| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
По разделу |
479774 | 1270 |
77 |
148 |
128 |
192 |
98 |
88 |
90 |
87 |
74 |
91 |
85 |
112 |
0 |
6 |
5 |
3 |
6 |
2 |
5 |
5 |
5 |
3 |
7 |
12 |
3 |
5 |
3 |
4 |
3 |
5 |
4 |
4 |
3 |
3 |
5 |
5 |
5 |
5 |
2 |
2 |
3 |
4 |
13 |
10 |
4 |
5 |
4 |
5 |
7 |
5 |
6 |
3 |
3 |
4 |
4 |
4 |
6 |
6 |
4 |
5 |
5 |
3 |
6 |
4 |
5 |
6 |
6 |
5 |
5 |
4 |
4 |
4 |
6 |
8 |
Художественные описания механизмов психологической защиты |
13091 | 617 |
51 |
93 |
73 |
51 |
62 |
33 |
33 |
45 |
38 |
44 |
34 |
60 |
0 |
6 |
2 |
0 |
6 |
2 |
5 |
5 |
2 |
0 |
2 |
6 |
2 |
5 |
3 |
4 |
1 |
3 |
3 |
1 |
3 |
3 |
3 |
5 |
5 |
2 |
1 |
2 |
2 |
0 |
3 |
6 |
3 |
5 |
3 |
4 |
3 |
4 |
6 |
1 |
1 |
4 |
4 |
3 |
5 |
0 |
1 |
4 |
4 |
2 |
5 |
3 |
5 |
4 |
3 |
2 |
4 |
1 |
3 |
0 |
4 |
3 |
7. О символизации насилия. Песочный Человек |
3222 | 593 |
33 |
96 |
82 |
76 |
56 |
36 |
44 |
43 |
22 |
25 |
35 |
45 |
0 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
4 |
2 |
3 |
1 |
3 |
5 |
1 |
1 |
2 |
2 |
4 |
4 |
1 |
3 |
4 |
1 |
5 |
5 |
0 |
1 |
3 |
4 |
3 |
1 |
4 |
2 |
1 |
5 |
7 |
2 |
3 |
2 |
1 |
3 |
3 |
1 |
6 |
6 |
4 |
5 |
5 |
3 |
4 |
2 |
4 |
4 |
1 |
3 |
4 |
3 |
4 |
4 |
4 |
8 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2342 | 378 |
18 |
42 |
50 |
46 |
22 |
18 |
24 |
29 |
38 |
23 |
29 |
39 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
3 |
5 |
2 |
4 |
0 |
4 |
1 |
0 |
1 |
5 |
1. Расставание брата и сестры |
3598 | 364 |
25 |
41 |
54 |
42 |
36 |
26 |
32 |
19 |
14 |
14 |
32 |
29 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
5 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
4 |
4 |
3 |
4 |
1 |
2 |
4 |
1 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3663 | 351 |
22 |
43 |
38 |
38 |
25 |
28 |
27 |
29 |
19 |
37 |
24 |
21 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
5 |
2 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1615 | 308 |
22 |
43 |
38 |
26 |
27 |
32 |
19 |
19 |
18 |
22 |
17 |
25 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
Ритуал и выгорание в субкультуре скорой помощи |
9414 | 279 |
19 |
41 |
30 |
37 |
21 |
25 |
25 |
16 |
11 |
15 |
10 |
29 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
3 |
26. Динамика развития психики по оси Самость-Эго |
1867 | 278 |
27 |
41 |
34 |
27 |
23 |
20 |
15 |
12 |
15 |
9 |
23 |
32 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
4 |
7 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
4 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
Мотив Города |
3226 | 271 |
17 |
33 |
41 |
34 |
19 |
33 |
11 |
21 |
13 |
18 |
16 |
15 |
0 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
6 |
3 |
2. Андрогинность в сказке и мифе |
1684 | 239 |
10 |
34 |
41 |
33 |
19 |
19 |
10 |
14 |
9 |
17 |
14 |
19 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
0 |
1 |
5 |
психосоматика наизнанку |
5004 | 236 |
20 |
30 |
39 |
23 |
19 |
18 |
7 |
12 |
9 |
19 |
17 |
23 |
0 |
1 |
4 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
3 |
5 |
2 |
1 |
1 |
3 |
1 |
6. Насилие и интеграция психики в архаической сказке |
1369 | 231 |
10 |
24 |
24 |
85 |
22 |
12 |
10 |
11 |
6 |
6 |
4 |
17 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
4. О символизации насилия в эддической поэзии |
2293 | 230 |
13 |
34 |
46 |
28 |
16 |
17 |
17 |
12 |
10 |
14 |
5 |
18 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
3 |
7. Интерпретация эпоса об Урал-Батыре |
1761 | 227 |
22 |
37 |
34 |
27 |
18 |
16 |
10 |
13 |
6 |
7 |
14 |
23 |
0 |
0 |
5 |
0 |
4 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
4 |
1 |
Клеменс Брентано. Лоре Лай |
1462 | 218 |
10 |
32 |
40 |
26 |
24 |
12 |
9 |
10 |
11 |
14 |
13 |
17 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
3 |
2 |
1 |
0 |
2 |
4 |
Упражнение Бог |
3656 | 217 |
15 |
30 |
37 |
27 |
16 |
6 |
10 |
8 |
9 |
11 |
15 |
33 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
4 |
5 |
2 |
Совершая труд |
4726 | 216 |
11 |
24 |
31 |
52 |
16 |
18 |
10 |
5 |
9 |
12 |
12 |
16 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
12. Интеграция и Анимы, и Анимуса |
1816 | 216 |
19 |
37 |
29 |
20 |
17 |
19 |
19 |
10 |
10 |
11 |
6 |
19 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
4. Влияния Анимы и Анимуса на мужское Эго |
2701 | 216 |
11 |
33 |
30 |
19 |
18 |
19 |
11 |
10 |
10 |
16 |
14 |
25 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
4 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
5. Особенности архаической сказки |
1722 | 188 |
20 |
30 |
32 |
25 |
15 |
15 |
9 |
8 |
4 |
8 |
7 |
15 |
0 |
1 |
2 |
0 |
2 |
0 |
4 |
1 |
5 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
3 |
24. Травмирующие архетипические персонажи Х. Мураками |
1628 | 187 |
15 |
29 |
28 |
21 |
24 |
10 |
6 |
8 |
8 |
9 |
14 |
15 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
6 |
1 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1501 | 187 |
15 |
28 |
35 |
23 |
11 |
12 |
9 |
12 |
8 |
11 |
8 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1. Преамбула: феминное и маскулинное |
1757 | 187 |
13 |
22 |
33 |
20 |
16 |
14 |
6 |
8 |
7 |
17 |
9 |
22 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
3 |
13. Внутрениие вредители в произведениях Гофмана |
1651 | 185 |
15 |
28 |
28 |
18 |
13 |
19 |
5 |
7 |
14 |
9 |
13 |
16 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
0 |
11. Миры и зло Средиземья и Валинора |
1517 | 184 |
13 |
23 |
28 |
20 |
15 |
13 |
8 |
10 |
7 |
13 |
14 |
20 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
2. Неюнгианские механизмы интеграции психики в сказке |
1515 | 184 |
15 |
23 |
35 |
15 |
18 |
16 |
3 |
12 |
6 |
10 |
12 |
19 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
5 |
0 |
Тум-балалайка |
1849 | 182 |
21 |
22 |
27 |
23 |
10 |
11 |
4 |
9 |
6 |
11 |
18 |
20 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
6 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2430 | 181 |
12 |
35 |
30 |
17 |
14 |
19 |
10 |
6 |
4 |
6 |
7 |
21 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
9 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
9. Персона и Тень |
1661 | 180 |
23 |
22 |
28 |
21 |
14 |
10 |
9 |
8 |
9 |
10 |
10 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
10 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
16. Список литературы |
1220 | 180 |
11 |
37 |
32 |
31 |
11 |
10 |
8 |
9 |
6 |
7 |
6 |
12 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
3. Сказочные злодеи: Консолидатор Тени |
1520 | 178 |
11 |
25 |
33 |
27 |
20 |
11 |
5 |
8 |
7 |
5 |
7 |
19 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2149 | 178 |
16 |
28 |
25 |
20 |
15 |
13 |
4 |
12 |
7 |
12 |
10 |
16 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
отношения врача и пациента с точки зрения созависимости |
6454 | 178 |
10 |
24 |
36 |
17 |
15 |
11 |
8 |
8 |
7 |
7 |
15 |
20 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
3 |
13. Женщина перед расстрелом |
1205 | 177 |
25 |
23 |
30 |
23 |
11 |
15 |
11 |
10 |
2 |
7 |
5 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
5 |
9 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
Больница глазами гештальт-терапевта |
4001 | 177 |
11 |
27 |
35 |
23 |
13 |
10 |
5 |
6 |
11 |
7 |
9 |
20 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
0 |
0 |
3 |
1 |
7. Созидающее насилие: подвиги Геракла |
1581 | 177 |
24 |
25 |
22 |
15 |
19 |
15 |
9 |
16 |
8 |
8 |
3 |
13 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
9 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
9. Психика как пара |
1633 | 177 |
12 |
20 |
34 |
32 |
12 |
16 |
7 |
7 |
4 |
7 |
12 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
Больной Крысолов |
1418 | 176 |
9 |
24 |
30 |
27 |
14 |
13 |
9 |
6 |
5 |
13 |
10 |
16 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
15. Николай Ставрогин и его адепты |
1832 | 176 |
12 |
18 |
32 |
22 |
19 |
15 |
5 |
11 |
3 |
14 |
8 |
17 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
4 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
10. Об Аниме женщины |
1861 | 176 |
15 |
23 |
41 |
17 |
13 |
16 |
7 |
9 |
8 |
4 |
6 |
17 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
Дворянин Фаланд или владыка альвов? |
932 | 175 |
7 |
21 |
30 |
19 |
10 |
14 |
10 |
9 |
10 |
17 |
15 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
2. Персонажи "Котлована" строят новый мир и новое тело |
1043 | 175 |
27 |
23 |
26 |
16 |
12 |
9 |
6 |
11 |
8 |
12 |
10 |
15 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
10 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1566 | 174 |
23 |
21 |
27 |
18 |
13 |
14 |
7 |
6 |
6 |
11 |
8 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
4 |
8 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
3 |
2 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1302 | 174 |
12 |
30 |
23 |
14 |
17 |
20 |
6 |
10 |
7 |
12 |
6 |
17 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
Двойные ловушки Плоского мира |
1651 | 173 |
7 |
28 |
32 |
29 |
10 |
17 |
5 |
8 |
3 |
6 |
8 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
3. Молитвенная мельница |
1477 | 173 |
21 |
29 |
32 |
22 |
12 |
15 |
4 |
7 |
4 |
4 |
6 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
5 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
6. О символизации насилия. Значимые персонажи |
1971 | 169 |
12 |
24 |
27 |
28 |
11 |
15 |
9 |
6 |
3 |
6 |
11 |
17 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
15. Типичные протагонисты произведений Гофмана |
1411 | 168 |
12 |
24 |
27 |
16 |
11 |
23 |
10 |
10 |
3 |
9 |
10 |
13 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
Кошачья подсистема в семье |
950 | 167 |
12 |
20 |
31 |
25 |
8 |
15 |
5 |
7 |
7 |
8 |
9 |
20 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
3. О символизации насилия в поэзии скальдов |
3196 | 167 |
6 |
24 |
25 |
19 |
14 |
16 |
4 |
11 |
9 |
10 |
10 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
33. Пространство, время, человек и божество в сказке |
1311 | 166 |
21 |
22 |
28 |
16 |
17 |
15 |
5 |
8 |
5 |
8 |
5 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
7 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
3. Сказка о феминном и маскулинном состояниях Эго |
1506 | 165 |
13 |
18 |
25 |
19 |
15 |
17 |
11 |
13 |
8 |
9 |
3 |
14 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
5. Мужчина выбирает между Анимусом и Анимой |
1297 | 165 |
15 |
24 |
46 |
14 |
14 |
10 |
6 |
7 |
4 |
6 |
6 |
13 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
4 |
3 |
23. Настя заболела |
1187 | 165 |
6 |
22 |
24 |
19 |
15 |
15 |
5 |
10 |
9 |
12 |
8 |
20 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
непрожитая старость |
10316 | 164 |
6 |
31 |
24 |
20 |
16 |
17 |
9 |
6 |
4 |
6 |
9 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1535 | 164 |
12 |
26 |
33 |
13 |
15 |
15 |
5 |
7 |
7 |
12 |
7 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
Роковой треугольник - 1 |
1807 | 164 |
12 |
21 |
28 |
33 |
12 |
10 |
5 |
6 |
7 |
7 |
9 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
3 консультации в гештальт-подходе |
2251 | 163 |
24 |
24 |
27 |
21 |
10 |
6 |
5 |
7 |
6 |
8 |
3 |
22 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
4 |
8. Тотем, Трикстер, Первопредки |
1451 | 162 |
10 |
28 |
28 |
25 |
10 |
17 |
6 |
7 |
6 |
3 |
3 |
19 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
5 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
4. Ранние пьесы М. Цветаевой |
1878 | 162 |
12 |
18 |
31 |
22 |
12 |
15 |
5 |
9 |
6 |
9 |
11 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
3 |
2 |
11. Кое-что об Анимусе женщины |
1461 | 162 |
20 |
22 |
25 |
14 |
15 |
11 |
6 |
7 |
6 |
14 |
9 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1638 | 161 |
13 |
31 |
21 |
28 |
14 |
11 |
7 |
4 |
5 |
7 |
7 |
13 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
7 Заклинатели |
1669 | 161 |
13 |
20 |
35 |
18 |
12 |
13 |
7 |
7 |
6 |
5 |
10 |
15 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
1 |
4 |
3 |
3 |
1 |
1 |
3 |
16. Миры и образы зла, связанные с Темной Башней |
2061 | 159 |
10 |
25 |
27 |
22 |
16 |
11 |
6 |
7 |
7 |
8 |
10 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1341 | 159 |
10 |
19 |
27 |
20 |
15 |
12 |
11 |
7 |
7 |
9 |
4 |
18 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
6. Сходство и различия сюжетов о Переодетой сестре |
1658 | 159 |
7 |
21 |
35 |
16 |
16 |
16 |
8 |
7 |
5 |
8 |
5 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
5 |
0 |
3 |
2 |
1 |
1 |
5 |
1 |
3. Выбор художника - Анима или Анимус? |
1510 | 158 |
12 |
28 |
22 |
19 |
14 |
16 |
6 |
9 |
3 |
6 |
7 |
16 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
3. Произведения молодости М. Цветаевой |
1338 | 158 |
9 |
21 |
26 |
17 |
15 |
12 |
9 |
8 |
6 |
12 |
7 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
Г. Гессе. Стихотворение о Степном Волке |
1773 | 157 |
11 |
24 |
27 |
19 |
13 |
10 |
7 |
12 |
8 |
10 |
5 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
1. Телесные трансформации в рассказе "Мусорный ветер" |
1007 | 157 |
11 |
20 |
24 |
17 |
13 |
12 |
10 |
8 |
6 |
10 |
9 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
телесный симптом в роли символа |
1880 | 157 |
16 |
19 |
33 |
14 |
10 |
14 |
6 |
8 |
2 |
10 |
5 |
20 |
0 |
0 |
4 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
1. Тело и мир персонажей Андрея Платонова |
1335 | 157 |
12 |
25 |
25 |
17 |
15 |
9 |
9 |
10 |
4 |
8 |
7 |
16 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
14. Мир и образ зла в эпопее о Гарри Поттере |
1514 | 155 |
15 |
30 |
29 |
16 |
13 |
11 |
6 |
6 |
4 |
8 |
4 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
5 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
2 |
Мотив Цветка и регуляция позы |
785 | 155 |
15 |
17 |
27 |
19 |
11 |
17 |
1 |
6 |
6 |
11 |
9 |
16 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
10. Самозванцы: Пепсер и Крошка Цахес |
2464 | 155 |
9 |
27 |
32 |
20 |
11 |
11 |
4 |
6 |
7 |
7 |
4 |
17 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
3 |
1 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1622 | 155 |
10 |
32 |
21 |
16 |
9 |
14 |
4 |
12 |
7 |
8 |
7 |
15 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
10 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
Роковой треугольник -2 |
1716 | 155 |
9 |
24 |
34 |
22 |
9 |
12 |
5 |
7 |
3 |
5 |
9 |
16 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
27. О различении Я и Эго-комплекса |
1216 | 155 |
7 |
22 |
27 |
12 |
16 |
15 |
7 |
8 |
5 |
9 |
11 |
16 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
Образ Бога и зрелость личности |
2425 | 155 |
24 |
23 |
19 |
22 |
9 |
14 |
2 |
7 |
7 |
9 |
7 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
12 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
1998 | 154 |
13 |
17 |
25 |
17 |
13 |
17 |
6 |
9 |
7 |
9 |
7 |
14 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
20. О некоторых особенностях структуры фэнтези |
1768 | 154 |
12 |
22 |
35 |
22 |
12 |
13 |
7 |
4 |
5 |
5 |
5 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
0 |
34. Ошибка психики: чрезмерная ее консолидация |
1388 | 154 |
13 |
26 |
22 |
14 |
12 |
16 |
4 |
9 |
4 |
9 |
7 |
18 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
Типы семей, получающих помощь в социальном центре |
1601 | 153 |
12 |
24 |
28 |
22 |
8 |
8 |
6 |
5 |
6 |
9 |
11 |
14 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
4 |
0 |
2. Сказка о становлении гендерных различий и женского Эго |
1532 | 153 |
12 |
26 |
21 |
17 |
15 |
15 |
7 |
8 |
2 |
8 |
8 |
14 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
4. Погребальные дроги |
1336 | 153 |
6 |
26 |
26 |
28 |
11 |
8 |
5 |
9 |
7 |
5 |
6 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
10 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
9. Начало перехода |
997 | 152 |
24 |
17 |
30 |
15 |
10 |
14 |
7 |
5 |
2 |
7 |
7 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
о способности понять душевнобольного |
2149 | 151 |
23 |
19 |
28 |
14 |
14 |
6 |
7 |
7 |
6 |
7 |
7 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1591 | 151 |
26 |
19 |
26 |
16 |
13 |
11 |
2 |
4 |
4 |
9 |
7 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
6 |
9 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
Венок сонетов Ваське |
1838 | 151 |
9 |
38 |
24 |
24 |
11 |
6 |
2 |
5 |
5 |
9 |
4 |
14 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
13 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
5. Мужчина выбирает между Анимусом и Анимой |
1570 | 150 |
13 |
22 |
25 |
16 |
12 |
11 |
6 |
8 |
6 |
7 |
6 |
18 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
15. Деревня изнутри. Во дворах |
1008 | 150 |
10 |
22 |
28 |
17 |
12 |
13 |
6 |
7 |
3 |
8 |
7 |
17 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2.Почему же произведения Гофмана популярны до сих пор? |
1199 | 150 |
22 |
16 |
29 |
14 |
12 |
7 |
10 |
10 |
2 |
6 |
8 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
9 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
Проблемы профессионального становления личности: работа со сновидениями |
1645 | 150 |
8 |
23 |
23 |
16 |
12 |
14 |
6 |
8 |
7 |
11 |
8 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
Особенности структуры семьи учащихся техникума |
2001 | 150 |
11 |
19 |
25 |
21 |
10 |
16 |
7 |
10 |
2 |
12 |
8 |
9 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
2 |
4 |
20. Нвстя заболевает |
1077 | 149 |
9 |
26 |
30 |
22 |
13 |
10 |
8 |
5 |
5 |
7 |
2 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
12. Мир и зло "Властелина Колец" |
1849 | 149 |
11 |
20 |
25 |
13 |
9 |
10 |
10 |
6 |
7 |
11 |
7 |
20 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
3 |
5. Заместитель |
1314 | 149 |
11 |
19 |
27 |
20 |
14 |
9 |
7 |
8 |
7 |
6 |
5 |
16 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
12. Песочник и его жертва |
1296 | 149 |
14 |
22 |
23 |
17 |
11 |
16 |
4 |
9 |
4 |
8 |
5 |
16 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
Юные птицы старого русского рока |
876 | 149 |
14 |
21 |
33 |
17 |
11 |
13 |
3 |
5 |
3 |
11 |
5 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
21. Радость молотобойца |
1048 | 149 |
13 |
23 |
22 |
19 |
13 |
9 |
7 |
5 |
9 |
8 |
4 |
17 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
4. Архаичные материнские образы |
1332 | 148 |
12 |
19 |
26 |
16 |
11 |
15 |
5 |
7 |
5 |
9 |
9 |
14 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
2 |
3 |
19. Множественные и парные миры авторской сказки и фэнтези |
1238 | 148 |
10 |
19 |
27 |
14 |
15 |
16 |
6 |
6 |
7 |
7 |
5 |
16 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
1 |
21. Властные хитрецы |
1318 | 148 |
12 |
23 |
27 |
18 |
12 |
12 |
6 |
10 |
6 |
3 |
8 |
11 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
9. Лихтенберг - мыслящее тело |
1086 | 148 |
25 |
17 |
27 |
17 |
8 |
15 |
5 |
8 |
2 |
4 |
8 |
12 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
5 |
10 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
3. Убежища |
1487 | 148 |
11 |
23 |
32 |
25 |
12 |
10 |
6 |
4 |
4 |
4 |
6 |
11 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
5 |
1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1317 | 148 |
10 |
22 |
28 |
15 |
13 |
7 |
6 |
7 |
8 |
6 |
8 |
18 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
5. Идущий следом |
1410 | 147 |
10 |
22 |
25 |
20 |
13 |
13 |
6 |
4 |
8 |
4 |
7 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
16. Медведь |
1131 | 147 |
11 |
21 |
26 |
17 |
13 |
8 |
7 |
8 |
7 |
7 |
6 |
16 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
6. Насколько опасен Анимус мужчины |
1378 | 146 |
10 |
23 |
33 |
18 |
14 |
18 |
3 |
6 |
1 |
5 |
5 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
3 |
1 |
0 |
3 |
2 |
15. Мир и образ зла в "Темных началах" |
1303 | 146 |
10 |
21 |
28 |
18 |
14 |
13 |
5 |
7 |
4 |
4 |
7 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
3 |
5. Женщина в плаще цвета Времени |
1239 | 146 |
9 |
18 |
27 |
17 |
12 |
15 |
4 |
9 |
4 |
8 |
8 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
ангел |
1581 | 146 |
23 |
25 |
24 |
17 |
12 |
9 |
3 |
6 |
5 |
6 |
4 |
12 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
8 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
22. Девушки и Прушевский |
1060 | 145 |
13 |
17 |
25 |
14 |
12 |
12 |
8 |
7 |
7 |
6 |
7 |
17 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
10. Большая женщина. Начало возрождения |
995 | 145 |
22 |
21 |
28 |
16 |
13 |
12 |
2 |
6 |
2 |
4 |
4 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
9 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
Алгоритм сортировки клиентов социального центра |
1986 | 145 |
13 |
16 |
27 |
19 |
11 |
13 |
7 |
10 |
4 |
6 |
5 |
14 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
2. Конец истории о Крысолове |
1938 | 145 |
13 |
28 |
25 |
19 |
12 |
11 |
4 |
5 |
4 |
6 |
5 |
13 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1572 | 145 |
13 |
25 |
23 |
14 |
11 |
13 |
4 |
8 |
5 |
8 |
7 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
17. Плот |
1059 | 145 |
26 |
17 |
27 |
14 |
11 |
10 |
6 |
6 |
2 |
5 |
7 |
14 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
10 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1416 | 145 |
13 |
19 |
25 |
18 |
13 |
12 |
7 |
6 |
4 |
5 |
10 |
13 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
8. Избыток сознания и общее тело |
1022 | 144 |
14 |
15 |
26 |
11 |
14 |
15 |
5 |
11 |
6 |
9 |
5 |
13 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
8. Наказанное полутело |
984 | 144 |
7 |
17 |
22 |
14 |
12 |
12 |
4 |
3 |
4 |
4 |
10 |
35 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
22. О героях авторских сказок и фэнтези |
1448 | 144 |
13 |
19 |
26 |
20 |
11 |
12 |
7 |
4 |
3 |
5 |
7 |
17 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
1 |
Из плена профессиональной Персоны? |
1439 | 144 |
10 |
22 |
23 |
16 |
14 |
14 |
4 |
8 |
4 |
8 |
6 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1551 | 144 |
11 |
20 |
27 |
18 |
11 |
8 |
6 |
7 |
7 |
8 |
10 |
11 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
6. Скорбная земля |
1524 | 144 |
12 |
24 |
23 |
18 |
11 |
12 |
7 |
5 |
2 |
6 |
11 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
2 |
30. Сказочный персонаж: форма и содержимое |
1290 | 143 |
11 |
18 |
20 |
15 |
14 |
13 |
4 |
10 |
6 |
3 |
6 |
23 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
7. Индивидуальности котлована |
1060 | 143 |
10 |
21 |
28 |
15 |
15 |
14 |
5 |
5 |
5 |
5 |
7 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
Юнгианцы и странные научные теории |
691 | 143 |
13 |
23 |
23 |
14 |
13 |
12 |
5 |
5 |
3 |
7 |
10 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
639 | 143 |
15 |
20 |
21 |
14 |
11 |
12 |
5 |
7 |
5 |
9 |
9 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
Начальство развлекается |
1347 | 143 |
15 |
22 |
28 |
15 |
10 |
16 |
1 |
6 |
3 |
8 |
3 |
16 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
7. Мужское и женское в произведениях Т. Манна |
1534 | 143 |
9 |
20 |
24 |
17 |
15 |
11 |
7 |
6 |
3 |
6 |
5 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
25. Об особенностях травматической интеграции психики |
1351 | 142 |
10 |
18 |
25 |
16 |
14 |
10 |
4 |
7 |
9 |
9 |
6 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1601 | 142 |
10 |
22 |
24 |
14 |
12 |
12 |
4 |
9 |
3 |
10 |
6 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
2 |
2 |
Перстень, яблоко, собор |
1654 | 142 |
9 |
20 |
23 |
18 |
12 |
16 |
7 |
6 |
2 |
7 |
9 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
4 |
1 |
2. Пробуждение |
1039 | 142 |
9 |
24 |
26 |
16 |
12 |
14 |
5 |
5 |
4 |
6 |
5 |
16 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
7. Верховное полутело |
998 | 142 |
21 |
23 |
23 |
14 |
14 |
14 |
1 |
5 |
2 |
5 |
3 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
7 |
8 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2128 | 141 |
14 |
21 |
24 |
15 |
11 |
8 |
5 |
9 |
6 |
6 |
9 |
13 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
6. Следуя за стихами 1921 года |
1372 | 141 |
9 |
15 |
25 |
21 |
9 |
15 |
5 |
7 |
5 |
6 |
7 |
17 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
Информация о владельце раздела |
1348 | 141 |
13 |
20 |
26 |
18 |
7 |
13 |
2 |
6 |
6 |
9 |
6 |
15 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
9. Некоторые модели психической интеграции |
1409 | 137 |
11 |
18 |
27 |
14 |
13 |
11 |
4 |
9 |
6 |
6 |
4 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
11. Пространство лагеря |
1036 | 137 |
26 |
14 |
27 |
12 |
11 |
14 |
3 |
5 |
4 |
3 |
7 |
11 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
5 |
8 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
10. Начало контакта |
985 | 137 |
22 |
13 |
25 |
14 |
11 |
11 |
6 |
5 |
3 |
5 |
6 |
16 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
18. Ночные пляски |
998 | 137 |
6 |
19 |
24 |
18 |
13 |
12 |
6 |
8 |
4 |
9 |
6 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
9. Расщепление Эго и Персоны в отношениях с Анимой |
1286 | 137 |
13 |
17 |
27 |
14 |
11 |
13 |
5 |
8 |
7 |
5 |
4 |
13 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
Вариация на тему |
804 | 136 |
12 |
19 |
26 |
17 |
12 |
8 |
4 |
7 |
2 |
8 |
7 |
14 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
0 |
27. Безвременье котлована |
988 | 136 |
9 |
22 |
23 |
20 |
15 |
10 |
8 |
4 |
4 |
4 |
7 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
8. Поглощенное время |
1399 | 136 |
10 |
21 |
26 |
14 |
10 |
12 |
6 |
7 |
2 |
6 |
12 |
10 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1508 | 136 |
23 |
25 |
26 |
12 |
9 |
8 |
1 |
4 |
2 |
6 |
7 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
9 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
0 |
1 |
2 |
1 |
5. Сравнение прогностической ценности разных факторов |
1596 | 136 |
9 |
28 |
23 |
17 |
11 |
9 |
3 |
5 |
4 |
4 |
9 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
12. Новое пространство |
942 | 135 |
10 |
19 |
26 |
16 |
11 |
13 |
4 |
5 |
3 |
3 |
11 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
Огонь |
1588 | 135 |
21 |
17 |
27 |
15 |
7 |
9 |
5 |
6 |
3 |
8 |
2 |
15 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
6 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2. О преображении в полете |
717 | 135 |
10 |
19 |
29 |
21 |
8 |
12 |
3 |
5 |
3 |
2 |
9 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1618 | 135 |
9 |
18 |
28 |
16 |
12 |
8 |
7 |
4 |
5 |
6 |
7 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
5. Погибшее братство и Лихтенберг |
932 | 134 |
10 |
19 |
25 |
18 |
11 |
15 |
6 |
4 |
4 |
6 |
5 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
8. Как остаться инфантильной |
1272 | 134 |
10 |
23 |
26 |
15 |
10 |
13 |
5 |
4 |
3 |
5 |
5 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
15. Ненаучное животное в мусорном ветре |
1056 | 134 |
10 |
21 |
26 |
14 |
11 |
10 |
5 |
5 |
4 |
7 |
3 |
18 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
11. Ничего не кончается |
984 | 134 |
13 |
19 |
29 |
12 |
16 |
10 |
5 |
5 |
4 |
6 |
3 |
12 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
18. Диспозиция и динамика некоторых авторских сказок |
1132 | 133 |
6 |
22 |
21 |
18 |
12 |
14 |
5 |
5 |
4 |
5 |
6 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
Хороший начальник Емеля |
952 | 133 |
12 |
16 |
25 |
15 |
17 |
11 |
5 |
4 |
4 |
5 |
7 |
12 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1779 | 133 |
8 |
17 |
27 |
13 |
15 |
12 |
3 |
7 |
3 |
6 |
4 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
10. Модели интеграции психики в героическом эпосе |
1456 | 133 |
11 |
20 |
29 |
12 |
12 |
11 |
4 |
5 |
4 |
7 |
6 |
12 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
Шекспир, сонет 144 |
1424 | 133 |
23 |
18 |
27 |
14 |
10 |
10 |
3 |
5 |
2 |
5 |
3 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
Реквием Ваське |
1514 | 133 |
9 |
23 |
25 |
16 |
14 |
13 |
3 |
5 |
3 |
6 |
5 |
11 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
Шекспир, сонет 146 |
1300 | 133 |
9 |
20 |
30 |
23 |
10 |
10 |
3 |
4 |
4 |
4 |
5 |
11 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
3 |
1 |
1. Маленький рыцарский роман |
1426 | 133 |
11 |
17 |
24 |
15 |
13 |
16 |
4 |
8 |
7 |
2 |
3 |
13 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
10 охламонов |
1691 | 133 |
9 |
23 |
26 |
18 |
8 |
8 |
6 |
9 |
2 |
7 |
2 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 Дитя в мирах Психеи и Ананке |
1651 | 133 |
9 |
22 |
21 |
16 |
13 |
12 |
4 |
7 |
5 |
1 |
8 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2197 | 133 |
18 |
19 |
26 |
10 |
12 |
11 |
4 |
5 |
3 |
6 |
6 |
13 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
4 |
Ответ Земли (другой вариант) |
1561 | 132 |
21 |
23 |
23 |
12 |
15 |
6 |
2 |
4 |
4 |
5 |
5 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4. Расчлененное и воссозданное тело толпы |
1063 | 132 |
8 |
26 |
21 |
16 |
14 |
12 |
6 |
3 |
2 |
7 |
3 |
14 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
9 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
6 Тело и труд |
988 | 132 |
9 |
20 |
20 |
16 |
12 |
14 |
2 |
5 |
2 |
6 |
11 |
15 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
жили-были... |
1571 | 132 |
22 |
24 |
23 |
15 |
7 |
11 |
1 |
6 |
2 |
4 |
7 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
11 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1432 | 132 |
9 |
20 |
28 |
15 |
10 |
9 |
7 |
5 |
5 |
6 |
6 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
вскрытие |
1575 | 131 |
10 |
15 |
26 |
17 |
11 |
11 |
4 |
5 |
5 |
8 |
7 |
12 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
4 |
3 |
1 |
0 |
2 |
2 |
3 |
королева |
1742 | 131 |
11 |
15 |
26 |
20 |
11 |
10 |
6 |
3 |
3 |
7 |
4 |
15 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
3 |
2 |
14. Мертвая мать и ее дети |
1025 | 131 |
6 |
20 |
22 |
15 |
13 |
12 |
8 |
5 |
3 |
3 |
8 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
из Цурэна. Как лист увядший падает на душу... |
1640 | 131 |
10 |
28 |
22 |
13 |
10 |
11 |
2 |
5 |
4 |
7 |
6 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
9 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
Поиск света |
2054 | 131 |
14 |
13 |
22 |
16 |
8 |
15 |
9 |
5 |
2 |
8 |
3 |
16 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
Милая жизнь |
1148 | 131 |
7 |
14 |
23 |
15 |
14 |
11 |
8 |
6 |
4 |
6 |
5 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
Из У. Блейка. Ответ Земли |
1745 | 130 |
10 |
28 |
27 |
12 |
12 |
9 |
3 |
5 |
2 |
3 |
4 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3. На улице |
1014 | 130 |
11 |
17 |
29 |
13 |
10 |
10 |
7 |
4 |
2 |
8 |
4 |
15 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
обряд изгнания чужого в субкультуре скорой помощи |
2065 | 130 |
6 |
18 |
27 |
13 |
10 |
12 |
6 |
8 |
4 |
5 |
6 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
Компьютерная игра вместо визуализации |
1695 | 130 |
12 |
17 |
22 |
12 |
9 |
12 |
4 |
11 |
4 |
7 |
4 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
6. Лихтенберг - предмет |
966 | 130 |
11 |
14 |
25 |
16 |
11 |
13 |
3 |
4 |
1 |
8 |
7 |
17 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
Мир на костылях |
1376 | 129 |
10 |
18 |
27 |
16 |
9 |
11 |
8 |
4 |
3 |
5 |
3 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
Кто это входит в мои мозги? |
1660 | 129 |
11 |
15 |
28 |
17 |
10 |
12 |
4 |
8 |
2 |
7 |
3 |
12 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
юнгианское стихотворение о сказках |
1408 | 129 |
9 |
22 |
25 |
15 |
12 |
7 |
5 |
6 |
6 |
3 |
6 |
13 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
Плач на реках Вавилонских |
1399 | 128 |
6 |
17 |
23 |
13 |
12 |
12 |
4 |
6 |
4 |
9 |
8 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
Звездный ворон и ядовитый волк |
1044 | 128 |
6 |
23 |
23 |
17 |
10 |
7 |
4 |
5 |
8 |
8 |
4 |
13 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
Кости |
963 | 128 |
11 |
17 |
25 |
15 |
10 |
12 |
6 |
4 |
4 |
5 |
4 |
15 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
6 |
1 |
14. Деревня изнутри. В избах |
1054 | 128 |
10 |
13 |
26 |
15 |
15 |
17 |
3 |
5 |
2 |
3 |
4 |
15 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
гроза летом |
1969 | 128 |
10 |
15 |
21 |
17 |
12 |
9 |
6 |
4 |
5 |
4 |
8 |
17 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1532 | 127 |
5 |
16 |
26 |
15 |
12 |
11 |
5 |
9 |
5 |
10 |
1 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
4. Зловещие магнетизеры |
2183 | 127 |
9 |
18 |
26 |
15 |
12 |
14 |
4 |
4 |
3 |
9 |
3 |
10 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
Попурри а-ля постмодерн |
1614 | 127 |
9 |
18 |
26 |
14 |
8 |
11 |
6 |
8 |
3 |
4 |
6 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
Пустоты |
1438 | 127 |
9 |
19 |
23 |
19 |
9 |
11 |
7 |
4 |
2 |
6 |
7 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
Человек, Которого Не Было Дома |
1703 | 127 |
10 |
16 |
28 |
13 |
10 |
14 |
8 |
3 |
4 |
5 |
8 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
1 |
3 |
1 |
29. Как экономят мышление с помощью мифических образов |
1155 | 127 |
10 |
21 |
29 |
10 |
15 |
10 |
1 |
7 |
3 |
3 |
3 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
12. Люди лагеря |
941 | 127 |
10 |
19 |
29 |
15 |
8 |
10 |
3 |
5 |
4 |
7 |
6 |
11 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |