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| Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
| По разделу | 49937 | 1897 | 14 | 156 | 144 | 150 | 119 | 164 | 228 | 211 | 248 | 162 | 151 | 150 | 0 | 5 | 8 | 1 | 0 | 3 | 8 | 4 | 6 | 5 | 5 | 3 | 4 | 5 | 6 | 3 | 3 | 7 | 5 | 9 | 3 | 5 | 5 | 10 | 7 | 6 | 7 | 4 | 4 | 2 | 5 | 6 | 4 | 5 | 7 | 4 | 4 | 5 | 8 | 13 | 3 | 3 | 8 | 3 | 6 | 6 | 4 | 5 | 4 | 6 | 5 | 6 | 3 | 4 | 4 | 5 | 4 | 6 | 5 | 4 | 3 | 3 |
| Почему пала Белогорская крепость? (Обзор повести А.С. Пушкина "Капитанская дочка") | 3826 | 1226 | 11 | 77 | 94 | 98 | 71 | 89 | 175 | 162 | 205 | 100 | 71 | 73 | 0 | 5 | 6 | 0 | 0 | 3 | 0 | 2 | 4 | 1 | 3 | 3 | 0 | 1 | 3 | 0 | 0 | 3 | 2 | 9 | 1 | 5 | 1 | 3 | 5 | 2 | 7 | 2 | 2 | 1 | 1 | 6 | 1 | 5 | 1 | 4 | 3 | 3 | 2 | 4 | 3 | 1 | 8 | 0 | 6 | 2 | 2 | 5 | 3 | 6 | 3 | 3 | 2 | 3 | 4 | 5 | 3 | 1 | 5 | 3 | 3 | 1 |
| "Черное сердце земли" (обзор романа "Бесчестье" Дж. М. Кутзее) | 4232 | 984 | 9 | 75 | 62 | 69 | 71 | 94 | 119 | 104 | 102 | 88 | 104 | 87 | 0 | 1 | 8 | 0 | 0 | 2 | 4 | 2 | 6 | 3 | 0 | 2 | 3 | 1 | 0 | 3 | 3 | 7 | 5 | 4 | 1 | 3 | 2 | 0 | 7 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 2 | 3 | 0 | 4 | 0 | 4 | 1 | 2 | 3 | 0 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 5 | 2 | 3 | 1 | 4 | 1 | 2 | 1 | 3 | 2 | 3 | 0 | 3 |
| Обзор романа Эрнеста Хемингуэя "Прощай, оружие!". Сравнение с романом Э.М. Ремарка "На западном фронте без перемен" | 4419 | 778 | 3 | 40 | 52 | 65 | 39 | 51 | 94 | 97 | 98 | 87 | 71 | 81 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 5 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 4 | 1 | 4 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 3 | 2 | 0 | 2 | 2 | 6 | 1 | 2 | 0 | 1 | 0 | 6 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
| Жест, идея и личность... (обзор романа М. Кундеры "Бессмертие") | 2382 | 759 | 3 | 72 | 59 | 60 | 57 | 55 | 90 | 81 | 84 | 57 | 74 | 67 | 0 | 3 | 0 | 0 | 0 | 1 | 8 | 0 | 0 | 3 | 0 | 0 | 4 | 1 | 4 | 0 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 5 | 5 | 2 | 6 | 3 | 4 | 1 | 1 | 3 | 0 | 5 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 3 | 0 | 5 | 1 | 2 | 2 | 3 | 4 | 4 | 3 | 2 | 3 | 1 |
| Сравнение концовок в сериале "Слово пацана". Какая лучше? Кто на самом деле убил Адидаса? | 2026 | 725 | 0 | 59 | 60 | 42 | 42 | 95 | 112 | 86 | 81 | 45 | 48 | 55 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 4 | 2 | 3 | 1 | 3 | 6 | 3 | 3 | 4 | 1 | 1 | 2 | 2 | 4 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 5 | 3 | 1 | 4 | 1 | 3 | 6 | 4 | 1 | 0 | 0 |
| Обзор романа Джо Аберкромби "Лучше подавать холодным". Брутальный боевик или темное фэнтези "для девочек"? | 2001 | 642 | 3 | 43 | 52 | 42 | 31 | 68 | 79 | 74 | 70 | 70 | 66 | 44 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 3 | 3 | 3 | 1 | 1 | 1 | 2 | 1 | 6 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 4 | 1 | 3 | 2 | 3 | 0 | 2 | 4 | 4 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 3 | 0 | 4 | 2 | 3 | 3 | 0 | 1 |
| Роман Джесс Буллингтон "Печальная история братьев Гроссбарт". Что это? "супергеройский комикс" или трэш в декорациях Средневековья? (Обзор) | 2220 | 531 | 1 | 44 | 35 | 48 | 44 | 48 | 65 | 63 | 69 | 41 | 41 | 32 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 5 | 2 | 2 | 1 | 1 | 0 | 5 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 5 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 2 |
| Почему Ромушка съел галошу? (Обзор романа Р. Гари "Обещание на рассвете") | 2401 | 485 | 5 | 44 | 30 | 29 | 27 | 32 | 58 | 61 | 62 | 40 | 49 | 48 | 0 | 3 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 5 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 4 | 3 | 5 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 4 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 |
| Обзор книги Янне Теллер "Ничто" (Intent). Жанр, сюжет и система ценностей | 1645 | 463 | 3 | 36 | 36 | 35 | 36 | 60 | 53 | 58 | 38 | 38 | 34 | 36 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 3 | 4 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 3 | 3 | 4 | 2 | 1 | 1 | 1 | 0 |
| Обзор стихотворения "Леопард" Н.С. Гумилёва | 888 | 460 | 4 | 52 | 47 | 29 | 42 | 54 | 44 | 46 | 42 | 31 | 35 | 34 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 4 | 1 | 0 | 3 | 2 | 0 | 2 | 3 | 0 | 2 | 4 | 1 | 1 | 3 | 0 | 4 | 1 | 4 | 2 | 2 | 1 | 1 | 4 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 3 | 5 | 2 | 0 | 2 | 3 |
| Феминостратегическая проза: предпосылки и перспективы развития | 450 | 450 | 4 | 36 | 43 | 50 | 33 | 48 | 79 | 115 | 42 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 2 | 1 | 4 | 4 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 4 | 3 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 1 | 1 | 5 | 1 | 2 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 0 |
| Обзор цикла романов Джо Аберкромби "Первый закон" в сравнении с циклом "Песнь льда и пламени" Дж. Р. Р. Мартина | 1978 | 413 | 2 | 33 | 33 | 21 | 33 | 37 | 57 | 50 | 51 | 34 | 36 | 26 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 5 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 |
| 5 художественных книг, которые стоит прочитать мужчине | 1042 | 372 | 3 | 37 | 35 | 18 | 19 | 37 | 48 | 40 | 33 | 29 | 36 | 37 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 6 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Обзор фильма "Джокер" (2019). Что объединяет "голливудский блокбастер" и рассказ Ж.-П.Сартра "Стена"? | 1718 | 364 | 1 | 30 | 32 | 19 | 22 | 41 | 52 | 44 | 34 | 36 | 30 | 23 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 3 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 |
| Подробный обзор сериала "Слово пацана. Кровь на асфальте" (2023). Что на самом деле погубило "пацанов"? | 915 | 363 | 3 | 24 | 24 | 21 | 33 | 33 | 49 | 51 | 28 | 29 | 26 | 42 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 5 | 2 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 4 | 3 | 0 | 0 | 0 | 1 | 0 | 1 |
| Трагедия памяти в романе Евгения Водолазкина "Чагин" | 990 | 361 | 7 | 32 | 27 | 30 | 18 | 35 | 45 | 36 | 35 | 26 | 29 | 41 | 0 | 2 | 5 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 4 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 3 | 2 | 1 | 0 | 0 | 1 |
| Аверроя. Книга I. Колониальная интрига | 4210 | 360 | 0 | 32 | 34 | 9 | 21 | 35 | 41 | 51 | 24 | 35 | 34 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 2 | 2 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 4 | 0 | 0 |
| Информация о владельце раздела | 2038 | 339 | 1 | 34 | 23 | 18 | 33 | 52 | 41 | 37 | 27 | 22 | 26 | 25 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 5 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 4 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 |
| Печальное Рождество | 2518 | 310 | 1 | 26 | 21 | 18 | 18 | 30 | 46 | 38 | 32 | 24 | 30 | 26 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
| Как российские издательства "отменяют" авторов, пишущих про специальную военную операцию | 752 | 290 | 1 | 31 | 26 | 11 | 19 | 34 | 37 | 46 | 21 | 16 | 22 | 26 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 |
| Братик | 696 | 290 | 1 | 16 | 24 | 13 | 23 | 24 | 35 | 43 | 28 | 23 | 26 | 34 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
| Молчат дома | 549 | 290 | 1 | 20 | 23 | 15 | 18 | 36 | 40 | 44 | 27 | 19 | 20 | 27 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| Последнее четверостишие | 1619 | 288 | 1 | 22 | 22 | 12 | 17 | 20 | 44 | 41 | 35 | 24 | 23 | 27 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| В Бильмарильском лесу водятся привидения... | 1827 | 281 | 2 | 26 | 22 | 16 | 16 | 32 | 36 | 35 | 27 | 22 | 24 | 23 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 0 | 5 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 1 |
| Санинтерийский синдром | 2449 | 278 | 1 | 22 | 22 | 11 | 23 | 24 | 30 | 36 | 34 | 29 | 26 | 20 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
| Феминостратегическая проза и жанр Литрпг: может ли художественная литература для "геймеров" стать инструментом распространения феминостратегических идей? | 146 | 146 | 6 | 108 | 32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 3 | 2 | 4 | 2 | 3 | 5 | 3 | 3 | 4 | 5 | 2 | 2 | 1 | 3 | 2 | 3 | 4 | 5 | 10 | 6 | 6 | 6 | 4 | 1 | 2 | 1 | 2 | 4 | 3 | 7 | 4 | 4 | 3 | 8 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |