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Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
По разделу | 276530 | 1983 | 52 | 187 | 199 | 186 | 163 | 213 | 173 | 184 | 163 | 135 | 162 | 166 | 0 | 10 | 15 | 11 | 8 | 5 | 3 | 3 | 4 | 4 | 2 | 5 | 6 | 5 | 9 | 9 | 10 | 8 | 4 | 6 | 7 | 9 | 9 | 4 | 3 | 5 | 4 | 6 | 4 | 6 | 6 | 11 | 5 | 7 | 8 | 7 | 7 | 4 | 4 | 6 | 4 | 7 | 6 | 5 | 8 | 10 | 7 | 7 | 9 | 6 | 9 | 13 | 7 | 5 | 8 | 6 | 6 | 6 | 8 | 4 | 6 | 9 |
Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 23454 | 1865 | 51 | 164 | 184 | 162 | 157 | 206 | 156 | 180 | 159 | 127 | 157 | 162 | 0 | 9 | 15 | 11 | 8 | 5 | 3 | 1 | 3 | 4 | 2 | 5 | 6 | 5 | 9 | 9 | 6 | 8 | 4 | 6 | 4 | 8 | 5 | 3 | 3 | 4 | 1 | 6 | 4 | 6 | 6 | 11 | 5 | 7 | 8 | 7 | 7 | 1 | 4 | 6 | 4 | 7 | 6 | 4 | 8 | 10 | 7 | 5 | 5 | 6 | 9 | 13 | 7 | 5 | 8 | 6 | 6 | 6 | 8 | 4 | 5 | 9 |
Демон против люфтваффе | 16670 | 687 | 8 | 66 | 91 | 62 | 74 | 62 | 57 | 45 | 48 | 62 | 52 | 60 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 5 | 2 | 3 | 2 | 2 | 3 | 4 | 3 | 2 | 1 | 2 | 2 | 4 | 5 | 2 | 1 | 1 | 3 | 3 | 4 | 1 | 3 | 2 | 3 | 3 | 1 | 5 | 7 | 1 | 4 | 7 | 5 | 4 | 1 | 4 | 3 | 3 | 1 | 4 | 2 | 1 | 4 | 4 | 6 | 1 |
Истории про ментов и обычных людей | 6639 | 573 | 9 | 88 | 77 | 75 | 57 | 57 | 23 | 35 | 42 | 36 | 40 | 34 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 4 | 5 | 3 | 10 | 3 | 2 | 1 | 3 | 5 | 1 | 1 | 1 | 5 | 4 | 6 | 2 | 2 | 1 | 4 | 2 | 5 | 8 | 1 | 2 | 2 | 2 | 1 | 4 | 1 | 1 | 5 | 2 | 2 | 6 | 1 | 9 | 4 | 1 | 6 | 4 | 2 | 3 | 1 | 3 | 2 | 0 | 3 | 3 | 1 |
Израиль глазами нееврея и атеиста | 6839 | 296 | 37 | 28 | 41 | 26 | 32 | 29 | 30 | 21 | 24 | 8 | 6 | 14 | 0 | 10 | 6 | 10 | 7 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 3 | 2 | 5 | 1 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 2 | 0 |
Силиконовая женщина доктора Купитмана | 3554 | 289 | 6 | 25 | 29 | 53 | 34 | 34 | 34 | 11 | 12 | 18 | 12 | 21 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 0 |
Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3594 | 273 | 6 | 50 | 42 | 32 | 35 | 28 | 15 | 20 | 12 | 12 | 6 | 15 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 5 | 5 | 9 | 4 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 3 | 2 | 2 | 2 | 1 | 4 | 1 | 2 | 2 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 |
Сергей Лукьяненко. Разноцветный дозор. Пародия | 3751 | 273 | 3 | 48 | 41 | 42 | 29 | 35 | 16 | 20 | 11 | 10 | 5 | 13 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 2 | 9 | 0 | 4 | 2 | 2 | 2 | 6 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 4 | 2 | 1 | 3 | 1 | 1 | 4 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 2 | 1 |
Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 5950 | 270 | 4 | 35 | 40 | 28 | 32 | 31 | 13 | 13 | 22 | 9 | 17 | 26 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 4 | 2 | 2 | 2 | 2 | 2 | 2 | 1 | 3 | 2 | 4 | 1 | 3 | 0 | 3 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 |
Ахтунг! Микки-маус | 4354 | 266 | 6 | 23 | 36 | 33 | 33 | 38 | 16 | 16 | 17 | 18 | 10 | 20 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 |
Попаданец - Учитель Сталина | 8768 | 263 | 3 | 41 | 48 | 33 | 27 | 20 | 24 | 20 | 24 | 8 | 6 | 9 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 3 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 4 | 4 | 3 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 |
Убейте фюрера, Теодор | 2534 | 250 | 6 | 18 | 36 | 36 | 34 | 40 | 19 | 17 | 15 | 10 | 7 | 12 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 2 | 3 | 1 | 2 | 2 | 0 | 4 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 |
Жуткая тайна Кгб | 3408 | 247 | 3 | 38 | 40 | 29 | 21 | 32 | 19 | 14 | 12 | 15 | 8 | 16 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 3 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 5 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 4 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 |
Небо империи-1. Шпага, честь и любовь | 8679 | 241 | 3 | 37 | 36 | 24 | 36 | 27 | 21 | 15 | 10 | 8 | 6 | 18 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 3 | 3 | 2 | 3 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 2 | 3 | 2 | 3 | 2 | 0 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
История Хх века. Новая хронология | 5844 | 228 | 3 | 41 | 35 | 24 | 27 | 28 | 11 | 10 | 11 | 14 | 10 | 14 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 6 | 2 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 3 | 0 |
С Михаилом Задорновым на Гору Святого Моисея | 3017 | 228 | 5 | 22 | 46 | 39 | 25 | 30 | 16 | 9 | 8 | 10 | 9 | 9 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 6 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 3 | 3 | 3 | 4 | 4 | 5 | 0 | 2 | 3 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 |
Белорусская литература в средней школе - инструмент убийства национальной культуры | 3057 | 222 | 5 | 40 | 53 | 25 | 19 | 23 | 11 | 9 | 8 | 11 | 7 | 11 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 4 | 8 | 1 | 3 | 0 | 1 | 3 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 4 | 1 | 1 | 5 | 2 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
Марсианская гонка | 2566 | 220 | 3 | 35 | 28 | 28 | 26 | 27 | 12 | 15 | 8 | 14 | 12 | 12 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 2882 | 215 | 6 | 25 | 35 | 35 | 28 | 21 | 13 | 10 | 13 | 8 | 6 | 15 | 0 | 1 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 2 | 4 | 1 | 3 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 0 |
Кровь на броне | 2056 | 211 | 5 | 37 | 29 | 32 | 22 | 34 | 12 | 11 | 10 | 7 | 3 | 9 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 3 | 3 | 5 | 1 | 2 | 2 | 2 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 2902 | 209 | 3 | 15 | 37 | 27 | 31 | 25 | 13 | 16 | 13 | 9 | 10 | 10 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 2 | 1 | 4 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 |
Электрическое бессмертие (фрагмент) | 7364 | 207 | 5 | 21 | 35 | 25 | 24 | 23 | 17 | 17 | 10 | 10 | 8 | 12 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 5 | 2 | 4 | 1 | 5 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 2934 | 201 | 2 | 20 | 27 | 27 | 32 | 32 | 8 | 13 | 10 | 11 | 5 | 14 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
Антарктическая Гиперборея | 4465 | 199 | 5 | 31 | 39 | 21 | 26 | 18 | 16 | 13 | 10 | 3 | 5 | 12 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 2 |
Дирижабль "Россия" | 2678 | 195 | 2 | 32 | 39 | 24 | 24 | 17 | 10 | 13 | 8 | 11 | 5 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 5 | 0 |
Тотальный контроль | 2384 | 194 | 2 | 24 | 36 | 31 | 24 | 30 | 6 | 13 | 10 | 7 | 5 | 6 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 |
Небо империи 2. Князь без княжества | 4948 | 194 | 3 | 28 | 29 | 26 | 24 | 23 | 13 | 14 | 8 | 7 | 3 | 16 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 3 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2270 | 193 | 3 | 40 | 30 | 22 | 26 | 17 | 17 | 10 | 6 | 10 | 8 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 7 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3812 | 192 | 2 | 41 | 29 | 21 | 19 | 19 | 11 | 13 | 9 | 11 | 6 | 11 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 9 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 |
Жуткая тайна Кгб киносценарий | 2595 | 191 | 4 | 44 | 30 | 22 | 24 | 22 | 9 | 10 | 8 | 3 | 4 | 11 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 5 | 8 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2124 | 190 | 2 | 47 | 33 | 16 | 31 | 18 | 9 | 9 | 7 | 5 | 2 | 11 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 7 | 8 | 8 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2514 | 190 | 4 | 29 | 26 | 22 | 21 | 24 | 13 | 10 | 11 | 9 | 9 | 12 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Кто есть кто в белорусской фантастике | 2952 | 190 | 2 | 18 | 26 | 28 | 26 | 27 | 15 | 9 | 9 | 11 | 8 | 11 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 4 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 |
Второй этаж | 2331 | 189 | 5 | 41 | 31 | 19 | 20 | 22 | 10 | 15 | 9 | 6 | 4 | 7 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 5 | 7 | 2 | 3 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 |
Иномарка | 2688 | 188 | 5 | 19 | 40 | 22 | 25 | 21 | 11 | 10 | 10 | 10 | 6 | 9 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 4 | 2 | 1 | 3 | 5 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2455 | 185 | 3 | 45 | 32 | 19 | 25 | 16 | 14 | 8 | 7 | 6 | 4 | 6 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 7 | 7 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Русские за рубежом | 2825 | 185 | 5 | 38 | 33 | 22 | 24 | 19 | 10 | 4 | 8 | 9 | 3 | 10 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 6 | 6 | 1 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 4 | 1 | 3 | 1 | 3 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2795 | 181 | 3 | 27 | 29 | 22 | 21 | 21 | 15 | 13 | 11 | 4 | 3 | 12 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 4 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2463 | 181 | 5 | 18 | 28 | 33 | 20 | 22 | 11 | 9 | 10 | 8 | 9 | 8 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 3 | 0 | 3 | 0 | 1 | 0 | 1 | 4 | 1 | 3 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2513 | 180 | 3 | 29 | 27 | 23 | 23 | 20 | 10 | 9 | 8 | 11 | 4 | 13 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2638 | 179 | 2 | 28 | 33 | 23 | 20 | 20 | 12 | 7 | 10 | 10 | 5 | 9 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 3 | 2 | 6 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3098 | 178 | 2 | 14 | 43 | 25 | 21 | 27 | 8 | 12 | 7 | 7 | 7 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 1 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 |
Эпоха героев и перегретого пара | 9796 | 177 | 4 | 15 | 23 | 25 | 25 | 20 | 10 | 20 | 9 | 10 | 8 | 8 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 2 |
Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2253 | 177 | 2 | 32 | 27 | 27 | 19 | 23 | 8 | 13 | 6 | 5 | 7 | 8 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Цена имени | 2019 | 177 | 7 | 38 | 31 | 22 | 18 | 18 | 8 | 9 | 7 | 11 | 3 | 5 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 6 | 7 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 6 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Огневой дракон | 2341 | 175 | 3 | 14 | 36 | 20 | 27 | 23 | 13 | 11 | 12 | 3 | 6 | 7 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2283 | 175 | 3 | 14 | 23 | 27 | 27 | 27 | 9 | 10 | 10 | 11 | 6 | 8 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Друг, который не предаст | 2378 | 174 | 3 | 29 | 31 | 23 | 21 | 24 | 5 | 12 | 8 | 5 | 4 | 9 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Ваенга эир | 1989 | 174 | 2 | 13 | 27 | 26 | 22 | 29 | 14 | 9 | 12 | 7 | 5 | 8 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
Увлечение доктора Арендта | 2339 | 173 | 2 | 14 | 18 | 28 | 30 | 19 | 11 | 15 | 10 | 8 | 5 | 13 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 4 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Поможем Одесской киностудии! | 1844 | 173 | 2 | 36 | 27 | 20 | 23 | 21 | 7 | 12 | 8 | 7 | 5 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 7 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Теодор | 2159 | 171 | 3 | 28 | 27 | 21 | 26 | 18 | 10 | 9 | 11 | 8 | 5 | 5 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 |
Информация о владельце раздела | 2381 | 171 | 3 | 23 | 27 | 27 | 19 | 28 | 12 | 6 | 9 | 7 | 3 | 7 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2381 | 168 | 2 | 19 | 23 | 24 | 22 | 25 | 10 | 13 | 9 | 9 | 7 | 5 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 |
Ричард Длинные Руки - вицеимператор галактики | 9807 | 166 | 4 | 18 | 24 | 29 | 24 | 21 | 11 | 10 | 6 | 8 | 5 | 6 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 |
Утомлённые солнцем - 3 | 2943 | 165 | 3 | 16 | 21 | 28 | 23 | 22 | 9 | 8 | 14 | 7 | 6 | 8 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2505 | 164 | 6 | 18 | 25 | 26 | 22 | 17 | 10 | 9 | 8 | 7 | 9 | 7 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 5 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 |
Наличные | 2497 | 164 | 4 | 11 | 30 | 23 | 19 | 25 | 10 | 10 | 12 | 5 | 7 | 8 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 |
Молитва | 2524 | 163 | 1 | 28 | 31 | 18 | 19 | 22 | 9 | 11 | 10 | 7 | 3 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 |
Ответные санкции | 3578 | 162 | 2 | 18 | 23 | 26 | 19 | 24 | 9 | 12 | 9 | 6 | 5 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 |
Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
Письмо редактору | 2052 | 162 | 3 | 29 | 28 | 18 | 23 | 19 | 9 | 9 | 7 | 6 | 2 | 9 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2545 | 157 | 4 | 17 | 14 | 24 | 19 | 19 | 8 | 14 | 11 | 9 | 7 | 11 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Счастье лимитед | 1828 | 156 | 4 | 17 | 22 | 25 | 28 | 21 | 9 | 9 | 8 | 5 | 3 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2352 | 155 | 2 | 14 | 24 | 20 | 23 | 22 | 14 | 8 | 5 | 10 | 7 | 6 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2666 | 154 | 6 | 19 | 18 | 21 | 17 | 24 | 8 | 9 | 5 | 11 | 5 | 11 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2520 | 154 | 1 | 19 | 22 | 20 | 18 | 25 | 8 | 9 | 7 | 11 | 4 | 10 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2376 | 152 | 1 | 13 | 31 | 20 | 21 | 15 | 20 | 7 | 7 | 8 | 4 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 1 | 1 | 2 | 3 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2094 | 146 | 2 | 15 | 26 | 23 | 23 | 17 | 10 | 6 | 6 | 6 | 7 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 2844 | 144 | 4 | 11 | 24 | 17 | 18 | 16 | 13 | 11 | 7 | 4 | 4 | 15 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
Спираль сингулярности | 2423 | 144 | 3 | 16 | 20 | 19 | 21 | 19 | 10 | 12 | 7 | 7 | 3 | 7 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Не все мечты сбываются | 2221 | 144 | 5 | 10 | 15 | 28 | 23 | 20 | 10 | 8 | 7 | 8 | 3 | 7 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2439 | 142 | 1 | 16 | 26 | 18 | 15 | 22 | 9 | 9 | 8 | 7 | 6 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2264 | 140 | 2 | 11 | 21 | 22 | 20 | 19 | 12 | 10 | 7 | 5 | 5 | 6 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 |
Леди-босс и зомби | 2525 | 132 | 4 | 9 | 18 | 18 | 23 | 20 | 6 | 9 | 8 | 5 | 4 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"