| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
По разделу |
759737 | 2058 |
64 |
167 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
1 |
8 |
8 |
6 |
18 |
9 |
6 |
8 |
3 |
6 |
5 |
5 |
5 |
6 |
4 |
5 |
6 |
4 |
7 |
9 |
5 |
9 |
4 |
5 |
7 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
5 |
8 |
4 |
3 |
5 |
7 |
8 |
6 |
4 |
6 |
6 |
4 |
7 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29852 | 1314 |
49 |
132 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
0 |
8 |
8 |
3 |
18 |
3 |
5 |
4 |
3 |
4 |
1 |
3 |
4 |
6 |
2 |
0 |
6 |
4 |
5 |
9 |
4 |
9 |
2 |
5 |
5 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
2 |
7 |
4 |
2 |
4 |
6 |
8 |
4 |
4 |
4 |
2 |
4 |
7 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
5 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3148 | 1115 |
32 |
67 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
0 |
1 |
5 |
5 |
3 |
4 |
6 |
8 |
1 |
2 |
1 |
3 |
4 |
3 |
3 |
5 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
4 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
3 |
5 |
2 |
2 |
2 |
5 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
|
Поэтика абсурда. Часть 1 |
3252 | 744 |
33 |
82 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
0 |
3 |
5 |
6 |
4 |
9 |
0 |
6 |
1 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
3 |
2 |
7 |
2 |
2 |
3 |
2 |
4 |
2 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
0 |
6 |
3 |
1 |
5 |
2 |
1 |
5 |
4 |
2 |
2 |
0 |
|
Метод приведения к абсурду в школьной классике |
2011 | 651 |
20 |
57 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
0 |
2 |
3 |
4 |
3 |
3 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
3 |
2 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
2 |
3 |
4 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
|
Мертвые души: хозяйственная бесхозяйственность |
2321 | 581 |
22 |
76 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
0 |
2 |
5 |
3 |
5 |
2 |
3 |
2 |
0 |
4 |
4 |
4 |
5 |
3 |
0 |
4 |
1 |
4 |
2 |
0 |
4 |
0 |
4 |
1 |
5 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
0 |
3 |
2 |
2 |
4 |
4 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
|
Гипербола и Гиперборея Маяковского |
1185 | 573 |
18 |
60 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
0 |
2 |
2 |
6 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
4 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
4 |
1 |
1 |
3 |
1 |
7 |
2 |
5 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
4 |
|
Внутренний монолог |
1156 | 552 |
19 |
66 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
0 |
1 |
3 |
3 |
3 |
5 |
0 |
4 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
4 |
3 |
0 |
4 |
2 |
4 |
6 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
1 |
6 |
3 |
2 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
4 |
2 |
2 |
1 |
4 |
|
В чем философский смысл фильма "Остров проклятых" |
1194 | 545 |
10 |
31 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Автобиографизм и автопсихологизм |
899 | 477 |
16 |
64 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
0 |
1 |
4 |
0 |
5 |
3 |
0 |
3 |
2 |
2 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
3 |
4 |
1 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
4 |
4 |
0 |
2 |
4 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5939 | 446 |
12 |
47 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
0 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
4 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
4 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
|
Печорин и декабристы - бесславие героев времени |
1464 | 424 |
21 |
34 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
0 |
4 |
3 |
3 |
2 |
3 |
3 |
3 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2977 | 417 |
11 |
41 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Полифония Блока |
1608 | 393 |
16 |
47 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
0 |
4 |
2 |
2 |
1 |
5 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
1 |
1 |
3 |
2 |
|
Интерьер в "Капитанской дочке" |
1505 | 389 |
11 |
43 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
0 |
3 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
4 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
5 |
5 |
4 |
1 |
0 |
0 |
4 |
5 |
2 |
|
Шукшин ли "Хозяин бани и огорода"? |
2129 | 380 |
20 |
42 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
0 |
6 |
1 |
1 |
2 |
4 |
2 |
4 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Дуэль Онегина и Ленского |
1357 | 378 |
14 |
37 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
3 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
|
Антитеза |
643 | 372 |
12 |
37 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
4 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
|
Смертная казнь как эротика государственного самоубийства |
7692 | 363 |
13 |
41 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
0 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
1 |
3 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Михаил Гарцев. История внутри нас |
4541 | 363 |
12 |
37 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
0 |
3 |
1 |
0 |
1 |
5 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11857 | 363 |
16 |
39 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
0 |
3 |
4 |
3 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
1 |
0 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
0 |
2 |
|
Кто убил старуху процентщицу? |
2137 | 360 |
12 |
33 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
3 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1017 | 359 |
11 |
37 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
|
Энтропия.net |
6200 | 358 |
21 |
39 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
1 |
6 |
4 |
0 |
5 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
5 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
2 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
|
Я играю вместе с мамой |
9771 | 353 |
11 |
46 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
0 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
|
Пестрый дятел |
4767 | 344 |
18 |
45 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
0 |
1 |
1 |
5 |
4 |
4 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
2 |
1 |
4 |
2 |
6 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
1 |
|
Образ России в арт-среде Интернета |
2680 | 343 |
9 |
37 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
|
"История Рода Толстых - история России". Фоторепортаж |
5731 | 335 |
19 |
52 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
0 |
4 |
2 |
3 |
4 |
2 |
1 |
3 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5773 | 331 |
16 |
42 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
0 |
2 |
3 |
2 |
2 |
4 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
5 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
|
Медвежонок |
9090 | 328 |
14 |
45 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
0 |
4 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
|
Древесная лирика Хельги Ольшванг |
3813 | 327 |
14 |
38 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
0 |
3 |
3 |
3 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
|
Что на небе |
8173 | 323 |
15 |
36 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
0 |
4 |
1 |
4 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
|
Кот Васька в своей квартире |
7943 | 323 |
17 |
37 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
0 |
3 |
2 |
2 |
1 |
2 |
3 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
|
Кто как кричит |
4580 | 323 |
20 |
39 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
0 |
4 |
0 |
3 |
4 |
6 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
5 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
Можно ли назвать Печорина фаталистом |
849 | 322 |
7 |
29 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Каждый знает |
6767 | 320 |
14 |
35 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
0 |
4 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Учимся мыслить логически |
3776 | 312 |
16 |
43 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
0 |
3 |
3 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
0 |
5 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1150 | 311 |
11 |
52 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
0 |
0 |
3 |
0 |
2 |
3 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
0 |
8 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
909 | 309 |
20 |
40 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
0 |
3 |
4 |
2 |
5 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
|
Маяковский и его философия |
1496 | 309 |
13 |
41 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Александр Кушнер. Аполлон в траве |
4661 | 305 |
15 |
47 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
0 |
3 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
|
Замятин "Мы". Конспект урока |
1009 | 305 |
16 |
34 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
1 |
2 |
4 |
1 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
0 |
3 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4100 | 304 |
12 |
30 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
0 |
2 |
1 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
|
Ослик |
8438 | 304 |
12 |
37 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
|
Михаил Гарцев и сетевое письмо |
4570 | 303 |
11 |
34 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
К вопросу о Фрейде и православии |
3177 | 303 |
15 |
36 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
0 |
3 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
6 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
План анализа стихотворения |
653 | 299 |
12 |
40 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
0 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Стихи для детей |
5529 | 296 |
17 |
38 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
0 |
5 |
2 |
0 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
5 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
|
Средства художественной изобразительности |
1623 | 295 |
12 |
43 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
7 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Волчонок |
4270 | 295 |
13 |
35 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Язык и генетика |
4561 | 295 |
15 |
38 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
0 |
4 |
2 |
4 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Карнавал и декарнавализация |
4180 | 294 |
13 |
28 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
0 |
1 |
1 |
2 |
2 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1136 | 294 |
16 |
41 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
0 |
3 |
3 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
4 |
0 |
2 |
2 |
3 |
2 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Липки |
2884 | 294 |
16 |
36 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
0 |
3 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
|
Почему в Прибалтике не проходит русский бунт |
2659 | 293 |
9 |
32 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
6 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
|
О любви к правителям и поэтам |
1274 | 293 |
14 |
31 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
0 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
|
Зеркало |
2976 | 293 |
9 |
37 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Потомки "Метрополя" |
5876 | 292 |
12 |
33 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
0 |
2 |
3 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
|
Рифма к городу |
3617 | 292 |
14 |
36 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
0 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
В защиту массовой литературы |
5692 | 291 |
14 |
32 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
0 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Психология - наука рабов |
6808 | 291 |
13 |
37 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Поэтика абсурда и образ Святой Земли |
3587 | 291 |
12 |
40 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
0 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
956 | 290 |
12 |
28 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Сказка о гейзере на Стихире |
3036 | 290 |
15 |
30 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Сон как нонсенс в "Войне и мире" |
697 | 289 |
14 |
35 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
0 |
2 |
3 |
0 |
2 |
5 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Кирилл Юрьевич отбывает в Канаду |
3211 | 289 |
15 |
44 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
1 |
1 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1001 | 288 |
12 |
36 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
0 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
|
Возвращение |
3391 | 287 |
10 |
39 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
|
Ушки, ножки, рожки |
6562 | 286 |
15 |
38 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
0 |
5 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
4 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
|
Избранница народного слова |
2497 | 286 |
10 |
37 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
О курсе реформ и курсе литературы |
1040 | 286 |
14 |
34 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
0 |
3 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Про что поэзия Барто? - да все про то! |
5887 | 286 |
14 |
36 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
0 |
2 |
3 |
4 |
2 |
3 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
|
Самоубийство разума |
3174 | 286 |
14 |
35 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
0 |
3 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
4 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
|
Гегельянство в России |
1138 | 285 |
12 |
32 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
3 |
2 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
974 | 285 |
14 |
30 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
0 |
3 |
4 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
|
Ирония и автоирония |
531 | 284 |
15 |
30 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
0 |
3 |
2 |
1 |
6 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
|
С кем я познакомилась на Си |
3543 | 283 |
15 |
39 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
0 |
1 |
5 |
3 |
1 |
1 |
3 |
1 |
1 |
4 |
0 |
1 |
2 |
5 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Достоевский и конец истории |
3542 | 283 |
10 |
31 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Монтаж у Гоголя и Алексиевич |
831 | 283 |
14 |
36 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
|
Информация о владельце раздела |
3366 | 283 |
10 |
38 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
5 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2468 | 283 |
14 |
38 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
0 |
3 |
3 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
|
Ведение в чтение Гоголя |
1177 | 283 |
14 |
34 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
0 |
3 |
1 |
0 |
3 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
|
Достоевский как оптимальная точка видения |
3044 | 282 |
15 |
37 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
0 |
3 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
|
Островский о романтической ипостаси русской литературы |
1270 | 282 |
12 |
31 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
0 |
1 |
1 |
0 |
1 |
7 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
|
Фотомастерская Вадима Месяца |
3006 | 282 |
18 |
35 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
0 |
1 |
1 |
2 |
3 |
7 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
|
Алексиевич. Чернобыль |
1184 | 281 |
13 |
39 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
0 |
4 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
884 | 280 |
12 |
31 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
0 |
3 |
0 |
0 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
|
Сюжет: событие, действие, мотив |
592 | 280 |
15 |
40 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
0 |
4 |
2 |
3 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
|
Пейзаж в поэме Лермонтова |
838 | 280 |
16 |
29 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
0 |
3 |
1 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Демократия как искусство для искусства |
2897 | 280 |
10 |
40 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
0 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
|
Ботинок |
4094 | 279 |
12 |
38 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
0 |
2 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
|
Почему поэзия должна быть глуповата |
3203 | 279 |
16 |
27 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
0 |
5 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
|
Ницше, ценности и Гегель |
3152 | 277 |
8 |
31 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Бунт против Гегеля |
3231 | 277 |
13 |
29 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
0 |
2 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
|
Введение в чтение Гоголя. Хлестаков |
720 | 276 |
17 |
38 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
0 |
3 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
3 |
3 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
В поисках смысла сетевой литературы |
2743 | 276 |
13 |
30 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
0 |
2 |
1 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
6 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
6 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
677 | 275 |
15 |
32 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
0 |
4 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Какой плод у дерева |
3083 | 275 |
12 |
33 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
|
Пьер и Андрей |
1235 | 275 |
12 |
34 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Галич и Мандельштам вокруг образа вождя |
544 | 274 |
17 |
33 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
0 |
2 |
4 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Об одном фильме |
1425 | 274 |
9 |
34 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
|
О "Медном всаднике" |
1188 | 273 |
16 |
34 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
0 |
1 |
3 |
1 |
3 |
4 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
|
Интервью с Игорем Панариным |
2579 | 273 |
13 |
24 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
|
Где же новая поэзия |
2508 | 272 |
16 |
39 |
36 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
0 |
3 |
2 |
2 |
1 |
5 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
|
Расширит ли виртуальная реальность возможности познания истины |
3355 | 272 |
12 |
28 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
0 |
2 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Автопортрет, оксюморон |
789 | 272 |
11 |
30 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1650 | 271 |
11 |
29 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
0 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
|
Буддистский колобок |
2823 | 271 |
14 |
28 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
0 |
6 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
1 |
0 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Юрий Поляков. Грибной царь |
3690 | 271 |
9 |
35 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
0 |
0 |
0 |
3 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Мир как книга |
1027 | 271 |
14 |
33 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
0 |
3 |
1 |
6 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
|
Утенок |
4598 | 269 |
14 |
29 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
0 |
3 |
1 |
3 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Социальные болезни Стихи.ру |
7076 | 269 |
14 |
42 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
|
Поэтика абсурда при свете совести |
2807 | 269 |
14 |
28 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
0 |
2 |
1 |
4 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Андрей Болконский - Дон Кихот |
752 | 269 |
12 |
29 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Нам много миллионов лет. Каждому |
924 | 268 |
11 |
40 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Вирус абсурда в истории человеческой культуры |
2362 | 268 |
12 |
29 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
0 |
2 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
|
Самосознание сетевой литературы |
4037 | 268 |
12 |
34 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
0 |
3 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
706 | 268 |
10 |
35 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
|
Между прошлым и будущим |
694 | 268 |
12 |
35 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Конечный смысл страдания |
2531 | 267 |
14 |
33 |
36 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
0 |
4 |
0 |
3 |
2 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Ленин как поэт Серебряного века |
1406 | 267 |
16 |
35 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
0 |
3 |
3 |
3 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
3 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
|
Памятник Румянцеву в "Капитанской дочке" |
866 | 267 |
15 |
30 |
36 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
0 |
1 |
2 |
0 |
6 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
|
"Коршун" Тютчева - материализм и идеализм |
712 | 267 |
10 |
30 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Возвращение блудного Чацкого |
925 | 266 |
16 |
35 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
0 |
2 |
1 |
0 |
4 |
7 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
|
Ведьмостиший больше не будет |
3038 | 265 |
12 |
32 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
0 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
6 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
Манифест |
2695 | 265 |
17 |
29 |
32 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
0 |
5 |
2 |
1 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Бессмертие и спасение |
2673 | 265 |
12 |
30 |
42 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
0 |
1 |
5 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
6 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
707 | 265 |
6 |
33 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Короля делает свита |
2324 | 264 |
8 |
35 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
0 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
|
Трагический герой |
577 | 264 |
12 |
31 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
0 |
0 |
0 |
4 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1660 | 264 |
13 |
26 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
0 |
2 |
0 |
2 |
6 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Anti-Dan |
3275 | 264 |
12 |
37 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
|
Двуединство добра |
2868 | 263 |
12 |
28 |
40 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
0 |
2 |
2 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2423 | 263 |
15 |
30 |
32 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
0 |
4 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1476 | 262 |
12 |
31 |
31 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Государство и общество: свобода и необходимость |
5008 | 262 |
13 |
34 |
45 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
0 |
3 |
1 |
3 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
2 |
6 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
|
Реформы Путина и моя им гегельянская поддержка |
2810 | 262 |
10 |
37 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
|
Автометафора |
679 | 262 |
16 |
24 |
29 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
0 |
3 |
5 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
957 | 262 |
13 |
30 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
|
Снова по поводу "Тихого Дона" |
1189 | 261 |
10 |
26 |
35 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
0 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
789 | 261 |
8 |
31 |
37 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
5 |
1 |
0 |
3 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
|
19 августа 1991 года |
2433 | 261 |
7 |
33 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Мысль изреченная |
2664 | 261 |
13 |
34 |
42 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
0 |
2 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
1 |
0 |
3 |
3 |
4 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
|
Что в имени мне твоем |
3019 | 261 |
14 |
28 |
37 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
0 |
1 |
4 |
4 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
|
Проклятое место, проклятые вопросы |
3178 | 261 |
12 |
30 |
31 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3341 | 260 |
13 |
33 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
0 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Этапы эволюции вируса абсурда в России |
3344 | 260 |
12 |
28 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
5 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
4 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
|
Вот и обсудили! |
2701 | 260 |
11 |
33 |
39 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Клопы от Фейербаха |
3178 | 260 |
11 |
31 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
|
Эмоции |
1098 | 260 |
10 |
31 |
30 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
0 |
1 |
2 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
633 | 259 |
7 |
25 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1695 | 259 |
7 |
35 |
33 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
|
Образы русской природы в лирике Рубцова |
711 | 259 |
8 |
31 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Кто в окошке. Сказочные звери |
3868 | 258 |
10 |
34 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Паломничество убогой |
2781 | 258 |
11 |
33 |
37 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Чужая сказка |
2537 | 258 |
14 |
28 |
34 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
0 |
4 |
3 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Премия "Поэзия" что хотят жюри |
1429 | 258 |
16 |
34 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
0 |
3 |
3 |
4 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Незабудки |
258 | 258 |
12 |
33 |
35 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Необходимое или цель - искусство? |
747 | 258 |
8 |
33 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Отчуждение |
1218 | 257 |
8 |
29 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Байрон - предтеча русского реализма |
827 | 257 |
14 |
36 |
35 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
0 |
2 |
1 |
3 |
1 |
6 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
|
Ноосфера |
660 | 257 |
14 |
37 |
30 |
20 |
21 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
0 |
2 |
3 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
|
О романе "Обратная Перспектива А.Столярова |
1440 | 256 |
8 |
33 |
44 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
|
Хлестаков и Печорин |
1383 | 256 |
11 |
32 |
36 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
0 |
4 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
5 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
|
Введение в чтение Гоголя. Нос |
743 | 256 |
13 |
32 |
31 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Поэтика абсурда Маяковского |
1551 | 255 |
5 |
28 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Вмешиваясь в разговор с богом |
3366 | 255 |
11 |
26 |
34 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
0 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
5 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
|
Символизм |
531 | 255 |
9 |
34 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Евгений Водолазкин и поэтика абсурда |
1260 | 255 |
10 |
31 |
33 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
0 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
5 |
1 |
0 |
1 |
0 |
4 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
|
Диалектика пути |
2792 | 254 |
15 |
33 |
37 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
0 |
3 |
1 |
4 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Форум в контексте книги |
3102 | 254 |
9 |
25 |
36 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
|
Теория диссоциаций и Булгаков |
1325 | 253 |
11 |
30 |
42 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
4 |
1 |
0 |
0 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
|
Художник у Христа за пазухой |
2725 | 253 |
12 |
29 |
36 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
0 |
2 |
2 |
2 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Мастер и Маргарита. Кто написал притчу? |
1151 | 253 |
8 |
32 |
39 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
0 |
3 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
|
Методология работы критика над текстом |
2525 | 253 |
17 |
32 |
33 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
0 |
3 |
1 |
2 |
5 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
|
Ангел в круге десятом |
811 | 253 |
12 |
27 |
46 |
19 |
21 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
3 |
5 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Рубцов и формальный метод |
2642 | 253 |
15 |
31 |
36 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
0 |
4 |
2 |
5 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
|
Как работает поэтика абсурда |
4481 | 253 |
11 |
34 |
41 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
6 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
|
Атрибуты беса |
3138 | 252 |
13 |
31 |
36 |
26 |
22 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
0 |
4 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Горе от ума или ум от горя. Перевертыши |
906 | 252 |
11 |
25 |
33 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
2 |
3 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Технические болезни Стихиры |
2602 | 249 |
9 |
31 |
44 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
5 |
3 |
1 |
1 |
1 |
4 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
|
По поводу некоторых неточностей Евгения Клюева |
2431 | 249 |
11 |
27 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
0 |
1 |
1 |
2 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
995 | 248 |
13 |
36 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
0 |
0 |
2 |
5 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Ведение в чтение Гоголя |
915 | 248 |
10 |
26 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
|
Воинство Сергия Радонежского |
4428 | 248 |
8 |
24 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
|
Молчание - литературная преемственность |
729 | 248 |
9 |
24 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Джулиан Барнс в защиту критики |
2693 | 247 |
8 |
27 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
Дан прислал |
980 | 246 |
10 |
30 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
5 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Базаров |
996 | 246 |
9 |
31 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3460 | 245 |
10 |
33 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Собрание обратных цитат о любви |
3020 | 245 |
13 |
28 |
35 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
1 |
4 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Легенда о великом инквизиторе |
1087 | 245 |
11 |
26 |
37 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
|
Быков и Навальный |
702 | 245 |
14 |
31 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
0 |
2 |
1 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Государство Платона и Акунина |
957 | 245 |
12 |
28 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
0 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
|
Национальность биографа |
2946 | 244 |
11 |
35 |
27 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
|
Крочечка Хаврошечка |
775 | 244 |
8 |
29 |
32 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
508 | 243 |
10 |
26 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
"Хлыстовская богородица" Маяковского |
1369 | 243 |
6 |
27 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
4 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
|
Доказательство несовершенства Бога |
2660 | 243 |
9 |
25 |
36 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
|
Маркетинг науки, или Научный маркетинг |
3062 | 243 |
10 |
21 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
0 |
2 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Введение в философию сказок |
720 | 239 |
9 |
34 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
0 |
2 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
|
Анализ прозы |
521 | 239 |
13 |
24 |
28 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
0 |
2 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
|
О времени |
1204 | 238 |
11 |
32 |
36 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Литературоведение - наука или "Humanities and Arts"... |
2475 | 238 |
7 |
27 |
33 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Невозможность гения эпохи |
605 | 238 |
8 |
29 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
|
Шаров и его теодицея |
701 | 238 |
7 |
33 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1380 | 238 |
8 |
28 |
33 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
|
Компьютер и сексуальная революция писателя |
2865 | 237 |
13 |
28 |
33 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
887 | 237 |
11 |
31 |
39 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
890 | 237 |
10 |
30 |
36 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
|
Удача и капуста |
2443 | 237 |
8 |
28 |
43 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
1 |
0 |
5 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
|
Письмо Ольги Пушкину |
1220 | 236 |
9 |
24 |
31 |
21 |
21 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
|
Пространство в живописи текста у Гоголя |
776 | 236 |
6 |
27 |
33 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
738 | 236 |
11 |
29 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
532 | 236 |
9 |
25 |
35 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Почему Путин заинтересован в развитии гражданского общества |
2639 | 236 |
11 |
26 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
0 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Литературоведение, рабство и пенсионная реформа |
1104 | 236 |
12 |
34 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
0 |
1 |
2 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Искушение как психологический прием |
2904 | 236 |
13 |
30 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
0 |
4 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Дурное общество |
1003 | 235 |
9 |
31 |
30 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Сила детской публицистики |
1407 | 235 |
12 |
29 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
0 |
2 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Кто виноват и что делать? Проклятые вопросы в |
479 | 230 |
14 |
25 |
31 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
0 |
1 |
0 |
1 |
2 |
6 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Советы |
2423 | 230 |
13 |
25 |
36 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
0 |
3 |
2 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Бегемотик |
3369 | 230 |
10 |
26 |
35 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
5 |
0 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Проблематика произведений. Богатство и бедность |
614 | 230 |
8 |
27 |
39 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
|
Аллегория как эпитет |
1406 | 229 |
12 |
29 |
30 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Становление гения |
2468 | 229 |
16 |
22 |
31 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
0 |
2 |
2 |
4 |
0 |
6 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
К проблеме Израиля |
1370 | 229 |
9 |
30 |
36 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
|
Популярные стили в изображении Гоголя |
442 | 229 |
7 |
24 |
31 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Онтологическое обоснование гения эпохи |
1260 | 229 |
8 |
29 |
32 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Письмо Татьяны. Общие места - романтизмы |
688 | 228 |
11 |
29 |
33 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
|
Честь как главная жизненная ценность у Достоевского |
615 | 228 |
12 |
28 |
34 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
0 |
4 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Миф о числах |
2617 | 228 |
10 |
30 |
28 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
|
Проклятые вопросы в |
479 | 227 |
9 |
20 |
36 |
16 |
17 |
20 |
15 |
12 |
21 |
17 |
18 |
26 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2197 | 226 |
7 |
24 |
41 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
|
Белая ворона |
2391 | 226 |
8 |
29 |
33 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3189 | 226 |
10 |
23 |
37 |
18 |
23 |
17 |
14 |
11 |
22 |
20 |
11 |
20 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Велика ли дань Пушкина мифологии |
3218 | 225 |
8 |
33 |
30 |
17 |
17 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Что есть человек |
1314 | 225 |
9 |
31 |
30 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
"Сретенье " Бродского как трансляция |
579 | 225 |
8 |
27 |
26 |
27 |
21 |
17 |
15 |
16 |
17 |
14 |
17 |
20 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Блок и его мэоническая легенда |
760 | 225 |
12 |
25 |
33 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |