| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
По разделу |
211265 | 1210 |
70 |
101 |
159 |
128 |
139 |
97 |
107 |
101 |
78 |
78 |
79 |
73 |
0 |
3 |
4 |
3 |
3 |
2 |
3 |
4 |
5 |
4 |
3 |
3 |
2 |
3 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
3 |
2 |
4 |
1 |
3 |
4 |
3 |
4 |
2 |
3 |
4 |
3 |
3 |
5 |
4 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
4 |
3 |
3 |
3 |
2 |
4 |
4 |
3 |
2 |
5 |
4 |
4 |
3 |
6 |
8 |
3 |
2 |
4 |
3 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8826 | 723 |
20 |
66 |
138 |
58 |
71 |
67 |
73 |
66 |
39 |
32 |
48 |
45 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
4 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
2 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
2 |
4 |
3 |
4 |
1 |
6 |
8 |
3 |
1 |
2 |
3 |
Человек рессентимента как социальный тип. Проблема рессентимента |
12017 | 514 |
34 |
46 |
41 |
45 |
48 |
46 |
49 |
61 |
38 |
43 |
29 |
34 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
1 |
3 |
4 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
5 |
4 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
Мировоззрение Достоевского |
12063 | 508 |
38 |
53 |
53 |
55 |
54 |
32 |
38 |
46 |
36 |
31 |
35 |
37 |
0 |
3 |
4 |
2 |
0 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
4 |
0 |
3 |
1 |
4 |
1 |
3 |
2 |
2 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
3 |
0 |
4 |
1 |
Будущее одной иллюзии Фрейда |
18419 | 487 |
32 |
47 |
43 |
96 |
75 |
46 |
31 |
39 |
18 |
21 |
27 |
12 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
Достоевский и Ницше |
10354 | 381 |
28 |
45 |
53 |
37 |
40 |
25 |
23 |
31 |
26 |
21 |
28 |
24 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
4 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
Воля к Власти |
13547 | 379 |
25 |
39 |
35 |
46 |
55 |
30 |
25 |
31 |
23 |
23 |
24 |
23 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3758 | 373 |
25 |
33 |
39 |
32 |
53 |
26 |
31 |
36 |
28 |
21 |
22 |
27 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
Этика Достоевского |
10022 | 277 |
15 |
29 |
16 |
29 |
41 |
35 |
25 |
30 |
14 |
20 |
8 |
15 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Викторианская мораль в Новейшее Время |
6021 | 232 |
14 |
16 |
19 |
15 |
17 |
24 |
20 |
22 |
25 |
22 |
26 |
12 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
Актуальность Достоевского |
4416 | 231 |
16 |
15 |
12 |
16 |
41 |
25 |
24 |
27 |
15 |
11 |
12 |
17 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
Опыт человеческой интроспекции: Ингмар Бергман |
3826 | 231 |
14 |
27 |
18 |
20 |
45 |
19 |
32 |
15 |
15 |
9 |
7 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Достоевский-философ |
9789 | 223 |
19 |
22 |
15 |
22 |
36 |
22 |
21 |
23 |
9 |
13 |
9 |
12 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5010 | 209 |
15 |
18 |
18 |
12 |
19 |
25 |
18 |
27 |
18 |
15 |
12 |
12 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Почему глючат программы? |
5872 | 206 |
21 |
19 |
14 |
20 |
19 |
31 |
20 |
23 |
6 |
14 |
7 |
12 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Оракул информационного общества |
3086 | 204 |
13 |
16 |
15 |
14 |
35 |
20 |
25 |
23 |
18 |
11 |
6 |
8 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Ницше и прагматисты |
3076 | 204 |
13 |
14 |
16 |
19 |
39 |
19 |
21 |
25 |
17 |
6 |
7 |
8 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
Мой Шен Би Де Бао |
2457 | 203 |
20 |
23 |
18 |
15 |
25 |
18 |
19 |
20 |
15 |
10 |
10 |
10 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4944 | 196 |
9 |
11 |
8 |
16 |
25 |
24 |
15 |
26 |
12 |
19 |
19 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Эстетические искания А. Куприна (на примере Ямы) |
3482 | 195 |
11 |
21 |
13 |
12 |
27 |
19 |
12 |
25 |
16 |
14 |
8 |
17 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4224 | 194 |
13 |
12 |
8 |
23 |
22 |
28 |
20 |
27 |
11 |
12 |
5 |
13 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Вечное возвращение Великого |
4953 | 182 |
15 |
15 |
10 |
11 |
35 |
18 |
17 |
17 |
11 |
10 |
7 |
16 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Развитие философии от Декарта к Спинозе |
3646 | 179 |
14 |
23 |
10 |
10 |
18 |
24 |
18 |
23 |
12 |
11 |
6 |
10 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
Романтическая иллюзия |
2236 | 177 |
8 |
14 |
11 |
7 |
34 |
24 |
9 |
27 |
12 |
13 |
7 |
11 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Новая наука логики Или Как философствуют тупым предметом |
2697 | 174 |
9 |
13 |
12 |
10 |
36 |
17 |
18 |
24 |
10 |
9 |
6 |
10 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2473 | 173 |
20 |
12 |
14 |
13 |
31 |
19 |
17 |
17 |
13 |
5 |
4 |
8 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
Сценарий лучшего игрового кино. Русская версия |
2490 | 172 |
9 |
19 |
10 |
13 |
33 |
18 |
22 |
19 |
8 |
7 |
4 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Мертвый постмодернист |
2369 | 170 |
13 |
16 |
7 |
10 |
33 |
12 |
22 |
16 |
13 |
13 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2180 | 163 |
15 |
14 |
10 |
10 |
25 |
15 |
13 |
15 |
9 |
14 |
14 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Петербург 2 |
2143 | 163 |
12 |
20 |
8 |
8 |
36 |
18 |
16 |
15 |
6 |
12 |
5 |
7 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2730 | 159 |
13 |
16 |
15 |
10 |
30 |
16 |
15 |
15 |
7 |
7 |
4 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
Разговор в метро |
2195 | 155 |
14 |
15 |
11 |
9 |
26 |
17 |
11 |
18 |
9 |
10 |
8 |
7 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Боже, храни дуче Викторию |
2936 | 154 |
14 |
16 |
7 |
6 |
30 |
18 |
9 |
20 |
10 |
8 |
6 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Мысли о России |
2609 | 150 |
12 |
12 |
10 |
7 |
28 |
13 |
11 |
14 |
13 |
5 |
9 |
16 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Олигархи всех стран, объединяйтесь! |
2053 | 150 |
11 |
9 |
9 |
11 |
30 |
15 |
11 |
18 |
11 |
8 |
6 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Злое Добро |
2930 | 149 |
10 |
12 |
6 |
7 |
32 |
12 |
11 |
17 |
16 |
7 |
10 |
9 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Лекция профессора Фредерика Тчертовски |
2366 | 148 |
7 |
17 |
10 |
7 |
31 |
11 |
16 |
17 |
9 |
11 |
7 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Сумерки себя |
2175 | 148 |
9 |
13 |
11 |
7 |
27 |
21 |
13 |
16 |
10 |
6 |
7 |
8 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Герой поколения плееров Apple ipod |
2816 | 145 |
11 |
14 |
9 |
9 |
15 |
18 |
14 |
15 |
11 |
10 |
9 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
Проблематика образов человека у Достоевского |
4671 | 143 |
11 |
13 |
5 |
11 |
14 |
21 |
17 |
16 |
13 |
8 |
7 |
7 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |