв |
728 | 175 |
1 |
28 |
23 |
21 |
15 |
17 |
11 |
8 |
11 |
13 |
12 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
Уильям Хогарт -основатель английской живописи |
1817 | 173 |
0 |
27 |
30 |
20 |
14 |
17 |
10 |
10 |
13 |
10 |
10 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
4 |
2 |
0 |
0 |
5 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
Карпунов Иван. Я всегда хотел быть художником |
2459 | 170 |
1 |
26 |
19 |
21 |
11 |
16 |
22 |
8 |
8 |
14 |
13 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
Арон Бух. главное его достижение - свобода |
1007 | 169 |
2 |
31 |
26 |
21 |
8 |
9 |
5 |
8 |
10 |
22 |
12 |
15 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2411 | 169 |
1 |
28 |
20 |
23 |
6 |
15 |
13 |
10 |
12 |
14 |
15 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
Геннадий Филатов.Мастер видового пейзажа |
1154 | 168 |
0 |
27 |
23 |
22 |
15 |
12 |
15 |
5 |
13 |
9 |
9 |
18 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
0 |
Палех. Маленькие шедевры |
1509 | 168 |
2 |
24 |
28 |
24 |
15 |
7 |
8 |
9 |
4 |
15 |
10 |
22 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
Евгений Чертыковцев. На тропе к образу |
1434 | 167 |
2 |
25 |
38 |
28 |
5 |
13 |
10 |
10 |
7 |
11 |
6 |
12 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
0 |
Марко Грасси и его Персонажи |
2883 | 166 |
1 |
37 |
22 |
21 |
15 |
11 |
6 |
7 |
10 |
12 |
8 |
16 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
6 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
0 |
1 |
Наталья Сюзева. Девичьи игры |
2352 | 165 |
0 |
27 |
28 |
20 |
14 |
20 |
10 |
7 |
7 |
14 |
7 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
Западоевропейское искусство в собрании Сохм |
2275 | 164 |
2 |
38 |
27 |
22 |
20 |
13 |
11 |
9 |
4 |
4 |
3 |
11 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
6 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
6 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
Передвижники и бытовой жанр |
496 | 163 |
1 |
26 |
25 |
23 |
13 |
14 |
5 |
9 |
7 |
9 |
13 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
Татьяна Пудова. Новые технологии в творчестве художников |
1680 | 163 |
1 |
28 |
28 |
23 |
14 |
10 |
8 |
10 |
3 |
17 |
11 |
10 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Семейные ценности из Росизо |
1289 | 160 |
1 |
33 |
55 |
12 |
5 |
11 |
5 |
7 |
6 |
9 |
7 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
4 |
3 |
3 |
3 |
3 |
2 |
2 |
1 |
4 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
7 |
0 |
2 |
3 |
0 |
1 |
Аннэта Басс. Музей как смысл жизни |
601 | 160 |
2 |
22 |
28 |
21 |
9 |
9 |
11 |
7 |
7 |
24 |
10 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
Портрет семьи в советской живописи.20век |
1055 | 158 |
1 |
27 |
22 |
20 |
12 |
17 |
8 |
14 |
4 |
9 |
8 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
Кулебакин Николай |
546 | 158 |
1 |
30 |
30 |
23 |
17 |
12 |
3 |
7 |
9 |
7 |
10 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
4 |
1 |
2 |
4 |
0 |
1 |
Шульпин Михаил. Образ Венеции для России |
2062 | 158 |
1 |
26 |
28 |
20 |
8 |
15 |
11 |
9 |
10 |
8 |
13 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
3 |
0 |
1 |
Передвижники и портретный жанр |
570 | 157 |
2 |
20 |
17 |
30 |
12 |
10 |
12 |
8 |
7 |
7 |
13 |
19 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2049 | 156 |
2 |
33 |
22 |
21 |
7 |
12 |
10 |
10 |
6 |
12 |
8 |
13 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
5 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
Самарские мечтатели или новое на Арт-рынке Самары |
2139 | 156 |
0 |
29 |
19 |
22 |
11 |
19 |
8 |
5 |
11 |
9 |
13 |
10 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
Иван Комиссаров.Красота и восторг как необходимость для художника |
2568 | 155 |
1 |
27 |
23 |
24 |
6 |
13 |
8 |
10 |
8 |
11 |
11 |
13 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
О чем молчат куклы. Третья кукольная выставка |
1714 | 155 |
2 |
22 |
25 |
20 |
11 |
12 |
13 |
11 |
5 |
10 |
6 |
18 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
0 |
Оттепель 60х в искусстве.Все оттенки оттепели |
1597 | 153 |
0 |
26 |
21 |
21 |
9 |
12 |
11 |
11 |
8 |
12 |
15 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
Нижегородский художественный музей и его шедевры |
640 | 153 |
1 |
21 |
27 |
20 |
19 |
12 |
11 |
10 |
10 |
7 |
6 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
0 |
Олег Рамодин -творец сказочной вселенной |
2032 | 153 |
3 |
29 |
31 |
20 |
9 |
12 |
7 |
7 |
7 |
8 |
6 |
14 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
1973 | 152 |
4 |
21 |
23 |
21 |
6 |
12 |
8 |
11 |
8 |
14 |
10 |
14 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
Борис Иевлев.Живопись мазками |
1347 | 152 |
0 |
23 |
25 |
22 |
15 |
14 |
10 |
8 |
10 |
7 |
7 |
11 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
1895 | 152 |
3 |
25 |
24 |
18 |
10 |
12 |
7 |
4 |
10 |
14 |
11 |
14 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
Маковские. Братья |
793 | 151 |
2 |
27 |
25 |
18 |
15 |
12 |
7 |
6 |
8 |
10 |
9 |
12 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
Сергей Шнуров про брендреализм |
1075 | 151 |
0 |
29 |
22 |
17 |
11 |
15 |
8 |
7 |
8 |
12 |
13 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
Счастливый мир детства в зеркале русской живописи |
3521 | 150 |
1 |
23 |
19 |
15 |
8 |
17 |
12 |
12 |
8 |
9 |
15 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1340 | 150 |
1 |
23 |
35 |
15 |
11 |
20 |
7 |
8 |
7 |
9 |
4 |
10 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
3 |
3 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Виктор Норкин и его Вантастическая живопись |
2094 | 150 |
2 |
26 |
21 |
21 |
12 |
13 |
9 |
8 |
9 |
9 |
9 |
11 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
От утопии до игры.Новые поступления авангарда в Сохм |
1476 | 149 |
1 |
30 |
54 |
14 |
7 |
8 |
2 |
6 |
3 |
5 |
6 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
5 |
2 |
3 |
1 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
Горовых Ксения.Большая и малая жизнь в творчестве |
1938 | 149 |
1 |
29 |
27 |
26 |
13 |
14 |
8 |
6 |
5 |
3 |
3 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
5 |
2 |
1 |
5 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5.Людмила Петтоки. Рассказы музейного человечка |
697 | 148 |
3 |
25 |
27 |
24 |
16 |
13 |
7 |
6 |
6 |
8 |
3 |
10 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
Владимир Романов.Портреты и акварели |
1066 | 148 |
2 |
26 |
26 |
19 |
10 |
11 |
8 |
7 |
7 |
13 |
8 |
11 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1702 | 148 |
3 |
26 |
28 |
19 |
10 |
8 |
4 |
11 |
3 |
15 |
8 |
13 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
В.Башкиров. Нестареющая Природа в его живописи |
1777 | 148 |
2 |
27 |
22 |
19 |
11 |
10 |
8 |
8 |
7 |
10 |
13 |
11 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2221 | 148 |
1 |
26 |
31 |
22 |
8 |
10 |
7 |
9 |
5 |
10 |
8 |
11 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
Панкратов Василий - портретист |
759 | 147 |
2 |
30 |
26 |
17 |
14 |
10 |
6 |
6 |
4 |
10 |
6 |
16 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
Дмитрий Мантров.Теплая выставка в холодный сезон |
1156 | 147 |
0 |
24 |
28 |
20 |
10 |
10 |
7 |
11 |
6 |
10 |
8 |
13 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
4 |
2 |
1 |
0 |
6. Василий Ващенко. Рассказы музейного человечка |
774 | 146 |
3 |
23 |
21 |
22 |
17 |
17 |
8 |
6 |
4 |
8 |
8 |
9 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
Дхш им Марка Шагала -30 лет |
667 | 146 |
5 |
26 |
27 |
16 |
10 |
13 |
5 |
6 |
3 |
14 |
6 |
15 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
1 |
1 |
0 |
Арнольд Лаховский.Наследие Эмигранта |
2077 | 146 |
1 |
28 |
29 |
24 |
10 |
6 |
7 |
8 |
3 |
7 |
8 |
15 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
5 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2410 | 145 |
2 |
24 |
20 |
15 |
13 |
13 |
7 |
9 |
9 |
8 |
13 |
12 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
Корнелия Функе.Волшебные сказки для взрослых" |
2219 | 145 |
2 |
28 |
24 |
25 |
6 |
13 |
6 |
5 |
6 |
9 |
7 |
14 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1485 | 145 |
0 |
23 |
23 |
19 |
11 |
15 |
6 |
11 |
8 |
11 |
9 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
Японская гравюра |
1174 | 144 |
1 |
22 |
24 |
18 |
13 |
9 |
6 |
8 |
9 |
8 |
13 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
Павел Филонов и его механика Вселенной |
1394 | 144 |
1 |
30 |
21 |
19 |
10 |
9 |
9 |
6 |
6 |
9 |
13 |
11 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1829 | 144 |
0 |
30 |
28 |
18 |
9 |
13 |
7 |
7 |
5 |
8 |
7 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
Выставка.Лицо старого дома.Самара |
1539 | 143 |
2 |
29 |
36 |
13 |
9 |
10 |
10 |
4 |
4 |
9 |
6 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
3 |
0 |
4 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Вилковы.На нашей маленькой земле |
2159 | 143 |
1 |
23 |
24 |
17 |
13 |
14 |
9 |
5 |
5 |
12 |
5 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
Коновалов Ген Гри -художник 20 века |
1743 | 142 |
3 |
21 |
24 |
24 |
13 |
11 |
5 |
5 |
5 |
10 |
11 |
10 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
Левитан и его современники |
1107 | 142 |
0 |
31 |
23 |
29 |
8 |
17 |
7 |
5 |
3 |
3 |
3 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
1. Чернова Валентина.Пленники искусства |
2495 | 142 |
3 |
24 |
25 |
17 |
8 |
13 |
7 |
6 |
8 |
8 |
11 |
12 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Андреев Юрий. Найди себе учителя и приобрети друга |
2020 | 141 |
1 |
25 |
20 |
19 |
12 |
10 |
9 |
8 |
6 |
12 |
8 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
Запечатленное время в мировоззрении поколения семидесятых |
1950 | 141 |
0 |
24 |
37 |
22 |
12 |
9 |
6 |
4 |
1 |
6 |
11 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
Солдат Победы. История жизни |
2427 | 141 |
3 |
21 |
24 |
24 |
11 |
13 |
6 |
6 |
8 |
6 |
8 |
11 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
Валерий Самаринкин.Дорога к храму |
465 | 141 |
1 |
25 |
23 |
20 |
11 |
13 |
7 |
16 |
7 |
6 |
3 |
9 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
Бойчукисты в Самаре |
2221 | 140 |
0 |
30 |
22 |
20 |
9 |
9 |
8 |
7 |
9 |
7 |
9 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
11 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
В.Пентюх и Н.Непьянова.Образ Отечества |
1947 | 139 |
1 |
28 |
27 |
22 |
10 |
10 |
10 |
5 |
5 |
6 |
5 |
10 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
Вадим Сушко.Я люблю судьбу свою |
2534 | 138 |
2 |
34 |
17 |
21 |
11 |
12 |
10 |
6 |
2 |
8 |
6 |
9 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
Юлия Кузнецова ее пленэрная живопись |
1748 | 138 |
0 |
31 |
29 |
20 |
8 |
6 |
6 |
6 |
3 |
9 |
9 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
4 |
3 |
2 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
Станислав Федоров |
1364 | 138 |
4 |
23 |
23 |
18 |
7 |
10 |
4 |
8 |
5 |
10 |
13 |
13 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
448 | 137 |
1 |
21 |
27 |
17 |
9 |
16 |
6 |
9 |
8 |
7 |
4 |
12 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
1 |
0 |
Игорь Петров Гений места |
1548 | 136 |
3 |
21 |
24 |
18 |
10 |
12 |
8 |
10 |
3 |
6 |
5 |
16 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
В Лабиринте книжной иллюстрации |
1911 | 136 |
2 |
19 |
26 |
17 |
11 |
10 |
5 |
10 |
8 |
5 |
9 |
14 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
Альфред фон Вакано. Его музей |
496 | 136 |
3 |
28 |
22 |
15 |
10 |
12 |
7 |
9 |
8 |
5 |
6 |
11 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
Любить жизнь глазами Виктора Новокрещенова |
2819 | 136 |
0 |
24 |
23 |
21 |
13 |
12 |
8 |
5 |
7 |
7 |
6 |
10 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
Рерих и его держава на долгую память |
1695 | 135 |
1 |
27 |
24 |
19 |
8 |
8 |
7 |
6 |
6 |
8 |
11 |
10 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
Эрбштейн Борис.Часть вторая |
476 | 135 |
1 |
27 |
18 |
20 |
12 |
11 |
5 |
5 |
6 |
9 |
13 |
8 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1693 | 134 |
1 |
22 |
23 |
21 |
8 |
10 |
7 |
7 |
7 |
9 |
9 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
Андрей Бодров -мастер сухой иглы |
1610 | 134 |
0 |
32 |
25 |
13 |
10 |
11 |
5 |
7 |
4 |
10 |
9 |
8 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
Е.Поленова и М.Якунчикова творительницы красоты |
407 | 133 |
2 |
21 |
23 |
23 |
9 |
8 |
7 |
5 |
3 |
3 |
12 |
17 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
0 |
0 |
Юлия Кузнецова.Игры Солнца и теней |
1491 | 133 |
1 |
26 |
26 |
18 |
16 |
6 |
6 |
6 |
5 |
9 |
7 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
2 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
0 |
Дмитрий Кондратьев |
1145 | 133 |
1 |
24 |
28 |
16 |
10 |
9 |
8 |
4 |
5 |
8 |
5 |
15 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
Бородачев Юрий Петрович. Вспоминая современника |
945 | 132 |
1 |
21 |
23 |
17 |
11 |
13 |
10 |
8 |
2 |
10 |
5 |
11 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
Восток в Сохм |
1564 | 132 |
1 |
25 |
22 |
15 |
11 |
12 |
8 |
6 |
6 |
10 |
9 |
7 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
Юферев Геннадий |
460 | 132 |
2 |
23 |
23 |
22 |
14 |
11 |
6 |
3 |
5 |
8 |
6 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
Станислав Федоров. Графика |
1107 | 131 |
1 |
22 |
21 |
14 |
10 |
14 |
7 |
6 |
4 |
9 |
9 |
14 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
Елена Макеева. Стремительная живопись |
2109 | 130 |
1 |
23 |
24 |
21 |
6 |
14 |
4 |
4 |
5 |
10 |
4 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
3 |
Валентина Крушинина.Своя тема |
1560 | 130 |
2 |
27 |
22 |
17 |
8 |
11 |
7 |
6 |
4 |
8 |
10 |
8 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
5 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
Портретная галерея "Сыны Отечества" |
2225 | 129 |
1 |
26 |
25 |
17 |
6 |
13 |
8 |
9 |
5 |
7 |
4 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
Дневник влюбленного предпринимателя |
2727 | 129 |
3 |
21 |
25 |
20 |
9 |
8 |
7 |
7 |
2 |
10 |
5 |
12 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
1936 | 129 |
1 |
27 |
25 |
26 |
10 |
12 |
3 |
5 |
2 |
6 |
2 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
Острецов Анатолий -художник наблюдатель |
2012 | 129 |
1 |
20 |
26 |
20 |
11 |
16 |
4 |
5 |
5 |
3 |
5 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
Информация о владельце раздела |
2004 | 128 |
4 |
22 |
19 |
23 |
11 |
10 |
7 |
5 |
3 |
7 |
6 |
11 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Егорова Любовь. Творчество под знаком воздуха и потока |
881 | 128 |
2 |
25 |
21 |
17 |
11 |
6 |
10 |
6 |
4 |
8 |
5 |
13 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
Эрбштейн Борис. Часть первая |
575 | 127 |
1 |
20 |
20 |
20 |
9 |
15 |
5 |
6 |
5 |
8 |
8 |
10 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1641 | 127 |
2 |
20 |
27 |
19 |
13 |
8 |
6 |
7 |
1 |
8 |
6 |
10 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Анна Голубкина - русский гений |
618 | 125 |
4 |
23 |
20 |
19 |
9 |
11 |
6 |
5 |
5 |
6 |
8 |
9 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1883 | 124 |
2 |
27 |
20 |
21 |
10 |
12 |
10 |
5 |
1 |
2 |
5 |
9 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
Время волшебников, кукольники |
2306 | 124 |
1 |
25 |
26 |
23 |
7 |
10 |
6 |
5 |
3 |
6 |
5 |
7 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
Ковалева Дина и ее теория Красоты |
677 | 124 |
3 |
24 |
24 |
17 |
9 |
11 |
2 |
4 |
4 |
5 |
6 |
15 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
Рассказы из прошлого века |
2359 | 123 |
2 |
24 |
21 |
13 |
9 |
15 |
5 |
5 |
6 |
3 |
7 |
13 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
Волжский самовар в экзистенциальных поисках |
931 | 123 |
1 |
21 |
21 |
18 |
8 |
10 |
4 |
5 |
6 |
5 |
13 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
0 |
Самара в творчестве семидесятников |
2328 | 123 |
1 |
22 |
19 |
18 |
8 |
7 |
9 |
10 |
2 |
6 |
8 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1850 | 123 |
0 |
29 |
17 |
17 |
9 |
9 |
8 |
10 |
4 |
4 |
6 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
Акварель -хорошая девка |
2013 | 123 |
5 |
17 |
27 |
15 |
8 |
13 |
5 |
5 |
4 |
9 |
4 |
11 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1792 | 122 |
2 |
23 |
24 |
22 |
7 |
10 |
3 |
5 |
4 |
7 |
5 |
10 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
С любовью из Крыма". Выставка |
1838 | 122 |
0 |
27 |
19 |
16 |
7 |
12 |
5 |
6 |
5 |
6 |
7 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
В.Герасимов -монументалист,живописец,график |
1433 | 122 |
2 |
19 |
24 |
15 |
8 |
11 |
7 |
9 |
6 |
5 |
6 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
Женя Бабушкин.Пыльные цветы |
2060 | 122 |
2 |
19 |
23 |
15 |
12 |
10 |
10 |
6 |
5 |
8 |
5 |
7 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
1926 | 122 |
2 |
25 |
18 |
19 |
7 |
12 |
9 |
6 |
3 |
9 |
2 |
10 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
Выставка к 100 -летию революции |
1160 | 122 |
3 |
22 |
23 |
15 |
12 |
13 |
4 |
7 |
3 |
4 |
6 |
10 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
100 картин из Оренбурга для Самары |
1972 | 121 |
0 |
19 |
19 |
26 |
8 |
12 |
2 |
6 |
4 |
8 |
7 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
3 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
1990 | 121 |
0 |
29 |
21 |
13 |
10 |
14 |
6 |
6 |
4 |
5 |
6 |
7 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
1 |
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2032 | 121 |
2 |
22 |
30 |
11 |
7 |
11 |
8 |
5 |
4 |
4 |
5 |
12 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
Европейские фаянсы 18 века в собрании Сохм |
1702 | 121 |
1 |
21 |
21 |
14 |
7 |
14 |
6 |
7 |
5 |
6 |
7 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2074 | 120 |
0 |
25 |
24 |
17 |
8 |
9 |
6 |
3 |
3 |
8 |
6 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
Туман Жумабаев. Свет старой Самары |
2003 | 120 |
1 |
23 |
20 |
18 |
8 |
14 |
4 |
5 |
4 |
6 |
6 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Летние вернисажи |
1615 | 119 |
2 |
24 |
21 |
16 |
7 |
10 |
6 |
6 |
2 |
6 |
5 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Евгений Штыров.По дорогам Древней Руси |
838 | 119 |
1 |
18 |
22 |
17 |
10 |
15 |
4 |
4 |
6 |
8 |
5 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
Великие модернисты. Взгляд Artmedia Plei |
1581 | 118 |
1 |
17 |
19 |
16 |
5 |
14 |
9 |
5 |
3 |
5 |
11 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2163 | 118 |
1 |
23 |
21 |
13 |
12 |
13 |
4 |
4 |
5 |
7 |
5 |
10 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
Выставка.Краски Солнцеворота |
1629 | 118 |
1 |
23 |
21 |
19 |
6 |
9 |
5 |
8 |
3 |
3 |
7 |
13 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
Лариса Кондратова. Валяние не Валенков |
2284 | 117 |
3 |
22 |
26 |
14 |
10 |
10 |
5 |
5 |
5 |
4 |
4 |
9 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
Кустодиев.Наследие художника в живописи,графике и фотографии |
857 | 117 |
1 |
19 |
27 |
14 |
7 |
8 |
7 |
6 |
3 |
7 |
4 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
Степан Эрьзя - русский Роден ? |
2676 | 117 |
0 |
20 |
19 |
19 |
7 |
10 |
8 |
4 |
4 |
9 |
7 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
0 |
Дина Богусонова мастер эмали |
363 | 117 |
1 |
19 |
25 |
14 |
8 |
10 |
6 |
5 |
5 |
6 |
6 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
Наталья Шепелева. Мастер детского портрета |
1796 | 116 |
1 |
24 |
18 |
20 |
9 |
15 |
4 |
3 |
3 |
7 |
5 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
Карнавал в искусстве. Посвящение |
1251 | 116 |
2 |
21 |
22 |
15 |
8 |
10 |
3 |
7 |
4 |
3 |
7 |
14 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
Художественное образование в Самаре |
712 | 116 |
1 |
22 |
15 |
21 |
11 |
11 |
7 |
3 |
3 |
5 |
6 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
Кукольный марш |
2038 | 116 |
1 |
23 |
19 |
18 |
12 |
13 |
6 |
3 |
5 |
4 |
3 |
9 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1896 | 115 |
5 |
15 |
22 |
13 |
8 |
9 |
9 |
5 |
3 |
6 |
6 |
14 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
Концептуалисты. Увидели и живем,или повидали и оживились |
1652 | 115 |
0 |
21 |
20 |
19 |
8 |
10 |
7 |
6 |
4 |
8 |
2 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
5 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
1929 | 115 |
0 |
26 |
21 |
20 |
10 |
10 |
7 |
3 |
2 |
5 |
2 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
Альфред фон Вакано.Путешествие в Японию начинается |
425 | 115 |
3 |
19 |
22 |
22 |
9 |
9 |
7 |
5 |
3 |
4 |
6 |
6 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
Владимир Булеков.Экспрессивный портрет художника |
349 | 115 |
3 |
19 |
20 |
17 |
11 |
9 |
3 |
7 |
4 |
5 |
6 |
11 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
Мужская гостиная в Музее Модерна |
1758 | 115 |
2 |
18 |
20 |
17 |
10 |
11 |
5 |
3 |
0 |
7 |
5 |
17 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
5 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
По закону племени |
2005 | 114 |
3 |
23 |
23 |
18 |
6 |
8 |
4 |
4 |
5 |
3 |
6 |
11 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Гений ар- деко. Эрте |
936 | 114 |
3 |
22 |
18 |
18 |
7 |
11 |
5 |
4 |
1 |
10 |
4 |
11 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
Народное искусство и его новая жизнь |
1236 | 114 |
1 |
27 |
20 |
17 |
5 |
7 |
5 |
7 |
2 |
4 |
5 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
Самарский художественный музей. Дары |
1008 | 114 |
2 |
20 |
17 |
17 |
10 |
13 |
5 |
8 |
3 |
5 |
4 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2. Чернова Валентина. В мастерской художника |
2098 | 113 |
1 |
24 |
17 |
14 |
8 |
7 |
6 |
5 |
4 |
6 |
9 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
Дина Богусонова.Эмали |
679 | 113 |
2 |
19 |
21 |
16 |
10 |
12 |
5 |
7 |
2 |
6 |
5 |
8 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
Галина Лемкова.Время города, мгновенья хайку |
1935 | 113 |
0 |
26 |
19 |
17 |
8 |
9 |
7 |
4 |
2 |
10 |
4 |
7 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
Юрий Филиппов. Паломники в Древнюю Русь |
1592 | 113 |
0 |
23 |
21 |
18 |
8 |
7 |
7 |
5 |
1 |
7 |
4 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
Шепелева Наталья.Цели и грезы |
413 | 112 |
2 |
19 |
20 |
16 |
8 |
10 |
6 |
3 |
6 |
3 |
4 |
15 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
Многообразие фактур и таинство стиля |
2003 | 112 |
2 |
19 |
25 |
15 |
8 |
8 |
4 |
6 |
2 |
8 |
4 |
11 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
Тольятти.Союз художников |
410 | 112 |
1 |
20 |
19 |
18 |
10 |
9 |
7 |
3 |
3 |
5 |
10 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
1932 | 112 |
2 |
17 |
20 |
16 |
9 |
11 |
3 |
8 |
4 |
8 |
3 |
11 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
Осенние вернисажи 2016 |
1458 | 111 |
0 |
21 |
19 |
17 |
6 |
12 |
3 |
6 |
3 |
2 |
11 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
Мальвы самарского кэмпа |
2616 | 111 |
1 |
21 |
22 |
16 |
6 |
12 |
6 |
7 |
1 |
6 |
4 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
Маргарита Бортникова. Кружево |
1991 | 111 |
0 |
19 |
22 |
20 |
6 |
9 |
5 |
4 |
7 |
4 |
4 |
11 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1521 | 111 |
2 |
31 |
15 |
16 |
6 |
10 |
5 |
3 |
2 |
3 |
4 |
14 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1733 | 111 |
2 |
19 |
21 |
18 |
9 |
7 |
4 |
7 |
2 |
7 |
4 |
11 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
Аромат сластей над садами |
2003 | 111 |
1 |
20 |
19 |
15 |
8 |
14 |
7 |
5 |
2 |
3 |
5 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
Обзор выставок ноября 2016 |
1410 | 111 |
1 |
20 |
24 |
18 |
7 |
12 |
5 |
3 |
2 |
2 |
8 |
9 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
Гобелены - славное ремесло из старого Парижа |
2665 | 111 |
0 |
21 |
18 |
17 |
10 |
7 |
7 |
5 |
3 |
4 |
6 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
Хохлова Наталья |
324 | 110 |
0 |
21 |
18 |
15 |
8 |
10 |
7 |
4 |
5 |
7 |
5 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1626 | 110 |
2 |
18 |
23 |
21 |
10 |
11 |
4 |
5 |
1 |
4 |
2 |
9 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
Самарские амазонки в интерьере цветущего папорпотника |
1397 | 110 |
1 |
19 |
25 |
17 |
8 |
7 |
5 |
5 |
5 |
4 |
5 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
Свет живописи старых мастеров |
1233 | 110 |
0 |
23 |
18 |
13 |
7 |
11 |
3 |
3 |
8 |
9 |
5 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2379 | 110 |
1 |
16 |
23 |
15 |
9 |
9 |
3 |
6 |
6 |
8 |
5 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Цыганская рапсодия |
1841 | 109 |
2 |
22 |
22 |
16 |
6 |
9 |
4 |
3 |
5 |
6 |
1 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1615 | 108 |
3 |
21 |
18 |
18 |
8 |
10 |
4 |
5 |
3 |
6 |
6 |
6 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
Мысли вслух в технике гобелена |
1206 | 108 |
1 |
19 |
21 |
15 |
6 |
12 |
7 |
4 |
3 |
5 |
3 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1564 | 107 |
4 |
17 |
22 |
13 |
8 |
12 |
7 |
3 |
2 |
6 |
4 |
9 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
Что собирают в Самаре |
2072 | 107 |
1 |
19 |
24 |
14 |
9 |
8 |
5 |
4 |
4 |
6 |
4 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
Зураб Церетели. Мелодии Грузии |
1479 | 107 |
1 |
20 |
27 |
18 |
8 |
6 |
5 |
3 |
2 |
5 |
2 |
10 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
Обзор выставок в Самаре. Экспозиция это? |
1877 | 106 |
0 |
22 |
19 |
13 |
8 |
8 |
3 |
4 |
3 |
7 |
8 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Передвижники |
476 | 106 |
0 |
26 |
20 |
12 |
7 |
10 |
4 |
5 |
4 |
6 |
4 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
3.Чернова Валентина.Еще три портрета |
1769 | 106 |
3 |
19 |
16 |
15 |
12 |
10 |
4 |
4 |
3 |
6 |
6 |
8 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Илья Репин, наше все? |
1780 | 106 |
1 |
19 |
19 |
20 |
6 |
7 |
6 |
3 |
4 |
6 |
6 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
Все краски весенней выставки |
1203 | 105 |
0 |
20 |
18 |
13 |
8 |
10 |
4 |
6 |
4 |
4 |
8 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
Три рассказа о грустном Фане |
1923 | 105 |
1 |
16 |
17 |
17 |
8 |
8 |
5 |
7 |
3 |
7 |
4 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Сон в осеннюю ночь |
2231 | 105 |
1 |
17 |
23 |
14 |
7 |
9 |
3 |
5 |
4 |
5 |
5 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
Иван Айвазовский. Среди стихий |
2000 | 105 |
1 |
24 |
22 |
14 |
6 |
8 |
5 |
4 |
3 |
5 |
5 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
Грани 20 века |
1330 | 104 |
0 |
19 |
23 |
11 |
12 |
11 |
3 |
3 |
2 |
5 |
3 |
12 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1571 | 103 |
0 |
22 |
20 |
13 |
6 |
8 |
7 |
6 |
2 |
3 |
2 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |