|
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
По разделу | 170343 | 4000 | 4 | 429 | 647 | 408 | 420 | 422 | 355 | 383 | 366 | 200 | 199 | 167 | 0 | 4 | 4 | 9 | 10 | 5 | 11 | 13 | 17 | 8 | 15 | 9 | 6 | 15 | 17 | 19 | 27 | 15 | 8 | 7 | 14 | 20 | 13 | 33 | 13 | 19 | 8 | 24 | 11 | 20 | 21 | 18 | 6 | 5 | 28 | 44 | 23 | 32 | 19 | 7 | 11 | 22 | 18 | 31 | 25 | 31 | 19 | 9 | 29 | 29 | 27 | 21 | 15 | 13 | 7 | 4 | 18 | 28 | 37 | 50 | 12 | 5 |
Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы. | 19669 | 2679 | 4 | 120 | 118 | 162 | 379 | 405 | 344 | 359 | 327 | 186 | 166 | 109 | 0 | 4 | 2 | 2 | 2 | 2 | 4 | 8 | 5 | 3 | 5 | 6 | 6 | 12 | 3 | 7 | 7 | 7 | 2 | 1 | 2 | 4 | 0 | 3 | 1 | 8 | 2 | 0 | 6 | 3 | 4 | 3 | 5 | 3 | 5 | 1 | 0 | 0 | 1 | 2 | 4 | 3 | 5 | 3 | 4 | 5 | 4 | 3 | 5 | 6 | 5 | 6 | 8 | 7 | 0 | 4 | 3 | 7 | 6 | 5 | 1 | 4 |
Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 9925 | 1751 | 4 | 426 | 642 | 354 | 104 | 45 | 58 | 23 | 28 | 13 | 21 | 33 | 0 | 4 | 2 | 9 | 10 | 5 | 11 | 13 | 17 | 8 | 15 | 9 | 6 | 15 | 17 | 19 | 27 | 15 | 7 | 7 | 14 | 20 | 13 | 33 | 13 | 19 | 8 | 24 | 11 | 20 | 21 | 18 | 2 | 5 | 28 | 44 | 23 | 32 | 19 | 7 | 11 | 22 | 18 | 31 | 25 | 31 | 19 | 9 | 29 | 29 | 27 | 21 | 15 | 13 | 7 | 3 | 18 | 28 | 37 | 50 | 12 | 5 |
Жанр баллады в русской романтической поэзии | 13513 | 1011 | 4 | 76 | 60 | 43 | 63 | 110 | 116 | 172 | 194 | 61 | 57 | 55 | 0 | 4 | 0 | 3 | 4 | 1 | 4 | 0 | 3 | 1 | 4 | 1 | 3 | 5 | 0 | 0 | 2 | 7 | 1 | 2 | 1 | 5 | 2 | 1 | 2 | 2 | 3 | 4 | 6 | 1 | 0 | 8 | 2 | 2 | 3 | 2 | 3 | 2 | 2 | 1 | 1 | 0 | 4 | 1 | 2 | 4 | 2 | 1 | 1 | 2 | 4 | 1 | 1 | 0 | 2 | 0 | 3 | 3 | 0 | 3 | 4 | 2 |
Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 5473 | 709 | 1 | 60 | 47 | 47 | 63 | 78 | 67 | 59 | 85 | 89 | 59 | 54 | 0 | 1 | 4 | 0 | 1 | 2 | 3 | 2 | 1 | 4 | 4 | 2 | 2 | 1 | 2 | 2 | 2 | 3 | 1 | 1 | 1 | 5 | 3 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 6 | 2 | 5 | 2 | 1 | 0 | 3 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 |
Полемика - искусство спора | 6999 | 683 | 2 | 92 | 57 | 27 | 36 | 90 | 76 | 58 | 96 | 69 | 34 | 46 | 0 | 2 | 3 | 1 | 3 | 3 | 3 | 2 | 3 | 5 | 2 | 5 | 0 | 1 | 5 | 2 | 3 | 3 | 3 | 2 | 7 | 1 | 3 | 4 | 4 | 4 | 5 | 2 | 5 | 5 | 2 | 1 | 3 | 3 | 3 | 0 | 2 | 5 | 2 | 2 | 1 | 0 | 2 | 1 | 4 | 3 | 4 | 0 | 1 | 2 | 3 | 3 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 2 | 0 | 2 |
Пресса Франции. 1949-1989 гг. | 8893 | 679 | 1 | 57 | 84 | 46 | 66 | 87 | 108 | 45 | 59 | 33 | 48 | 45 | 0 | 1 | 3 | 0 | 2 | 3 | 6 | 4 | 0 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 2 | 4 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 6 | 2 | 4 | 1 | 4 | 1 | 0 | 6 | 5 | 2 | 2 | 2 | 3 | 3 | 1 | 6 | 3 | 3 | 3 | 2 | 1 | 2 | 0 | 6 | 4 | 3 | 2 |
Гротеск в литературе | 5881 | 668 | 3 | 49 | 36 | 23 | 49 | 107 | 72 | 90 | 99 | 31 | 40 | 69 | 0 | 3 | 1 | 0 | 2 | 2 | 2 | 2 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 7 | 2 | 3 | 2 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 4 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 1 |
Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 11247 | 621 | 4 | 93 | 63 | 26 | 48 | 66 | 63 | 58 | 78 | 38 | 23 | 61 | 0 | 4 | 4 | 3 | 2 | 3 | 4 | 1 | 4 | 0 | 1 | 1 | 4 | 5 | 4 | 4 | 2 | 9 | 8 | 3 | 1 | 3 | 4 | 4 | 2 | 2 | 0 | 4 | 3 | 3 | 3 | 2 | 2 | 4 | 5 | 2 | 2 | 2 | 4 | 4 | 2 | 4 | 4 | 2 | 1 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 3 | 0 |
Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 6050 | 566 | 1 | 44 | 40 | 31 | 56 | 98 | 36 | 55 | 102 | 31 | 22 | 50 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 0 | 2 | 1 | 1 | 4 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 |
Стресс - понятие, характеристика, стадии развития | 17531 | 529 | 1 | 39 | 28 | 28 | 44 | 89 | 51 | 45 | 56 | 43 | 38 | 67 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 5 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 0 |
Творчество Мольера | 7974 | 445 | 0 | 47 | 72 | 33 | 26 | 64 | 45 | 42 | 38 | 39 | 20 | 19 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 5 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 4 | 4 | 1 | 3 | 3 | 2 | 0 | 2 | 0 | 1 | 5 | 3 | 4 | 1 | 1 | 2 | 2 | 4 | 2 | 3 | 2 | 2 | 4 | 0 | 5 | 5 | 4 | 4 | 4 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 |
Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 6381 | 264 | 0 | 27 | 26 | 13 | 19 | 25 | 35 | 23 | 34 | 16 | 13 | 33 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 |
Публицистика 80х годов. В.Песков | 4705 | 212 | 0 | 28 | 13 | 6 | 16 | 25 | 33 | 18 | 32 | 6 | 2 | 33 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Романтические новеллы Вашингтона Ирвинга | 4363 | 178 | 0 | 23 | 29 | 18 | 24 | 26 | 13 | 8 | 6 | 3 | 4 | 24 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 |
Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 3497 | 155 | 0 | 13 | 14 | 11 | 20 | 17 | 22 | 13 | 17 | 11 | 8 | 9 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
О "черном романтизме" в литературе | 3770 | 155 | 1 | 26 | 18 | 10 | 9 | 20 | 10 | 14 | 12 | 12 | 15 | 8 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 |
"Счастливчик Джесс" | 1823 | 140 | 0 | 13 | 5 | 8 | 11 | 15 | 18 | 22 | 13 | 12 | 12 | 11 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"В шелесте ангельских крыл" | 2035 | 133 | 0 | 12 | 5 | 6 | 16 | 22 | 25 | 11 | 7 | 3 | 8 | 18 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2265 | 105 | 0 | 5 | 13 | 9 | 7 | 19 | 6 | 8 | 3 | 6 | 5 | 24 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
"Плесень" | 1256 | 104 | 0 | 13 | 4 | 8 | 8 | 14 | 16 | 8 | 6 | 12 | 4 | 11 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Категория таинственного в романтическом произведении | 1340 | 101 | 0 | 8 | 9 | 9 | 8 | 8 | 10 | 11 | 12 | 3 | 4 | 19 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
"Так не бывает" | 1888 | 99 | 0 | 6 | 7 | 7 | 6 | 10 | 15 | 16 | 5 | 4 | 9 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
"Ты помнишь, как все начиналось?..." | 1986 | 98 | 0 | 10 | 4 | 5 | 8 | 23 | 12 | 9 | 7 | 6 | 7 | 7 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Еще одна история, рассказанная в Диканьке" | 1480 | 94 | 1 | 5 | 4 | 6 | 9 | 19 | 11 | 11 | 2 | 10 | 4 | 12 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Тайна старого поместья" | 1745 | 94 | 0 | 10 | 9 | 7 | 10 | 12 | 8 | 14 | 6 | 5 | 4 | 9 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Мотивы путешествия на чёрте в литературе первой трети Xix века | 2466 | 93 | 0 | 13 | 11 | 7 | 7 | 14 | 13 | 5 | 6 | 4 | 2 | 11 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
"Последнее плавание "Морскoй ведьмы" | 2969 | 91 | 1 | 9 | 7 | 9 | 10 | 12 | 6 | 8 | 7 | 3 | 12 | 7 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Как Кур Лисице мстил" | 1451 | 84 | 0 | 6 | 6 | 3 | 12 | 13 | 15 | 5 | 4 | 8 | 4 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Приемы плетения интриг в "Повести о Бове-королевиче" | 1515 | 82 | 0 | 12 | 6 | 7 | 10 | 9 | 14 | 7 | 3 | 5 | 2 | 7 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2396 | 79 | 0 | 15 | 10 | 7 | 4 | 6 | 7 | 9 | 7 | 4 | 2 | 8 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
"Ангельское пение" | 1109 | 77 | 0 | 11 | 3 | 5 | 6 | 11 | 7 | 12 | 6 | 2 | 6 | 8 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
300 лет литературной традиции российской журналистики | 1660 | 77 | 0 | 12 | 6 | 8 | 8 | 14 | 10 | 5 | 4 | 1 | 0 | 9 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
"Встреча" | 1221 | 72 | 0 | 7 | 3 | 7 | 6 | 2 | 10 | 9 | 10 | 2 | 5 | 11 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Утро главного редактора" | 1090 | 67 | 0 | 5 | 11 | 5 | 4 | 6 | 10 | 8 | 2 | 3 | 3 | 10 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Информация о владельце раздела | 1378 | 66 | 1 | 6 | 5 | 4 | 5 | 9 | 3 | 4 | 4 | 5 | 9 | 11 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Битва Титанов. Сон Сэма Уортингтона | 1399 | 64 | 0 | 8 | 4 | 8 | 4 | 6 | 8 | 6 | 2 | 7 | 2 | 9 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"