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| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
| По разделу | 48901 | 1980 | 22 | 144 | 150 | 119 | 164 | 228 | 211 | 248 | 162 | 151 | 150 | 231 | 0 | 6 | 4 | 5 | 7 | 4 | 4 | 5 | 8 | 13 | 3 | 3 | 8 | 3 | 6 | 6 | 4 | 5 | 4 | 6 | 5 | 6 | 3 | 4 | 4 | 5 | 4 | 6 | 5 | 4 | 3 | 3 | 4 | 3 | 3 | 9 | 5 | 5 | 5 | 5 | 6 | 4 | 6 | 5 | 5 | 4 | 5 | 4 | 3 | 5 | 3 | 7 | 7 | 3 | 3 | 5 | 3 | 2 | 4 | 6 | 3 | 6 |
| Почему пала Белогорская крепость? (Обзор повести А.С. Пушкина "Капитанская дочка") | 3751 | 1231 | 13 | 94 | 98 | 71 | 89 | 175 | 162 | 205 | 100 | 71 | 73 | 80 | 0 | 6 | 1 | 5 | 1 | 4 | 3 | 3 | 2 | 4 | 3 | 1 | 8 | 0 | 6 | 2 | 2 | 5 | 3 | 6 | 3 | 3 | 2 | 3 | 4 | 5 | 3 | 1 | 5 | 3 | 3 | 1 | 1 | 3 | 2 | 4 | 3 | 2 | 5 | 2 | 6 | 2 | 6 | 2 | 5 | 0 | 5 | 3 | 0 | 2 | 2 | 7 | 7 | 3 | 3 | 2 | 3 | 1 | 0 | 3 | 3 | 2 |
| "Черное сердце земли" (обзор романа "Бесчестье" Дж. М. Кутзее) | 4156 | 1005 | 8 | 62 | 69 | 71 | 94 | 119 | 104 | 102 | 88 | 104 | 87 | 97 | 0 | 3 | 2 | 3 | 0 | 4 | 0 | 4 | 1 | 2 | 3 | 0 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 5 | 2 | 3 | 1 | 4 | 1 | 2 | 1 | 3 | 2 | 3 | 0 | 3 | 2 | 2 | 2 | 2 | 1 | 5 | 4 | 2 | 3 | 4 | 1 | 4 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 5 | 3 | 3 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 1 |
| Обзор романа Эрнеста Хемингуэя "Прощай, оружие!". Сравнение с романом Э.М. Ремарка "На западном фронте без перемен" | 4380 | 873 | 4 | 52 | 65 | 39 | 51 | 94 | 97 | 98 | 87 | 71 | 81 | 134 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 0 | 2 | 2 | 6 | 1 | 2 | 0 | 1 | 0 | 6 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 5 | 3 | 3 | 1 | 3 | 3 | 4 | 0 | 0 | 3 | 3 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 6 | 1 | 6 |
| Жест, идея и личность... (обзор романа М. Кундеры "Бессмертие") | 2316 | 795 | 9 | 59 | 60 | 57 | 55 | 90 | 81 | 84 | 57 | 74 | 67 | 102 | 0 | 3 | 0 | 5 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 3 | 0 | 5 | 1 | 2 | 2 | 3 | 4 | 4 | 3 | 2 | 3 | 1 | 4 | 0 | 2 | 1 | 2 | 5 | 4 | 0 | 5 | 0 | 1 | 3 | 1 | 4 | 0 | 2 | 1 | 5 | 3 | 0 | 3 | 0 | 3 | 1 | 3 | 0 | 0 | 2 | 1 | 1 |
| Сравнение концовок в сериале "Слово пацана". Какая лучше? Кто на самом деле убил Адидаса? | 1976 | 773 | 9 | 60 | 42 | 42 | 95 | 112 | 86 | 81 | 45 | 48 | 55 | 98 | 0 | 4 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 5 | 3 | 1 | 4 | 1 | 3 | 6 | 4 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 |
| Обзор романа Джо Аберкромби "Лучше подавать холодным". Брутальный боевик или темное фэнтези "для девочек"? | 1958 | 650 | 3 | 52 | 42 | 31 | 68 | 79 | 74 | 70 | 70 | 66 | 44 | 51 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 4 | 1 | 3 | 2 | 3 | 0 | 2 | 4 | 4 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 3 | 0 | 4 | 2 | 3 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 2 | 1 | 3 | 0 | 2 | 1 | 3 | 0 | 0 | 5 | 4 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 |
| Роман Джесс Буллингтон "Печальная история братьев Гроссбарт". Что это? "супергеройский комикс" или трэш в декорациях Средневековья? (Обзор) | 2179 | 516 | 4 | 35 | 48 | 44 | 48 | 65 | 63 | 69 | 41 | 41 | 32 | 26 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 5 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 3 | 2 | 4 | 3 | 4 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 |
| Почему Ромушка съел галошу? (Обзор романа Р. Гари "Обещание на рассвете") | 2353 | 483 | 1 | 30 | 29 | 27 | 32 | 58 | 61 | 62 | 40 | 49 | 48 | 46 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 4 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 |
| Трагедия памяти в романе Евгения Водолазкина "Чагин" | 954 | 465 | 3 | 27 | 30 | 18 | 35 | 45 | 36 | 35 | 26 | 29 | 41 | 140 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 |
| Обзор книги Янне Теллер "Ничто" (Intent). Жанр, сюжет и система ценностей | 1612 | 464 | 6 | 36 | 35 | 36 | 60 | 53 | 58 | 38 | 38 | 34 | 36 | 34 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 3 | 3 | 4 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 4 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 4 | 2 | 0 | 1 |
| Обзор стихотворения "Леопард" Н.С. Гумилёва | 838 | 439 | 6 | 47 | 29 | 42 | 54 | 44 | 46 | 42 | 31 | 35 | 34 | 29 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 3 | 5 | 2 | 0 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 |
| Феминостратегическая проза: предпосылки и перспективы развития | 414 | 414 | 4 | 43 | 50 | 33 | 48 | 79 | 115 | 42 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 4 | 3 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 1 | 1 | 5 | 1 | 2 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 9 | 0 | 4 | 0 | 2 | 2 | 1 | 1 | 5 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 5 | 0 | 0 | 3 | 0 | 3 | 0 |
| Обзор цикла романов Джо Аберкромби "Первый закон" в сравнении с циклом "Песнь льда и пламени" Дж. Р. Р. Мартина | 1949 | 402 | 6 | 33 | 21 | 33 | 37 | 57 | 50 | 51 | 34 | 36 | 26 | 18 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 5 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 |
| Аверроя. Книга I. Колониальная интрига | 4179 | 398 | 1 | 34 | 9 | 21 | 35 | 41 | 51 | 24 | 35 | 34 | 44 | 69 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
| Подробный обзор сериала "Слово пацана. Кровь на асфальте" (2023). Что на самом деле погубило "пацанов"? | 888 | 376 | 0 | 24 | 21 | 33 | 33 | 49 | 51 | 28 | 29 | 26 | 42 | 40 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 4 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 |
| 5 художественных книг, которые стоит прочитать мужчине | 1007 | 373 | 5 | 35 | 18 | 19 | 37 | 48 | 40 | 33 | 29 | 36 | 37 | 36 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
| Обзор фильма "Джокер" (2019). Что объединяет "голливудский блокбастер" и рассказ Ж.-П.Сартра "Стена"? | 1688 | 346 | 1 | 32 | 19 | 22 | 41 | 52 | 44 | 34 | 36 | 30 | 23 | 12 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| Информация о владельце раздела | 2007 | 323 | 4 | 23 | 18 | 33 | 52 | 41 | 37 | 27 | 22 | 26 | 25 | 15 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 |
| Братик | 680 | 293 | 1 | 24 | 13 | 23 | 24 | 35 | 43 | 28 | 23 | 26 | 34 | 19 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
| Печальное Рождество | 2494 | 293 | 3 | 21 | 18 | 18 | 30 | 46 | 38 | 32 | 24 | 30 | 26 | 7 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Молчат дома | 529 | 285 | 1 | 23 | 15 | 18 | 36 | 40 | 44 | 27 | 19 | 20 | 27 | 15 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 |
| Последнее четверостишие | 1596 | 273 | 0 | 22 | 12 | 17 | 20 | 44 | 41 | 35 | 24 | 23 | 27 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Как российские издательства "отменяют" авторов, пишущих про специальную военную операцию | 722 | 269 | 2 | 26 | 11 | 19 | 34 | 37 | 46 | 21 | 16 | 22 | 26 | 9 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| В Бильмарильском лесу водятся привидения... | 1801 | 268 | 2 | 22 | 16 | 16 | 32 | 36 | 35 | 27 | 22 | 24 | 23 | 13 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
| Санинтерийский синдром | 2426 | 266 | 0 | 22 | 11 | 23 | 24 | 30 | 36 | 34 | 29 | 26 | 20 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Феминостратегическая проза и жанр Литрпг: может ли художественная литература для "геймеров" стать инструментом распространения феминостратегических идей? | 48 | 48 | 16 | 32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 3 | 7 | 4 | 4 | 3 | 8 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |