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Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | |
По разделу | 90630 | 2869 | 153 | 142 | 174 | 437 | 245 | 530 | 485 | 255 | 181 | 83 | 93 | 91 | 1 | 5 | 4 | 3 | 4 | 7 | 4 | 17 | 4 | 16 | 20 | 3 | 4 | 5 | 3 | 5 | 3 | 3 | 4 | 6 | 4 | 3 | 4 | 4 | 5 | 6 | 2 | 4 | 4 | 8 | 7 | 20 | 3 | 4 | 3 | 4 | 5 | 4 | 5 | 6 | 5 | 5 | 4 | 4 | 3 | 3 | 3 | 4 | 3 | 3 | 4 | 4 | 5 | 3 | 2 | 4 | 3 | 4 | 3 | 2 | 3 | 6 |
Сингулярность, Бессмертные Химеры и Прочие Издержки Неожиданных, Непредсказуемых и Утраченных Технологий | 609 | 609 | 31 | 32 | 20 | 28 | 34 | 464 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 2 | 1 | 2 | 3 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 |
Der Yuppie-Blues (written with the help of artificial intelligence) | 524 | 524 | 26 | 25 | 25 | 316 | 132 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 |
Tilapia as a Sacred Symbol | 2238 | 515 | 60 | 59 | 49 | 51 | 51 | 44 | 47 | 44 | 32 | 30 | 26 | 22 | 0 | 3 | 3 | 1 | 0 | 4 | 1 | 5 | 4 | 2 | 2 | 2 | 4 | 1 | 3 | 3 | 1 | 1 | 4 | 3 | 1 | 2 | 2 | 2 | 0 | 3 | 0 | 3 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 5 | 3 | 1 | 1 | 4 | 1 | 3 | 0 | 2 | 0 | 3 | 2 | 2 | 1 | 4 | 2 | 5 | 0 | 0 | 4 | 2 | 4 | 0 | 0 | 3 | 4 |
Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4450 | 424 | 35 | 39 | 33 | 35 | 37 | 39 | 36 | 53 | 29 | 30 | 27 | 31 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 5 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Попытки возрождения древнейших засекреченных технологий | 386 | 386 | 31 | 27 | 17 | 51 | 26 | 36 | 198 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 6 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 4 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 |
Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 614 | 382 | 36 | 27 | 29 | 52 | 34 | 53 | 36 | 42 | 28 | 13 | 20 | 12 | 0 | 2 | 1 | 0 | 3 | 7 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 |
Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 467 | 373 | 33 | 26 | 60 | 38 | 41 | 38 | 38 | 30 | 26 | 18 | 13 | 12 | 0 | 3 | 1 | 2 | 0 | 3 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
"Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 363 | 363 | 24 | 26 | 18 | 31 | 25 | 29 | 41 | 47 | 122 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Эти методы самоомоложения изначально открыты магом Абрахамом фон Вормсом | 361 | 361 | 24 | 28 | 26 | 31 | 29 | 39 | 184 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2888 | 349 | 35 | 28 | 29 | 22 | 42 | 40 | 40 | 42 | 25 | 29 | 9 | 8 | 0 | 2 | 3 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 |
Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1717 | 346 | 33 | 30 | 23 | 34 | 31 | 49 | 42 | 33 | 20 | 27 | 10 | 14 | 0 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 745 | 331 | 36 | 51 | 27 | 39 | 19 | 41 | 28 | 28 | 18 | 16 | 12 | 16 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 3 | 4 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 4 | 1 | 0 | 3 | 0 | 2 | 3 | 4 | 0 | 5 | 1 | 0 | 1 | 1 | 4 | 3 | 3 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 3 |
Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1874 | 323 | 34 | 41 | 13 | 52 | 20 | 39 | 38 | 33 | 18 | 17 | 10 | 8 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 4 | 5 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
La Pasiega Cave | 1308 | 315 | 25 | 36 | 15 | 31 | 31 | 32 | 41 | 36 | 20 | 13 | 13 | 22 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 2 |
Секреты мага фон Вормса, доктора Хартлиба и доктора Видеманна или колдовская мазь "unguentum morphosis" | 388 | 314 | 25 | 28 | 21 | 49 | 22 | 39 | 36 | 24 | 20 | 19 | 16 | 15 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 1 |
Wünsche und Metamorphosen | 314 | 314 | 25 | 23 | 19 | 25 | 30 | 44 | 34 | 114 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 4 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 1155 | 310 | 37 | 33 | 18 | 35 | 29 | 36 | 35 | 33 | 25 | 9 | 12 | 8 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 4 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 |
Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 308 | 300 | 26 | 29 | 24 | 39 | 19 | 37 | 25 | 29 | 22 | 22 | 12 | 16 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
Unguentum Morphosis | 296 | 296 | 23 | 39 | 20 | 18 | 21 | 37 | 138 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 4 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | |
2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 664 | 294 | 22 | 29 | 20 | 31 | 34 | 33 | 27 | 31 | 20 | 17 | 16 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 2 | 0 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Kandinsky | 1578 | 294 | 30 | 41 | 18 | 25 | 20 | 34 | 35 | 31 | 22 | 19 | 9 | 10 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 4 | 3 | 3 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 |
Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 782 | 290 | 26 | 29 | 17 | 34 | 23 | 36 | 55 | 24 | 19 | 13 | 9 | 5 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
От Абстракционизма (Беспредметности) к Панпсихореализму | 1086 | 287 | 19 | 34 | 19 | 48 | 17 | 34 | 36 | 33 | 19 | 13 | 10 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 1 | 1 | 1 | 1 | 2 | 4 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Агрегатор Панпсихизма | 1127 | 283 | 24 | 35 | 25 | 41 | 20 | 29 | 25 | 33 | 21 | 9 | 9 | 12 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 3 |
Художник-Панпсихореалист Александр Амелькин | 1020 | 283 | 22 | 31 | 23 | 48 | 26 | 29 | 31 | 25 | 18 | 11 | 11 | 8 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 458 | 282 | 30 | 43 | 21 | 17 | 19 | 39 | 27 | 29 | 21 | 16 | 13 | 7 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 3 | 3 | 2 | 3 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 |
Geheimnisse der weißen Magie und Hexereitechnologien: unguentum morphosis | 459 | 281 | 27 | 30 | 17 | 34 | 24 | 31 | 35 | 23 | 21 | 11 | 15 | 13 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 636 | 281 | 24 | 38 | 23 | 40 | 41 | 31 | 22 | 20 | 23 | 8 | 7 | 4 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 2 | 2 | 3 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 |
"Голос Вселенной" - подражание Кандинскому | 1602 | 280 | 25 | 32 | 17 | 29 | 49 | 30 | 25 | 29 | 16 | 11 | 14 | 3 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 |
Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 881 | 280 | 24 | 31 | 24 | 31 | 22 | 27 | 30 | 32 | 18 | 20 | 15 | 6 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 |
Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 2208 | 278 | 25 | 32 | 19 | 45 | 29 | 37 | 34 | 19 | 14 | 9 | 6 | 9 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 |
Предупреждение: карается законом! | 286 | 277 | 23 | 21 | 16 | 37 | 23 | 47 | 28 | 19 | 15 | 14 | 17 | 17 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Философия панпсихореализма и панпсихореалистическая культура | 629 | 277 | 30 | 27 | 16 | 40 | 15 | 30 | 50 | 31 | 16 | 11 | 6 | 5 | 0 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
Вода | 1096 | 276 | 25 | 24 | 24 | 33 | 23 | 37 | 27 | 33 | 21 | 10 | 14 | 5 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 |
Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1287 | 275 | 23 | 33 | 25 | 31 | 38 | 27 | 20 | 26 | 16 | 13 | 13 | 10 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Doktor Hartlieb | 354 | 275 | 18 | 29 | 17 | 30 | 22 | 33 | 31 | 27 | 31 | 11 | 15 | 11 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 |
Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 638 | 274 | 33 | 27 | 19 | 38 | 22 | 22 | 26 | 34 | 16 | 17 | 10 | 10 | 0 | 4 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
"Кандинский" / "Kandinsky" | 1241 | 274 | 24 | 33 | 24 | 31 | 20 | 30 | 22 | 36 | 27 | 10 | 9 | 8 | 0 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 |
Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 273 | 273 | 22 | 26 | 22 | 30 | 25 | 28 | 21 | 22 | 19 | 14 | 13 | 31 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | |
Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 919 | 272 | 22 | 33 | 26 | 36 | 17 | 36 | 29 | 22 | 17 | 18 | 11 | 5 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 4 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 4 |
Панпсихореализм / Panpsychorealism | 923 | 271 | 25 | 30 | 19 | 27 | 38 | 24 | 24 | 27 | 15 | 19 | 16 | 7 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 |
От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 1128 | 271 | 30 | 32 | 29 | 28 | 26 | 31 | 24 | 23 | 23 | 12 | 7 | 6 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1600 | 270 | 20 | 21 | 23 | 45 | 29 | 30 | 23 | 30 | 21 | 13 | 8 | 7 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 |
The topic of white magic sessions in the 15th century is completely classified | 316 | 269 | 24 | 27 | 23 | 30 | 35 | 33 | 25 | 30 | 17 | 6 | 9 | 10 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 |
Сюжет (синопсис) фильма "Hartlieb" | 409 | 268 | 39 | 33 | 21 | 25 | 25 | 26 | 33 | 16 | 23 | 11 | 9 | 7 | 0 | 2 | 2 | 1 | 0 | 0 | 4 | 17 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 |
Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 490 | 267 | 22 | 39 | 17 | 47 | 26 | 26 | 25 | 28 | 15 | 8 | 8 | 6 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 6 | 1 | 2 | 3 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 |
Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 412 | 266 | 24 | 25 | 22 | 16 | 17 | 32 | 30 | 26 | 35 | 22 | 9 | 8 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 |
Вода | 1005 | 265 | 22 | 31 | 16 | 35 | 28 | 31 | 26 | 33 | 20 | 7 | 10 | 6 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 722 | 265 | 19 | 42 | 17 | 32 | 24 | 33 | 28 | 25 | 15 | 10 | 11 | 9 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 5 | 2 | 3 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 |
Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 1047 | 259 | 22 | 37 | 24 | 31 | 21 | 28 | 24 | 25 | 19 | 9 | 10 | 9 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 2 | 3 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 2 |
Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 511 | 259 | 22 | 37 | 17 | 45 | 30 | 22 | 26 | 18 | 19 | 11 | 4 | 8 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 2 |
Радио Войнич М - Radio Voynich M | 463 | 258 | 21 | 29 | 16 | 28 | 24 | 29 | 31 | 29 | 14 | 17 | 9 | 11 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 |
Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1249 | 254 | 31 | 34 | 13 | 39 | 24 | 23 | 22 | 25 | 16 | 13 | 8 | 6 | 0 | 4 | 3 | 0 | 0 | 0 | 3 | 1 | 2 | 3 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 |
Wish ist the Essence of Life / Wunsch kann alles bewirken: Wunsch ist Essenz des Lebens | 252 | 252 | 19 | 29 | 19 | 21 | 115 | 49 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 |
Манускрипт Войнича написал Абрахам Вормсский | 368 | 252 | 22 | 24 | 20 | 27 | 41 | 26 | 32 | 23 | 17 | 9 | 5 | 6 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 |
Настройка механизма исполнения желаний | 252 | 252 | 23 | 22 | 15 | 32 | 20 | 29 | 42 | 69 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 |
Неандертало-Препротобаскская Водная Цивилизация и Современность | 981 | 251 | 19 | 34 | 21 | 27 | 20 | 25 | 34 | 31 | 13 | 11 | 7 | 9 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 5 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 726 | 249 | 19 | 32 | 18 | 27 | 24 | 33 | 30 | 19 | 18 | 12 | 9 | 8 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 |
Предпатентный Отчёт | 996 | 249 | 24 | 43 | 15 | 41 | 16 | 25 | 23 | 22 | 11 | 14 | 8 | 7 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 5 | 2 | 3 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | |
Тот самый шоколад из детства, тот самый чарующий аромат! | 972 | 249 | 24 | 30 | 26 | 27 | 19 | 32 | 27 | 22 | 19 | 10 | 8 | 5 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 3 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 3 |
Машуня | 1315 | 249 | 22 | 29 | 26 | 28 | 20 | 33 | 22 | 21 | 16 | 14 | 11 | 7 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 |
Сильное Желание Улучшает Генетику! | 258 | 248 | 21 | 26 | 21 | 26 | 21 | 33 | 25 | 17 | 20 | 11 | 12 | 15 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 4 |
Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 358 | 247 | 22 | 31 | 14 | 22 | 26 | 30 | 25 | 29 | 19 | 13 | 9 | 7 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 5 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 5 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 |
Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 811 | 247 | 20 | 31 | 18 | 38 | 23 | 28 | 25 | 21 | 21 | 6 | 11 | 5 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 4 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 776 | 246 | 24 | 28 | 30 | 21 | 24 | 29 | 24 | 27 | 18 | 7 | 7 | 7 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 |
Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 904 | 246 | 24 | 22 | 18 | 38 | 25 | 36 | 30 | 17 | 16 | 9 | 6 | 5 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Василий Васильевич Кандинский (Wassily Kandinsky) | 1259 | 246 | 24 | 31 | 21 | 20 | 20 | 26 | 23 | 25 | 24 | 13 | 10 | 9 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 |
Утренний Кофе для Карманной Чёрной Дыры | 2156 | 246 | 23 | 30 | 14 | 37 | 24 | 27 | 20 | 25 | 21 | 7 | 8 | 10 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Изгнание из Рая | 605 | 245 | 17 | 29 | 23 | 38 | 18 | 31 | 22 | 25 | 20 | 6 | 11 | 5 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 |
Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 1164 | 244 | 21 | 29 | 19 | 25 | 23 | 35 | 18 | 24 | 16 | 11 | 17 | 6 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 4 | 2 | 0 | 2 | 2 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 242 | 242 | 19 | 34 | 15 | 31 | 22 | 29 | 20 | 23 | 22 | 17 | 10 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
Тайна Рукописи Войнича раскрыта | 336 | 242 | 18 | 32 | 18 | 32 | 17 | 30 | 22 | 28 | 14 | 12 | 10 | 9 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 6 |
В начале был Образ... | 739 | 239 | 20 | 30 | 22 | 30 | 21 | 25 | 24 | 29 | 13 | 12 | 8 | 5 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 |
In Secret Archives there are several Voynich Manuscripts | 295 | 239 | 23 | 22 | 20 | 20 | 25 | 33 | 26 | 25 | 14 | 14 | 9 | 8 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 4 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 239 | 239 | 18 | 25 | 14 | 29 | 24 | 29 | 23 | 29 | 16 | 8 | 24 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 4 |
Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 949 | 237 | 31 | 44 | 17 | 25 | 19 | 28 | 15 | 24 | 13 | 10 | 8 | 3 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 4 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 2 | 1 | 5 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 3 |
Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 922 | 237 | 27 | 27 | 20 | 35 | 20 | 30 | 19 | 22 | 13 | 11 | 7 | 6 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2313 | 235 | 23 | 28 | 17 | 35 | 22 | 26 | 22 | 24 | 14 | 13 | 6 | 5 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 |
Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 704 | 234 | 26 | 25 | 22 | 36 | 21 | 25 | 16 | 25 | 15 | 11 | 6 | 6 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | |
Die Geschichte präsentiert eine Zusammenfassung von drei mysteriösen Manuskripten | 234 | 234 | 19 | 21 | 17 | 23 | 21 | 30 | 37 | 66 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 |
Проект Спасения Человечества | 1256 | 234 | 21 | 26 | 18 | 21 | 23 | 30 | 19 | 30 | 15 | 10 | 14 | 7 | 0 | 4 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 |
Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 814 | 233 | 21 | 29 | 17 | 26 | 18 | 33 | 30 | 18 | 19 | 9 | 7 | 6 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 |
Системный подход в искусстве и истории | 350 | 233 | 23 | 20 | 13 | 36 | 33 | 25 | 20 | 21 | 22 | 10 | 5 | 5 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 1076 | 232 | 21 | 24 | 19 | 29 | 25 | 25 | 23 | 26 | 16 | 10 | 8 | 6 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
Der Yuppie-Blues | 866 | 232 | 20 | 29 | 16 | 34 | 21 | 27 | 26 | 20 | 15 | 9 | 7 | 8 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 2 | 3 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 308 | 228 | 33 | 24 | 12 | 23 | 22 | 28 | 19 | 25 | 18 | 11 | 8 | 5 | 1 | 4 | 1 | 0 | 3 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
Hoax | 284 | 227 | 24 | 23 | 14 | 26 | 20 | 29 | 24 | 22 | 15 | 11 | 10 | 9 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 244 | 225 | 15 | 26 | 18 | 26 | 16 | 33 | 21 | 23 | 14 | 12 | 7 | 14 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
"Панпсихореализм" / "Panpsychorealismus" | 967 | 224 | 24 | 23 | 21 | 17 | 19 | 26 | 21 | 22 | 24 | 4 | 10 | 13 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 |
Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 524 | 222 | 24 | 31 | 15 | 21 | 21 | 24 | 20 | 31 | 17 | 8 | 5 | 5 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 4 | 3 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 |
Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 221 | 221 | 29 | 18 | 18 | 32 | 15 | 28 | 30 | 51 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 1016 | 221 | 19 | 23 | 11 | 36 | 18 | 23 | 24 | 29 | 15 | 9 | 10 | 4 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 |
К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 220 | 220 | 21 | 22 | 14 | 31 | 20 | 32 | 18 | 39 | 23 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 |
"Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 975 | 220 | 22 | 25 | 15 | 12 | 27 | 29 | 22 | 23 | 18 | 13 | 7 | 7 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 |
Различные формы нло (ufo) с точки зрения панпсихореализма | 767 | 218 | 20 | 23 | 15 | 22 | 23 | 26 | 25 | 20 | 17 | 11 | 11 | 5 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 |
Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 786 | 217 | 22 | 25 | 16 | 24 | 19 | 25 | 20 | 24 | 17 | 8 | 11 | 6 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 901 | 216 | 20 | 19 | 14 | 27 | 19 | 28 | 22 | 26 | 21 | 7 | 7 | 6 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 705 | 212 | 22 | 21 | 14 | 29 | 17 | 25 | 18 | 26 | 12 | 13 | 8 | 7 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 517 | 212 | 22 | 26 | 17 | 21 | 22 | 26 | 26 | 18 | 14 | 6 | 7 | 7 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | |
Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1444 | 212 | 22 | 32 | 17 | 18 | 18 | 22 | 22 | 22 | 14 | 11 | 7 | 7 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Das Voynich-Manuskript | 269 | 203 | 19 | 28 | 14 | 20 | 18 | 25 | 23 | 18 | 17 | 8 | 7 | 6 | 1 | 5 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 4 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 |
К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 497 | 200 | 17 | 27 | 15 | 24 | 20 | 18 | 17 | 24 | 16 | 11 | 8 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 5 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 869 | 196 | 18 | 24 | 13 | 26 | 16 | 27 | 21 | 19 | 13 | 8 | 7 | 4 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 5 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Информация о владельце раздела | 2350 | 180 | 16 | 23 | 17 | 11 | 22 | 20 | 23 | 17 | 16 | 8 | 5 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
"Essenz" - произведение, сочетающее литературные, музыкальные и философские элементы, основанное на концепции Panpsychorealismus (панпсихореализм) | 165 | 165 | 23 | 28 | 85 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 4 |
Der Yuppie-Blues 2025 | 161 | 161 | 25 | 28 | 13 | 95 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Kulturelle Trends im Jahr 2030 (Kunst, Musik, Mode) / Ich habe den Schmerzen-Blues endlich fertiggestellt | 129 | 129 | 24 | 39 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 4 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 4 |
The basis of changes in the body is desire (wish), reinforced by anti-desire (anti-wish) | 112 | 112 | 24 | 24 | 12 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Radio | 91 | 91 | 53 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 3 | 4 | 3 | 5 | 6 | 0 | 2 | 3 | 8 | 7 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Film Project About The Object 3i/atlas | 44 | 44 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 0 | 2 | 2 | 3 | 4 | 5 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
История одной переписки | 41 | 41 | 41 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 4 | 6 | 4 | 5 | 1 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Essenz | 31 | 31 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 4 | 1 | 2 | 1 | 15 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"