A cosmic catastrophe has created a tunnel in time and space, linking civilizations. Through it, the chosen few enter other worlds, transforming them. But the chosen one renounces his destiny. What prompted him to do so? Who is he, Evgeny Kromlekh? A scholarly linguist, an ancient Mayan emperor, a time-bending magician, or an alien being in human form? And who is really writing the Fourth Codex?
• The Fourth Code
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◦ Synopsis (spoilers)
The Fourth Code
1
Prologue
The solar system, 65 million years ago
A monster, like a shaggy serpent engulfed in flames, appeared in the sky of a small, inhabited planet—the fourth from the Sun. In reality, it was a mountain-sized rock core, covered in a thick layer of ice, followed by a gigantic cloud of frozen gases and dust, and behind it all, a glowing, fluffy tail. In short, it was a comet.
When it came into contact with the planet's electromagnetic field, the latter attempted to push back the aggressor, but its strength was only enough to shatter it. One cosmic boulder slipped from the planet's gravitational grasp and, changing trajectory, flew on—its target was elsewhere in the solar system. The second, already in the planet's atmosphere, disintegrated into fragments, swarming into the southern hemisphere.
It was like a shotgun blast at point-blank range. It slowed the planet's orbit, stripping away most of its atmosphere. All life on the surface suffocated almost immediately. The ocean in the northern hemisphere erupted into space in colossal geysers, and what remained quickly froze. As did all other bodies of water.
This is how this world was killed and flayed...
But the catastrophe also had consequences in another, invisible world of cosmic energies.
Part One
The Way of the Warrior
Ilona Maksimovna Linkova-Delgado. Mexico. Chichen Itza. December 20, 2028
Ilona flew through flooded stone corridors. Her journey was precisely that: flight. Or, at least, floating in zero gravity. She'd never experienced zero gravity, but she assumed that's what it felt like to experience the absence of any pressure.
The movements were performed by a single will, as if the overbearing force of gravity had vanished. The brain commanded the hand to rise—and there it was, suspended in the air without exerting the slightest effort.
Ilona Maximovna seemed to have shaved at least thirty years off her age. But in the air, her 72 years were clearly present. With a fleeting tinge of irritation, she recalled how she had tried to persuade the expedition leader to let her scuba dive. At first, he wouldn't listen, but Ilona was a persistent one. True, she had to sign a paper in Spanish first, accepting full responsibility. They remembered a tragic incident that had happened many years earlier to another elderly Russian scientist...
If Antonio had lived, she wouldn't have had to endure such humiliation—no one doubted he would have been the first to do it. But now she herself had to swim half a kilometer underground through stalactite-covered corridors. For Tony. For...
The beams of the two flashlights on her helmet picked out a rocky outcrop covered in algae, a strange whitish cave fish, or pottery shards on a mound of sedimentary rock. There was plenty of such treasure here—when the millennia-old layers of silt had finally been sucked out of the bottom of the Sacred Cenote, all sorts of things had been found there... But nothing could be taken here, only examined and described. So the professor merely glanced at the broken sacrificial jar—she had a far more pressing goal at the moment.
She turned to the volunteer diver swimming behind her, pulling the guide rope. She caught herself expecting to see Antonio instead—she was much better at scuba diving than he was and usually led the dives. However, the thought of her husband, who had died two years ago, was fleeting again. Unlike thoughts of another man. They were suppressed and hidden, but Ilona was constantly aware of their presence and couldn't, and probably didn't want to, get rid of them.
Seeing the boss looking at him, the volunteer showed her a ring of his fingers—everything was OK. She pointed to the right—that was where the recently discovered passage to the caves under the silt should be.
Yes, there it was—a narrow gap in the shimmering water. When the silt was removed, it turned out the passage had been sealed shut by the ancient Mayans. It had been opened just the other day. Ilona wasn't claustrophobic, but as she squeezed through, trying not to knock her oxygen tank off the rocky outcroppings, she felt uneasy. The vaulted ceiling overhanging her, and she knew that above lay a thick layer of limestone, and beyond that, a thick blanket of water stretched upward.
“Like being thrown into a coffin alive...” flashed a panicked thought.
"Stop, stop, it will soon be over. Soon I will be where no one has been for fifteen centuries."
"Except maybe..."
And then panic overtook her. The light from the flashlights, flickering and pitiful in the suddenly thickening darkness, revealed the jagged grin of a greenish skull...
The horror didn't last long, though—she'd seen plenty of that sort of thing. It was just unexpected, the skull so perfectly preserved, the angle and lighting giving it an eerie hue... But it was just the skull of some poor wretch, dumped here centuries ago as a sacrifice to Chac, the god of rain and corn.
Ilona, with some difficulty but with precision (she still hadn't lost her skills), slowed down and carefully examined the bone vessel that had once held someone's personality. Yes, an Indian... And the skull was intact. And the one she'd been afraid to see, but secretly longed to see, should have had a large dent in the forehead from an old injury.
"Ilona, stop it," she scolded herself. "He's not here. He wouldn't have found this passage. Back then, all this was under a thick layer of silt. Lots and lots of heavy silt..."
Yes, now she was beyond the Sacred Cenote of Chichen Itza. These caves could be connected by passages to others, and those to still others. And so it was beneath the entire northern Yucatan Peninsula, pitted from within like a giant wheel of cheese by mice. Flooded caves emerged as cenotes, wells from which the Mayans had long drawn water. And which they worshiped. Which is not surprising—without underground water, their fantastical jungle cities would not have risen.
The EVK understood this half a century ago, when almost no one considered the significance of this vast underground hydrosystem. In fact, it was a sacred river, playing the same role for the Mayan civilization as the Nile did for the Egyptians. And just as the earthly Nile was a reflection of the astral Nile for the Egyptians, so the Yucatan underground was for the Maya a reverse reality, a manifestation of Xibalba, the kingdom of the dead. And, of course, an entrance to it.
“There was nothing yet connected, nothing could make a noise, there was nothing that could move, or tremble, or make noise in the sky.
There was nothing that existed, that could have existence; there was only cold water, a calm sea, lonely and quiet. Nothing existed.
In the darkness, in the night, there was only stillness, only silence."
Ilona didn't know whether she was reproducing these lines of K'iche' in her mind, or whether they were emanating from the silvery walls in the lantern light, seeming like portals into the unknown. It no longer mattered. She had crossed the line separating the human world from the spirit world. Everything around her announced it. The view revealed by the lantern beams was surreal. Some incredible chemical reaction, or perhaps the influence of otherworldly forces in time immemorial, had transformed the stalactites here into something resembling stone bells. They appeared everywhere in her field of vision—large and small, tiny and gigantic, nested within one another, hanging like monstrously beautiful garlands. It was a kind of aesthetic madness, a moment of horror and rapture on the border between the utterly beautiful and the inexpressibly nightmarish.
Bubbles of exhaust air accumulated under the ceiling and scattered across it like mercury, in shiny balls, adding a fantastical quality to the atmosphere.
“The other side of the world,” flashed through Ilona’s mind.
The entrance hall of Xibalba, the "Cold Staircase," leads into a world of alien cosmic forces, into boundless, icy spaces where the gods dance eternally with the stars...
The passages grew narrower, almost impassable in places. Several times, Ilona suppressed the internal scream that she couldn't go any further, that she would remain here forever, stuck between the rocks, turning into one of the many human skeletons here. But a volunteer swam behind her, and with him—she hoped—was a spool of rope that would lead them out of this insane place if anything happened.
However, the scientist's sober mind and the archaeologist's excitement gradually overcame his irrational fears. Unless they had taken a wrong turn, they should already be near the Great Pyramid of Kukulkan. About twelve years ago, a tomograph had confirmed a long-held suspicion: beneath the great step pyramid known to the world, another, much smaller and older one, lay hidden. In fact, a third—the second inner pyramid—was built above it. In other words, the entire pyramid was a kind of "matryoshka doll." And beneath it, under twenty meters of limestone, lay an underground lake, connected by a cave system to the Sacred Cenote.
A little later, a sealed passage from above to the inner pyramid was discovered, but it was never opened for fear of causing irreparable damage to the monument. But if you "dive" underneath... People in the early seventh century CE could not have been unaware of the lake when they built the first pyramid over it. And perhaps it had an outlet—a kind of twin of the Sacred Cenote. If so, it would seem likely that the first pyramid was built directly over this well—a common practice among the Mayans. Kukulkan is generally associated with water and the god Chac. In short, it's possible that the inner pyramid can be accessed through the well.
Tony—Don Antonio Delgado, who had proven the existence of a network of caves from the Sacred Cenote to the underground lake—dreamed of being the first to enter. Of course, he did so with his Russian wife, a student of the great EVK, Evgeny Valentinovich Kromlekh, who had deciphered Mayan writing and thereby become a national hero in Mexico and other Mesoamerican states. Ilona, too, was eager to penetrate the inner pyramid—but not solely out of a desire for scientific discovery...
Don Antonio died of cancer in a Mexico City hospital. And she was already so close to her goal...
Of course, her hopes were illusory—she knew it intellectually. There was no chance of solving a riddle in the watery labyrinths that was not fourteen centuries old, but merely thirty-eight years old. But something inexpressible, something shamelessly illogical, drove her, so level-headed, even a little dry, forward along the terrifying paths of Xibalba.
She never even considered that her husband's calculations might be wrong and there might be no underground exit to the pyramid. Or that they might be carried off into other caves, unknown to anyone yet. So, they'd return by rope—there was enough air for the return trip. But that would be so sad...
Forward!
The passage suddenly opened, the constricting walls vanished. All around, above and below, the lanterns illuminated only the rippling water, awakening from a thousand-year slumber, disturbed by the uninvited guests. It was as if the swimmers had escaped the confines of their mother's womb—not into bright light, but into impenetrable darkness. Ilona recalled that, according to Mayan belief, all people emerged from a cave, which symbolized the birth canal. And the Mayans called the waters of cenotes "virgin."
"Only the Creator and the Maker, Tepeu and Kukumatz, the Great Mother and the Great Father, were in the endless waters. Yes, they were there, hidden beneath green and blue feathers, and that is why they were called Kukumatz.
This is how the sky existed, and there was the Heart of Heaven - this is the name of God and this is how He was called.
Then His Word came. It came to Tepeu and Kukumatz, who were gathered together in the darkness, in the night, and Tepeu and Kukumatz spoke with It. And so they spoke, discussing and consulting; they agreed with one another, they united their words and their thoughts.
And while they were thinking, it became clear to them that at the coming of dawn a man must also appear."
Rhythmic phrases from the Mayan creation epic, the Popol Vuh, flashed and shimmered in the light of the lanterns around her. Ilona entered the pristine waters and was born again.
For a moment she lost her bearings, but then she pulled herself together. The world could be born now in this strange place, but she herself could die if she lost her grasp of the laws of space.
She pointed upward at her partner—they needed to find a way out. The guy gave the OK sign again. The rope was still trailing behind him.
Ilona began the climb cautiously. The surface of the underground lake could be far away, so she had to be careful of the caisson.
In the murky, sediment-laden waters, even the light from the flashlights was of little help. The ascent seemed to go on forever. She began to doubt she was actually rising—perhaps, on the contrary, she was slipping and slipping downwards, into the bottomless abyss. At some point, her ears began to pop, and she automatically performed the required procedure: she pressed the mask to her nose and swallowed. Her ears relaxed. And then her head emerged above the surface of the lake.
Ilona picked up the flashlight and began to carefully examine the cave ceiling. It seemed... yes, there it was, the cenote's exit—a black spot among the ghostly stalactites. Thank God they hadn't walled it up when the temple was built. Hopefully, it leads to the inner pyramid. But we still have to get there.
Although, in reality, this expedition was only meant for reconnaissance. No one thought Ilona intended to climb up to the pyramid herself. However, she was determined to do just that.
The boy, whose head had just broken the surface, also began shining his flashlight, but along the walls—searching for a rock to hook the rope onto. Ilona followed the darting circle of light.
"Stop! What's that?" she suddenly cried out.
The voice in the darkness sounded muffled and eerie, but the mystical experiences no longer affected the venerable scientist. She began shining her light in the same direction where something resembling... had just flashed.
Yes, that's right - a series of roughly hewn steps could be discerned from the water's edge in the sloping limestone walls.
It seemed like a miracle, but there was no time to ponder it. Perhaps the steps had been used in ancient times for sacred rites. Or to draw water. Who knows what for...
She climbed out of the water onto a wide, flat ledge, to which the boy had already attached a rope. The steps led from there, their row lost in the darkness.
“I’m going up,” Ilona declared decisively and coldly, as best she could.
The guy shook his head and muttered something in protest in Spanish. But it was impossible to argue with the professor's mistress. She freed herself from her tanks and mask, took off her fins, leaving her boots on, adjusted her helmet and headlamps, and began her ascent.
Shocked by the madness of the senior, the boy remained to cover the rear.
She didn't think about the mortal danger she was in, or that at her age she shouldn't be climbing those slippery, mossy steps. None of that mattered—she was going where she needed to go; that was her purpose now.
The climb, however, turned out to be surprisingly easy. The steps were carefully hewn—the staircase cut deep into the limestone. Recalling the rock-climbing skills she'd acquired in her youth and trying to forget about her osteochondrosis and arthrosis, Ilona pressed herself against the wall with all her might, often using her arms to help herself, and sometimes clinging to tree roots that had broken through the rock, reaching for the underground water.
"There was nothing that existed that could have existence..."
There was darkness above and below, pierced only by the lantern light. Ilona had no idea how much longer she had to go. She couldn't see where she'd come from or where she was heading. Perhaps she'd be climbing forever, having carelessly fallen into a Mayan hell. For some reason, the prospect didn't particularly frighten her.
But then the lanterns revealed something new ahead—a narrow passageway with steps leading down. And it wasn't a well opening—it was clearly something man-made. The steps rose steeply upward, into impenetrable darkness.
Ilona didn't hesitate for a moment. "Cold stairs," she thought, and squeezed into the passage.
A person larger than her simply couldn't have fit through here. It was essentially a long stone pipe. Moreover, it was very winding—turns followed one another.
"Like a snake," Ilona thought, and immediately realized that it was indeed so. The Mayans built similar serpentine passages in tombs to communicate with the deceased. And here, the pipe was obviously intended to allow the deceased to freely communicate from their sarcophagus with the underworld.
So she moved in the belly of the serpent to the tomb.
Actually, here she is.
With another hard shove, nearly tearing her wetsuit on the wall ledge, Ilona suddenly felt the room expand. She took one of the flashlights from her helmet and shone it in all directions. The terrifying visage of a mad demon grinned right at her.
The jaguar god... And here are Bolon-ti-ku—the nine gods of Xibalba. Bolon Yokte—the god of the planet Mars, the "bringer of misfortune," the destroyer of the established order. Of course, there's the Feathered Serpent Kukulkan—where would we be without him? Beautifully executed bas-reliefs. And many inscriptions; in the dark, it's difficult to decipher the meaning of the hieroglyphs; that's later...
But where is the sarcophagus?
She once again scanned the room with the flashlight. It turned out to be quite large—at least five or six meters long and three or four meters wide, with a characteristic Mayan vaulted ceiling. Everything was constructed of enormous stone blocks. On the floor were shards, even, it seemed, intact vessels. Fragments of statues. The alabaster face of a young man looked mournfully at Ilona.
"Interesting," she thought. "An obvious substitute for human sacrifice."
And here is the master of the crypt himself, the halach-vinik—the Great Man. The king of the city, or rather, the one we designate by that word—for lack of a better word.
And he is not in a sarcophagus.
The skeleton lay on a half-rotted mat thrown directly onto the stone floor, which the archaeologist's experienced eye recognized as the skin of a jaguar. The bones, red from the ritual cinnabar with which the body was covered, were strewn with thousands of greenish beads of jade, a metal prized by the Mayans above gold. These were from the necklaces and bracelets that had adorned the corpse. Other items—plates, pendants... So much of it, it would have taken months just to describe and draw up a burial plan...
A discovery of terrifying power, equal to the burial in the Temple of Palenque. But for some reason, the professor felt no elation—only a vague sense of unease and a strange sorrow...
The flashlight beam shone directly on the buried man's greed mask. Ilona stared, disbelieving, at the green, reptilian face. It wasn't the mask—she'd seen similar ones before. It was the face itself...
Sternly drawn eyebrows under a high forehead, deep-set huge eyes, a hard line of the mouth, a nose that is prominent, but does not extend onto the forehead, as in many Mayan images...
"This is it!.."
"No, that's nonsense," she breathed out.
There was no way this could be true. She was simply succumbing to pareidolia, like those lunatics who see a face on Mars. But she saw in the death mask of a Mayan ruler the face she wanted to see more than anything else.
Yes, the Mayans gave such masks a portrait-like likeness of the deceased, and they did it magnificently. But this... Nonsense, just a play of light and shadow.
And then Professor Linkova-Delgado committed a crime—against the science of archaeology and the laws of the United Mexican States. She did it impulsively, without even thinking about what she was doing—she simply couldn't help herself. Gripping the flashlight between her teeth, she carefully, with both hands, lifted the mask.
A soft, croaking sound erupted. Ilona heard it from the side, but it was her own. It was a suppressed cry of terror.
On the left side of the enormous frontal bone, there had been a healed depressed fracture during life. Ilona could imagine perfectly well what it would look like on a living head—after all, she had seen it on a living head...
Zhenya Kromlekh. USSR. Leningrad. August 1937
...The separated stone brother of the killer of the fourth planet from the Sun flew on and encountered the rounded surface of another planet, the third from the Sun. It was larger and also bubbling with life...
- Your dad is an enemy of the people! Enemy of the people! Enemy of the people!
Seven-year-old Zhenya's eyes were filled with tears—the face of Kolya, the neighbor boy, who was angrily yelling at him, was a disturbing, twitching blur. But then, after the insult, rage followed. No one should attack Dad! Even though he was taken away by strangers in the night, his mother has been crying constantly ever since, often leaving him and his four brothers with a nanny while she goes away for long periods.
Kolka was a year older and much larger, but Zhenya, growling, lunged at him and knocked him down onto the dirty asphalt of the St. Petersburg courtyard. The boys rolled all over him like cats in a fight.
"Daddy's not an enemy, not an enemy, not an enemy!" Zhenya shouted, furiously pumping his fists.
He already had a premonition of victory when Kolka, lying beneath him and screaming at the top of his lungs, felt for a stone and hit Zhenya hard in the forehead...
...The space boulder, without thinking, smashed headlong into the atmosphere of the planet it encountered. It was incapable of reasoning, nor of foreseeing the consequences. Specifically, its own disappearance. For in the atmosphere, it ceased to exist as a whole, shattering into thousands of fragments. These fragments, however, struck the planet with terrible force. The bulk of them fell in the area of a peninsula jutting out into a shallow bay of a warm sea. The alien was no longer as dangerous as a whole comet, but it had wrought considerable harm.
Flash and explosion.
...Zhenka ceased to be Zhenka. Or even Evgeny Kromlekh, the talented but odd son of intelligent St. Petersburg parents. Multicolored waves crashed down on him with wild speed. They swirled into giant rainbow spirals, transforming into clumps of matter that immediately disintegrated into atoms and reassembled into pulsating galaxies, spreading new waves of all-destroying light across the universe.
Incredible astral currents rushed across the universe, overlapping, twisting, bending, and tangling. Time and space acquired new, bizarre configurations.
Flash and explosion.
...The skies grew unbearably bright. The eerie howl was cut short by a deafening explosion. The impact of the main fragment splashed the sea and pressed part of the planet's crust into its depths. Now, for the rest of its existence, a great circular crater will occupy this spot.
A giant cloud of water vaporized along with its inhabitants and rock crushed into powder rose into the air. There, it became a sulfur cloud that spread throughout the atmosphere.
A rain of hot particles of earth began to fall from the skies. Terrible fires erupted. A scorching storm raged for days. Numerous volcanoes also awoke. Liquid flames carved winding passages around the gaping wound of a huge crater, and fiery vents erupted through the planet's skin, spewing more tons of sun-blotting soot into its atmosphere.
The light faded, darkness and cold set in. A long winter had killed most living creatures, leaving those who remained to eke out a miserable existence. But gradually the light returned, and life began anew.
And in another world—closely connected to the physical world, but invisible to most of its inhabitants—the impact caused something more global than the extinction of the dinosaurs. From then on, an energy tunnel extended from the depths of the peninsula into the vastness of space.
It took a long, long time, through much suffering and death, for the status quo of life to be restored, until it entered a new phase. But the planet will never be the same again.
...Eugene Kromlekh never recovered, though he escaped blindness and dementia. But it wasn't just the hollow on the left side of his forehead that reminded him of the blow...
...The volcanoes died down, the lava cooled, and a bizarre network of underground passages emerged beneath the peninsula, gradually filling with water, emerging as cenotes. This is how the land was found by the people who arrived here fifteen thousand years ago, the people who would later create great civilizations.
And through the invisible rainbow tunnel with an entrance into the watery dungeons, various creatures penetrated.
The local people worshiped Chak, the god of water and corn; Kukulkan, the Feathered Serpent, who, together with the god Hurakan, created the world; and his brother, the nameless Lord with the flayed skin, lord of life and death; and Bolon Yokte, the god of great calamities and the planet, known to other peoples as Mars...
- Zhenya, what are you writing there?
- It's nothing, Mom, I'm just writing.
— What strange words... "Kukulkan" "Chicheni... itza" "Bolonyokte". What does it mean?
- I don't know.
- Stop writing this nonsense right now!
- Okay, mom.
- What are you drawing now?
- Nothing, I'm just drawing.
- What strange signs...
2
Ilona Maksimovna Linkova-Delgado. Russia. Moscow. April 17, 2029
"What strange signs!"
Ilona Maksimovna angrily threw the sheet of paper with the traced inscriptions from the tomb of the Inner Pyramid of the Temple of Kukulkan, which she had discovered, onto her desk in the institute office.
"This is nonsense, honestly!" she thought irritably, furiously vaping the vape she'd switched to a couple of years ago, realizing that her beloved Camel would eventually kill her.
No, some of the inscriptions were quite legible. Yes, this was the tomb of the king of Chichen Itza, who ruled in the early seventh century. And his name was... Kukulkan.
Of course, it was a Mayan ruler, and no one else. The mystical terror Ilona experienced in the tomb beneath the pyramid had long since faded. Over time, the mask itself became less frighteningly reminiscent of the familiar face. In fact, it was very similar, but coincidences happen all sorts of ways... And the dent in the skull was certainly the result of some ancient skirmish—the deceased lived in a dangerous time, when even rulers were not immune to a club strike.
What other options were there? That a world-renowned linguist, historian, and archaeologist secretly enters an ancient pyramid, throws out the king's bones, dons his attire, lies down in his place, and dies? Total nonsense! And the bones are radiocarbon-dated to around 610 AD. And there were no other plausible options. Occam's razor—that's it.
Of course, we could do a genetic analysis—she might have DNA for comparison... But no, she's not that crazy yet. Period!
So, could this really be the legendary Topiltzin Quetzalcoatl, called by the Mayans after the serpent god Kukulkan, an exile from Tolla, founder of the later Mayan cities? No, of course, he lived later and was clearly not a Mayan, but a Toltec. If he even lived or existed at all... Although, judging by the deciphered inscriptions in the tomb, the stories of this legendary figure and the deceased are similar in some ways. Both, for example, were against human sacrifice.
However, there are many more differences. For example, judging by one phrase, the buried Kukulkan emerged not from Tolla, but from... the Sacred Cenote. A similar story was told about one of the city's much later rulers, so this is likely the source of this legend. All sorts of tales are told about the origins of kings.
But the rest of the inscriptions seemed completely nonsensical. For example, what does this mean: "Jaguarundi woman, her name is the women's grotto"?
"Jaguarundi... Woman... Wild cat, partially tamed. And the grotto?.. Female... Virgin waters... Life came out of the cave... Womb... Really?.. Lord God!"
The scientist and atheist herself didn't realize she was addressing God directly. And there was no one else—if what she understood was true. And it was—Ilona felt it with her whole soul. But then, either she or the entire world would go mad!
Cat Lona!
Ilona stared wildly at the photograph hanging across from the table. A man with a large, dented forehead and a hard, slanted mouth stared at her from under his furrowed brows with piercing, magical eyes. He held a Siamese cat in his arms.
Evgeny Valentinovich Kromlekh, Ilona Linkova. Mexico. Chichen Itza. Night of November 1-2, 1990
"Well, why are you so sad, Lona the Cat?" EVK stroked her head, and Ilona thought that's how he stroked his cats.
He came to her hotel room just as Ilona was getting ready for bed. For some reason, she didn't turn on the light. However, it was bright enough, thanks to the enormous moon shining right through the window.
She reached for his hand, like a cat. She felt pleased. And anxious. A strange confusion of emotions. She didn't like such emotional paradoxes; she craved clarity and certainty. But with EVK... with Zhenya, that couldn't happen.
He seemed to be made up of paradoxes. A stern and unsmiling teacher, a great scientist who had accomplished the impossible in science. Mischievous as a boy, a lover of practical jokes, sometimes elaborate, often crude. A lover of fantasy, mystification, and even simple lies. Prone to depression, during which he wanted to see no one but his beloved cat, while empty liquor bottles clanked under his desk. Sometimes caustically sarcastic and cold, sometimes sincere and vulnerable. A brilliant and intelligent teacher. A loyal friend. An attentive and tender lover.
But too often she felt as if she never really knew this man.
It wasn't that he was much older than her—after all, a sixty-year-old man and a thirty-four-year-old woman were almost normal. But sometimes she saw a universal alienation in his eyes. Then she felt as if he were intently examining something beyond this world, only absentmindedly and fleetingly taking in what was happening here. Including her, Ilona.
"Zhenya, maybe we shouldn't go to the cenote now? We'll go together tomorrow, during the day..."
"No!" His huge blue eyes, beneath his furrowed black brows, flashed furiously. His mouth became a completely straight line.
Ilona shuddered, and he immediately came to his senses.
- Sorry, Lona, I'm nervous.
He pulled a Belomor cigarette out of his pocket, crumpled it as usual, and masterfully, with one hand, struck a match on the box.
Ilona took out a Camel, and he lit her one too.
— I need to do this, and I need to do it alone. Do you understand?
She shrugged sadly. He'd always been a little odd, which was what attracted her. Perhaps, of course, it was his terrible childhood. But that alone hardly made him so brilliant—it was simply frightening. Reasonable and completely realistic, Ilona pushed away strange memories that didn't fit into her neat picture of the world. On the expedition, her tooth, frozen by the cold Siberian winds, had been a terrible ache all night, and the first aid kit contained nothing stronger than analgin, which didn't help at all. Neither did the fifty grams of alcohol she'd taken. And then EVK simply stroked her face. She still remembers that touch, after which the pain miraculously subsided.
It seemed that it was then that she first looked at him as something other than an eccentric old professor.
They told stranger stories about him. She herself had seen that sometimes he seemed to cross a line, leading a parallel, incomprehensible existence.
But now, in Mexico, where he had arrived for the first time in his life—knowing absolutely everything about its past—EVK had become completely obsessed. He was greeted here as a triumphant hero. And no wonder: this man had deciphered the Mayan script, something no one had managed for four hundred years. And in doing so, he had given this country, and several others, a written ancient history.
The president awarded him the Order of the Aztec Eagle, and journalists besieged him everywhere. Wherever he went, he was greeted by rapturous crowds. But he seemed completely indifferent to all this pandemonium, feeling only mild bewilderment. He examined ancient monuments he knew so well but had only just now seen with his own eyes, remained modestly silent at receptions, spoke sparingly about his personal life in interviews and at length about Mayan writing. But behind all this, Ilona sensed a terrible, inhuman tension. And a striving toward some goal. What goal?
She didn’t know - she wanted to and was very afraid to find out.
The moon seemed to approach them, flooding the entire room with a ghostly light, illuminating the far corners. Nimble geckos darted along the walls. The cicadas' siren-like song faded completely, then began again.
Suddenly, Ilona nearly screamed in horror—a grinning skeleton, entwined with flowers, emerged from a dark corner. It seemed to move and float toward her in the moonlight. However, she immediately calmed down, remembering that the eerie statue stood there as a decoration for the Day of the Dead, celebrated today and tomorrow by the entire country.
"How will this be according to the Mayan calendar?" Ilona wondered for some reason and began to tensely translate the dates in her mind.
She needed something to distract herself.
Evgeny finished his cigarette and crushed it in the ashtray.
“Lona, listen...” he seemed to not know how to begin.