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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
| По разделу | 31400 | 1719 | 69 | 117 | 70 | 142 | 149 | 156 | 144 | 150 | 119 | 164 | 228 | 211 | 0 | 6 | 3 | 4 | 5 | 4 | 2 | 3 | 4 | 2 | 2 | 2 | 2 | 2 | 2 | 4 | 2 | 3 | 5 | 2 | 5 | 3 | 2 | 4 | 6 | 5 | 5 | 7 | 8 | 8 | 6 | 7 | 3 | 6 | 4 | 2 | 3 | 4 | 4 | 3 | 3 | 1 | 3 | 3 | 3 | 3 | 2 | 5 | 2 | 1 | 2 | 3 | 1 | 4 | 3 | 4 | 2 | 1 | 2 | 3 | 3 | 3 |
| "Черное сердце земли" (обзор романа "Бесчестье" Дж. М. Кутзее) | 4467 | 838 | 25 | 50 | 34 | 58 | 77 | 75 | 62 | 69 | 71 | 94 | 119 | 104 | 0 | 2 | 3 | 4 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 4 | 4 | 3 | 1 | 4 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 3 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 |
| Жест, идея и личность... (обзор романа М. Кундеры "Бессмертие") | 2589 | 684 | 25 | 47 | 31 | 43 | 64 | 72 | 59 | 60 | 57 | 55 | 90 | 81 | 0 | 3 | 0 | 3 | 4 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 3 | 4 | 2 | 0 | 0 | 3 | 1 | 5 | 4 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 3 | 0 | 3 | 1 | 0 | 5 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 |
| Обзор романа Эрнеста Хемингуэя "Прощай, оружие!". Сравнение с романом Э.М. Ремарка "На западном фронте без перемен" | 4607 | 629 | 33 | 44 | 31 | 37 | 46 | 40 | 52 | 65 | 39 | 51 | 94 | 97 | 0 | 4 | 1 | 3 | 3 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 3 | 4 | 4 | 4 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 |
| Обзор романа Джо Аберкромби "Лучше подавать холодным". Брутальный боевик или темное фэнтези "для девочек"? | 2193 | 584 | 25 | 32 | 31 | 43 | 64 | 43 | 52 | 42 | 31 | 68 | 79 | 74 | 0 | 4 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 3 | 3 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 |
| Роман Джесс Буллингтон "Печальная история братьев Гроссбарт". Что это? "супергеройский комикс" или трэш в декорациях Средневековья? (Обзор) | 2357 | 485 | 26 | 30 | 27 | 26 | 29 | 44 | 35 | 48 | 44 | 48 | 65 | 63 | 0 | 3 | 0 | 0 | 2 | 3 | 0 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 5 | 2 | 0 | 2 | 0 | 0 | 1 | 5 | 6 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 |
| Обзор цикла романов Джо Аберкромби "Первый закон" в сравнении с циклом "Песнь льда и пламени" Дж. Р. Р. Мартина | 2115 | 403 | 20 | 35 | 25 | 22 | 37 | 33 | 33 | 21 | 33 | 37 | 57 | 50 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 3 | 5 | 1 | 2 | 1 | 1 | 1 | 6 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 3 |
| Обзор фильма "Джокер" (2019). Что объединяет "голливудский блокбастер" и рассказ Ж.-П.Сартра "Стена"? | 1834 | 357 | 25 | 19 | 25 | 21 | 27 | 30 | 32 | 19 | 22 | 41 | 52 | 44 | 0 | 4 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 1 | 3 | 0 | 1 |
| Информация о владельце раздела | 2134 | 335 | 24 | 24 | 19 | 13 | 17 | 34 | 23 | 18 | 33 | 52 | 41 | 37 | 0 | 3 | 1 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 4 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 3 |
| Печальное Рождество | 2599 | 279 | 14 | 20 | 15 | 13 | 20 | 26 | 21 | 18 | 18 | 30 | 46 | 38 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 |
| Молчат дома | 628 | 276 | 12 | 26 | 13 | 11 | 18 | 20 | 23 | 15 | 18 | 36 | 40 | 44 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 |
| Последнее четверостишие | 1714 | 274 | 20 | 20 | 17 | 15 | 24 | 22 | 22 | 12 | 17 | 20 | 44 | 41 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 |
| Братик | 782 | 265 | 19 | 19 | 14 | 13 | 22 | 16 | 24 | 13 | 23 | 24 | 35 | 43 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 |
| Санинтерийский синдром | 2529 | 249 | 14 | 22 | 16 | 13 | 16 | 22 | 22 | 11 | 23 | 24 | 30 | 36 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Аверроя. Книга I. Колониальная интрига | 82 | 82 | 38 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 3 | 2 | 5 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 5 | 1 | 1 | 2 | 2 | 2 | 6 | 2 | 4 | 5 | 4 | 4 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 5 художественных книг, которые стоит прочитать мужчине | 74 | 74 | 34 | 40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 3 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 2 | 1 | 3 | 2 | 2 | 4 | 4 | 5 | 1 | 5 | 2 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Феминостратегическая проза и жанр Литрпг: может ли художественная литература для "геймеров" стать инструментом распространения феминостратегических идей? | 70 | 70 | 19 | 51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 6 | 6 | 6 | 7 | 2 | 4 | 2 | 1 | 3 | 4 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Почему Ромушка съел галошу? (Обзор романа Р. Гари "Обещание на рассвете") | 70 | 70 | 24 | 46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 3 | 5 | 7 | 2 | 8 | 1 | 4 | 2 | 3 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Обзор книги Янне Теллер "Ничто" (Intent). Жанр, сюжет и система ценностей | 70 | 70 | 31 | 39 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 1 | 4 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 5 | 4 | 1 | 3 | 8 | 3 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Феминостратегическая проза: предпосылки и перспективы развития | 64 | 64 | 20 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 3 | 5 | 2 | 4 | 5 | 3 | 5 | 5 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | |
| В Бильмарильском лесу водятся привидения... | 63 | 63 | 26 | 37 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 2 | 2 | 2 | 3 | 4 | 3 | 3 | 3 | 1 | 1 | 4 | 1 | 3 | 2 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Как российские издательства "отменяют" авторов, пишущих про специальную военную операцию | 62 | 62 | 24 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 4 | 1 | 2 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 3 | 4 | 5 | 4 | 5 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Почему пала Белогорская крепость? (Обзор повести А.С. Пушкина "Капитанская дочка") | 62 | 62 | 19 | 43 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 3 | 5 | 5 | 2 | 6 | 1 | 5 | 2 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Подробный обзор сериала "Слово пацана. Кровь на асфальте" (2023). Что на самом деле погубило "пацанов"? | 62 | 62 | 24 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 3 | 1 | 1 | 1 | 1 | 3 | 2 | 5 | 5 | 4 | 1 | 2 | 3 | 3 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Трагедия памяти в романе Евгения Водолазкина "Чагин" | 60 | 60 | 21 | 39 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 6 | 3 | 3 | 2 | 4 | 4 | 1 | 4 | 2 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Обзор стихотворения "Леопард" Н.С. Гумилёва | 60 | 60 | 22 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 2 | 2 | 2 | 7 | 3 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Сравнение концовок в сериале "Слово пацана". Какая лучше? Кто на самом деле убил Адидаса? | 53 | 53 | 23 | 30 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 5 | 0 | 4 | 3 | 2 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |