| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
По разделу |
48682 | 759 |
13 |
79 |
95 |
89 |
84 |
84 |
63 |
61 |
44 |
46 |
44 |
57 |
0 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
4 |
8 |
7 |
4 |
2 |
2 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
4 |
2 |
3 |
3 |
3 |
3 |
2 |
2 |
3 |
2 |
4 |
3 |
5 |
3 |
3 |
4 |
2 |
2 |
6 |
Питер Уоттс "Ложная слепота" |
1504 | 310 |
3 |
28 |
53 |
24 |
35 |
38 |
30 |
41 |
18 |
22 |
11 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
5 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
6 |
Чайна Мьевиль "Посольский город" |
1370 | 236 |
2 |
26 |
25 |
33 |
32 |
42 |
13 |
12 |
9 |
8 |
12 |
22 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
Марло Морган, "Послание с того края земли" (1990) |
1432 | 212 |
1 |
22 |
33 |
30 |
35 |
26 |
20 |
14 |
6 |
6 |
6 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
Ясунари Кавабата, «мастер игры в го/мэйдзин/名人» (1951-1954) Япония |
1371 | 203 |
2 |
24 |
29 |
33 |
29 |
26 |
21 |
9 |
4 |
8 |
6 |
12 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
Обзор на триллер "Стрингер / Nightcrawler" (2013) Сша |
1078 | 193 |
0 |
22 |
41 |
25 |
28 |
19 |
14 |
17 |
7 |
8 |
7 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
4 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
Адам Нэвилл "Судные дни"(2012) |
1441 | 189 |
2 |
23 |
36 |
16 |
27 |
22 |
15 |
11 |
12 |
7 |
7 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
6 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
Артур Кларк "Свидание с Рамой" |
1354 | 179 |
0 |
17 |
38 |
16 |
22 |
25 |
15 |
11 |
5 |
9 |
6 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
Лиза Си, «снежный Цветок и заветный веер» (2005) |
1239 | 176 |
0 |
15 |
26 |
21 |
18 |
24 |
12 |
13 |
10 |
14 |
13 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
Олаф Стэплдон "Создатель звёзд" (1937) |
1327 | 176 |
2 |
20 |
26 |
18 |
28 |
19 |
16 |
8 |
13 |
8 |
10 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
Марк Леви, "Где ты?" |
1284 | 174 |
4 |
23 |
29 |
14 |
16 |
26 |
21 |
12 |
9 |
6 |
6 |
8 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
Обзор на драму "Всё ещё Элис / Still Alice" (2014) Сша, Франция |
1015 | 164 |
1 |
16 |
22 |
16 |
23 |
24 |
12 |
18 |
10 |
9 |
5 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
Глава первая - Боевая зона |
362 | 156 |
0 |
21 |
24 |
15 |
19 |
19 |
12 |
16 |
4 |
13 |
7 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Арчибальд Кронин "Ключи Царства" |
1216 | 156 |
4 |
18 |
30 |
16 |
22 |
23 |
14 |
11 |
5 |
3 |
5 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
Фредерик Бегбедер, "99 франков" (2000) |
1289 | 147 |
0 |
14 |
26 |
14 |
17 |
23 |
13 |
11 |
8 |
6 |
8 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
Жан Мари Леклезио, "Пустыня" |
1355 | 147 |
3 |
22 |
19 |
22 |
17 |
26 |
11 |
11 |
6 |
3 |
2 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Екатерина Казакова и Елена Харитонова, "Жнецы страданий" |
1415 | 146 |
2 |
11 |
21 |
19 |
15 |
18 |
16 |
14 |
6 |
6 |
5 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
Орбита 9 / Órbita 9 (2017) Испания, Колумбия |
810 | 146 |
1 |
18 |
20 |
23 |
16 |
21 |
12 |
9 |
3 |
6 |
4 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
Альберто Васкес Фигероа "Туарег" (1980) |
1263 | 145 |
3 |
21 |
19 |
14 |
16 |
20 |
15 |
8 |
6 |
5 |
7 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
Эрик Эммануэль Шмитт, "Ночь огня" |
1309 | 143 |
1 |
16 |
37 |
13 |
21 |
16 |
11 |
10 |
7 |
7 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Обзор на психологическую драму "Стена / Die Wand" (2011) Германия, Австрия |
971 | 142 |
1 |
9 |
24 |
19 |
14 |
25 |
8 |
14 |
7 |
8 |
5 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
Антон Первушин "Почтальон сингулярности" |
1514 | 141 |
0 |
29 |
26 |
12 |
13 |
23 |
12 |
9 |
2 |
8 |
0 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
8 |
6 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
Обзор на фантастическую драму Алексея Германа "Трудно быть богом" (2013) Россия |
946 | 137 |
0 |
18 |
23 |
14 |
22 |
20 |
9 |
11 |
2 |
9 |
1 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
Глава первая - Тесты |
323 | 135 |
3 |
16 |
20 |
16 |
18 |
19 |
18 |
14 |
2 |
2 |
3 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
Фредерик Бегбедер, «идеаль» (2007) |
1089 | 134 |
1 |
18 |
23 |
8 |
15 |
20 |
16 |
8 |
8 |
7 |
4 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
Наташа Кампуш, "3096 дней" |
1235 | 132 |
0 |
18 |
21 |
14 |
16 |
19 |
13 |
10 |
4 |
4 |
5 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
Чон Унён, «прощай, цирк» (2015) Южная Корея |
1157 | 132 |
5 |
11 |
21 |
14 |
20 |
21 |
7 |
12 |
4 |
4 |
5 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
Мика Валтари "Синухе - египтянин" |
1219 | 130 |
0 |
15 |
23 |
18 |
12 |
20 |
12 |
12 |
3 |
5 |
3 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Глава третья - Чпок-чпок! |
321 | 130 |
2 |
13 |
26 |
16 |
17 |
20 |
10 |
11 |
3 |
2 |
4 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
Обзор на музыкальную, психологическую драму "Одержимость / Whiplash" (2013) Сша |
932 | 127 |
3 |
22 |
23 |
10 |
13 |
17 |
11 |
12 |
2 |
5 |
1 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
7 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
Глава пятая - Смертные демиурги |
303 | 127 |
0 |
16 |
24 |
14 |
17 |
20 |
9 |
11 |
4 |
3 |
2 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
Бегущий по лезвию / Blade Runner (1982) Сша |
785 | 123 |
2 |
17 |
28 |
10 |
14 |
17 |
10 |
9 |
5 |
1 |
3 |
7 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
Мама! / mother! (2017) Сша |
788 | 123 |
0 |
10 |
18 |
17 |
20 |
21 |
8 |
13 |
2 |
2 |
3 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
Марина Степнова, «где-то под Гроссето» (2016) |
1202 | 120 |
1 |
18 |
19 |
14 |
12 |
16 |
11 |
8 |
5 |
5 |
4 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
Глава четвёртая - Вопросы требуют ответов |
274 | 120 |
2 |
22 |
23 |
14 |
14 |
15 |
6 |
10 |
0 |
3 |
5 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
О Чхунь Хи, «птица» (2008) |
1068 | 120 |
1 |
15 |
20 |
14 |
19 |
19 |
9 |
8 |
4 |
3 |
3 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
Дикая / Wild" (2014) Сша |
870 | 116 |
1 |
13 |
23 |
14 |
9 |
20 |
14 |
11 |
2 |
1 |
2 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
Глава шестая - Всегда есть рыба крупнее |
323 | 115 |
0 |
19 |
24 |
9 |
12 |
17 |
9 |
11 |
0 |
4 |
3 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
Обзор на фантастическую молодёжную драму "Матрица времени / Before i fall" (2017) Сша |
962 | 114 |
0 |
16 |
19 |
12 |
12 |
18 |
10 |
8 |
3 |
3 |
4 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
Сергей Попов "Суперобъекты. Звёзды размером с гор" |
1191 | 114 |
3 |
15 |
23 |
8 |
16 |
16 |
14 |
10 |
0 |
0 |
4 |
5 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Жан Мари Леклезио "Онича" |
1144 | 114 |
0 |
14 |
22 |
10 |
15 |
19 |
12 |
8 |
4 |
5 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
Мэри Роуч, "Обратной стороны космонавтики" |
1134 | 113 |
1 |
17 |
19 |
12 |
15 |
22 |
7 |
9 |
1 |
2 |
2 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Глава пятая - Счастье в Светящемся море |
259 | 113 |
2 |
18 |
20 |
11 |
9 |
15 |
11 |
11 |
3 |
3 |
5 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Глава четвёртая - Хочешь выжить, чувак? Заходи! |
278 | 113 |
3 |
16 |
22 |
16 |
14 |
12 |
7 |
11 |
0 |
5 |
4 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
Глава третья - За нами идут |
275 | 112 |
1 |
14 |
16 |
10 |
16 |
18 |
13 |
10 |
1 |
3 |
4 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
Глава вторая - В аду она уже была |
314 | 110 |
1 |
12 |
18 |
8 |
17 |
13 |
6 |
16 |
3 |
3 |
5 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Джеймс Хэрриот "О всех созданиях прекрасных и удивительных" (1974) |
1124 | 108 |
0 |
12 |
21 |
9 |
11 |
17 |
13 |
8 |
6 |
4 |
1 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Обзор на нелюбимую столь многим "Нелюбовь" Андрея Звягинцева (2017) Россия |
866 | 107 |
1 |
16 |
18 |
17 |
10 |
16 |
8 |
11 |
4 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
Виктория Борисова "Поезд следует в ад" (2006) |
1225 | 107 |
0 |
12 |
23 |
8 |
11 |
21 |
12 |
9 |
2 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
Обзор на фильм-катастрофу "Землятрясения" (2016) Армения, Россия |
878 | 104 |
1 |
12 |
20 |
9 |
18 |
15 |
11 |
6 |
4 |
0 |
4 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Глава вторая - Балаган |
278 | 103 |
1 |
14 |
19 |
10 |
10 |
16 |
11 |
14 |
1 |
1 |
1 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |