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Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
По разделу | 467951 | 1230 | 94 | 192 | 98 | 88 | 90 | 87 | 74 | 91 | 85 | 112 | 106 | 113 | 1 | 5 | 5 | 4 | 4 | 4 | 6 | 8 | 4 | 5 | 4 | 4 | 4 | 3 | 4 | 4 | 5 | 4 | 3 | 4 | 5 | 4 | 3 | 3 | 2 | 3 | 3 | 6 | 6 | 5 | 3 | 5 | 10 | 7 | 7 | 4 | 3 | 8 | 49 | 5 | 4 | 5 | 6 | 5 | 5 | 5 | 4 | 7 | 3 | 5 | 4 | 3 | 4 | 5 | 5 | 3 | 3 | 4 | 2 | 2 | 3 | 3 |
7. О символизации насилия. Песочный Человек | 3070 | 578 | 59 | 76 | 56 | 36 | 44 | 43 | 22 | 25 | 35 | 45 | 52 | 85 | 0 | 3 | 4 | 3 | 4 | 4 | 4 | 8 | 2 | 2 | 3 | 1 | 4 | 0 | 2 | 3 | 2 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 3 | 6 | 5 | 1 | 2 | 10 | 7 | 5 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 5 | 2 | 2 | 4 | 2 | 0 | 1 | 4 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 3 |
Художественные описания механизмов психологической защиты | 12921 | 554 | 47 | 51 | 62 | 33 | 33 | 45 | 38 | 44 | 34 | 60 | 68 | 39 | 0 | 2 | 4 | 1 | 3 | 0 | 4 | 3 | 4 | 5 | 3 | 4 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 3 | 1 | 2 | 4 | 2 | 6 | 2 | 2 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 4 | 3 | 5 | 2 | 1 | 1 | 2 | 0 | 3 | 3 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2265 | 345 | 33 | 46 | 22 | 18 | 24 | 29 | 38 | 23 | 29 | 39 | 25 | 19 | 0 | 4 | 0 | 4 | 1 | 0 | 1 | 5 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 4 | 0 | 5 | 0 | 1 | 4 | 1 | 3 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 4 | 3 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3590 | 323 | 30 | 38 | 25 | 28 | 27 | 29 | 19 | 37 | 24 | 21 | 25 | 20 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 4 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 |
1. Расставание брата и сестры | 3517 | 319 | 39 | 42 | 36 | 26 | 32 | 19 | 14 | 14 | 32 | 29 | 18 | 18 | 0 | 4 | 3 | 4 | 1 | 2 | 4 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 5 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 3 | 3 | 3 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 |
Ритуал и выгорание в субкультуре скорой помощи | 9346 | 283 | 22 | 37 | 21 | 25 | 25 | 16 | 11 | 15 | 10 | 29 | 30 | 42 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1539 | 243 | 27 | 26 | 27 | 32 | 19 | 19 | 18 | 22 | 17 | 25 | 7 | 4 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 0 |
26. Динамика развития психики по оси Самость-Эго | 1792 | 236 | 27 | 27 | 23 | 20 | 15 | 12 | 15 | 9 | 23 | 32 | 26 | 7 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 |
Мотив Города | 3161 | 235 | 26 | 34 | 19 | 33 | 11 | 21 | 13 | 18 | 16 | 15 | 14 | 15 | 0 | 1 | 1 | 2 | 0 | 0 | 6 | 3 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 4 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 5 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 |
4. О символизации насилия в эддической поэзии | 2236 | 217 | 36 | 28 | 16 | 17 | 17 | 12 | 10 | 14 | 5 | 18 | 12 | 32 | 0 | 2 | 1 | 2 | 0 | 1 | 4 | 3 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
6. Насилие и интеграция психики в архаической сказке | 1332 | 209 | 21 | 85 | 22 | 12 | 10 | 11 | 6 | 6 | 4 | 17 | 9 | 6 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 6 | 4 | 2 | 3 | 3 | 2 | 7 | 4 | 1 | 5 | 2 | 5 | 2 | 5 | 6 | 5 | 5 | 0 | 0 | 7 | 1 | 4 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 4 | 2 | 1 | 1 | 1 |
психосоматика наизнанку | 4947 | 209 | 32 | 23 | 19 | 18 | 7 | 12 | 9 | 19 | 17 | 23 | 15 | 15 | 0 | 3 | 5 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1764 | 202 | 25 | 21 | 15 | 16 | 9 | 10 | 12 | 11 | 18 | 23 | 25 | 17 | 0 | 3 | 3 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Совершая труд | 4682 | 201 | 22 | 52 | 16 | 18 | 10 | 5 | 9 | 12 | 12 | 16 | 9 | 20 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 7 | 16 | 3 | 0 | 1 | 2 | 1 | 1 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
2. Андрогинность в сказке и мифе | 1632 | 200 | 33 | 33 | 19 | 19 | 10 | 14 | 9 | 17 | 14 | 19 | 6 | 7 | 0 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 |
4. Ад без жала | 1517 | 195 | 17 | 32 | 21 | 25 | 8 | 17 | 8 | 12 | 8 | 19 | 23 | 5 | 0 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 2 | 1 | 0 | 1 |
Упражнение Бог | 3602 | 193 | 28 | 27 | 16 | 6 | 10 | 8 | 9 | 11 | 15 | 33 | 23 | 7 | 0 | 2 | 1 | 1 | 2 | 4 | 5 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 |
Клеменс Брентано. Лоре Лай | 1406 | 190 | 26 | 26 | 24 | 12 | 9 | 10 | 11 | 14 | 13 | 17 | 18 | 10 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 4 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 |
Эмоциональное выгорание, травма и нарциссизм | 5652 | 190 | 26 | 19 | 18 | 18 | 4 | 12 | 3 | 16 | 13 | 22 | 23 | 16 | 0 | 0 | 2 | 2 | 1 | 1 | 3 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 5 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
Архетипические мотивы в фольклоре єскорой помощиЋ | 2251 | 190 | 22 | 69 | 9 | 14 | 8 | 7 | 17 | 5 | 6 | 15 | 10 | 8 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 49 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 |
3. Как мужчины обращаются с Анимой | 3346 | 186 | 17 | 22 | 17 | 16 | 7 | 13 | 11 | 16 | 10 | 27 | 20 | 10 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
4. Влияния Анимы и Анимуса на мужское Эго | 2652 | 184 | 25 | 19 | 18 | 19 | 11 | 10 | 10 | 16 | 14 | 25 | 8 | 9 | 0 | 3 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Оценка эффективности работы психолога с клиентами | 2817 | 181 | 24 | 17 | 10 | 15 | 12 | 14 | 6 | 19 | 16 | 23 | 14 | 11 | 0 | 1 | 2 | 3 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
7. Интерпретация эпоса об Урал-Батыре | 1696 | 181 | 28 | 27 | 18 | 16 | 10 | 13 | 6 | 7 | 14 | 23 | 13 | 6 | 0 | 1 | 1 | 3 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2150 | 180 | 22 | 21 | 19 | 18 | 10 | 9 | 7 | 13 | 12 | 16 | 21 | 12 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 |
10. Современные андрогинные персонажи, Душа и Дух | 1594 | 180 | 21 | 27 | 15 | 22 | 9 | 20 | 5 | 11 | 16 | 19 | 9 | 6 | 0 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 3 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 |
5. Сказка о Персоне, что учится самосознанию | 1613 | 179 | 23 | 27 | 19 | 15 | 11 | 13 | 10 | 17 | 9 | 19 | 10 | 6 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
14. Мастера и шарлатаны Гофмана | 1988 | 179 | 31 | 21 | 15 | 17 | 7 | 9 | 9 | 15 | 16 | 17 | 11 | 11 | 0 | 1 | 3 | 1 | 1 | 0 | 3 | 2 | 3 | 3 | 4 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
2. Представления об Анимусе мужчины | 1934 | 177 | 27 | 34 | 12 | 19 | 10 | 11 | 8 | 6 | 13 | 17 | 9 | 11 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
13. Аида: комментарии к либретто | 1744 | 176 | 19 | 19 | 20 | 16 | 6 | 9 | 9 | 13 | 17 | 21 | 20 | 7 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 1931 | 174 | 21 | 19 | 21 | 24 | 11 | 9 | 8 | 12 | 9 | 15 | 12 | 13 | 0 | 1 | 0 | 3 | 0 | 0 | 4 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
8. Запутанная история Джона Ди | 1524 | 174 | 29 | 26 | 15 | 16 | 6 | 14 | 6 | 13 | 9 | 23 | 11 | 6 | 0 | 2 | 1 | 4 | 0 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 6 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1519 | 167 | 24 | 18 | 13 | 14 | 7 | 6 | 6 | 11 | 8 | 20 | 26 | 14 | 0 | 2 | 4 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
12. Интеграция и Анимы, и Анимуса | 1750 | 167 | 19 | 20 | 17 | 19 | 19 | 10 | 10 | 11 | 6 | 19 | 8 | 9 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 0 |
Графоманские стихи | 3389 | 167 | 22 | 22 | 13 | 13 | 7 | 14 | 7 | 12 | 18 | 13 | 13 | 13 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
О книге Матрица и потенциал характера | 1458 | 166 | 24 | 20 | 18 | 15 | 4 | 15 | 7 | 9 | 7 | 27 | 13 | 7 | 0 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
графоманские стихи | 2333 | 166 | 25 | 24 | 10 | 11 | 8 | 12 | 10 | 18 | 12 | 13 | 10 | 13 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Дворянин Фаланд или владыка альвов? | 897 | 162 | 23 | 19 | 10 | 14 | 10 | 9 | 10 | 17 | 15 | 13 | 13 | 9 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 2955 | 161 | 22 | 17 | 16 | 11 | 5 | 15 | 9 | 17 | 12 | 14 | 12 | 11 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
24. Травмирующие архетипические персонажи Х. Мураками | 1580 | 160 | 24 | 21 | 24 | 10 | 6 | 8 | 8 | 9 | 14 | 15 | 11 | 10 | 0 | 1 | 1 | 1 | 0 | 0 | 6 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 4 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 0 |
отношения врача и пациента с точки зрения созависимости | 6412 | 160 | 28 | 17 | 15 | 11 | 8 | 8 | 7 | 7 | 15 | 20 | 15 | 9 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
Запрет на идентификацию с больным и эмоциональное выгорание | 2898 | 159 | 24 | 18 | 12 | 13 | 23 | 6 | 8 | 15 | 9 | 17 | 7 | 7 | 0 | 2 | 1 | 1 | 1 | 0 | 4 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
симбиоз гештальта и символдрамы | 3132 | 159 | 20 | 29 | 16 | 15 | 11 | 8 | 6 | 11 | 10 | 16 | 11 | 6 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 |
13. Внутрениие вредители в произведениях Гофмана | 1601 | 158 | 21 | 18 | 13 | 19 | 5 | 7 | 14 | 9 | 13 | 16 | 13 | 10 | 0 | 2 | 2 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 |
11. Миры и зло Средиземья и Валинора | 1479 | 158 | 26 | 20 | 15 | 13 | 8 | 10 | 7 | 13 | 14 | 20 | 9 | 3 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1449 | 157 | 26 | 23 | 11 | 12 | 9 | 12 | 8 | 11 | 8 | 15 | 11 | 11 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
1. Преамбула: феминное и маскулинное | 1712 | 157 | 23 | 20 | 16 | 14 | 6 | 8 | 7 | 17 | 9 | 22 | 7 | 8 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 |
2. Неюнгианские механизмы интеграции психики в сказке | 1470 | 156 | 28 | 15 | 18 | 16 | 3 | 12 | 6 | 10 | 12 | 19 | 8 | 9 | 0 | 2 | 4 | 1 | 0 | 2 | 5 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2377 | 155 | 24 | 17 | 14 | 19 | 10 | 6 | 4 | 6 | 7 | 21 | 12 | 15 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
15. Николай Ставрогин и его адепты | 1794 | 153 | 24 | 22 | 19 | 15 | 5 | 11 | 3 | 14 | 8 | 17 | 11 | 4 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2100 | 150 | 20 | 20 | 15 | 13 | 4 | 12 | 7 | 12 | 10 | 16 | 11 | 10 | 0 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 |
Кошачья подсистема в семье | 912 | 150 | 25 | 25 | 8 | 15 | 5 | 7 | 7 | 8 | 9 | 20 | 15 | 6 | 0 | 1 | 2 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
4. Ранние пьесы М. Цветаевой | 1842 | 150 | 25 | 22 | 12 | 15 | 5 | 9 | 6 | 9 | 11 | 12 | 13 | 11 | 0 | 3 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Больной Крысолов | 1376 | 149 | 21 | 27 | 14 | 13 | 9 | 6 | 5 | 13 | 10 | 16 | 5 | 10 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
3. Сказочные злодеи: Консолидатор Тени | 1477 | 148 | 26 | 27 | 20 | 11 | 5 | 8 | 7 | 5 | 7 | 19 | 9 | 4 | 0 | 3 | 0 | 2 | 0 | 0 | 4 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 |
5. Особенности архаической сказки | 1666 | 146 | 26 | 25 | 15 | 15 | 9 | 8 | 4 | 8 | 7 | 15 | 10 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 |
9. Персона и Тень | 1609 | 146 | 21 | 21 | 14 | 10 | 9 | 8 | 9 | 10 | 10 | 16 | 10 | 8 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1253 | 146 | 16 | 14 | 17 | 20 | 6 | 10 | 7 | 12 | 6 | 17 | 12 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
9. Психика как пара | 1592 | 146 | 25 | 32 | 12 | 16 | 7 | 7 | 4 | 7 | 12 | 14 | 7 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
Тум-балалайка | 1795 | 145 | 16 | 23 | 10 | 11 | 4 | 9 | 6 | 11 | 18 | 20 | 7 | 10 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
Двойные ловушки Плоского мира | 1608 | 144 | 24 | 29 | 10 | 17 | 5 | 8 | 3 | 6 | 8 | 20 | 9 | 5 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
3. О символизации насилия в поэзии скальдов | 3157 | 144 | 16 | 19 | 14 | 16 | 4 | 11 | 9 | 10 | 10 | 19 | 11 | 5 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 |
6. О символизации насилия. Значимые персонажи | 1928 | 143 | 20 | 28 | 11 | 15 | 9 | 6 | 3 | 6 | 11 | 17 | 11 | 6 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 |
23. Настя заболела | 1152 | 143 | 17 | 19 | 15 | 15 | 5 | 10 | 9 | 12 | 8 | 20 | 10 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 |
Больница глазами гештальт-терапевта | 3954 | 142 | 26 | 23 | 13 | 10 | 5 | 6 | 11 | 7 | 9 | 20 | 7 | 5 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
10. Об Аниме женщины | 1813 | 141 | 31 | 17 | 13 | 16 | 7 | 9 | 8 | 4 | 6 | 17 | 10 | 3 | 0 | 2 | 2 | 4 | 0 | 0 | 3 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
непрожитая старость | 10277 | 140 | 22 | 20 | 16 | 17 | 9 | 6 | 4 | 6 | 9 | 16 | 10 | 5 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
15. Типичные протагонисты произведений Гофмана | 1369 | 139 | 21 | 16 | 11 | 23 | 10 | 10 | 3 | 9 | 10 | 13 | 7 | 6 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
3. Сказка о феминном и маскулинном состояниях Эго | 1467 | 139 | 17 | 19 | 15 | 17 | 11 | 13 | 8 | 9 | 3 | 14 | 8 | 5 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1306 | 139 | 21 | 20 | 15 | 12 | 11 | 7 | 7 | 9 | 4 | 18 | 8 | 7 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
27. О различении Я и Эго-комплекса | 1184 | 138 | 24 | 12 | 16 | 15 | 7 | 8 | 5 | 9 | 11 | 16 | 8 | 7 | 0 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
Роковой треугольник - 1 | 1768 | 138 | 22 | 33 | 12 | 10 | 5 | 6 | 7 | 7 | 9 | 14 | 10 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 14 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
7 Заклинатели | 1627 | 137 | 26 | 18 | 12 | 13 | 7 | 7 | 6 | 5 | 10 | 15 | 15 | 3 | 0 | 1 | 4 | 3 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
7. Созидающее насилие: подвиги Геракла | 1527 | 137 | 17 | 15 | 19 | 15 | 9 | 16 | 8 | 8 | 3 | 13 | 8 | 6 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 1960 | 136 | 17 | 17 | 13 | 17 | 6 | 9 | 7 | 9 | 7 | 14 | 9 | 11 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
6. Сходство и различия сюжетов о Переодетой сестре | 1618 | 136 | 23 | 16 | 16 | 16 | 8 | 7 | 5 | 8 | 5 | 15 | 11 | 6 | 0 | 0 | 3 | 2 | 1 | 1 | 5 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
16. Список литературы | 1159 | 136 | 19 | 31 | 11 | 10 | 8 | 9 | 6 | 7 | 6 | 12 | 11 | 6 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 |
8. Наказанное полутело | 955 | 134 | 17 | 14 | 12 | 12 | 4 | 3 | 4 | 4 | 10 | 35 | 14 | 5 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 |
Мотив Цветка и регуляция позы | 746 | 134 | 20 | 19 | 11 | 17 | 1 | 6 | 6 | 11 | 9 | 16 | 11 | 7 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
Г. Гессе. Стихотворение о Степном Волке | 1733 | 134 | 22 | 19 | 13 | 10 | 7 | 12 | 8 | 10 | 5 | 11 | 13 | 4 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 |
16. Миры и образы зла, связанные с Темной Башней | 2020 | 133 | 21 | 22 | 16 | 11 | 6 | 7 | 7 | 8 | 10 | 10 | 12 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 |
1. Телесные трансформации в рассказе "Мусорный ветер" | 972 | 133 | 20 | 17 | 13 | 12 | 10 | 8 | 6 | 10 | 9 | 17 | 5 | 6 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
13. Женщина перед расстрелом | 1148 | 133 | 21 | 23 | 11 | 15 | 11 | 10 | 2 | 7 | 5 | 15 | 10 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1575 | 132 | 16 | 16 | 9 | 14 | 4 | 12 | 7 | 8 | 7 | 15 | 13 | 11 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1489 | 132 | 25 | 13 | 15 | 15 | 5 | 7 | 7 | 12 | 7 | 12 | 11 | 3 | 0 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 |
Особенности структуры семьи учащихся техникума | 1965 | 132 | 19 | 21 | 10 | 16 | 7 | 10 | 2 | 12 | 8 | 9 | 11 | 7 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
2. Персонажи "Котлована" строят новый мир и новое тело | 987 | 132 | 20 | 16 | 12 | 9 | 6 | 11 | 8 | 12 | 10 | 15 | 8 | 5 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 |
3. Произведения молодости М. Цветаевой | 1301 | 132 | 19 | 17 | 15 | 12 | 9 | 8 | 6 | 12 | 7 | 16 | 9 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 |
Алгоритм сортировки клиентов социального центра | 1953 | 131 | 23 | 19 | 11 | 13 | 7 | 10 | 4 | 6 | 5 | 14 | 14 | 5 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
5. Заместитель | 1276 | 131 | 19 | 20 | 14 | 9 | 7 | 8 | 7 | 6 | 5 | 16 | 12 | 8 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
4. Архаичные материнские образы | 1295 | 130 | 20 | 16 | 11 | 15 | 5 | 7 | 5 | 9 | 9 | 14 | 8 | 11 | 0 | 2 | 1 | 3 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
3. Убежища | 1445 | 130 | 24 | 25 | 12 | 10 | 6 | 4 | 4 | 4 | 6 | 11 | 14 | 10 | 1 | 2 | 1 | 1 | 0 | 0 | 5 | 1 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Senex - Puer | 1218 | 129 | 18 | 20 | 11 | 18 | 3 | 5 | 3 | 4 | 10 | 13 | 10 | 14 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 |
8. Тотем, Трикстер, Первопредки | 1406 | 129 | 21 | 25 | 10 | 17 | 6 | 7 | 6 | 3 | 3 | 19 | 7 | 5 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 |
19. Множественные и парные миры авторской сказки и фэнтези | 1203 | 128 | 21 | 14 | 15 | 16 | 6 | 6 | 7 | 7 | 5 | 16 | 12 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1249 | 128 | 37 | 14 | 14 | 10 | 6 | 7 | 4 | 6 | 6 | 13 | 8 | 3 | 0 | 2 | 3 | 2 | 1 | 1 | 4 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 3 | 4 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
Проблемы профессионального становления личности: работа со сновидениями | 1605 | 128 | 14 | 16 | 12 | 14 | 6 | 8 | 7 | 11 | 8 | 14 | 10 | 8 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
4. Погребальные дроги | 1299 | 128 | 21 | 28 | 11 | 8 | 5 | 9 | 7 | 5 | 6 | 16 | 8 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 7 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
3. Выбор художника - Анима или Анимус? | 1466 | 128 | 18 | 19 | 14 | 16 | 6 | 9 | 3 | 6 | 7 | 16 | 9 | 5 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
30. Сказочный персонаж: форма и содержимое | 1256 | 127 | 15 | 15 | 14 | 13 | 4 | 10 | 6 | 3 | 6 | 23 | 13 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1463 | 127 | 23 | 16 | 13 | 11 | 6 | 6 | 4 | 8 | 4 | 13 | 14 | 9 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
15. Мир и образ зла в "Темных началах" | 1267 | 127 | 23 | 18 | 14 | 13 | 5 | 7 | 4 | 4 | 7 | 15 | 12 | 5 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
Перстень, яблоко, собор | 1621 | 127 | 19 | 18 | 12 | 16 | 7 | 6 | 2 | 7 | 9 | 13 | 11 | 7 | 0 | 1 | 1 | 3 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
Типы семей, получающих помощь в социальном центре | 1556 | 126 | 19 | 22 | 8 | 8 | 6 | 5 | 6 | 9 | 11 | 14 | 11 | 7 | 0 | 2 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
10. Самозванцы: Пепсер и Крошка Цахес | 2422 | 126 | 26 | 20 | 11 | 11 | 4 | 6 | 7 | 7 | 4 | 17 | 7 | 6 | 0 | 5 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
Роковой треугольник -2 | 1673 | 126 | 24 | 22 | 9 | 12 | 5 | 7 | 3 | 5 | 9 | 16 | 8 | 6 | 0 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
11. Кое-что об Анимусе женщины | 1412 | 126 | 18 | 14 | 15 | 11 | 6 | 7 | 6 | 14 | 9 | 13 | 7 | 6 | 0 | 1 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1530 | 125 | 20 | 16 | 12 | 11 | 6 | 8 | 6 | 7 | 6 | 18 | 11 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
15. Деревня изнутри. Во дворах | 969 | 125 | 21 | 17 | 12 | 13 | 6 | 7 | 3 | 8 | 7 | 17 | 6 | 8 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 |
33. Пространство, время, человек и божество в сказке | 1261 | 125 | 21 | 16 | 17 | 15 | 5 | 8 | 5 | 8 | 5 | 16 | 5 | 4 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 |
6. Следуя за стихами 1921 года | 1344 | 124 | 21 | 21 | 9 | 15 | 5 | 7 | 5 | 6 | 7 | 17 | 7 | 4 | 0 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
1. Тело и мир персонажей Андрея Платонова | 1290 | 124 | 17 | 17 | 15 | 9 | 9 | 10 | 4 | 8 | 7 | 16 | 7 | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1279 | 124 | 22 | 15 | 13 | 7 | 6 | 7 | 8 | 6 | 8 | 18 | 9 | 5 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 |
25. Об особенностях травматической интеграции психики | 1315 | 123 | 17 | 16 | 14 | 10 | 4 | 7 | 9 | 9 | 6 | 14 | 10 | 7 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1589 | 123 | 16 | 28 | 14 | 11 | 7 | 4 | 5 | 7 | 7 | 13 | 5 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 |
2. Сказка о становлении гендерных различий и женского Эго | 1488 | 123 | 15 | 17 | 15 | 15 | 7 | 8 | 2 | 8 | 8 | 14 | 6 | 8 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 |
Милая жизнь | 1121 | 123 | 17 | 15 | 14 | 11 | 8 | 6 | 4 | 6 | 5 | 18 | 11 | 8 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 2 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1377 | 123 | 18 | 18 | 13 | 12 | 7 | 6 | 4 | 5 | 10 | 13 | 9 | 8 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
5. Женщина в плаще цвета Времени | 1205 | 122 | 20 | 17 | 12 | 15 | 4 | 9 | 4 | 8 | 8 | 15 | 6 | 4 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2087 | 122 | 18 | 15 | 11 | 8 | 5 | 9 | 6 | 6 | 9 | 13 | 12 | 10 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
12. Мир и зло "Властелина Колец" | 1811 | 122 | 18 | 13 | 9 | 10 | 10 | 6 | 7 | 11 | 7 | 20 | 7 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
гулял молодец | 1191 | 122 | 15 | 21 | 8 | 16 | 3 | 8 | 5 | 7 | 4 | 18 | 8 | 9 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
3. Молитвенная мельница | 1417 | 122 | 22 | 22 | 12 | 15 | 4 | 7 | 4 | 4 | 6 | 17 | 5 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 |
Образ Бога и зрелость личности | 2370 | 122 | 11 | 22 | 9 | 14 | 2 | 7 | 7 | 9 | 7 | 12 | 12 | 10 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 |
3 консультации в гештальт-подходе | 2195 | 122 | 19 | 21 | 10 | 6 | 5 | 7 | 6 | 8 | 3 | 22 | 5 | 10 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1565 | 121 | 20 | 14 | 12 | 12 | 4 | 9 | 3 | 10 | 6 | 16 | 9 | 6 | 0 | 3 | 3 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
7. Индивидуальности котлована | 1023 | 121 | 22 | 15 | 15 | 14 | 5 | 5 | 5 | 5 | 7 | 13 | 11 | 4 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 |
2.Почему же произведения Гофмана популярны до сих пор? | 1155 | 121 | 23 | 14 | 12 | 7 | 10 | 10 | 2 | 6 | 8 | 14 | 9 | 6 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1510 | 121 | 17 | 18 | 11 | 8 | 6 | 7 | 7 | 8 | 10 | 11 | 10 | 8 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
32. Для чего нужен символ? | 1135 | 121 | 21 | 17 | 13 | 16 | 3 | 7 | 5 | 9 | 6 | 9 | 8 | 7 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
22. Девушки и Прушевский | 1023 | 120 | 18 | 14 | 12 | 12 | 8 | 7 | 7 | 6 | 7 | 17 | 7 | 5 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
8. Избыток сознания и общее тело | 986 | 120 | 19 | 11 | 14 | 15 | 5 | 11 | 6 | 9 | 5 | 13 | 7 | 5 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
5. Рядом с общим телом | 1085 | 120 | 23 | 20 | 12 | 12 | 3 | 7 | 2 | 6 | 7 | 14 | 10 | 4 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
20. Нвстя заболевает | 1037 | 120 | 25 | 22 | 13 | 10 | 8 | 5 | 5 | 7 | 2 | 12 | 8 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
34. Ошибка психики: чрезмерная ее консолидация | 1344 | 120 | 17 | 14 | 12 | 16 | 4 | 9 | 4 | 9 | 7 | 18 | 7 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
телесный симптом в роли символа | 1833 | 120 | 21 | 14 | 10 | 14 | 6 | 8 | 2 | 10 | 5 | 20 | 6 | 4 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
21. Радость молотобойца | 1007 | 120 | 17 | 19 | 13 | 9 | 7 | 5 | 9 | 8 | 4 | 17 | 9 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 |
6. Насколько опасен Анимус мужчины | 1337 | 119 | 25 | 18 | 14 | 18 | 3 | 6 | 1 | 5 | 5 | 10 | 8 | 6 | 0 | 3 | 3 | 3 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1013 | 119 | 15 | 15 | 11 | 11 | 8 | 10 | 3 | 6 | 10 | 15 | 9 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
Юнгианцы и странные научные теории | 651 | 119 | 19 | 14 | 13 | 12 | 5 | 5 | 3 | 7 | 10 | 15 | 11 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 0 |
27. Безвременье котлована | 953 | 119 | 19 | 20 | 15 | 10 | 8 | 4 | 4 | 4 | 7 | 10 | 11 | 7 | 0 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1503 | 118 | 18 | 15 | 12 | 11 | 5 | 9 | 5 | 10 | 1 | 12 | 13 | 7 | 0 | 2 | 1 | 1 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 |
20. О некоторых особенностях структуры фэнтези | 1721 | 118 | 22 | 22 | 12 | 13 | 7 | 4 | 5 | 5 | 5 | 12 | 8 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 5 | 0 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
1. Маленький рыцарский роман | 1392 | 118 | 18 | 15 | 13 | 16 | 4 | 8 | 7 | 2 | 3 | 13 | 15 | 4 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
9. Некоторые модели психической интеграции | 1373 | 118 | 20 | 14 | 13 | 11 | 4 | 9 | 6 | 6 | 4 | 14 | 12 | 5 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
5. Идущий следом | 1370 | 118 | 17 | 20 | 13 | 13 | 6 | 4 | 8 | 4 | 7 | 15 | 9 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
18. Ночные пляски | 966 | 118 | 17 | 18 | 13 | 12 | 6 | 8 | 4 | 9 | 6 | 12 | 11 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1252 | 118 | 23 | 14 | 11 | 13 | 5 | 8 | 7 | 5 | 4 | 13 | 12 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 |
6. Скорбная земля | 1485 | 117 | 20 | 18 | 11 | 12 | 7 | 5 | 2 | 6 | 11 | 13 | 7 | 5 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 |
12. Песочник и его жертва | 1255 | 117 | 18 | 17 | 11 | 16 | 4 | 9 | 4 | 8 | 5 | 16 | 7 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
Юные птицы старого русского рока | 835 | 117 | 27 | 17 | 11 | 13 | 3 | 5 | 3 | 11 | 5 | 13 | 7 | 2 | 0 | 1 | 2 | 1 | 3 | 0 | 3 | 2 | 4 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 |
о способности понять душевнобольного | 2101 | 116 | 22 | 14 | 14 | 6 | 7 | 7 | 6 | 7 | 7 | 13 | 11 | 2 | 0 | 2 | 3 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
Шекспир, сонет 20 | 1281 | 116 | 21 | 16 | 11 | 10 | 4 | 7 | 2 | 7 | 6 | 16 | 10 | 6 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
8. Поглощенное время | 1359 | 116 | 17 | 14 | 10 | 12 | 6 | 7 | 2 | 6 | 12 | 10 | 14 | 6 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
1. Миф, мир и психика | 1389 | 116 | 18 | 17 | 9 | 14 | 8 | 6 | 4 | 7 | 6 | 14 | 6 | 7 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
16. Медведь | 1089 | 116 | 16 | 17 | 13 | 8 | 7 | 8 | 7 | 7 | 6 | 16 | 9 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 |
9. Начало перехода | 948 | 115 | 22 | 15 | 10 | 14 | 7 | 5 | 2 | 7 | 7 | 14 | 10 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
Вариация на тему | 768 | 115 | 21 | 17 | 12 | 8 | 4 | 7 | 2 | 8 | 7 | 14 | 10 | 5 | 0 | 1 | 1 | 1 | 0 | 2 | 5 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1748 | 115 | 21 | 13 | 15 | 12 | 3 | 7 | 3 | 6 | 4 | 18 | 9 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
22. О героях авторских сказок и фэнтези | 1410 | 115 | 20 | 20 | 11 | 12 | 7 | 4 | 3 | 5 | 7 | 17 | 7 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1528 | 115 | 17 | 14 | 11 | 13 | 4 | 8 | 5 | 8 | 7 | 14 | 8 | 6 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Из плена профессиональной Персоны? | 1401 | 115 | 17 | 16 | 14 | 14 | 4 | 8 | 4 | 8 | 6 | 15 | 5 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
21. Властные хитрецы | 1274 | 115 | 18 | 18 | 12 | 12 | 6 | 10 | 6 | 3 | 8 | 11 | 5 | 6 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
Начальство развлекается | 1304 | 115 | 22 | 15 | 10 | 16 | 1 | 6 | 3 | 8 | 3 | 16 | 3 | 12 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
28. О символике эволюции | 1185 | 115 | 24 | 15 | 10 | 16 | 6 | 7 | 3 | 8 | 5 | 11 | 6 | 4 | 0 | 2 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
дорога длиною в тысячу ли | 1491 | 115 | 21 | 15 | 12 | 8 | 7 | 5 | 3 | 8 | 4 | 13 | 11 | 8 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
31. Становление символа во времени | 1166 | 114 | 19 | 12 | 10 | 16 | 5 | 8 | 4 | 6 | 6 | 14 | 10 | 4 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Шекспир, сонет 146 | 1264 | 114 | 23 | 23 | 10 | 10 | 3 | 4 | 4 | 4 | 5 | 11 | 12 | 5 | 0 | 3 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
2. Конец истории о Крысолове | 1889 | 114 | 17 | 19 | 12 | 11 | 4 | 5 | 4 | 6 | 5 | 13 | 12 | 6 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1539 | 114 | 19 | 16 | 13 | 11 | 2 | 4 | 4 | 9 | 7 | 14 | 10 | 5 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
обряд изгнания чужого в субкультуре скорой помощи | 2035 | 114 | 21 | 13 | 10 | 12 | 6 | 8 | 4 | 5 | 6 | 15 | 7 | 7 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
7. Мужское и женское в произведениях Т. Манна | 1497 | 114 | 16 | 17 | 15 | 11 | 7 | 6 | 3 | 6 | 5 | 20 | 6 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 |
1. Явление Крысолова | 1317 | 113 | 18 | 22 | 8 | 12 | 6 | 5 | 2 | 7 | 5 | 17 | 5 | 6 | 0 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 598 | 113 | 15 | 14 | 11 | 12 | 5 | 7 | 5 | 9 | 9 | 15 | 6 | 5 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 |
6 Тело и труд | 955 | 113 | 16 | 16 | 12 | 14 | 2 | 5 | 2 | 6 | 11 | 15 | 8 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 |
Три бестселлера | 1303 | 113 | 19 | 21 | 12 | 10 | 4 | 5 | 3 | 9 | 7 | 12 | 8 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 |
Прогнозирование эффективности психологической помощи семьям | 1565 | 113 | 16 | 13 | 10 | 10 | 4 | 10 | 3 | 7 | 5 | 15 | 11 | 9 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Г. Гессе. Ступени | 1603 | 112 | 22 | 19 | 14 | 7 | 6 | 5 | 4 | 4 | 3 | 13 | 10 | 5 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
вскрытие | 1543 | 112 | 19 | 17 | 11 | 11 | 4 | 5 | 5 | 8 | 7 | 12 | 6 | 7 | 0 | 4 | 3 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
5. Погибшее братство и Лихтенберг | 895 | 112 | 17 | 18 | 11 | 15 | 6 | 4 | 4 | 6 | 5 | 11 | 9 | 6 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
11. Ничего не кончается | 949 | 112 | 26 | 12 | 16 | 10 | 5 | 5 | 4 | 6 | 3 | 12 | 7 | 6 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 |
Поиск света | 2023 | 112 | 18 | 16 | 8 | 15 | 9 | 5 | 2 | 8 | 3 | 16 | 6 | 6 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
13. Колхоз идет навстречу | 945 | 112 | 17 | 19 | 12 | 13 | 7 | 5 | 2 | 9 | 3 | 16 | 7 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1583 | 112 | 20 | 16 | 12 | 8 | 7 | 4 | 5 | 6 | 7 | 15 | 7 | 5 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
12. Новое пространство | 908 | 111 | 21 | 16 | 11 | 13 | 4 | 5 | 3 | 3 | 11 | 14 | 7 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 |
Плач на реках Вавилонских | 1370 | 111 | 17 | 13 | 12 | 12 | 4 | 6 | 4 | 9 | 8 | 14 | 4 | 8 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Звездный ворон и ядовитый волк | 1011 | 111 | 19 | 17 | 10 | 7 | 4 | 5 | 8 | 8 | 4 | 13 | 8 | 8 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2. Пробуждение | 997 | 111 | 17 | 16 | 12 | 14 | 5 | 5 | 4 | 6 | 5 | 16 | 5 | 6 | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
Информация о владельце раздела | 1305 | 111 | 16 | 18 | 7 | 13 | 2 | 6 | 6 | 9 | 6 | 15 | 8 | 5 | 0 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
Венок сонетов Ваське | 1783 | 111 | 16 | 24 | 11 | 6 | 2 | 5 | 5 | 9 | 4 | 14 | 10 | 5 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Хороший начальник Емеля | 917 | 110 | 18 | 15 | 17 | 11 | 5 | 4 | 4 | 5 | 7 | 12 | 6 | 6 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 |
4. Блуждания невоплощенного | 1029 | 110 | 16 | 15 | 15 | 13 | 4 | 6 | 4 | 8 | 7 | 12 | 7 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 |
Человек, Которого Не Было Дома | 1673 | 110 | 24 | 13 | 10 | 14 | 8 | 3 | 4 | 5 | 8 | 8 | 8 | 5 | 0 | 1 | 3 | 4 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
9. Лихтенберг - мыслящее тело | 1039 | 110 | 22 | 17 | 8 | 15 | 5 | 8 | 2 | 4 | 8 | 12 | 5 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
2. О преображении в полете | 677 | 110 | 18 | 21 | 8 | 12 | 3 | 5 | 3 | 2 | 9 | 14 | 10 | 5 | 0 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
1 Дитя в мирах Психеи и Ананке | 1613 | 110 | 14 | 16 | 13 | 12 | 4 | 7 | 5 | 1 | 8 | 15 | 11 | 4 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 2 |
О старости | 2065 | 110 | 20 | 15 | 7 | 11 | 6 | 4 | 4 | 5 | 7 | 13 | 10 | 8 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
гроза летом | 1938 | 110 | 15 | 17 | 12 | 9 | 6 | 4 | 5 | 4 | 8 | 17 | 9 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 |
4. Зловещие магнетизеры | 2150 | 109 | 20 | 15 | 12 | 14 | 4 | 4 | 3 | 9 | 3 | 10 | 12 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
10. Модели интеграции психики в героическом эпосе | 1419 | 109 | 23 | 12 | 12 | 11 | 4 | 5 | 4 | 7 | 6 | 12 | 9 | 4 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
10. Начало контакта | 944 | 109 | 19 | 14 | 11 | 11 | 6 | 5 | 3 | 5 | 6 | 16 | 9 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
возвращение | 1604 | 109 | 15 | 15 | 11 | 14 | 4 | 8 | 5 | 4 | 5 | 12 | 10 | 6 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
2. Усталость | 1645 | 109 | 15 | 17 | 12 | 12 | 4 | 6 | 4 | 4 | 4 | 16 | 11 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 |
6. Лихтенберг - предмет | 935 | 109 | 19 | 16 | 11 | 13 | 3 | 4 | 1 | 8 | 7 | 17 | 6 | 4 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
14. Мертвая мать и ее дети | 992 | 108 | 15 | 15 | 13 | 12 | 8 | 5 | 3 | 3 | 8 | 16 | 7 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 |
Выгоревшее тело | 1564 | 108 | 19 | 17 | 10 | 10 | 4 | 6 | 3 | 6 | 3 | 15 | 11 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Компьютерная игра вместо визуализации | 1661 | 108 | 17 | 12 | 9 | 12 | 4 | 11 | 4 | 7 | 4 | 16 | 7 | 5 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
26. Настина смерть | 991 | 108 | 19 | 16 | 12 | 16 | 4 | 3 | 7 | 4 | 4 | 10 | 10 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
10 охламонов | 1654 | 108 | 21 | 18 | 8 | 8 | 6 | 9 | 2 | 7 | 2 | 15 | 6 | 6 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
14. Деревня изнутри. В избах | 1023 | 108 | 18 | 15 | 15 | 17 | 3 | 5 | 2 | 3 | 4 | 15 | 6 | 5 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
Бестиарий | 1275 | 108 | 18 | 13 | 9 | 12 | 5 | 6 | 2 | 7 | 4 | 15 | 8 | 9 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1399 | 108 | 24 | 15 | 10 | 9 | 7 | 5 | 5 | 6 | 6 | 12 | 6 | 3 | 0 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Хрупкие миры | 437 | 107 | 16 | 21 | 12 | 13 | 7 | 6 | 3 | 3 | 7 | 11 | 7 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
Кто это входит в мои мозги? | 1628 | 107 | 22 | 17 | 10 | 12 | 4 | 8 | 2 | 7 | 3 | 12 | 6 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Попурри а-ля постмодерн | 1582 | 107 | 21 | 14 | 8 | 11 | 6 | 8 | 3 | 4 | 6 | 14 | 6 | 6 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Для чего нужны джинны? | 898 | 107 | 20 | 19 | 10 | 13 | 4 | 3 | 3 | 6 | 5 | 10 | 11 | 3 | 0 | 1 | 2 | 4 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
17. Плот | 1010 | 107 | 21 | 14 | 11 | 10 | 6 | 6 | 2 | 5 | 7 | 14 | 8 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 |
4. Сказка о травме и восстановлении | 1472 | 107 | 16 | 13 | 13 | 10 | 2 | 10 | 2 | 6 | 6 | 16 | 10 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
Для кота | 1605 | 107 | 19 | 16 | 8 | 9 | 5 | 5 | 3 | 10 | 4 | 16 | 6 | 6 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
7. Верховное полутело | 948 | 107 | 17 | 14 | 14 | 14 | 1 | 5 | 2 | 5 | 3 | 17 | 6 | 9 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 |
18. Диспозиция и динамика некоторых авторских сказок | 1096 | 106 | 13 | 18 | 12 | 14 | 5 | 5 | 4 | 5 | 6 | 15 | 7 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 |
Мир на костылях | 1342 | 106 | 21 | 16 | 9 | 11 | 8 | 4 | 3 | 5 | 3 | 15 | 7 | 4 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
королева | 1707 | 106 | 17 | 20 | 11 | 10 | 6 | 3 | 3 | 7 | 4 | 15 | 5 | 5 | 0 | 2 | 3 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
10. Большая женщина. Начало возрождения | 945 | 106 | 21 | 16 | 13 | 12 | 2 | 6 | 2 | 4 | 4 | 15 | 7 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 |
Реквием Ваське | 1474 | 106 | 17 | 16 | 14 | 13 | 3 | 5 | 3 | 6 | 5 | 11 | 10 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
юнгианское стихотворение о сказках | 1372 | 106 | 20 | 15 | 12 | 7 | 5 | 6 | 6 | 3 | 6 | 13 | 7 | 6 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 |
3. Ничтожные | 1445 | 106 | 14 | 16 | 9 | 8 | 7 | 6 | 7 | 6 | 11 | 9 | 9 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 |
Ангельская роса | 1570 | 105 | 17 | 14 | 8 | 12 | 3 | 4 | 2 | 6 | 7 | 18 | 8 | 6 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
19. Тишина | 957 | 104 | 15 | 16 | 9 | 12 | 8 | 5 | 2 | 3 | 6 | 16 | 6 | 6 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
7. О проекции переживаний травмы на Аниму | 1356 | 104 | 23 | 11 | 13 | 10 | 7 | 7 | 4 | 4 | 4 | 12 | 8 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 4 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
3. На улице | 978 | 104 | 21 | 13 | 10 | 10 | 7 | 4 | 2 | 8 | 4 | 15 | 7 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
8. Как остаться инфантильной | 1235 | 104 | 22 | 15 | 10 | 13 | 5 | 4 | 3 | 5 | 5 | 15 | 3 | 4 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
Человек | 1515 | 104 | 20 | 13 | 12 | 9 | 2 | 5 | 4 | 4 | 5 | 16 | 9 | 5 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Сначала была деперсонализация | 1817 | 104 | 20 | 16 | 11 | 9 | 2 | 6 | 3 | 5 | 7 | 11 | 10 | 4 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
2. Шаманское странствие | 1145 | 103 | 15 | 16 | 8 | 14 | 5 | 7 | 3 | 5 | 3 | 14 | 9 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 |
Пустоты | 1404 | 103 | 17 | 19 | 9 | 11 | 7 | 4 | 2 | 6 | 7 | 11 | 7 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
Кости | 927 | 103 | 17 | 15 | 10 | 12 | 6 | 4 | 4 | 5 | 4 | 15 | 7 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 6 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
5. Сравнение прогностической ценности разных факторов | 1554 | 103 | 18 | 17 | 11 | 9 | 3 | 5 | 4 | 4 | 9 | 14 | 5 | 4 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
Заклинатель дождя | 1709 | 103 | 17 | 15 | 11 | 10 | 2 | 8 | 4 | 3 | 3 | 14 | 9 | 7 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
жил-был кот | 1662 | 102 | 19 | 14 | 14 | 11 | 3 | 4 | 2 | 5 | 6 | 13 | 5 | 6 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Шекспир, сонет 144 | 1375 | 102 | 19 | 14 | 10 | 10 | 3 | 5 | 2 | 5 | 3 | 13 | 11 | 7 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
ангел | 1526 | 102 | 17 | 17 | 12 | 9 | 3 | 6 | 5 | 6 | 4 | 12 | 7 | 4 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
реквием по идиоту | 1624 | 102 | 17 | 21 | 7 | 12 | 4 | 4 | 2 | 5 | 7 | 14 | 4 | 5 | 0 | 1 | 2 | 1 | 0 | 0 | 4 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Слоненок учится мыслить | 424 | 102 | 23 | 18 | 8 | 12 | 2 | 5 | 2 | 5 | 5 | 11 | 7 | 4 | 0 | 3 | 3 | 3 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2153 | 102 | 19 | 10 | 12 | 11 | 4 | 5 | 3 | 6 | 6 | 13 | 10 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Король | 1395 | 101 | 17 | 13 | 11 | 9 | 5 | 4 | 4 | 5 | 3 | 14 | 8 | 8 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 |
Человек Божий | 1875 | 101 | 16 | 17 | 9 | 10 | 4 | 6 | 3 | 2 | 9 | 12 | 5 | 8 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
из Цурэна. Как лист увядший падает на душу... | 1598 | 101 | 18 | 13 | 10 | 11 | 2 | 5 | 4 | 7 | 6 | 13 | 7 | 5 | 0 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 |
среда обитания | 1637 | 101 | 17 | 14 | 9 | 11 | 4 | 5 | 3 | 4 | 9 | 11 | 10 | 4 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
15. Ненаучное животное в мусорном ветре | 1018 | 101 | 19 | 14 | 11 | 10 | 5 | 5 | 4 | 7 | 3 | 18 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 |
Бумажная Принцесса | 1041 | 101 | 14 | 17 | 8 | 6 | 3 | 8 | 7 | 4 | 4 | 15 | 11 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
как растет Бог | 1577 | 100 | 15 | 20 | 9 | 13 | 6 | 4 | 3 | 4 | 5 | 10 | 5 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Путешествиепо склону | 1400 | 100 | 16 | 17 | 8 | 6 | 3 | 4 | 5 | 5 | 6 | 15 | 10 | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Визит Аристокла | 1376 | 100 | 19 | 16 | 7 | 10 | 7 | 5 | 5 | 5 | 6 | 7 | 6 | 7 | 0 | 2 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
4 сонета Шекспира | 1733 | 100 | 19 | 14 | 8 | 7 | 3 | 8 | 4 | 2 | 8 | 11 | 9 | 7 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
Огонь | 1542 | 100 | 19 | 15 | 7 | 9 | 5 | 6 | 3 | 8 | 2 | 15 | 6 | 5 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
12. Люди лагеря | 903 | 100 | 20 | 15 | 8 | 10 | 3 | 5 | 4 | 7 | 6 | 11 | 9 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
11. Пространство лагеря | 989 | 100 | 20 | 12 | 11 | 14 | 3 | 5 | 4 | 3 | 7 | 11 | 7 | 3 | 0 | 1 | 2 | 3 | 0 | 0 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 |
1. О символизации насилия. Преамбула. | 1713 | 100 | 22 | 14 | 10 | 10 | 3 | 6 | 2 | 3 | 4 | 17 | 5 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
1. Введение | 1480 | 99 | 16 | 18 | 12 | 13 | 3 | 4 | 3 | 5 | 3 | 8 | 10 | 4 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 |
Ты - мой инструмент | 1524 | 99 | 17 | 14 | 6 | 10 | 2 | 4 | 2 | 7 | 9 | 12 | 10 | 6 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Мышиная звезда | 608 | 99 | 20 | 13 | 8 | 9 | 3 | 5 | 5 | 6 | 5 | 14 | 5 | 6 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
орфей | 1515 | 99 | 15 | 14 | 8 | 7 | 7 | 5 | 4 | 6 | 3 | 19 | 7 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Ответ Земли (другой вариант) | 1513 | 98 | 19 | 12 | 15 | 6 | 2 | 4 | 4 | 5 | 5 | 12 | 10 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1152 | 98 | 18 | 13 | 10 | 11 | 5 | 6 | 3 | 6 | 2 | 13 | 7 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
4. Расчлененное и воссозданное тело толпы | 1021 | 98 | 13 | 16 | 14 | 12 | 6 | 3 | 2 | 7 | 3 | 14 | 7 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 |
Колыбельная | 1308 | 98 | 17 | 16 | 11 | 11 | 5 | 3 | 2 | 6 | 2 | 13 | 7 | 5 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Из У. Блейка. Тигр | 1647 | 98 | 15 | 14 | 10 | 8 | 3 | 5 | 2 | 2 | 10 | 15 | 6 | 8 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
24. Медведь и другие | 854 | 98 | 20 | 15 | 10 | 8 | 2 | 4 | 2 | 5 | 3 | 17 | 9 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1457 | 98 | 23 | 12 | 9 | 8 | 1 | 4 | 2 | 6 | 7 | 13 | 8 | 5 | 0 | 3 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
29. Как экономят мышление с помощью мифических образов | 1117 | 97 | 22 | 10 | 15 | 10 | 1 | 7 | 3 | 3 | 3 | 15 | 5 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Из У. Блейка. Ответ Земли | 1699 | 96 | 19 | 12 | 12 | 9 | 3 | 5 | 2 | 3 | 4 | 15 | 9 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
25. Утильсырье | 867 | 96 | 19 | 15 | 9 | 8 | 6 | 4 | 4 | 5 | 4 | 12 | 8 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 |
среда обитания | 1603 | 96 | 17 | 15 | 10 | 11 | 1 | 3 | 2 | 5 | 6 | 9 | 9 | 8 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 |
Из У. Блейка. Ангел | 1429 | 95 | 20 | 11 | 11 | 7 | 2 | 6 | 2 | 7 | 8 | 11 | 5 | 5 | 0 | 1 | 1 | 1 | 0 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Мы и Они | 1696 | 95 | 11 | 16 | 11 | 8 | 2 | 5 | 3 | 5 | 5 | 15 | 9 | 5 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
рождество | 1413 | 94 | 14 | 18 | 10 | 10 | 2 | 4 | 1 | 5 | 6 | 11 | 10 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
жили-были... | 1520 | 93 | 18 | 15 | 7 | 11 | 1 | 6 | 2 | 4 | 7 | 10 | 9 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Понтий Пилат | 1304 | 92 | 17 | 17 | 11 | 8 | 3 | 4 | 3 | 5 | 1 | 12 | 5 | 6 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
пьяный двор | 1473 | 87 | 20 | 12 | 8 | 9 | 5 | 4 | 2 | 3 | 5 | 10 | 6 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"