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| Итого | За последние 12 месяцев | Jul | Jun | May | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
| По разделу | 51424 | 1993 | 111 | 149 | 156 | 144 | 150 | 119 | 164 | 228 | 211 | 248 | 162 | 151 | 1 | 4 | 2 | 4 | 1 | 3 | 3 | 4 | 4 | 3 | 4 | 4 | 8 | 5 | 4 | 4 | 33 | 6 | 4 | 2 | 8 | 3 | 4 | 4 | 2 | 5 | 3 | 4 | 3 | 3 | 5 | 3 | 4 | 3 | 7 | 5 | 3 | 4 | 2 | 4 | 4 | 5 | 5 | 11 | 4 | 3 | 6 | 8 | 15 | 16 | 1 | 0 | 3 | 8 | 4 | 6 | 5 | 5 | 3 | 4 | 5 | 6 |
| Почему пала Белогорская крепость? (Обзор повести А.С. Пушкина "Капитанская дочка") | 3940 | 1267 | 41 | 84 | 77 | 94 | 98 | 71 | 89 | 175 | 162 | 205 | 100 | 71 | 0 | 4 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 2 | 4 | 0 | 2 | 0 | 4 | 1 | 3 | 6 | 1 | 2 | 3 | 1 | 0 | 4 | 0 | 3 | 1 | 4 | 0 | 0 | 5 | 1 | 4 | 0 | 2 | 4 | 1 | 4 | 0 | 4 | 1 | 5 | 1 | 2 | 0 | 0 | 6 | 4 | 15 | 12 | 0 | 0 | 3 | 0 | 2 | 4 | 1 | 3 | 3 | 0 | 1 | 3 |
| "Черное сердце земли" (обзор романа "Бесчестье" Дж. М. Кутзее) | 4336 | 1001 | 36 | 77 | 75 | 62 | 69 | 71 | 94 | 119 | 104 | 102 | 88 | 104 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 3 | 2 | 2 | 0 | 0 | 3 | 4 | 5 | 1 | 3 | 0 | 2 | 2 | 0 | 4 | 0 | 5 | 0 | 1 | 3 | 0 | 5 | 0 | 3 | 2 | 4 | 2 | 3 | 3 | 0 | 3 | 1 | 2 | 4 | 2 | 3 | 0 | 2 | 4 | 3 | 16 | 0 | 0 | 2 | 4 | 2 | 6 | 3 | 0 | 2 | 3 | 1 | 0 |
| Жест, идея и личность... (обзор романа М. Кундеры "Бессмертие") | 2479 | 789 | 36 | 64 | 72 | 59 | 60 | 57 | 55 | 90 | 81 | 84 | 57 | 74 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 0 | 0 | 2 | 2 | 4 | 3 | 5 | 1 | 1 | 6 | 1 | 4 | 3 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 7 | 5 | 3 | 1 | 1 | 4 | 2 | 2 | 0 | 3 | 0 | 0 | 3 | 2 | 9 | 0 | 0 | 0 | 1 | 8 | 0 | 0 | 3 | 0 | 0 | 4 | 1 | 4 |
| Сравнение концовок в сериале "Слово пацана". Какая лучше? Кто на самом деле убил Адидаса? | 2139 | 783 | 70 | 43 | 59 | 60 | 42 | 42 | 95 | 112 | 86 | 81 | 45 | 48 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 8 | 5 | 4 | 4 | 33 | 4 | 0 | 2 | 4 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 4 | 1 | 5 | 2 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 3 | 3 | 1 |
| Обзор романа Эрнеста Хемингуэя "Прощай, оружие!". Сравнение с романом Э.М. Ремарка "На западном фронте без перемен" | 4486 | 764 | 24 | 46 | 40 | 52 | 65 | 39 | 51 | 94 | 97 | 98 | 87 | 71 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 3 | 0 | 2 | 4 | 3 | 4 | 2 | 3 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 5 | 1 |
| Обзор романа Джо Аберкромби "Лучше подавать холодным". Брутальный боевик или темное фэнтези "для девочек"? | 2093 | 690 | 31 | 64 | 43 | 52 | 42 | 31 | 68 | 79 | 74 | 70 | 70 | 66 | 0 | 0 | 2 | 3 | 0 | 2 | 2 | 4 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 2 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 3 | 2 | 1 | 5 | 11 | 0 | 2 | 4 | 8 | 9 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 2 |
| Роман Джесс Буллингтон "Печальная история братьев Гроссбарт". Что это? "супергеройский комикс" или трэш в декорациях Средневековья? (Обзор) | 2267 | 546 | 19 | 29 | 44 | 35 | 48 | 44 | 48 | 65 | 63 | 69 | 41 | 41 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 1 | 0 |
| Феминостратегическая проза: предпосылки и перспективы развития | 513 | 513 | 34 | 33 | 36 | 43 | 50 | 33 | 48 | 79 | 115 | 42 | 0 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 8 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 6 | 0 | 8 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 |
| Почему Ромушка съел галошу? (Обзор романа Р. Гари "Обещание на рассвете") | 2456 | 492 | 19 | 41 | 44 | 30 | 29 | 27 | 32 | 58 | 61 | 62 | 40 | 49 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 4 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 3 | 3 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 9 | 4 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 5 |
| Обзор книги Янне Теллер "Ничто" (Intent). Жанр, сюжет и система ценностей | 1700 | 482 | 21 | 37 | 36 | 36 | 35 | 36 | 60 | 53 | 58 | 38 | 38 | 34 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 9 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 2 |
| Обзор стихотворения "Леопард" Н.С. Гумилёва | 940 | 478 | 22 | 34 | 52 | 47 | 29 | 42 | 54 | 44 | 46 | 42 | 31 | 35 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 6 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 4 | 1 | 0 | 3 | 2 | 0 |
| Обзор цикла романов Джо Аберкромби "Первый закон" в сравнении с циклом "Песнь льда и пламени" Дж. Р. Р. Мартина | 2031 | 440 | 18 | 37 | 33 | 33 | 21 | 33 | 37 | 57 | 50 | 51 | 34 | 36 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 6 | 6 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
| 5 художественных книг, которые стоит прочитать мужчине | 1105 | 398 | 26 | 40 | 37 | 35 | 18 | 19 | 37 | 48 | 40 | 33 | 29 | 36 | 0 | 2 | 0 | 4 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 6 |
| Обзор фильма "Джокер" (2019). Что объединяет "голливудский блокбастер" и рассказ Ж.-П.Сартра "Стена"? | 1762 | 385 | 18 | 27 | 30 | 32 | 19 | 22 | 41 | 52 | 44 | 34 | 36 | 30 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 |
| Трагедия памяти в романе Евгения Водолазкина "Чагин" | 1045 | 375 | 24 | 38 | 32 | 27 | 30 | 18 | 35 | 45 | 36 | 35 | 26 | 29 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 4 | 6 | 9 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 |
| Подробный обзор сериала "Слово пацана. Кровь на асфальте" (2023). Что на самом деле погубило "пацанов"? | 961 | 367 | 20 | 29 | 24 | 24 | 21 | 33 | 33 | 49 | 51 | 28 | 29 | 26 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 3 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
| Аверроя. Книга I. Колониальная интрига | 4261 | 367 | 18 | 33 | 32 | 34 | 9 | 21 | 35 | 41 | 51 | 24 | 35 | 34 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 1 | 2 | 4 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 6 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 0 |
| Информация о владельце раздела | 2064 | 340 | 10 | 17 | 34 | 23 | 18 | 33 | 52 | 41 | 37 | 27 | 22 | 26 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 5 | 0 | 0 | 1 | 0 | 1 |
| Печальное Рождество | 2548 | 314 | 11 | 20 | 26 | 21 | 18 | 18 | 30 | 46 | 38 | 32 | 24 | 30 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
| Итого | За последние 12 месяцев | Jul | Jun | May | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
| Как российские издательства "отменяют" авторов, пишущих про специальную военную операцию | 787 | 299 | 16 | 20 | 31 | 26 | 11 | 19 | 34 | 37 | 46 | 21 | 16 | 22 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 3 |
| В Бильмарильском лесу водятся привидения... | 1864 | 295 | 16 | 23 | 26 | 22 | 16 | 16 | 32 | 36 | 35 | 27 | 22 | 24 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 |
| Последнее четверостишие | 1652 | 294 | 10 | 24 | 22 | 22 | 12 | 17 | 20 | 44 | 41 | 35 | 24 | 23 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
| Молчат дома | 573 | 287 | 7 | 18 | 20 | 23 | 15 | 18 | 36 | 40 | 44 | 27 | 19 | 20 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 |
| Братик | 726 | 286 | 9 | 22 | 16 | 24 | 13 | 23 | 24 | 35 | 43 | 28 | 23 | 26 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 6 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
| Санинтерийский синдром | 2475 | 284 | 11 | 16 | 22 | 22 | 11 | 23 | 24 | 30 | 36 | 34 | 29 | 26 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 |
| Феминостратегическая проза и жанр Литрпг: может ли художественная литература для "геймеров" стать инструментом распространения феминостратегических идей? | 221 | 221 | 31 | 50 | 108 | 32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 5 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 5 | 3 | 2 | 1 | 6 | 6 | 8 | 0 | 0 | 3 | 2 | 4 | 2 | 3 | 5 | 3 | 3 | 4 | 5 |