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| Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| По разделу | 51874 | 1910 | 37 | 142 | 149 | 156 | 144 | 150 | 119 | 164 | 228 | 211 | 248 | 162 | 0 | 3 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 4 | 3 | 3 | 2 | 2 | 3 | 2 | 2 | 6 | 2 | 2 | 2 | 4 | 4 | 0 | 2 | 3 | 3 | 4 | 4 | 2 | 4 | 1 | 3 | 3 | 4 | 4 | 3 | 4 | 4 | 8 | 5 | 4 | 4 | 33 | 6 | 4 | 2 | 8 | 3 | 4 | 4 | 2 | 5 | 3 | 4 | 3 | 3 | 5 | 3 | 4 | 3 | 7 |
| Почему пала Белогорская крепость? (Обзор повести А.С. Пушкина "Капитанская дочка") | 3978 | 1234 | 15 | 64 | 84 | 77 | 94 | 98 | 71 | 89 | 175 | 162 | 205 | 100 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 6 | 1 | 2 | 0 | 4 | 4 | 0 | 1 | 1 | 1 | 3 | 4 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 2 | 4 | 0 | 2 | 0 | 4 | 1 | 3 | 6 | 1 | 2 | 3 | 1 | 0 | 4 | 0 | 3 | 1 | 4 | 0 | 0 | 5 | 1 | 4 | 0 | 2 |
| "Черное сердце земли" (обзор романа "Бесчестье" Дж. М. Кутзее) | 4373 | 934 | 15 | 58 | 77 | 75 | 62 | 69 | 71 | 94 | 119 | 104 | 102 | 88 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 3 | 3 | 0 | 1 | 3 | 3 | 2 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 3 | 2 | 2 | 0 | 0 | 3 | 4 | 5 | 1 | 3 | 0 | 2 | 2 | 0 | 4 | 0 | 5 | 0 | 1 | 3 | 0 | 5 | 0 | 3 | 2 | 4 |
| Сравнение концовок в сериале "Слово пацана". Какая лучше? Кто на самом деле убил Адидаса? | 2159 | 755 | 13 | 77 | 43 | 59 | 60 | 42 | 42 | 95 | 112 | 86 | 81 | 45 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 8 | 5 | 4 | 4 | 33 | 4 | 0 | 2 | 4 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 4 | 1 | 5 |
| Жест, идея и личность... (обзор романа М. Кундеры "Бессмертие") | 2502 | 738 | 16 | 43 | 64 | 72 | 59 | 60 | 57 | 55 | 90 | 81 | 84 | 57 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 0 | 0 | 2 | 2 | 4 | 3 | 5 | 1 | 1 | 6 | 1 | 4 | 3 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 7 |
| Обзор романа Эрнеста Хемингуэя "Прощай, оружие!". Сравнение с романом Э.М. Ремарка "На западном фронте без перемен" | 4515 | 722 | 16 | 37 | 46 | 40 | 52 | 65 | 39 | 51 | 94 | 97 | 98 | 87 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 |
| Обзор романа Джо Аберкромби "Лучше подавать холодным". Брутальный боевик или темное фэнтези "для девочек"? | 2119 | 650 | 14 | 43 | 64 | 43 | 52 | 42 | 31 | 68 | 79 | 74 | 70 | 70 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 0 | 2 | 2 | 4 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 2 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 |
| Феминостратегическая проза: предпосылки и перспективы развития | 536 | 536 | 12 | 45 | 33 | 36 | 43 | 50 | 33 | 48 | 79 | 115 | 42 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 8 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 |
| Роман Джесс Буллингтон "Печальная история братьев Гроссбарт". Что это? "супергеройский комикс" или трэш в декорациях Средневековья? (Обзор) | 2287 | 525 | 13 | 26 | 29 | 44 | 35 | 48 | 44 | 48 | 65 | 63 | 69 | 41 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
| Обзор стихотворения "Леопард" Н.С. Гумилёва | 962 | 465 | 14 | 30 | 34 | 52 | 47 | 29 | 42 | 54 | 44 | 46 | 42 | 31 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Почему Ромушка съел галошу? (Обзор романа Р. Гари "Обещание на рассвете") | 2477 | 464 | 12 | 28 | 41 | 44 | 30 | 29 | 27 | 32 | 58 | 61 | 62 | 40 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 4 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 3 |
| Обзор книги Янне Теллер "Ничто" (Intent). Жанр, сюжет и система ценностей | 1714 | 462 | 9 | 26 | 37 | 36 | 36 | 35 | 36 | 60 | 53 | 58 | 38 | 38 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 3 | 0 |
| Обзор цикла романов Джо Аберкромби "Первый закон" в сравнении с циклом "Песнь льда и пламени" Дж. Р. Р. Мартина | 2046 | 419 | 11 | 22 | 37 | 33 | 33 | 21 | 33 | 37 | 57 | 50 | 51 | 34 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 |
| 5 художественных книг, которые стоит прочитать мужчине | 1119 | 376 | 8 | 32 | 40 | 37 | 35 | 18 | 19 | 37 | 48 | 40 | 33 | 29 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 4 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 3 | 1 | 2 |
| Обзор фильма "Джокер" (2019). Что объединяет "голливудский блокбастер" и рассказ Ж.-П.Сартра "Стена"? | 1775 | 368 | 10 | 21 | 27 | 30 | 32 | 19 | 22 | 41 | 52 | 44 | 34 | 36 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 |
| Трагедия памяти в романе Евгения Водолазкина "Чагин" | 1058 | 359 | 7 | 30 | 38 | 32 | 27 | 30 | 18 | 35 | 45 | 36 | 35 | 26 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
| Подробный обзор сериала "Слово пацана. Кровь на асфальте" (2023). Что на самом деле погубило "пацанов"? | 972 | 352 | 8 | 23 | 29 | 24 | 24 | 21 | 33 | 33 | 49 | 51 | 28 | 29 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 |
| Аверроя. Книга I. Колониальная интрига | 4275 | 347 | 10 | 22 | 33 | 32 | 34 | 9 | 21 | 35 | 41 | 51 | 24 | 35 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 1 | 2 | 4 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 |
| Информация о владельце раздела | 2072 | 322 | 5 | 13 | 17 | 34 | 23 | 18 | 33 | 52 | 41 | 37 | 27 | 22 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
| Печальное Рождество | 2553 | 289 | 3 | 13 | 20 | 26 | 21 | 18 | 18 | 30 | 46 | 38 | 32 | 24 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| В Бильмарильском лесу водятся привидения... | 1882 | 289 | 11 | 23 | 23 | 26 | 22 | 16 | 16 | 32 | 36 | 35 | 27 | 22 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 3 | 0 |
| Как российские издательства "отменяют" авторов, пишущих про специальную военную операцию | 795 | 285 | 5 | 19 | 20 | 31 | 26 | 11 | 19 | 34 | 37 | 46 | 21 | 16 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
| Последнее четверостишие | 1664 | 283 | 7 | 15 | 24 | 22 | 22 | 12 | 17 | 20 | 44 | 41 | 35 | 24 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 |
| Молчат дома | 583 | 277 | 6 | 11 | 18 | 20 | 23 | 15 | 18 | 36 | 40 | 44 | 27 | 19 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
| Братик | 735 | 269 | 5 | 13 | 22 | 16 | 24 | 13 | 23 | 24 | 35 | 43 | 28 | 23 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Санинтерийский синдром | 2485 | 268 | 8 | 13 | 16 | 22 | 22 | 11 | 23 | 24 | 30 | 36 | 34 | 29 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
| Феминостратегическая проза и жанр Литрпг: может ли художественная литература для "геймеров" стать инструментом распространения феминостратегических идей? | 238 | 238 | 13 | 35 | 50 | 108 | 32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 5 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |