| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
По разделу |
35693 | 1669 |
136 |
220 |
244 |
150 |
160 |
198 |
104 |
120 |
128 |
82 |
64 |
63 |
0 |
4 |
6 |
2 |
6 |
2 |
4 |
2 |
5 |
2 |
4 |
6 |
15 |
12 |
27 |
39 |
8 |
4 |
11 |
5 |
3 |
2 |
3 |
4 |
3 |
3 |
4 |
3 |
3 |
5 |
3 |
4 |
8 |
5 |
7 |
4 |
5 |
5 |
3 |
8 |
6 |
9 |
21 |
19 |
22 |
30 |
3 |
3 |
2 |
3 |
3 |
3 |
4 |
3 |
6 |
4 |
2 |
6 |
4 |
4 |
3 |
4 |
Происхождение боли |
9137 | 904 |
30 |
69 |
83 |
111 |
87 |
55 |
90 |
117 |
123 |
69 |
32 |
38 |
0 |
2 |
2 |
0 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
10 |
1 |
2 |
0 |
1 |
3 |
4 |
2 |
0 |
2 |
3 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
5 |
7 |
2 |
4 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
4 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
6 |
2 |
2 |
4 |
3 |
2 |
3 |
4 |
Земля и снег А.Блока |
2536 | 518 |
30 |
77 |
39 |
52 |
66 |
43 |
39 |
37 |
35 |
30 |
36 |
34 |
0 |
3 |
6 |
0 |
3 |
2 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
2 |
3 |
2 |
1 |
3 |
1 |
3 |
2 |
3 |
3 |
4 |
8 |
4 |
4 |
3 |
1 |
5 |
1 |
4 |
0 |
2 |
4 |
2 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
Фильм "Город Зеро" и роман "Замок" |
3220 | 413 |
33 |
66 |
46 |
59 |
39 |
32 |
32 |
22 |
21 |
21 |
25 |
17 |
0 |
1 |
4 |
1 |
3 |
0 |
3 |
0 |
5 |
0 |
4 |
1 |
3 |
1 |
2 |
5 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
0 |
2 |
1 |
4 |
1 |
3 |
0 |
0 |
3 |
1 |
5 |
3 |
4 |
1 |
4 |
0 |
5 |
0 |
3 |
5 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
Эпос о Гильгамеше |
1110 | 261 |
12 |
32 |
30 |
44 |
37 |
21 |
21 |
19 |
14 |
8 |
10 |
13 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
М.Булгаков и Л.Толстой |
535 | 259 |
13 |
34 |
31 |
41 |
28 |
18 |
21 |
8 |
24 |
14 |
10 |
17 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
Буревестник |
595 | 255 |
22 |
43 |
42 |
33 |
27 |
28 |
18 |
11 |
7 |
7 |
7 |
10 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
4 |
2 |
3 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
3 |
4 |
2 |
2 |
1 |
0 |
0 |
2 |
5. Пределы упования |
250 | 250 |
7 |
29 |
214 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
1 |
6 |
3 |
4 |
1 |
2 |
1. Закваска |
241 | 241 |
9 |
25 |
28 |
29 |
26 |
124 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
Тема эксплуатации природы в произведениях Э.Т.А. Гофмана |
791 | 236 |
16 |
32 |
32 |
34 |
33 |
21 |
22 |
7 |
5 |
8 |
15 |
11 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Ревизор и Самозванец в русской классике |
386 | 236 |
9 |
45 |
26 |
36 |
23 |
19 |
29 |
7 |
11 |
10 |
8 |
13 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
Карнавальные архетипы в фильме "Асса" |
2555 | 235 |
16 |
34 |
32 |
29 |
25 |
15 |
19 |
10 |
12 |
14 |
11 |
18 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
3. Монстры во Флоренции |
209 | 209 |
7 |
26 |
31 |
36 |
109 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
4. Знакомство с Деограсиасами |
195 | 195 |
8 |
25 |
33 |
115 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2. Метод Чилтона |
192 | 192 |
8 |
24 |
24 |
28 |
28 |
80 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
Шекспировские реминисценции в фильме "Меланхолия" |
2178 | 183 |
11 |
25 |
28 |
26 |
26 |
16 |
17 |
9 |
2 |
4 |
14 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
6. Версия Пацци |
181 | 181 |
6 |
175 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
11 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
4 |
3 |
4 |
3 |
4 |
5 |
5 |
3 |
8 |
6 |
9 |
21 |
19 |
22 |
30 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Два фильма о Льве Толстом |
1447 | 173 |
5 |
25 |
20 |
32 |
19 |
13 |
12 |
9 |
7 |
6 |
17 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
Материалы к альтернативной биографии |
4515 | 173 |
10 |
18 |
32 |
30 |
31 |
14 |
13 |
9 |
4 |
1 |
7 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
Г.Флобер "Госпожа Бовари" |
449 | 167 |
12 |
20 |
22 |
29 |
26 |
18 |
14 |
8 |
2 |
5 |
8 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |