| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
По разделу |
735549 | 2017 |
49 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
130 |
1 |
6 |
6 |
6 |
7 |
7 |
11 |
5 |
5 |
5 |
4 |
3 |
6 |
8 |
5 |
8 |
7 |
11 |
5 |
6 |
5 |
7 |
6 |
7 |
4 |
7 |
5 |
5 |
10 |
4 |
18 |
4 |
4 |
4 |
5 |
4 |
4 |
4 |
6 |
7 |
8 |
5 |
9 |
4 |
3 |
3 |
4 |
3 |
6 |
4 |
4 |
6 |
4 |
5 |
9 |
3 |
4 |
4 |
5 |
6 |
5 |
6 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2997 | 1212 |
18 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
90 |
1 |
0 |
1 |
5 |
1 |
4 |
3 |
3 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
4 |
0 |
1 |
2 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
4 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
4 |
1 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29576 | 1199 |
27 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
67 |
0 |
3 |
6 |
4 |
5 |
5 |
4 |
0 |
5 |
5 |
2 |
1 |
6 |
8 |
4 |
8 |
7 |
11 |
4 |
6 |
3 |
7 |
1 |
3 |
3 |
7 |
1 |
5 |
7 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
1 |
3 |
4 |
1 |
3 |
3 |
4 |
2 |
2 |
3 |
1 |
1 |
2 |
6 |
Поэтика абсурда. Часть 1 |
3068 | 635 |
23 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
40 |
0 |
6 |
0 |
3 |
2 |
4 |
3 |
5 |
1 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
5 |
2 |
5 |
5 |
2 |
4 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
2 |
5 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
4 |
0 |
3 |
2 |
1 |
3 |
Метод приведения к абсурду в школьной классике |
1888 | 608 |
18 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
38 |
0 |
3 |
0 |
1 |
1 |
7 |
5 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
В чем философский смысл фильма "Остров проклятых" |
1121 | 531 |
10 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
30 |
0 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
Гипербола и Гиперборея Маяковского |
1051 | 508 |
15 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
32 |
0 |
1 |
2 |
1 |
3 |
3 |
5 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
4 |
0 |
4 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
5 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
3 |
4 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
Мертвые души: хозяйственная бесхозяйственность |
2174 | 492 |
14 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
26 |
0 |
2 |
3 |
0 |
2 |
3 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
Внутренний монолог |
1018 | 472 |
14 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
28 |
0 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
3 |
2 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
3 |
1 |
4 |
0 |
4 |
0 |
Автобиографизм и автопсихологизм |
774 | 405 |
13 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
23 |
0 |
1 |
0 |
3 |
2 |
1 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
Печорин и декабристы - бесславие героев времени |
1379 | 404 |
10 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
26 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5843 | 385 |
17 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
18 |
0 |
3 |
1 |
2 |
3 |
1 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
Интерьер в "Капитанской дочке" |
1399 | 379 |
15 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
51 |
0 |
2 |
4 |
1 |
0 |
2 |
5 |
1 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2892 | 368 |
11 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
24 |
0 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
Полифония Блока |
1509 | 356 |
11 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
31 |
0 |
1 |
1 |
2 |
1 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
Антитеза |
565 | 349 |
14 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
27 |
0 |
1 |
1 |
5 |
2 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
Кто убил старуху процентщицу? |
2061 | 344 |
12 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
31 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
3 |
Дуэль Онегина и Ленского |
1280 | 342 |
11 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
19 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
Михаил Гарцев. История внутри нас |
4460 | 335 |
8 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
24 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
940 | 329 |
8 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
28 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Шукшин ли "Хозяин бани и огорода"? |
2036 | 327 |
12 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
21 |
0 |
2 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
Смертная казнь как эротика государственного самоубийства |
7607 | 320 |
8 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
14 |
0 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
Елена Чудинова. Мечеть Парижской Богоматери |
11762 | 309 |
6 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
23 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
Я играю вместе с мамой |
9683 | 307 |
9 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
24 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
Энтропия.net |
6105 | 306 |
10 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
26 |
0 |
0 |
3 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
Можно ли назвать Печорина фаталистом |
790 | 303 |
9 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
16 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
Образ России в арт-среде Интернета |
2601 | 301 |
10 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
19 |
0 |
2 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
Древесная лирика Хельги Ольшванг |
3731 | 286 |
9 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
13 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
4 |
4 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
Кот Васька в своей квартире |
7857 | 284 |
8 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
31 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Каждый знает |
6690 | 280 |
11 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
22 |
0 |
0 |
1 |
0 |
2 |
4 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5682 | 277 |
14 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
19 |
0 |
0 |
3 |
6 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
План анализа стихотворения |
577 | 276 |
11 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
25 |
0 |
0 |
1 |
1 |
1 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
Замятин "Мы". Конспект урока |
934 | 275 |
13 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
20 |
0 |
2 |
1 |
1 |
2 |
1 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
"История Рода Толстых - история России". Фоторепортаж |
5629 | 275 |
11 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
26 |
0 |
1 |
2 |
0 |
1 |
1 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
Пестрый дятел |
4663 | 273 |
14 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
19 |
0 |
0 |
2 |
1 |
1 |
7 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
Медвежонок |
8993 | 272 |
11 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
17 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
Комментариии к статье А.Виноградова о сетевой литературе |
4028 | 271 |
6 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
23 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
Кто как кричит |
4491 | 268 |
9 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
19 |
0 |
1 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
2 |
Сказка о гейзере на Стихире |
2963 | 265 |
8 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
27 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
Что на небе |
8082 | 263 |
9 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
20 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Александр Кушнер. Аполлон в траве |
4573 | 263 |
13 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
23 |
0 |
1 |
0 |
1 |
0 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
Волчонок |
4199 | 263 |
11 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
25 |
0 |
2 |
0 |
2 |
0 |
2 |
5 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
К вопросу о Фрейде и православии |
3095 | 263 |
10 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
25 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
925 | 262 |
9 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
25 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
Михаил Гарцев и сетевое письмо |
4495 | 261 |
14 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
16 |
0 |
0 |
2 |
3 |
1 |
3 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
Ведение в чтение Гоголя |
1101 | 261 |
9 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
31 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
Почему поэзия должна быть глуповата |
3134 | 260 |
11 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
25 |
0 |
2 |
0 |
3 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
Ирония и автоирония |
461 | 259 |
10 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
21 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
Поэтика абсурда и образ Святой Земли |
3510 | 259 |
7 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
22 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
894 | 258 |
12 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
15 |
0 |
1 |
0 |
2 |
1 |
3 |
5 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
Учимся мыслить логически |
3685 | 258 |
14 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
23 |
0 |
0 |
3 |
3 |
0 |
1 |
5 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
Ослик |
8362 | 258 |
14 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
18 |
0 |
1 |
0 |
1 |
3 |
4 |
3 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
Карнавал и декарнавализация |
4109 | 257 |
12 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
15 |
0 |
1 |
0 |
3 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
821 | 255 |
8 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
19 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
Маяковский и его философия |
1411 | 255 |
7 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
Потомки "Метрополя" |
5799 | 254 |
11 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
18 |
0 |
0 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
О любви к правителям и поэтам |
1202 | 254 |
9 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
25 |
0 |
1 |
0 |
3 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
Зеркало |
2903 | 253 |
9 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
19 |
0 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
5 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
Пушкинские и лермонтовские мотивы у Некрасова |
820 | 252 |
15 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
20 |
0 |
1 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
Язык и генетика |
4479 | 252 |
13 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
21 |
0 |
1 |
0 |
2 |
6 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Достоевский и конец истории |
3479 | 251 |
8 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
19 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
Избранница народного слова |
2425 | 250 |
10 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
20 |
0 |
0 |
1 |
1 |
0 |
3 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
Почему в Прибалтике не проходит русский бунт |
2587 | 249 |
14 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
16 |
0 |
1 |
1 |
1 |
1 |
3 |
6 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
Натюрморт (Гоголь, Бродский, Есенин) |
897 | 249 |
12 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
16 |
0 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
В защиту массовой литературы |
5618 | 248 |
9 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
23 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
Автопортрет, оксюморон |
723 | 248 |
9 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
22 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
Расширит ли виртуальная реальность возможности познания истины |
3293 | 247 |
10 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
22 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
Гегельянство в России |
1061 | 247 |
10 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
22 |
0 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
Сюжет: событие, действие, мотив |
512 | 247 |
13 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
25 |
0 |
0 |
1 |
2 |
1 |
4 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
Сон как нонсенс в "Войне и мире" |
619 | 246 |
13 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
18 |
0 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
Психология - наука рабов |
6737 | 245 |
7 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
15 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1582 | 245 |
7 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
23 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
Фотомастерская Вадима Месяца |
2929 | 245 |
14 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
25 |
0 |
1 |
0 |
2 |
0 |
3 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
Информация о владельце раздела |
3293 | 245 |
7 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
18 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
Пьер и Андрей |
1169 | 245 |
12 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
21 |
0 |
0 |
3 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
Стихи для детей |
5448 | 245 |
13 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
18 |
0 |
0 |
3 |
2 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
609 | 243 |
13 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
14 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
Ботинок |
4014 | 243 |
9 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
28 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
Про что поэзия Барто? - да все про то! |
5810 | 243 |
8 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
19 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
Самоубийство разума |
3094 | 243 |
14 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
21 |
0 |
1 |
1 |
3 |
2 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Рифма к городу |
3537 | 242 |
13 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
18 |
0 |
2 |
1 |
0 |
1 |
2 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
Пейзаж в поэме Лермонтова |
763 | 242 |
9 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
20 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
С кем я познакомилась на Си |
3463 | 241 |
9 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
26 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
9 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Островский о романтической ипостаси русской литературы |
1199 | 241 |
8 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
16 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
Три пальмы |
1255 | 240 |
9 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
20 |
30 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
Липки |
2796 | 240 |
13 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
21 |
0 |
2 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
Средства художественной изобразительности |
1543 | 240 |
13 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
13 |
12 |
0 |
0 |
2 |
1 |
2 |
1 |
6 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
О "Медном всаднике" |
1109 | 239 |
10 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
22 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
Ницше, ценности и Гегель |
3086 | 239 |
16 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
17 |
0 |
0 |
1 |
4 |
1 |
6 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1049 | 239 |
12 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
14 |
0 |
1 |
0 |
1 |
3 |
2 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
В поисках смысла сетевой литературы |
2667 | 239 |
7 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
21 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
Поэтика абсурда при свете совести |
2740 | 238 |
6 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
18 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
Возвращение |
3308 | 238 |
11 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
18 |
0 |
1 |
3 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
646 | 238 |
14 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
18 |
0 |
0 |
1 |
0 |
7 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
Об одном фильме |
1352 | 237 |
10 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
20 |
0 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Достоевский как оптимальная точка видения |
2966 | 237 |
8 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
21 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
Кирилл Юрьевич отбывает в Канаду |
3125 | 237 |
11 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
21 |
0 |
0 |
4 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
Вирус абсурда в истории человеческой культуры |
2296 | 236 |
9 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
19 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
1045 | 236 |
10 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
23 |
0 |
1 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
Эмоции |
1035 | 236 |
8 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
22 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Буддистский колобок |
2753 | 235 |
9 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
20 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1411 | 233 |
9 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
14 |
22 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
Интервью с Игорем Панариным |
2510 | 233 |
11 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
15 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
Поэтика абсурда Маяковского |
1495 | 233 |
6 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
15 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
726 | 233 |
13 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
19 |
0 |
2 |
0 |
1 |
2 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Какой плод у дерева |
3015 | 233 |
6 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
16 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
Юрий Поляков. Грибной царь |
3621 | 233 |
7 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
16 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
Галич и Мандельштам вокруг образа вождя |
466 | 232 |
9 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
17 |
0 |
0 |
0 |
2 |
2 |
0 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
Евгений Водолазкин и поэтика абсурда |
1197 | 232 |
11 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
16 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Алексиевич. Чернобыль |
1103 | 231 |
7 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
16 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
О курсе реформ и курсе литературы |
961 | 231 |
10 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
7 |
17 |
0 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
Снова по поводу "Тихого Дона" |
1126 | 231 |
8 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
19 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
Утенок |
4532 | 231 |
8 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
18 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
577 | 230 |
8 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
10 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
Автометафора |
617 | 230 |
7 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
14 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
634 | 230 |
7 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
15 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
Андрей Болконский - Дон Кихот |
681 | 230 |
10 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
13 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2383 | 230 |
14 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
17 |
0 |
0 |
1 |
4 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
Иду, а к ногам моим падает вдруг кипятильник |
2356 | 230 |
10 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
16 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
"Коршун" Тютчева - материализм и идеализм |
642 | 230 |
15 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
18 |
0 |
1 |
2 |
3 |
0 |
2 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Нам много миллионов лет. Каждому |
849 | 224 |
14 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
18 |
0 |
1 |
2 |
2 |
1 |
3 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
Ферапонтово. Коллекция |
1959 | 224 |
9 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
22 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
Демократия как искусство для искусства |
2812 | 224 |
9 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
20 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
887 | 224 |
8 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
15 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
Где же новая поэзия |
2428 | 223 |
11 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
14 |
17 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
Горе от ума или ум от горя. Перевертыши |
846 | 223 |
9 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
15 |
16 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1594 | 223 |
7 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
14 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
Вмешиваясь в разговор с богом |
3305 | 223 |
10 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
14 |
15 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
Анализ прозы |
465 | 223 |
9 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
18 |
22 |
0 |
0 |
1 |
2 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
Кто в окошке. Сказочные звери |
3800 | 222 |
9 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
21 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Короля делает свита |
2254 | 222 |
10 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
16 |
12 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
Ведьмостиший больше не будет |
2966 | 222 |
11 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
17 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
Чужая сказка |
2472 | 222 |
11 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
15 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
Мир как книга |
953 | 222 |
12 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
10 |
15 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
2 |
6 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
Введение в чтение Гоголя. Нос |
676 | 221 |
9 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
16 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
Между прошлым и будущим |
620 | 221 |
12 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
16 |
11 |
0 |
1 |
0 |
3 |
2 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
Достоевский и риторические вопросы (диатриба) |
623 | 220 |
11 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
18 |
17 |
0 |
1 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
Мастер и Маргарита. Кто написал притчу? |
1088 | 220 |
16 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
14 |
16 |
0 |
2 |
0 |
3 |
3 |
3 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
Клопы от Фейербаха |
3111 | 220 |
11 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
5 |
22 |
0 |
1 |
2 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
5 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
То было двух бесов изображенье |
491 | 219 |
9 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
18 |
16 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
674 | 219 |
9 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
28 |
0 |
3 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4070 | 219 |
7 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
19 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
19 августа 1991 года |
2364 | 219 |
11 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
14 |
13 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
Воспитание гениев |
959 | 218 |
11 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
12 |
24 |
0 |
0 |
5 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
Художник у Христа за пазухой |
2656 | 218 |
8 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
19 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
По поводу некоторых неточностей Евгения Клюева |
2366 | 218 |
5 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
18 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
Вот и обсудили! |
2628 | 218 |
10 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
14 |
17 |
0 |
1 |
1 |
1 |
0 |
2 |
5 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
Маркетинг науки, или Научный маркетинг |
3005 | 218 |
9 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
19 |
13 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
4 |
0 |
3 |
1 |
Необходимое или цель - искусство? |
680 | 218 |
11 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
15 |
12 |
0 |
0 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
Молчание - литературная преемственность |
673 | 218 |
11 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
11 |
15 |
0 |
2 |
0 |
0 |
2 |
2 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
Символизм |
462 | 218 |
12 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
12 |
20 |
0 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
Монтажная композиция |
517 | 217 |
13 |
16 |
22 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
23 |
22 |
0 |
1 |
4 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
Теория диссоциаций и Булгаков |
1253 | 217 |
11 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
15 |
21 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
Бессмертие и спасение |
2600 | 217 |
11 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
8 |
17 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
Базаров |
934 | 217 |
9 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
18 |
15 |
0 |
1 |
0 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
Ведение в чтение Гоголя |
854 | 217 |
8 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
16 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
5 |
1 |
1 |
1 |
Хлестаков и Печорин |
1313 | 217 |
9 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
14 |
17 |
0 |
1 |
0 |
1 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
Пространство в живописи текста у Гоголя |
722 | 216 |
12 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
20 |
14 |
0 |
0 |
1 |
1 |
1 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
Реформы Путина и моя им гегельянская поддержка |
2737 | 216 |
10 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
8 |
19 |
0 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
Страсть и поэзия |
1898 | 215 |
10 |
30 |
19 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
15 |
15 |
0 |
2 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
+7 |
2153 | 215 |
8 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
11 |
18 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
Байрон - предтеча русского реализма |
755 | 215 |
13 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
12 |
18 |
0 |
0 |
2 |
1 |
2 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
Все по Салтыкову-Щедрину! |
4276 | 215 |
9 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
7 |
20 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
Лисенок в курятнике Стихи.ру |
5983 | 214 |
9 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
14 |
14 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
Дан прислал |
913 | 214 |
10 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
17 |
18 |
0 |
1 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
О чем поют сферы Гоголя |
883 | 214 |
11 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
9 |
19 |
0 |
1 |
0 |
3 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
Социальные болезни Стихи.ру |
6993 | 214 |
8 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
9 |
19 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Письмо Ольги Пушкину |
1161 | 213 |
5 |
21 |
21 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
15 |
21 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
Легенда о великом инквизиторе |
1026 | 213 |
13 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
11 |
18 |
0 |
0 |
1 |
2 |
1 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
Модель романа-эпопеи |
936 | 213 |
11 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
13 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
Возвращение блудного Чацкого |
844 | 212 |
11 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
10 |
17 |
0 |
1 |
1 |
2 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
Джулиан Барнс в защиту критики |
2634 | 212 |
11 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
10 |
14 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
От финских хладных скал... |
3100 | 212 |
10 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
12 |
18 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
Реминисценция |
524 | 212 |
8 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
13 |
19 |
0 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
Паломничество убогой |
2711 | 212 |
11 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
9 |
15 |
0 |
0 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
Сексуальность Гоголя |
710 | 212 |
9 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
14 |
19 |
0 |
0 |
0 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
Собрание обратных цитат о любви |
2956 | 211 |
12 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
15 |
15 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
446 | 211 |
8 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
14 |
16 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
Миф о времени |
2374 | 211 |
9 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
9 |
21 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
Абсурдизм |
3689 | 211 |
9 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
15 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Крочечка Хаврошечка |
713 | 211 |
7 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
12 |
17 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1136 | 210 |
8 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
15 |
15 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
Государство и общество: бюрократизм и свобода от бюрократии |
3269 | 210 |
7 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
8 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
"Хлыстовская богородица" Маяковского |
1307 | 210 |
11 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
16 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
Мысль изреченная |
2584 | 210 |
9 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
14 |
15 |
0 |
0 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
Онегин - лицеист? |
647 | 210 |
6 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
11 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
Воинство Сергия Радонежского |
4367 | 210 |
10 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
11 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
Печорин как писатель |
959 | 210 |
6 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
12 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
Отражение. Две рецензии на стихи Феликса Когана |
3375 | 210 |
10 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
17 |
13 |
0 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
2 |
0 |
О романе "Обратная Перспектива А.Столярова |
1366 | 209 |
11 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
11 |
16 |
0 |
0 |
1 |
2 |
0 |
3 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
Обломов и реализм |
605 | 209 |
8 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
19 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Постновогодний синдром |
594 | 209 |
8 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
13 |
16 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
Недоросль в меняющемся мире |
626 | 208 |
11 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
15 |
16 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
Методология работы критика над текстом |
2453 | 208 |
10 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
12 |
15 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
Чудачество и донкихотство. Шукшин и Сервантес |
1355 | 208 |
8 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
18 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
Монтажная композиция |
424 | 208 |
7 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
20 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
Дурное общество |
944 | 207 |
11 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
16 |
15 |
0 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Диалектика пути |
2720 | 207 |
13 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
9 |
16 |
0 |
0 |
0 |
1 |
1 |
5 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
Премия "Поэзия" что хотят жюри |
1353 | 207 |
10 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
9 |
16 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
"Добрый Филя" и проекция собеседника |
703 | 207 |
12 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
14 |
18 |
0 |
1 |
1 |
3 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
471 | 204 |
8 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
17 |
12 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
Отчуждение. стадия Ад |
1230 | 204 |
9 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
9 |
17 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1318 | 204 |
7 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
13 |
15 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
Национальность биографа |
2879 | 203 |
6 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
10 |
16 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
Темное вещество, абсолютный дух и человеческая цивилизация |
920 | 203 |
11 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
18 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
Неравный брак (лунное) |
830 | 203 |
9 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
9 |
18 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
Быков и Навальный |
633 | 203 |
9 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
11 |
16 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
Киев старый и новый |
2279 | 202 |
12 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
10 |
20 |
0 |
0 |
1 |
3 |
1 |
2 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
Категории добра и зла |
403 | 202 |
13 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
11 |
17 |
0 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
Компьютер и сексуальная революция писателя |
2799 | 202 |
8 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
11 |
20 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Символика цвета |
345 | 202 |
6 |
16 |
15 |
17 |
12 |
12 |
20 |
27 |
19 |
24 |
16 |
18 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Популярные стили в изображении Гоголя |
388 | 202 |
8 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
14 |
13 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
Литературоведение - наука или "Humanities and Arts"... |
2416 | 202 |
8 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
9 |
14 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
Кто виноват и что делать? Проклятые вопросы в |
420 | 201 |
11 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
12 |
18 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
Технические болезни Стихиры |
2527 | 201 |
9 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
14 |
13 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
Рубцов и формальный метод |
2570 | 201 |
10 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
12 |
0 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
Форма абсолютной сути созидаемого |
789 | 200 |
10 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
9 |
18 |
0 |
0 |
3 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
Проклятые вопросы в |
421 | 200 |
7 |
16 |
17 |
20 |
15 |
12 |
21 |
17 |
18 |
26 |
16 |
15 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
Пушкинский пленник |
649 | 200 |
12 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
15 |
14 |
0 |
1 |
0 |
1 |
4 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Государство Платона и Акунина |
887 | 200 |
11 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
11 |
14 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Эпилог |
359 | 196 |
10 |
16 |
23 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
14 |
0 |
0 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
Проблематика произведений. Богатство и бедность |
551 | 196 |
11 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
14 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
Ведение в чтение Гоголя. Шинель |
975 | 196 |
7 |
20 |
23 |
11 |
15 |
14 |
21 |
17 |
15 |
25 |
13 |
15 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
Онтологическое обоснование гения эпохи |
1201 | 196 |
10 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
13 |
13 |
0 |
0 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Честь как главная жизненная ценность у Достоевского |
552 | 195 |
11 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
15 |
15 |
0 |
0 |
2 |
2 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
Паломничество убогой (2 редакция) |
478 | 195 |
8 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
20 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
Бог как конечное воплощение жажды славы |
2079 | 195 |
9 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
16 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
Инструкция создателям искусственного разума |
2434 | 195 |
10 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
15 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
Что есть человек |
1254 | 194 |
10 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
15 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
Долой ыгэ! |
599 | 194 |
8 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
12 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
Миф о числах |
2556 | 194 |
7 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
12 |
15 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
Удача и капуста |
2377 | 194 |
13 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
8 |
15 |
0 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
Блок и его мэоническая легенда |
698 | 194 |
8 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
15 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
Теософия и поэзия |
1013 | 193 |
7 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
15 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
Инструкция создателям искусственного разума |
3040 | 193 |
9 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
18 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
Белая ворона |
2331 | 193 |
10 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
11 |
16 |
0 |
1 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
Я начинаю обретать себя |
2373 | 193 |
11 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
9 |
14 |
0 |
1 |
0 |
3 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
Ну и реклама сейчас у Проханова |
2040 | 192 |
10 |
13 |
23 |
12 |
15 |
24 |
19 |
18 |
8 |
23 |
14 |
13 |
0 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
Становление гения |
2406 | 192 |
7 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
9 |
16 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
2091 | 192 |
11 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
11 |
15 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Каким должен быть правитель |
487 | 191 |
9 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
18 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
К проблеме Израиля |
1309 | 191 |
14 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
11 |
12 |
0 |
1 |
3 |
0 |
2 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
Убийственная преданность. Введение в чтение Пушкина |
686 | 191 |
9 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
14 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
Бегемотик |
3306 | 190 |
8 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
5 |
18 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
Незабудки |
190 | 190 |
12 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
535 | 190 |
4 |
11 |
21 |
12 |
18 |
16 |
22 |
14 |
16 |
21 |
19 |
16 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
Исход |
2155 | 189 |
8 |
24 |
19 |
16 |
16 |
11 |
18 |
15 |
12 |
24 |
10 |
16 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
Введение в чтение Лермонтова. Система отражений |
524 | 189 |
8 |
16 |
21 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
12 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
Искушение как психологический прием |
2832 | 189 |
7 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
15 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
О Бродском - Имперский поэт? |
826 | 189 |
12 |
22 |
20 |
11 |
16 |
13 |
22 |
15 |
12 |
22 |
10 |
14 |
0 |
3 |
1 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
Возможен ли герой нашего времени? |
595 | 188 |
5 |
9 |
24 |
15 |
13 |
24 |
20 |
16 |
13 |
23 |
7 |
19 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3129 | 188 |
10 |
18 |
23 |
17 |
14 |
11 |
22 |
20 |
11 |
20 |
9 |
13 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
Радио Свобода, Цру и великая русская литература |
2409 | 187 |
8 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
7 |
12 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
Грамматика абсурдиста |
2139 | 186 |
7 |
20 |
20 |
14 |
15 |
10 |
22 |
15 |
15 |
18 |
11 |
19 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
Велика ли дань Пушкина мифологии |
3156 | 186 |
9 |
17 |
17 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
9 |
14 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Смех без причины |
2609 | 186 |
8 |
17 |
21 |
6 |
18 |
11 |
17 |
19 |
20 |
31 |
5 |
13 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2137 | 186 |
12 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
9 |
11 |
0 |
0 |
1 |
2 |
1 |
2 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
Литературные пейзажи Толстого |
1194 | 185 |
5 |
12 |
15 |
10 |
13 |
15 |
27 |
16 |
21 |
21 |
18 |
12 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
"Детство" и уход из Ясной поляны |
370 | 185 |
9 |
21 |
20 |
13 |
7 |
13 |
22 |
16 |
14 |
21 |
16 |
13 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Совет- не любовь |
2591 | 185 |
9 |
15 |
20 |
11 |
19 |
9 |
19 |
18 |
10 |
24 |
12 |
19 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |