| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
По разделу |
204268 | 901 |
70 |
78 |
78 |
79 |
73 |
65 |
69 |
85 |
86 |
88 |
77 |
53 |
0 |
4 |
3 |
4 |
3 |
4 |
6 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
2 |
4 |
3 |
2 |
4 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
1 |
3 |
2 |
3 |
3 |
4 |
1 |
3 |
2 |
3 |
5 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
3 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
3 |
4 |
3 |
2 |
6 |
2 |
2 |
1 |
1 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8306 | 489 |
39 |
39 |
32 |
48 |
45 |
36 |
39 |
44 |
47 |
46 |
42 |
32 |
0 |
2 |
0 |
4 |
3 |
3 |
6 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
5 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11693 | 427 |
46 |
38 |
43 |
29 |
34 |
33 |
27 |
30 |
43 |
48 |
39 |
17 |
0 |
4 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
5 |
4 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
6 |
2 |
1 |
0 |
0 |
Мировоззрение Достоевского |
11726 | 334 |
32 |
36 |
31 |
35 |
37 |
28 |
30 |
26 |
26 |
25 |
21 |
7 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
Достоевский и Ницше |
10093 | 253 |
21 |
26 |
21 |
28 |
24 |
17 |
20 |
20 |
29 |
18 |
15 |
14 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3505 | 252 |
22 |
28 |
21 |
22 |
27 |
17 |
22 |
25 |
21 |
23 |
15 |
9 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Будущее одной иллюзии Фрейда |
18040 | 248 |
30 |
18 |
21 |
27 |
12 |
10 |
10 |
19 |
37 |
23 |
29 |
12 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
Воля к Власти |
13284 | 240 |
23 |
23 |
23 |
24 |
23 |
19 |
17 |
30 |
14 |
17 |
21 |
6 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Викторианская мораль в Новейшее Время |
5888 | 199 |
14 |
25 |
22 |
26 |
12 |
10 |
13 |
12 |
13 |
24 |
21 |
7 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Актуальность Достоевского |
4259 | 173 |
19 |
15 |
11 |
12 |
17 |
9 |
17 |
25 |
16 |
20 |
8 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4876 | 161 |
18 |
18 |
15 |
12 |
12 |
16 |
14 |
21 |
12 |
12 |
5 |
6 |
0 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
Этика Достоевского |
9822 | 155 |
20 |
14 |
20 |
8 |
15 |
5 |
13 |
11 |
14 |
17 |
14 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4828 | 138 |
18 |
12 |
19 |
19 |
12 |
6 |
5 |
10 |
14 |
10 |
10 |
3 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
Эстетические искания А. Куприна (на примере Ямы) |
3357 | 136 |
15 |
16 |
14 |
8 |
17 |
7 |
14 |
12 |
11 |
13 |
5 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Вечное возвращение Великого |
4826 | 127 |
11 |
11 |
10 |
7 |
16 |
7 |
16 |
13 |
14 |
13 |
6 |
3 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Новая наука логики Или Как философствуют тупым предметом |
2576 | 125 |
18 |
10 |
9 |
6 |
10 |
6 |
10 |
13 |
12 |
14 |
15 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4089 | 122 |
18 |
11 |
12 |
5 |
13 |
8 |
7 |
13 |
9 |
16 |
7 |
3 |
0 |
2 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
Оракул информационного общества |
2937 | 122 |
12 |
18 |
11 |
6 |
8 |
5 |
12 |
20 |
12 |
14 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2119 | 120 |
17 |
12 |
13 |
7 |
11 |
5 |
8 |
10 |
12 |
10 |
11 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Почему глючат программы? |
5721 | 119 |
16 |
6 |
14 |
7 |
12 |
9 |
7 |
12 |
16 |
10 |
7 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
Достоевский-философ |
9622 | 118 |
13 |
9 |
13 |
9 |
12 |
7 |
7 |
15 |
8 |
17 |
6 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Мой Шен Би Де Бао |
2310 | 111 |
11 |
15 |
10 |
10 |
10 |
6 |
1 |
10 |
12 |
13 |
10 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Герой поколения плееров Apple ipod |
2720 | 108 |
9 |
11 |
10 |
9 |
10 |
4 |
3 |
7 |
12 |
15 |
13 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Ницше и прагматисты |
2924 | 108 |
14 |
17 |
6 |
7 |
8 |
8 |
7 |
12 |
10 |
13 |
3 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Проблематика образов человека у Достоевского |
4575 | 106 |
12 |
13 |
8 |
7 |
7 |
7 |
4 |
11 |
15 |
9 |
5 |
8 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Мысли о России |
2511 | 104 |
9 |
13 |
5 |
9 |
16 |
3 |
2 |
14 |
7 |
10 |
12 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Развитие философии от Декарта к Спинозе |
3516 | 104 |
10 |
12 |
11 |
6 |
10 |
5 |
6 |
7 |
16 |
8 |
7 |
6 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Опыт человеческой интроспекции: Ингмар Бергман |
3645 | 103 |
9 |
15 |
9 |
7 |
10 |
8 |
7 |
9 |
10 |
7 |
8 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Петербург 2 |
2024 | 103 |
14 |
6 |
12 |
5 |
7 |
5 |
5 |
5 |
10 |
13 |
12 |
9 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Techi И Geek - Герои Нашего Времени |
1980 | 102 |
4 |
12 |
8 |
7 |
12 |
4 |
13 |
13 |
11 |
8 |
7 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Романтическая иллюзия |
2072 | 102 |
9 |
9 |
14 |
14 |
9 |
6 |
3 |
6 |
11 |
15 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
Мертвый постмодернист |
2252 | 102 |
12 |
13 |
13 |
5 |
10 |
3 |
9 |
8 |
8 |
12 |
5 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Мысли о Достоевском |
2560 | 100 |
11 |
7 |
7 |
4 |
8 |
5 |
5 |
10 |
8 |
19 |
7 |
9 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Злое Добро |
2832 | 99 |
9 |
16 |
7 |
10 |
9 |
4 |
4 |
7 |
7 |
14 |
7 |
5 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Боже, храни дуче Викторию |
2830 | 98 |
14 |
10 |
8 |
6 |
10 |
5 |
9 |
8 |
11 |
10 |
5 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Сумерки себя |
2068 | 93 |
10 |
10 |
6 |
7 |
8 |
3 |
8 |
9 |
11 |
7 |
9 |
5 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Олигархи всех стран, объединяйтесь! |
1952 | 87 |
13 |
11 |
8 |
6 |
11 |
4 |
1 |
10 |
4 |
15 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Разговор в метро |
2086 | 87 |
12 |
9 |
10 |
8 |
7 |
3 |
3 |
9 |
8 |
5 |
8 |
5 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
Информация о владельце раздела |
2140 | 86 |
12 |
9 |
5 |
5 |
7 |
3 |
4 |
9 |
11 |
13 |
4 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сценарий лучшего игрового кино. Русская версия |
2357 | 83 |
10 |
8 |
7 |
4 |
10 |
4 |
6 |
7 |
14 |
9 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |