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Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
По разделу | 475080 | 1284 | 133 | 128 | 192 | 98 | 88 | 90 | 87 | 74 | 91 | 85 | 112 | 106 | 1 | 3 | 5 | 5 | 5 | 5 | 2 | 2 | 3 | 4 | 13 | 10 | 4 | 5 | 4 | 5 | 7 | 5 | 6 | 3 | 3 | 4 | 4 | 4 | 6 | 6 | 4 | 5 | 5 | 3 | 6 | 4 | 5 | 6 | 6 | 5 | 5 | 4 | 4 | 4 | 6 | 8 | 4 | 5 | 4 | 4 | 4 | 3 | 4 | 4 | 5 | 4 | 3 | 4 | 5 | 4 | 3 | 3 | 2 | 3 | 3 | 6 |
Художественные описания механизмов психологической защиты | 13030 | 624 | 83 | 73 | 51 | 62 | 33 | 33 | 45 | 38 | 44 | 34 | 60 | 68 | 0 | 3 | 3 | 5 | 5 | 2 | 1 | 2 | 2 | 0 | 3 | 6 | 3 | 5 | 3 | 4 | 3 | 4 | 6 | 1 | 1 | 4 | 4 | 3 | 5 | 0 | 1 | 4 | 4 | 2 | 5 | 3 | 5 | 4 | 3 | 2 | 4 | 1 | 3 | 0 | 4 | 3 | 4 | 5 | 3 | 4 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 2 |
7. О символизации насилия. Песочный Человек | 3178 | 601 | 85 | 82 | 76 | 56 | 36 | 44 | 43 | 22 | 25 | 35 | 45 | 52 | 0 | 3 | 4 | 1 | 5 | 5 | 0 | 1 | 3 | 4 | 3 | 1 | 4 | 2 | 1 | 5 | 7 | 2 | 3 | 2 | 1 | 3 | 3 | 1 | 6 | 6 | 4 | 5 | 5 | 3 | 4 | 2 | 4 | 4 | 1 | 3 | 4 | 3 | 4 | 4 | 4 | 8 | 2 | 2 | 3 | 1 | 4 | 0 | 2 | 3 | 2 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 3 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2319 | 380 | 37 | 50 | 46 | 22 | 18 | 24 | 29 | 38 | 23 | 29 | 39 | 25 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 4 | 2 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 3 | 5 | 2 | 4 | 0 | 4 | 1 | 0 | 1 | 5 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
1. Расставание брата и сестры | 3568 | 352 | 36 | 54 | 42 | 36 | 26 | 32 | 19 | 14 | 14 | 32 | 29 | 18 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 5 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 3 | 4 | 4 | 3 | 4 | 1 | 2 | 4 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 5 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3637 | 350 | 39 | 38 | 38 | 25 | 28 | 27 | 29 | 19 | 37 | 24 | 21 | 25 | 0 | 2 | 2 | 5 | 2 | 3 | 0 | 1 | 2 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 2 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1586 | 286 | 36 | 38 | 26 | 27 | 32 | 19 | 19 | 18 | 22 | 17 | 25 | 7 | 0 | 2 | 5 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 |
Ритуал и выгорание в субкультуре скорой помощи | 9389 | 284 | 35 | 30 | 37 | 21 | 25 | 25 | 16 | 11 | 15 | 10 | 29 | 30 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 3 | 1 | 3 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 0 |
26. Динамика развития психики по оси Самость-Эго | 1835 | 272 | 36 | 34 | 27 | 23 | 20 | 15 | 12 | 15 | 9 | 23 | 32 | 26 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 4 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 4 |
Мотив Города | 3203 | 262 | 27 | 41 | 34 | 19 | 33 | 11 | 21 | 13 | 18 | 16 | 15 | 14 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 0 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 3 | 6 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 6 | 3 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 4 |
2. Андрогинность в сказке и мифе | 1668 | 229 | 28 | 41 | 33 | 19 | 19 | 10 | 14 | 9 | 17 | 14 | 19 | 6 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 3 |
психосоматика наизнанку | 4980 | 227 | 26 | 39 | 23 | 19 | 18 | 7 | 12 | 9 | 19 | 17 | 23 | 15 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 5 | 1 | 3 | 5 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 |
6. Насилие и интеграция психики в архаической сказке | 1355 | 226 | 20 | 24 | 85 | 22 | 12 | 10 | 11 | 6 | 6 | 4 | 17 | 9 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 |
4. О символизации насилия в эддической поэзии | 2276 | 225 | 30 | 46 | 28 | 16 | 17 | 17 | 12 | 10 | 14 | 5 | 18 | 12 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 3 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
Клеменс Брентано. Лоре Лай | 1448 | 222 | 28 | 40 | 26 | 24 | 12 | 9 | 10 | 11 | 14 | 13 | 17 | 18 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 5 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 3 | 6 | 0 | 3 | 2 | 1 | 0 | 2 | 4 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
4. Ад без жала | 1547 | 220 | 19 | 28 | 32 | 21 | 25 | 8 | 17 | 8 | 12 | 8 | 19 | 23 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 4 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 |
Упражнение Бог | 3634 | 218 | 23 | 37 | 27 | 16 | 6 | 10 | 8 | 9 | 11 | 15 | 33 | 23 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 4 | 5 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1794 | 215 | 25 | 30 | 21 | 15 | 16 | 9 | 10 | 12 | 11 | 18 | 23 | 25 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
7. Интерпретация эпоса об Урал-Батыре | 1735 | 214 | 33 | 34 | 27 | 18 | 16 | 10 | 13 | 6 | 7 | 14 | 23 | 13 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 |
14. Мастера и шарлатаны Гофмана | 2029 | 209 | 27 | 45 | 21 | 15 | 17 | 7 | 9 | 9 | 15 | 16 | 17 | 11 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 4 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 3 | 2 | 3 | 3 | 4 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
Совершая труд | 4709 | 208 | 18 | 31 | 52 | 16 | 18 | 10 | 5 | 9 | 12 | 12 | 16 | 9 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 |
Эмоциональное выгорание, травма и нарциссизм | 5685 | 207 | 26 | 33 | 19 | 18 | 18 | 4 | 12 | 3 | 16 | 13 | 22 | 23 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 2 | 2 | 1 | 1 | 3 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 |
4. Влияния Анимы и Анимуса на мужское Эго | 2684 | 207 | 27 | 30 | 19 | 18 | 19 | 11 | 10 | 10 | 16 | 14 | 25 | 8 | 0 | 0 | 2 | 5 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2188 | 206 | 24 | 36 | 21 | 19 | 18 | 10 | 9 | 7 | 13 | 12 | 16 | 21 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 3 | 4 | 1 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
10. Современные андрогинные персонажи, Душа и Дух | 1626 | 206 | 24 | 29 | 27 | 15 | 22 | 9 | 20 | 5 | 11 | 16 | 19 | 9 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 3 | 0 | 2 |
Архетипические мотивы в фольклоре єскорой помощиЋ | 2273 | 204 | 19 | 25 | 69 | 9 | 14 | 8 | 7 | 17 | 5 | 6 | 15 | 10 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
3. Как мужчины обращаются с Анимой | 3372 | 202 | 19 | 24 | 22 | 17 | 16 | 7 | 13 | 11 | 16 | 10 | 27 | 20 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
5. Сказка о Персоне, что учится самосознанию | 1641 | 201 | 19 | 32 | 27 | 19 | 15 | 11 | 13 | 10 | 17 | 9 | 19 | 10 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
8. Запутанная история Джона Ди | 1557 | 201 | 21 | 41 | 26 | 15 | 16 | 6 | 14 | 6 | 13 | 9 | 23 | 11 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 6 | 0 | 2 | 1 | 4 | 0 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 6 |
12. Интеграция и Анимы, и Анимуса | 1792 | 200 | 32 | 29 | 20 | 17 | 19 | 19 | 10 | 10 | 11 | 6 | 19 | 8 | 0 | 1 | 3 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 |
2. Представления об Анимусе мужчины | 1968 | 200 | 30 | 31 | 34 | 12 | 19 | 10 | 11 | 8 | 6 | 13 | 17 | 9 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 4 | 2 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 3 |
Оценка эффективности работы психолога с клиентами | 2845 | 198 | 20 | 32 | 17 | 10 | 15 | 12 | 14 | 6 | 19 | 16 | 23 | 14 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 3 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
13. Аида: комментарии к либретто | 1773 | 198 | 23 | 25 | 19 | 20 | 16 | 6 | 9 | 9 | 13 | 17 | 21 | 20 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 1959 | 189 | 23 | 26 | 19 | 21 | 24 | 11 | 9 | 8 | 12 | 9 | 15 | 12 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 4 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
О книге Матрица и потенциал характера | 1486 | 187 | 16 | 36 | 20 | 18 | 15 | 4 | 15 | 7 | 9 | 7 | 27 | 13 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 4 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
графоманские стихи | 2362 | 182 | 20 | 34 | 24 | 10 | 11 | 8 | 12 | 10 | 18 | 12 | 13 | 10 | 0 | 0 | 5 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 4 | 1 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
симбиоз гештальта и символдрамы | 3160 | 181 | 22 | 26 | 29 | 16 | 15 | 11 | 8 | 6 | 11 | 10 | 16 | 11 | 0 | 0 | 2 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1484 | 181 | 26 | 35 | 23 | 11 | 12 | 9 | 12 | 8 | 11 | 8 | 15 | 11 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Графоманские стихи | 3416 | 181 | 18 | 31 | 22 | 13 | 13 | 7 | 14 | 7 | 12 | 18 | 13 | 13 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 |
отношения врача и пациента с точки зрения созависимости | 6440 | 179 | 20 | 36 | 17 | 15 | 11 | 8 | 8 | 7 | 7 | 15 | 20 | 15 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
24. Травмирующие архетипические персонажи Х. Мураками | 1608 | 178 | 24 | 28 | 21 | 24 | 10 | 6 | 8 | 8 | 9 | 14 | 15 | 11 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 4 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 6 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2415 | 178 | 32 | 30 | 17 | 14 | 19 | 10 | 6 | 4 | 6 | 7 | 21 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 9 | 0 | 3 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Запрет на идентификацию с больным и эмоциональное выгорание | 2923 | 177 | 17 | 32 | 18 | 12 | 13 | 23 | 6 | 8 | 15 | 9 | 17 | 7 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 4 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
13. Внутрениие вредители в произведениях Гофмана | 1629 | 176 | 21 | 28 | 18 | 13 | 19 | 5 | 7 | 14 | 9 | 13 | 16 | 13 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
1. Преамбула: феминное и маскулинное | 1739 | 176 | 17 | 33 | 20 | 16 | 14 | 6 | 8 | 7 | 17 | 9 | 22 | 7 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 4 |
Дворянин Фаланд или владыка альвов? | 919 | 175 | 15 | 30 | 19 | 10 | 14 | 10 | 9 | 10 | 17 | 15 | 13 | 13 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
16. Список литературы | 1204 | 175 | 32 | 32 | 31 | 11 | 10 | 8 | 9 | 6 | 7 | 6 | 12 | 11 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 2 | 3 | 0 | 5 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 4 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 2979 | 174 | 20 | 26 | 17 | 16 | 11 | 5 | 15 | 9 | 17 | 12 | 14 | 12 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 |
11. Миры и зло Средиземья и Валинора | 1497 | 173 | 16 | 28 | 20 | 15 | 13 | 8 | 10 | 7 | 13 | 14 | 20 | 9 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 |
5. Особенности архаической сказки | 1697 | 173 | 25 | 32 | 25 | 15 | 15 | 9 | 8 | 4 | 8 | 7 | 15 | 10 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 4 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 1 |
2. Неюнгианские механизмы интеграции психики в сказке | 1496 | 173 | 19 | 35 | 15 | 18 | 16 | 3 | 12 | 6 | 10 | 12 | 19 | 8 | 0 | 1 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 4 | 1 | 0 | 2 | 5 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 3 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1537 | 171 | 15 | 27 | 18 | 13 | 14 | 7 | 6 | 6 | 11 | 8 | 20 | 26 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
3. Сказочные злодеи: Консолидатор Тени | 1504 | 171 | 20 | 33 | 27 | 20 | 11 | 5 | 8 | 7 | 5 | 7 | 19 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 4 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 |
15. Николай Ставрогин и его адепты | 1815 | 170 | 13 | 32 | 22 | 19 | 15 | 5 | 11 | 3 | 14 | 8 | 17 | 11 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 |
Двойные ловушки Плоского мира | 1638 | 169 | 22 | 32 | 29 | 10 | 17 | 5 | 8 | 3 | 6 | 8 | 20 | 9 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2129 | 169 | 24 | 25 | 20 | 15 | 13 | 4 | 12 | 7 | 12 | 10 | 16 | 11 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 5 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1285 | 169 | 25 | 23 | 14 | 17 | 20 | 6 | 10 | 7 | 12 | 6 | 17 | 12 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 5 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
Больной Крысолов | 1405 | 168 | 20 | 30 | 27 | 14 | 13 | 9 | 6 | 5 | 13 | 10 | 16 | 5 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 |
10. Об Аниме женщины | 1843 | 168 | 20 | 41 | 17 | 13 | 16 | 7 | 9 | 8 | 4 | 6 | 17 | 10 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 4 | 0 | 0 | 3 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
Больница глазами гештальт-терапевта | 3984 | 167 | 21 | 35 | 23 | 13 | 10 | 5 | 6 | 11 | 7 | 9 | 20 | 7 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 4 | 2 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
Кошачья подсистема в семье | 935 | 167 | 17 | 31 | 25 | 8 | 15 | 5 | 7 | 7 | 8 | 9 | 20 | 15 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 1 | 2 | 0 | 1 | 0 | 0 | 4 |
3. О символизации насилия в поэзии скальдов | 3185 | 167 | 19 | 25 | 19 | 14 | 16 | 4 | 11 | 9 | 10 | 10 | 19 | 11 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
9. Психика как пара | 1616 | 167 | 15 | 34 | 32 | 12 | 16 | 7 | 7 | 4 | 7 | 12 | 14 | 7 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 3 |
23. Настя заболела | 1177 | 165 | 18 | 24 | 19 | 15 | 15 | 5 | 10 | 9 | 12 | 8 | 20 | 10 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
6. О символизации насилия. Значимые персонажи | 1955 | 164 | 20 | 27 | 28 | 11 | 15 | 9 | 6 | 3 | 6 | 11 | 17 | 11 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 |
Тум-балалайка | 1823 | 163 | 17 | 27 | 23 | 10 | 11 | 4 | 9 | 6 | 11 | 18 | 20 | 7 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
9. Персона и Тень | 1633 | 162 | 17 | 28 | 21 | 14 | 10 | 9 | 8 | 9 | 10 | 10 | 16 | 10 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
непрожитая старость | 10303 | 161 | 24 | 24 | 20 | 16 | 17 | 9 | 6 | 4 | 6 | 9 | 16 | 10 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 5 | 2 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Роковой треугольник - 1 | 1793 | 160 | 19 | 28 | 33 | 12 | 10 | 5 | 6 | 7 | 7 | 9 | 14 | 10 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 |
4. Ранние пьесы М. Цветаевой | 1863 | 160 | 15 | 31 | 22 | 12 | 15 | 5 | 9 | 6 | 9 | 11 | 12 | 13 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
7 Заклинатели | 1652 | 159 | 16 | 35 | 18 | 12 | 13 | 7 | 7 | 6 | 5 | 10 | 15 | 15 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 1 | 4 | 3 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1519 | 159 | 22 | 33 | 13 | 15 | 15 | 5 | 7 | 7 | 12 | 7 | 12 | 11 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 2 |
7. Созидающее насилие: подвиги Геракла | 1554 | 158 | 22 | 22 | 15 | 19 | 15 | 9 | 16 | 8 | 8 | 3 | 13 | 8 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
15. Типичные протагонисты произведений Гофмана | 1393 | 157 | 18 | 27 | 16 | 11 | 23 | 10 | 10 | 3 | 9 | 10 | 13 | 7 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 |
13. Женщина перед расстрелом | 1175 | 157 | 18 | 30 | 23 | 11 | 15 | 11 | 10 | 2 | 7 | 5 | 15 | 10 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 3 | 1 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 |
6. Сходство и различия сюжетов о Переодетой сестре | 1645 | 157 | 15 | 35 | 16 | 16 | 16 | 8 | 7 | 5 | 8 | 5 | 15 | 11 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 5 | 0 | 3 | 2 | 1 | 1 | 5 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Г. Гессе. Стихотворение о Степном Волке | 1759 | 156 | 21 | 27 | 19 | 13 | 10 | 7 | 12 | 8 | 10 | 5 | 11 | 13 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 |
16. Миры и образы зла, связанные с Темной Башней | 2046 | 156 | 20 | 27 | 22 | 16 | 11 | 6 | 7 | 7 | 8 | 10 | 10 | 12 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
8. Тотем, Трикстер, Первопредки | 1437 | 155 | 24 | 28 | 25 | 10 | 17 | 6 | 7 | 6 | 3 | 3 | 19 | 7 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 5 | 4 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 |
3. Сказка о феминном и маскулинном состояниях Эго | 1488 | 155 | 13 | 25 | 19 | 15 | 17 | 11 | 13 | 8 | 9 | 3 | 14 | 8 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
5. Мужчина выбирает между Анимусом и Анимой | 1279 | 155 | 21 | 46 | 14 | 14 | 10 | 6 | 7 | 4 | 6 | 6 | 13 | 8 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 4 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 3 | 4 | 0 | 1 | 0 | 0 | 0 | 3 |
3. Произведения молодости М. Цветаевой | 1326 | 155 | 18 | 26 | 17 | 15 | 12 | 9 | 8 | 6 | 12 | 7 | 16 | 9 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1608 | 154 | 28 | 21 | 16 | 9 | 14 | 4 | 12 | 7 | 8 | 7 | 15 | 13 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 10 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
3. Молитвенная мельница | 1452 | 153 | 25 | 32 | 22 | 12 | 15 | 4 | 7 | 4 | 4 | 6 | 17 | 5 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 |
2. Персонажи "Котлована" строят новый мир и новое тело | 1013 | 153 | 20 | 26 | 16 | 12 | 9 | 6 | 11 | 8 | 12 | 10 | 15 | 8 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 |
27. О различении Я и Эго-комплекса | 1205 | 152 | 18 | 27 | 12 | 16 | 15 | 7 | 8 | 5 | 9 | 11 | 16 | 8 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1326 | 152 | 14 | 27 | 20 | 15 | 12 | 11 | 7 | 7 | 9 | 4 | 18 | 8 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 |
4. Погребальные дроги | 1327 | 152 | 23 | 26 | 28 | 11 | 8 | 5 | 9 | 7 | 5 | 6 | 16 | 8 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 10 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 |
Роковой треугольник -2 | 1704 | 151 | 21 | 34 | 22 | 9 | 12 | 5 | 7 | 3 | 5 | 9 | 16 | 8 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 5 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
3. Выбор художника - Анима или Анимус? | 1494 | 151 | 24 | 22 | 19 | 14 | 16 | 6 | 9 | 3 | 6 | 7 | 16 | 9 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 9 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
10. Самозванцы: Пепсер и Крошка Цахес | 2452 | 150 | 24 | 32 | 20 | 11 | 11 | 4 | 6 | 7 | 7 | 4 | 17 | 7 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 5 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1621 | 149 | 27 | 21 | 28 | 14 | 11 | 7 | 4 | 5 | 7 | 7 | 13 | 5 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 5 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 4 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 |
8. Наказанное полутело | 974 | 148 | 14 | 22 | 14 | 12 | 12 | 4 | 3 | 4 | 4 | 10 | 35 | 14 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 |
Мотив Цветка и регуляция позы | 767 | 148 | 14 | 27 | 19 | 11 | 17 | 1 | 6 | 6 | 11 | 9 | 16 | 11 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
3. Убежища | 1473 | 148 | 20 | 32 | 25 | 12 | 10 | 6 | 4 | 4 | 4 | 6 | 11 | 14 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 5 | 1 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Типы семей, получающих помощь в социальном центре | 1584 | 147 | 19 | 28 | 22 | 8 | 8 | 6 | 5 | 6 | 9 | 11 | 14 | 11 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 5 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
Венок сонетов Ваське | 1824 | 147 | 33 | 24 | 24 | 11 | 6 | 2 | 5 | 5 | 9 | 4 | 14 | 10 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 13 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 |
Проблемы профессионального становления личности: работа со сновидениями | 1632 | 147 | 18 | 23 | 16 | 12 | 14 | 6 | 8 | 7 | 11 | 8 | 14 | 10 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
1. Тело и мир персонажей Андрея Платонова | 1318 | 147 | 20 | 25 | 17 | 15 | 9 | 9 | 10 | 4 | 8 | 7 | 16 | 7 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 1981 | 146 | 13 | 25 | 17 | 13 | 17 | 6 | 9 | 7 | 9 | 7 | 14 | 9 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
20. О некоторых особенностях структуры фэнтези | 1752 | 146 | 18 | 35 | 22 | 12 | 13 | 7 | 4 | 5 | 5 | 5 | 12 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 5 | 0 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
33. Пространство, время, человек и божество в сказке | 1286 | 146 | 18 | 28 | 16 | 17 | 15 | 5 | 8 | 5 | 8 | 5 | 16 | 5 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 |
Особенности структуры семьи учащихся техникума | 1986 | 146 | 15 | 25 | 21 | 10 | 16 | 7 | 10 | 2 | 12 | 8 | 9 | 11 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 2 | 1 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 |
11. Кое-что об Анимусе женщины | 1438 | 146 | 19 | 25 | 14 | 15 | 11 | 6 | 7 | 6 | 14 | 9 | 13 | 7 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1490 | 145 | 21 | 29 | 16 | 13 | 11 | 6 | 6 | 4 | 8 | 4 | 13 | 14 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 |
20. Нвстя заболевает | 1065 | 145 | 23 | 30 | 22 | 13 | 10 | 8 | 5 | 5 | 7 | 2 | 12 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 |
1. Телесные трансформации в рассказе "Мусорный ветер" | 990 | 145 | 14 | 24 | 17 | 13 | 12 | 10 | 8 | 6 | 10 | 9 | 17 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 |
5. Заместитель | 1298 | 145 | 14 | 27 | 20 | 14 | 9 | 7 | 8 | 7 | 6 | 5 | 16 | 12 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
15. Мир и образ зла в "Темных началах" | 1289 | 144 | 17 | 28 | 18 | 14 | 13 | 5 | 7 | 4 | 4 | 7 | 15 | 12 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 |
19. Множественные и парные миры авторской сказки и фэнтези | 1222 | 144 | 13 | 27 | 14 | 15 | 16 | 6 | 6 | 7 | 7 | 5 | 16 | 12 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
5. Мужчина выбирает между Анимусом и Анимой | 1552 | 143 | 17 | 25 | 16 | 12 | 11 | 6 | 8 | 6 | 7 | 6 | 18 | 11 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Алгоритм сортировки клиентов социального центра | 1970 | 143 | 13 | 27 | 19 | 11 | 13 | 7 | 10 | 4 | 6 | 5 | 14 | 14 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 |
5. Идущий следом | 1397 | 143 | 19 | 25 | 20 | 13 | 13 | 6 | 4 | 8 | 4 | 7 | 15 | 9 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
телесный симптом в роли символа | 1860 | 143 | 15 | 33 | 14 | 10 | 14 | 6 | 8 | 2 | 10 | 5 | 20 | 6 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 |
34. Ошибка психики: чрезмерная ее консолидация | 1369 | 142 | 20 | 22 | 14 | 12 | 16 | 4 | 9 | 4 | 9 | 7 | 18 | 7 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1302 | 142 | 17 | 28 | 15 | 13 | 7 | 6 | 7 | 8 | 6 | 8 | 18 | 9 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 |
21. Радость молотобойца | 1032 | 142 | 20 | 22 | 19 | 13 | 9 | 7 | 5 | 9 | 8 | 4 | 17 | 9 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 |
30. Сказочный персонаж: форма и содержимое | 1275 | 141 | 14 | 20 | 15 | 14 | 13 | 4 | 10 | 6 | 3 | 6 | 23 | 13 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 |
7. Индивидуальности котлована | 1047 | 141 | 18 | 28 | 15 | 15 | 14 | 5 | 5 | 5 | 5 | 7 | 13 | 11 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 |
4. Архаичные материнские образы | 1316 | 140 | 15 | 26 | 16 | 11 | 15 | 5 | 7 | 5 | 9 | 9 | 14 | 8 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
5. Женщина в плаще цвета Времени | 1227 | 140 | 15 | 27 | 17 | 12 | 15 | 4 | 9 | 4 | 8 | 8 | 15 | 6 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
15. Деревня изнутри. Во дворах | 992 | 140 | 16 | 28 | 17 | 12 | 13 | 6 | 7 | 3 | 8 | 7 | 17 | 6 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 3 |
2. Конец истории о Крысолове | 1921 | 140 | 24 | 25 | 19 | 12 | 11 | 4 | 5 | 4 | 6 | 5 | 13 | 12 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 |
12. Мир и зло "Властелина Колец" | 1833 | 140 | 15 | 25 | 13 | 9 | 10 | 10 | 6 | 7 | 11 | 7 | 20 | 7 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
2. Сказка о становлении гендерных различий и женского Эго | 1513 | 140 | 19 | 21 | 17 | 15 | 15 | 7 | 8 | 2 | 8 | 8 | 14 | 6 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
16. Медведь | 1115 | 140 | 16 | 26 | 17 | 13 | 8 | 7 | 8 | 7 | 7 | 6 | 16 | 9 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
25. Об особенностях травматической интеграции психики | 1338 | 139 | 15 | 25 | 16 | 14 | 10 | 4 | 7 | 9 | 9 | 6 | 14 | 10 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
6. Насколько опасен Анимус мужчины | 1363 | 139 | 18 | 33 | 18 | 14 | 18 | 3 | 6 | 1 | 5 | 5 | 10 | 8 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 3 | 3 | 3 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
21. Властные хитрецы | 1304 | 139 | 21 | 27 | 18 | 12 | 12 | 6 | 10 | 6 | 3 | 8 | 11 | 5 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Перстень, яблоко, собор | 1640 | 139 | 15 | 23 | 18 | 12 | 16 | 7 | 6 | 2 | 7 | 9 | 13 | 11 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1536 | 139 | 16 | 27 | 18 | 11 | 8 | 6 | 7 | 7 | 8 | 10 | 11 | 10 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
3 консультации в гештальт-подходе | 2222 | 139 | 19 | 27 | 21 | 10 | 6 | 5 | 7 | 6 | 8 | 3 | 22 | 5 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1588 | 138 | 19 | 24 | 14 | 12 | 12 | 4 | 9 | 3 | 10 | 6 | 16 | 9 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 3 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2113 | 138 | 20 | 24 | 15 | 11 | 8 | 5 | 9 | 6 | 6 | 9 | 13 | 12 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 |
гулял молодец | 1216 | 138 | 19 | 21 | 21 | 8 | 16 | 3 | 8 | 5 | 7 | 4 | 18 | 8 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 |
12. Песочник и его жертва | 1278 | 138 | 18 | 23 | 17 | 11 | 16 | 4 | 9 | 4 | 8 | 5 | 16 | 7 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Юные птицы старого русского рока | 858 | 138 | 17 | 33 | 17 | 11 | 13 | 3 | 5 | 3 | 11 | 5 | 13 | 7 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 3 | 2 | 4 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 |
18. Ночные пляски | 988 | 138 | 15 | 24 | 18 | 13 | 12 | 6 | 8 | 4 | 9 | 6 | 12 | 11 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 |
9. Начало перехода | 972 | 137 | 16 | 30 | 15 | 10 | 14 | 7 | 5 | 2 | 7 | 7 | 14 | 10 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 |
Юнгианцы и странные научные теории | 674 | 137 | 19 | 23 | 14 | 13 | 12 | 5 | 5 | 3 | 7 | 10 | 15 | 11 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
7. Мужское и женское в произведениях Т. Манна | 1522 | 137 | 17 | 24 | 17 | 15 | 11 | 7 | 6 | 3 | 6 | 5 | 20 | 6 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1399 | 137 | 15 | 25 | 18 | 13 | 12 | 7 | 6 | 4 | 5 | 10 | 13 | 9 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
22. Девушки и Прушевский | 1044 | 136 | 14 | 25 | 14 | 12 | 12 | 8 | 7 | 7 | 6 | 7 | 17 | 7 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
о способности понять душевнобольного | 2123 | 136 | 16 | 28 | 14 | 14 | 6 | 7 | 7 | 6 | 7 | 7 | 13 | 11 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 3 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 |
5. Рядом с общим телом | 1105 | 136 | 16 | 27 | 20 | 12 | 12 | 3 | 7 | 2 | 6 | 7 | 14 | 10 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
6. Следуя за стихами 1921 года | 1360 | 136 | 12 | 25 | 21 | 9 | 15 | 5 | 7 | 5 | 6 | 7 | 17 | 7 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1555 | 136 | 21 | 23 | 14 | 11 | 13 | 4 | 8 | 5 | 8 | 7 | 14 | 8 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
8. Поглощенное время | 1385 | 136 | 17 | 26 | 14 | 10 | 12 | 6 | 7 | 2 | 6 | 12 | 10 | 14 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Образ Бога и зрелость личности | 2394 | 136 | 16 | 19 | 22 | 9 | 14 | 2 | 7 | 7 | 9 | 7 | 12 | 12 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 |
Три бестселлера | 1329 | 136 | 17 | 28 | 21 | 12 | 10 | 4 | 5 | 3 | 9 | 7 | 12 | 8 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 |
2. Усталость | 1676 | 136 | 25 | 21 | 17 | 12 | 12 | 4 | 6 | 4 | 4 | 4 | 16 | 11 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 10 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 |
Г. Гессе. Ступени | 1631 | 135 | 21 | 29 | 19 | 14 | 7 | 6 | 5 | 4 | 4 | 3 | 13 | 10 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 |
7. О проекции переживаний травмы на Аниму | 1388 | 135 | 26 | 29 | 11 | 13 | 10 | 7 | 7 | 4 | 4 | 4 | 12 | 8 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 4 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
6. Скорбная земля | 1508 | 135 | 20 | 23 | 18 | 11 | 12 | 7 | 5 | 2 | 6 | 11 | 13 | 7 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 |
32. Для чего нужен символ? | 1156 | 135 | 13 | 29 | 17 | 13 | 16 | 3 | 7 | 5 | 9 | 6 | 9 | 8 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Из плена профессиональной Персоны? | 1424 | 134 | 17 | 23 | 16 | 14 | 14 | 4 | 8 | 4 | 8 | 6 | 15 | 5 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
2. Пробуждение | 1026 | 134 | 20 | 26 | 16 | 12 | 14 | 5 | 5 | 4 | 6 | 5 | 16 | 5 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 3 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 |
13. Колхоз идет навстречу | 969 | 134 | 19 | 22 | 19 | 12 | 13 | 7 | 5 | 2 | 9 | 3 | 16 | 7 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1271 | 134 | 15 | 27 | 14 | 11 | 13 | 5 | 8 | 7 | 5 | 4 | 13 | 12 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 |
Senex - Puer | 1236 | 133 | 12 | 24 | 20 | 11 | 18 | 3 | 5 | 3 | 4 | 10 | 13 | 10 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
8. Избыток сознания и общее тело | 1004 | 133 | 11 | 26 | 11 | 14 | 15 | 5 | 11 | 6 | 9 | 5 | 13 | 7 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1033 | 133 | 15 | 20 | 15 | 11 | 11 | 8 | 10 | 3 | 6 | 10 | 15 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 |
27. Безвременье котлована | 974 | 133 | 17 | 23 | 20 | 15 | 10 | 8 | 4 | 4 | 4 | 7 | 10 | 11 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 5 |
22. О героях авторских сказок и фэнтези | 1430 | 133 | 14 | 26 | 20 | 11 | 12 | 7 | 4 | 3 | 5 | 7 | 17 | 7 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 |
1. Маленький рыцарский роман | 1411 | 133 | 13 | 24 | 15 | 13 | 16 | 4 | 8 | 7 | 2 | 3 | 13 | 15 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
9. Некоторые модели психической интеграции | 1393 | 133 | 13 | 27 | 14 | 13 | 11 | 4 | 9 | 6 | 6 | 4 | 14 | 12 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
2. О преображении в полете | 705 | 133 | 17 | 29 | 21 | 8 | 12 | 3 | 5 | 3 | 2 | 9 | 14 | 10 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 5 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 |
2. Шаманское странствие | 1178 | 132 | 28 | 20 | 16 | 8 | 14 | 5 | 7 | 3 | 5 | 3 | 14 | 9 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 9 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 |
31. Становление символа во времени | 1188 | 132 | 16 | 25 | 12 | 10 | 16 | 5 | 8 | 4 | 6 | 6 | 14 | 10 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 |
1. Явление Крысолова | 1342 | 132 | 16 | 27 | 22 | 8 | 12 | 6 | 5 | 2 | 7 | 5 | 17 | 5 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 3 |
Шекспир, сонет 146 | 1287 | 132 | 16 | 30 | 23 | 10 | 10 | 3 | 4 | 4 | 4 | 5 | 11 | 12 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 |
4. Блуждания невоплощенного | 1054 | 132 | 18 | 23 | 15 | 15 | 13 | 4 | 6 | 4 | 8 | 7 | 12 | 7 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 |
2.Почему же произведения Гофмана популярны до сих пор? | 1172 | 132 | 11 | 29 | 14 | 12 | 7 | 10 | 10 | 2 | 6 | 8 | 14 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Информация о владельце раздела | 1331 | 132 | 16 | 26 | 18 | 7 | 13 | 2 | 6 | 6 | 9 | 6 | 15 | 8 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Прогнозирование эффективности психологической помощи семьям | 1593 | 132 | 20 | 24 | 13 | 10 | 10 | 4 | 10 | 3 | 7 | 5 | 15 | 11 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
18. Диспозиция и динамика некоторых авторских сказок | 1123 | 131 | 19 | 21 | 18 | 12 | 14 | 5 | 5 | 4 | 5 | 6 | 15 | 7 | 0 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
Вариация на тему | 789 | 131 | 16 | 26 | 17 | 12 | 8 | 4 | 7 | 2 | 8 | 7 | 14 | 10 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 5 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1523 | 131 | 12 | 26 | 15 | 12 | 11 | 5 | 9 | 5 | 10 | 1 | 12 | 13 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 621 | 131 | 17 | 21 | 14 | 11 | 12 | 5 | 7 | 5 | 9 | 9 | 15 | 6 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Для кота | 1635 | 131 | 24 | 25 | 16 | 8 | 9 | 5 | 5 | 3 | 10 | 4 | 16 | 6 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 9 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
Милая жизнь | 1137 | 131 | 10 | 23 | 15 | 14 | 11 | 8 | 6 | 4 | 6 | 5 | 18 | 11 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1607 | 131 | 16 | 28 | 16 | 12 | 8 | 7 | 4 | 5 | 6 | 7 | 15 | 7 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1767 | 130 | 13 | 27 | 13 | 15 | 12 | 3 | 7 | 3 | 6 | 4 | 18 | 9 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Реквием Ваське | 1501 | 130 | 19 | 25 | 16 | 14 | 13 | 3 | 5 | 3 | 6 | 5 | 11 | 10 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1560 | 130 | 14 | 26 | 16 | 13 | 11 | 2 | 4 | 4 | 9 | 7 | 14 | 10 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
1 Дитя в мирах Психеи и Ананке | 1637 | 130 | 17 | 21 | 16 | 13 | 12 | 4 | 7 | 5 | 1 | 8 | 15 | 11 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
обряд изгнания чужого в субкультуре скорой помощи | 2057 | 129 | 16 | 27 | 13 | 10 | 12 | 6 | 8 | 4 | 5 | 6 | 15 | 7 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 |
5. Сравнение прогностической ценности разных факторов | 1584 | 129 | 25 | 23 | 17 | 11 | 9 | 3 | 5 | 4 | 4 | 9 | 14 | 5 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 9 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
12. Новое пространство | 928 | 128 | 15 | 26 | 16 | 11 | 13 | 4 | 5 | 3 | 3 | 11 | 14 | 7 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 2 |
1. Миф, мир и психика | 1408 | 128 | 13 | 24 | 17 | 9 | 14 | 8 | 6 | 4 | 7 | 6 | 14 | 6 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
14. Мертвая мать и ее дети | 1014 | 127 | 15 | 22 | 15 | 13 | 12 | 8 | 5 | 3 | 3 | 8 | 16 | 7 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
5. Погибшее братство и Лихтенберг | 916 | 127 | 13 | 25 | 18 | 11 | 15 | 6 | 4 | 4 | 6 | 5 | 11 | 9 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 |
10. Большая женщина. Начало возрождения | 970 | 127 | 18 | 28 | 16 | 13 | 12 | 2 | 6 | 2 | 4 | 4 | 15 | 7 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 4 |
4. Расчлененное и воссозданное тело толпы | 1051 | 127 | 22 | 21 | 16 | 14 | 12 | 6 | 3 | 2 | 7 | 3 | 14 | 7 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 9 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
6 Тело и труд | 975 | 127 | 16 | 20 | 16 | 12 | 14 | 2 | 5 | 2 | 6 | 11 | 15 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 |
Начальство развлекается | 1328 | 127 | 18 | 28 | 15 | 10 | 16 | 1 | 6 | 3 | 8 | 3 | 16 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 |
28. О символике эволюции | 1201 | 127 | 11 | 29 | 15 | 10 | 16 | 6 | 7 | 3 | 8 | 5 | 11 | 6 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 |
Из У. Блейка. Ответ Земли | 1732 | 126 | 25 | 27 | 12 | 12 | 9 | 3 | 5 | 2 | 3 | 4 | 15 | 9 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 9 | 1 | 3 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
19. Тишина | 985 | 126 | 19 | 24 | 16 | 9 | 12 | 8 | 5 | 2 | 3 | 6 | 16 | 6 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 |
4. Зловещие магнетизеры | 2170 | 126 | 14 | 26 | 15 | 12 | 14 | 4 | 4 | 3 | 9 | 3 | 10 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
10. Модели интеграции психики в героическом эпосе | 1440 | 126 | 15 | 29 | 12 | 12 | 11 | 4 | 5 | 4 | 7 | 6 | 12 | 9 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Звездный ворон и ядовитый волк | 1034 | 126 | 19 | 23 | 17 | 10 | 7 | 4 | 5 | 8 | 8 | 4 | 13 | 8 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 |
11. Ничего не кончается | 969 | 126 | 17 | 29 | 12 | 16 | 10 | 5 | 5 | 4 | 6 | 3 | 12 | 7 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
10 охламонов | 1678 | 126 | 19 | 26 | 18 | 8 | 8 | 6 | 9 | 2 | 7 | 2 | 15 | 6 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 9 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
возвращение | 1627 | 126 | 14 | 24 | 15 | 11 | 14 | 4 | 8 | 5 | 4 | 5 | 12 | 10 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 6 | 0 | 0 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 |
17. Плот | 1031 | 125 | 15 | 27 | 14 | 11 | 10 | 6 | 6 | 2 | 5 | 7 | 14 | 8 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 |
ангел | 1553 | 125 | 20 | 24 | 17 | 12 | 9 | 3 | 6 | 5 | 6 | 4 | 12 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 9 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 4 |
26. Настина смерть | 1011 | 125 | 14 | 25 | 16 | 12 | 16 | 4 | 3 | 7 | 4 | 4 | 10 | 10 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 |
дорога длиною в тысячу ли | 1509 | 125 | 14 | 25 | 15 | 12 | 8 | 7 | 5 | 3 | 8 | 4 | 13 | 11 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 |
вскрытие | 1562 | 124 | 12 | 26 | 17 | 11 | 11 | 4 | 5 | 5 | 8 | 7 | 12 | 6 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 4 | 3 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
Хороший начальник Емеля | 937 | 124 | 13 | 25 | 15 | 17 | 11 | 5 | 4 | 4 | 5 | 7 | 12 | 6 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Хрупкие миры | 455 | 124 | 11 | 23 | 21 | 12 | 13 | 7 | 6 | 3 | 3 | 7 | 11 | 7 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
юнгианское стихотворение о сказках | 1396 | 124 | 19 | 25 | 15 | 12 | 7 | 5 | 6 | 6 | 3 | 6 | 13 | 7 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 9 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
9. Лихтенберг - мыслящее тело | 1057 | 124 | 13 | 27 | 17 | 8 | 15 | 5 | 8 | 2 | 4 | 8 | 12 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
15. Ненаучное животное в мусорном ветре | 1042 | 124 | 17 | 26 | 14 | 11 | 10 | 5 | 5 | 4 | 7 | 3 | 18 | 4 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1418 | 124 | 15 | 28 | 15 | 10 | 9 | 7 | 5 | 5 | 6 | 6 | 12 | 6 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
из Цурэна. Как лист увядший падает на душу... | 1625 | 123 | 23 | 22 | 13 | 10 | 11 | 2 | 5 | 4 | 7 | 6 | 13 | 7 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 9 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
Плач на реках Вавилонских | 1390 | 123 | 14 | 23 | 13 | 12 | 12 | 4 | 6 | 4 | 9 | 8 | 14 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
гроза летом | 1955 | 123 | 11 | 21 | 17 | 12 | 9 | 6 | 4 | 5 | 4 | 8 | 17 | 9 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 |
королева | 1728 | 122 | 12 | 26 | 20 | 11 | 10 | 6 | 3 | 3 | 7 | 4 | 15 | 5 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 3 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
Шекспир, сонет 20 | 1293 | 122 | 8 | 25 | 16 | 11 | 10 | 4 | 7 | 2 | 7 | 6 | 16 | 10 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 |
12. Люди лагеря | 927 | 122 | 15 | 29 | 15 | 8 | 10 | 3 | 5 | 4 | 7 | 6 | 11 | 9 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Компьютерная игра вместо визуализации | 1680 | 122 | 14 | 22 | 12 | 9 | 12 | 4 | 11 | 4 | 7 | 4 | 16 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 |
10. Начало контакта | 961 | 122 | 11 | 25 | 14 | 11 | 11 | 6 | 5 | 3 | 5 | 6 | 16 | 9 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
6. Лихтенберг - предмет | 952 | 122 | 11 | 25 | 16 | 11 | 13 | 3 | 4 | 1 | 8 | 7 | 17 | 6 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2176 | 122 | 16 | 26 | 10 | 12 | 11 | 4 | 5 | 3 | 6 | 6 | 13 | 10 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Мир на костылях | 1361 | 121 | 13 | 27 | 16 | 9 | 11 | 8 | 4 | 3 | 5 | 3 | 15 | 7 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 |
Пустоты | 1425 | 121 | 15 | 23 | 19 | 9 | 11 | 7 | 4 | 2 | 6 | 7 | 11 | 7 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 |
Человек, Которого Не Было Дома | 1689 | 121 | 12 | 28 | 13 | 10 | 14 | 8 | 3 | 4 | 5 | 8 | 8 | 8 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 4 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
8. Как остаться инфантильной | 1256 | 121 | 17 | 26 | 15 | 10 | 13 | 5 | 4 | 3 | 5 | 5 | 15 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
4. Сказка о травме и восстановлении | 1489 | 121 | 13 | 20 | 13 | 13 | 10 | 2 | 10 | 2 | 6 | 6 | 16 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Поиск света | 2038 | 121 | 11 | 22 | 16 | 8 | 15 | 9 | 5 | 2 | 8 | 3 | 16 | 6 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 |
7. Верховное полутело | 971 | 121 | 17 | 23 | 14 | 14 | 14 | 1 | 5 | 2 | 5 | 3 | 17 | 6 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Кто это входит в мои мозги? | 1645 | 120 | 11 | 28 | 17 | 10 | 12 | 4 | 8 | 2 | 7 | 3 | 12 | 6 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Для чего нужны джинны? | 914 | 120 | 10 | 26 | 19 | 10 | 13 | 4 | 3 | 3 | 6 | 5 | 10 | 11 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 |
3. На улице | 997 | 120 | 11 | 29 | 13 | 10 | 10 | 7 | 4 | 2 | 8 | 4 | 15 | 7 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
Бумажная Принцесса | 1064 | 120 | 15 | 22 | 17 | 8 | 6 | 3 | 8 | 7 | 4 | 4 | 15 | 11 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Бестиарий | 1296 | 120 | 18 | 21 | 13 | 9 | 12 | 5 | 6 | 2 | 7 | 4 | 15 | 8 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 2 |
Ответ Земли (другой вариант) | 1538 | 119 | 21 | 23 | 12 | 15 | 6 | 2 | 4 | 4 | 5 | 5 | 12 | 10 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 9 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 |
Попурри а-ля постмодерн | 1600 | 119 | 13 | 26 | 14 | 8 | 11 | 6 | 8 | 3 | 4 | 6 | 14 | 6 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
Выгоревшее тело | 1579 | 119 | 8 | 26 | 17 | 10 | 10 | 4 | 6 | 3 | 6 | 3 | 15 | 11 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
3. Ничтожные | 1462 | 119 | 12 | 19 | 16 | 9 | 8 | 7 | 6 | 7 | 6 | 11 | 9 | 9 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 |
14. Деревня изнутри. В избах | 1039 | 119 | 8 | 26 | 15 | 15 | 17 | 3 | 5 | 2 | 3 | 4 | 15 | 6 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1483 | 119 | 23 | 26 | 12 | 9 | 8 | 1 | 4 | 2 | 6 | 7 | 13 | 8 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Сначала была деперсонализация | 1836 | 119 | 14 | 25 | 16 | 11 | 9 | 2 | 6 | 3 | 5 | 7 | 11 | 10 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 |
1. О символизации насилия. Преамбула. | 1736 | 119 | 19 | 26 | 14 | 10 | 10 | 3 | 6 | 2 | 3 | 4 | 17 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
Путешествиепо склону | 1423 | 118 | 14 | 25 | 17 | 8 | 6 | 3 | 4 | 5 | 5 | 6 | 15 | 10 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 |
Шекспир, сонет 144 | 1398 | 118 | 15 | 27 | 14 | 10 | 10 | 3 | 5 | 2 | 5 | 3 | 13 | 11 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
29. Как экономят мышление с помощью мифических образов | 1141 | 118 | 17 | 29 | 10 | 15 | 10 | 1 | 7 | 3 | 3 | 3 | 15 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
Огонь | 1565 | 118 | 15 | 27 | 15 | 7 | 9 | 5 | 6 | 3 | 8 | 2 | 15 | 6 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 6 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Кости | 946 | 118 | 11 | 25 | 15 | 10 | 12 | 6 | 4 | 4 | 5 | 4 | 15 | 7 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 6 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
Мышиная звезда | 633 | 118 | 19 | 26 | 13 | 8 | 9 | 3 | 5 | 5 | 6 | 5 | 14 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
О старости | 2081 | 118 | 9 | 27 | 15 | 7 | 11 | 6 | 4 | 4 | 5 | 7 | 13 | 10 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 |
Слоненок учится мыслить | 444 | 118 | 14 | 29 | 18 | 8 | 12 | 2 | 5 | 2 | 5 | 5 | 11 | 7 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 3 | 3 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
Ангельская роса | 1588 | 117 | 13 | 22 | 14 | 8 | 12 | 3 | 4 | 2 | 6 | 7 | 18 | 8 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
Человек | 1533 | 117 | 13 | 25 | 13 | 12 | 9 | 2 | 5 | 4 | 4 | 5 | 16 | 9 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1174 | 116 | 15 | 25 | 13 | 10 | 11 | 5 | 6 | 3 | 6 | 2 | 13 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
Визит Аристокла | 1399 | 116 | 17 | 25 | 16 | 7 | 10 | 7 | 5 | 5 | 5 | 6 | 7 | 6 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 |
11. Пространство лагеря | 1008 | 116 | 12 | 27 | 12 | 11 | 14 | 3 | 5 | 4 | 3 | 7 | 11 | 7 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
24. Медведь и другие | 875 | 116 | 16 | 25 | 15 | 10 | 8 | 2 | 4 | 2 | 5 | 3 | 17 | 9 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
Мы и Они | 1722 | 116 | 16 | 21 | 16 | 11 | 8 | 2 | 5 | 3 | 5 | 5 | 15 | 9 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
жили-были... | 1546 | 116 | 21 | 23 | 15 | 7 | 11 | 1 | 6 | 2 | 4 | 7 | 10 | 9 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 10 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
реквием по идиоту | 1643 | 116 | 14 | 22 | 21 | 7 | 12 | 4 | 4 | 2 | 5 | 7 | 14 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 4 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
1. Введение | 1500 | 115 | 13 | 23 | 18 | 12 | 13 | 3 | 4 | 3 | 5 | 3 | 8 | 10 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
среда обитания | 1655 | 115 | 11 | 24 | 14 | 9 | 11 | 4 | 5 | 3 | 4 | 9 | 11 | 10 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Из У. Блейка. Ангел | 1454 | 115 | 20 | 25 | 11 | 11 | 7 | 2 | 6 | 2 | 7 | 8 | 11 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 8 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
орфей | 1535 | 115 | 12 | 23 | 14 | 8 | 7 | 7 | 5 | 4 | 6 | 3 | 19 | 7 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
как растет Бог | 1597 | 114 | 11 | 24 | 20 | 9 | 13 | 6 | 4 | 3 | 4 | 5 | 10 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 5 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 |
25. Утильсырье | 887 | 114 | 16 | 23 | 15 | 9 | 8 | 6 | 4 | 4 | 5 | 4 | 12 | 8 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
4 сонета Шекспира | 1754 | 114 | 16 | 24 | 14 | 8 | 7 | 3 | 8 | 4 | 2 | 8 | 11 | 9 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 |
Ты - мой инструмент | 1545 | 114 | 14 | 24 | 14 | 6 | 10 | 2 | 4 | 2 | 7 | 9 | 12 | 10 | 0 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
Колыбельная | 1328 | 113 | 12 | 25 | 16 | 11 | 11 | 5 | 3 | 2 | 6 | 2 | 13 | 7 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
Понтий Пилат | 1331 | 113 | 22 | 22 | 17 | 11 | 8 | 3 | 4 | 3 | 5 | 1 | 12 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 9 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 |
жил-был кот | 1678 | 112 | 11 | 24 | 14 | 14 | 11 | 3 | 4 | 2 | 5 | 6 | 13 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 |
Заклинатель дождя | 1725 | 112 | 9 | 24 | 15 | 11 | 10 | 2 | 8 | 4 | 3 | 3 | 14 | 9 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Из У. Блейка. Тигр | 1668 | 111 | 12 | 24 | 14 | 10 | 8 | 3 | 5 | 2 | 2 | 10 | 15 | 6 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
рождество | 1433 | 111 | 12 | 22 | 18 | 10 | 10 | 2 | 4 | 1 | 5 | 6 | 11 | 10 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
Король | 1412 | 110 | 13 | 21 | 13 | 11 | 9 | 5 | 4 | 4 | 5 | 3 | 14 | 8 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 |
Человек Божий | 1890 | 108 | 10 | 21 | 17 | 9 | 10 | 4 | 6 | 3 | 2 | 9 | 12 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
среда обитания | 1622 | 107 | 13 | 23 | 15 | 10 | 11 | 1 | 3 | 2 | 5 | 6 | 9 | 9 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
пьяный двор | 1493 | 104 | 15 | 25 | 12 | 8 | 9 | 5 | 4 | 2 | 3 | 5 | 10 | 6 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"