| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
По разделу |
205159 | 954 |
75 |
101 |
78 |
78 |
79 |
73 |
65 |
69 |
85 |
86 |
88 |
77 |
0 |
4 |
5 |
2 |
3 |
2 |
3 |
3 |
8 |
3 |
6 |
3 |
3 |
2 |
3 |
2 |
3 |
5 |
3 |
3 |
5 |
4 |
3 |
3 |
3 |
2 |
2 |
4 |
3 |
4 |
3 |
4 |
4 |
3 |
4 |
3 |
4 |
6 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
2 |
4 |
3 |
2 |
4 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
1 |
3 |
2 |
3 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8381 | 532 |
48 |
66 |
39 |
32 |
48 |
45 |
36 |
39 |
44 |
47 |
46 |
42 |
0 |
0 |
5 |
1 |
2 |
0 |
3 |
0 |
8 |
2 |
4 |
2 |
3 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
4 |
4 |
3 |
3 |
1 |
1 |
2 |
4 |
2 |
4 |
3 |
4 |
2 |
0 |
4 |
3 |
3 |
6 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11743 | 460 |
35 |
61 |
38 |
43 |
29 |
34 |
33 |
27 |
30 |
43 |
48 |
39 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
5 |
1 |
3 |
0 |
4 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
5 |
4 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
Мировоззрение Достоевского |
11765 | 366 |
25 |
46 |
36 |
31 |
35 |
37 |
28 |
30 |
26 |
26 |
25 |
21 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
2 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3540 | 278 |
21 |
36 |
28 |
21 |
22 |
27 |
17 |
22 |
25 |
21 |
23 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
Будущее одной иллюзии Фрейда |
18073 | 269 |
24 |
39 |
18 |
21 |
27 |
12 |
10 |
10 |
19 |
37 |
23 |
29 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
Достоевский и Ницше |
10117 | 263 |
14 |
31 |
26 |
21 |
28 |
24 |
17 |
20 |
20 |
29 |
18 |
15 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
Воля к Власти |
13304 | 254 |
12 |
31 |
23 |
23 |
24 |
23 |
19 |
17 |
30 |
14 |
17 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
Викторианская мораль в Новейшее Время |
5904 | 208 |
8 |
22 |
25 |
22 |
26 |
12 |
10 |
13 |
12 |
13 |
24 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
Актуальность Достоевского |
4286 | 196 |
19 |
27 |
15 |
11 |
12 |
17 |
9 |
17 |
25 |
16 |
20 |
8 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
Этика Достоевского |
9850 | 179 |
18 |
30 |
14 |
20 |
8 |
15 |
5 |
13 |
11 |
14 |
17 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4895 | 174 |
10 |
27 |
18 |
15 |
12 |
12 |
16 |
14 |
21 |
12 |
12 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4845 | 152 |
9 |
26 |
12 |
19 |
19 |
12 |
6 |
5 |
10 |
14 |
10 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
Оракул информационного общества |
2963 | 146 |
15 |
23 |
18 |
11 |
6 |
8 |
5 |
12 |
20 |
12 |
14 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
Эстетические искания А. Куприна (на примере Ямы) |
3371 | 146 |
4 |
25 |
16 |
14 |
8 |
17 |
7 |
14 |
12 |
11 |
13 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4110 | 140 |
12 |
27 |
11 |
12 |
5 |
13 |
8 |
7 |
13 |
9 |
16 |
7 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
Вечное возвращение Великого |
4841 | 139 |
9 |
17 |
11 |
10 |
7 |
16 |
7 |
16 |
13 |
14 |
13 |
6 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
Новая наука логики Или Как философствуют тупым предметом |
2591 | 138 |
9 |
24 |
10 |
9 |
6 |
10 |
6 |
10 |
13 |
12 |
14 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Почему глючат программы? |
5741 | 136 |
13 |
23 |
6 |
14 |
7 |
12 |
9 |
7 |
12 |
16 |
10 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Достоевский-философ |
9639 | 133 |
7 |
23 |
9 |
13 |
9 |
12 |
7 |
7 |
15 |
8 |
17 |
6 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
Романтическая иллюзия |
2132 | 129 |
3 |
27 |
12 |
13 |
7 |
11 |
5 |
8 |
10 |
12 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
Мой Шен Би Де Бао |
2329 | 127 |
10 |
20 |
15 |
10 |
10 |
10 |
6 |
1 |
10 |
12 |
13 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
Ницше и прагматисты |
2944 | 125 |
9 |
25 |
17 |
6 |
7 |
8 |
8 |
7 |
12 |
10 |
13 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Опыт человеческой интроспекции: Ингмар Бергман |
3670 | 124 |
19 |
15 |
15 |
9 |
7 |
10 |
8 |
7 |
9 |
10 |
7 |
8 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Развитие философии от Декарта к Спинозе |
3537 | 119 |
8 |
23 |
12 |
11 |
6 |
10 |
5 |
6 |
7 |
16 |
8 |
7 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
Мертвый постмодернист |
2273 | 119 |
17 |
16 |
13 |
13 |
5 |
10 |
3 |
9 |
8 |
8 |
12 |
5 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
Techi И Geek - Герои Нашего Времени |
1997 | 116 |
6 |
15 |
12 |
8 |
7 |
12 |
4 |
13 |
13 |
11 |
8 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Герой поколения плееров Apple ipod |
2731 | 114 |
5 |
15 |
11 |
10 |
9 |
10 |
4 |
3 |
7 |
12 |
15 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
Романтическая иллюзия |
2086 | 113 |
8 |
15 |
9 |
14 |
14 |
9 |
6 |
3 |
6 |
11 |
15 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
Проблематика образов человека у Достоевского |
4589 | 112 |
10 |
16 |
13 |
8 |
7 |
7 |
7 |
4 |
11 |
15 |
9 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Мысли о России |
2521 | 110 |
5 |
14 |
13 |
5 |
9 |
16 |
3 |
2 |
14 |
7 |
10 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
Мысли о Достоевском |
2578 | 109 |
10 |
19 |
7 |
7 |
4 |
8 |
5 |
5 |
10 |
8 |
19 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Петербург 2 |
2037 | 107 |
12 |
15 |
6 |
12 |
5 |
7 |
5 |
5 |
5 |
10 |
13 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Злое Добро |
2843 | 105 |
3 |
17 |
16 |
7 |
10 |
9 |
4 |
4 |
7 |
7 |
14 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Боже, храни дуче Викторию |
2838 | 104 |
2 |
20 |
10 |
8 |
6 |
10 |
5 |
9 |
8 |
11 |
10 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
Сумерки себя |
2083 | 103 |
9 |
16 |
10 |
6 |
7 |
8 |
3 |
8 |
9 |
11 |
7 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Сценарий лучшего игрового кино. Русская версия |
2376 | 100 |
10 |
19 |
8 |
7 |
4 |
10 |
4 |
6 |
7 |
14 |
9 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Разговор в метро |
2100 | 96 |
8 |
18 |
9 |
10 |
8 |
7 |
3 |
3 |
9 |
8 |
5 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Олигархи всех стран, объединяйтесь! |
1961 | 95 |
4 |
18 |
11 |
8 |
6 |
11 |
4 |
1 |
10 |
4 |
15 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Сценарий лучшего игрового фильма на сегодня |
2356 | 93 |
9 |
17 |
13 |
5 |
4 |
8 |
2 |
6 |
9 |
10 |
9 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |