| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
По разделу |
792165 | 2456 |
165 |
139 |
131 |
221 |
189 |
313 |
393 |
161 |
180 |
221 |
167 |
176 |
1 |
6 |
6 |
7 |
7 |
4 |
10 |
11 |
5 |
6 |
3 |
5 |
3 |
6 |
5 |
6 |
4 |
7 |
7 |
8 |
5 |
5 |
3 |
7 |
5 |
3 |
5 |
8 |
7 |
4 |
12 |
6 |
9 |
8 |
8 |
5 |
9 |
3 |
4 |
6 |
3 |
4 |
5 |
6 |
4 |
2 |
3 |
4 |
6 |
3 |
2 |
3 |
2 |
2 |
3 |
3 |
2 |
3 |
2 |
3 |
7 |
2 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
31067 | 1518 |
107 |
91 |
83 |
173 |
109 |
158 |
187 |
81 |
112 |
163 |
132 |
122 |
0 |
3 |
1 |
6 |
7 |
4 |
10 |
11 |
5 |
3 |
1 |
2 |
1 |
6 |
2 |
2 |
4 |
0 |
2 |
8 |
3 |
1 |
2 |
2 |
3 |
2 |
3 |
6 |
7 |
3 |
4 |
6 |
2 |
5 |
2 |
5 |
6 |
3 |
2 |
6 |
1 |
4 |
4 |
6 |
2 |
0 |
2 |
4 |
6 |
0 |
2 |
3 |
2 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
4 |
2 |
|
Поэтика абсурда. Часть 1 |
3990 | 945 |
52 |
40 |
60 |
88 |
107 |
93 |
98 |
61 |
70 |
102 |
82 |
92 |
0 |
1 |
4 |
3 |
3 |
0 |
4 |
6 |
4 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
|
Метод приведения к абсурду в школьной классике |
2727 | 857 |
66 |
42 |
58 |
70 |
68 |
66 |
201 |
38 |
59 |
68 |
57 |
64 |
0 |
4 |
3 |
2 |
1 |
0 |
5 |
1 |
4 |
1 |
0 |
2 |
2 |
3 |
0 |
6 |
1 |
0 |
7 |
1 |
5 |
3 |
0 |
1 |
3 |
1 |
2 |
4 |
4 |
2 |
2 |
2 |
0 |
0 |
3 |
4 |
0 |
2 |
0 |
2 |
3 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
7 |
0 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3658 | 679 |
39 |
25 |
42 |
53 |
63 |
58 |
51 |
49 |
58 |
104 |
67 |
70 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
|
Мертвые души: хозяйственная бесхозяйственность |
2724 | 564 |
37 |
20 |
34 |
40 |
50 |
50 |
42 |
31 |
51 |
70 |
76 |
63 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
6 |
2 |
0 |
0 |
5 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
|
Гипербола и Гиперборея Маяковского |
1585 | 549 |
38 |
19 |
34 |
47 |
50 |
49 |
45 |
31 |
38 |
67 |
60 |
71 |
0 |
2 |
4 |
4 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Внутренний монолог |
1551 | 547 |
36 |
26 |
37 |
40 |
48 |
53 |
41 |
31 |
37 |
65 |
66 |
67 |
0 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
|
Автобиографизм и автопсихологизм |
1277 | 516 |
27 |
15 |
26 |
49 |
44 |
51 |
40 |
32 |
50 |
60 |
64 |
58 |
0 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Литературоведение для школьников |
464 | 464 |
54 |
32 |
41 |
87 |
111 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
7 |
3 |
1 |
1 |
0 |
1 |
6 |
2 |
3 |
1 |
0 |
5 |
1 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
5 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
6225 | 399 |
29 |
24 |
24 |
25 |
38 |
29 |
22 |
12 |
36 |
59 |
47 |
54 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
12138 | 382 |
31 |
13 |
24 |
64 |
25 |
37 |
17 |
13 |
20 |
53 |
39 |
46 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Полифония Блока |
1869 | 371 |
37 |
18 |
12 |
14 |
35 |
37 |
20 |
16 |
34 |
54 |
47 |
47 |
0 |
2 |
1 |
4 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1403 | 366 |
27 |
20 |
16 |
23 |
36 |
45 |
25 |
12 |
28 |
51 |
41 |
42 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Энтропия.net |
6460 | 365 |
42 |
16 |
20 |
31 |
29 |
34 |
10 |
10 |
37 |
52 |
39 |
45 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
3 |
3 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Медвежонок |
9335 | 353 |
30 |
15 |
17 |
38 |
22 |
33 |
15 |
16 |
25 |
48 |
45 |
49 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
3234 | 353 |
41 |
19 |
15 |
24 |
26 |
35 |
23 |
11 |
30 |
44 |
41 |
44 |
0 |
2 |
0 |
1 |
4 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Кот Васька в своей квартире |
8200 | 351 |
32 |
13 |
20 |
48 |
26 |
28 |
22 |
12 |
19 |
54 |
37 |
40 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Пестрый дятел |
4999 | 350 |
26 |
14 |
23 |
34 |
22 |
33 |
16 |
14 |
18 |
50 |
45 |
55 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2366 | 342 |
23 |
14 |
16 |
14 |
30 |
24 |
23 |
16 |
34 |
63 |
42 |
43 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
6005 | 337 |
31 |
18 |
13 |
29 |
23 |
26 |
21 |
15 |
26 |
46 |
42 |
47 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
|
Я играю вместе с мамой |
10010 | 336 |
36 |
12 |
21 |
32 |
24 |
33 |
13 |
12 |
28 |
39 |
46 |
40 |
0 |
3 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Про что поэзия Барто? - да все про то! |
6131 | 329 |
39 |
14 |
21 |
44 |
22 |
30 |
14 |
8 |
22 |
44 |
36 |
35 |
0 |
1 |
2 |
0 |
3 |
1 |
4 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Ослик |
8674 | 326 |
34 |
10 |
17 |
40 |
24 |
18 |
18 |
15 |
28 |
44 |
37 |
41 |
0 |
2 |
4 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Печорин и декабристы - бесславие героев времени |
1694 | 325 |
37 |
11 |
20 |
11 |
27 |
33 |
24 |
19 |
24 |
45 |
34 |
40 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
"История Рода Толстых - история России". Фоторепортаж |
5942 | 324 |
33 |
10 |
19 |
21 |
23 |
26 |
14 |
12 |
28 |
44 |
52 |
42 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Что на небе |
8396 | 323 |
29 |
14 |
18 |
40 |
23 |
25 |
13 |
9 |
21 |
46 |
36 |
49 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ушки, ножки, рожки |
6785 | 321 |
29 |
14 |
20 |
35 |
22 |
27 |
12 |
8 |
27 |
44 |
38 |
45 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1253 | 321 |
29 |
12 |
20 |
12 |
35 |
39 |
18 |
9 |
33 |
40 |
37 |
37 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Раскольников - "немецкий шляпник" |
321 | 321 |
35 |
11 |
19 |
60 |
45 |
21 |
18 |
9 |
35 |
68 |
0 |
0 |
0 |
6 |
4 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Дуэль Онегина и Ленского |
1588 | 319 |
27 |
12 |
16 |
16 |
30 |
26 |
15 |
22 |
31 |
50 |
37 |
37 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Интерьер в "Капитанской дочке" |
1703 | 319 |
26 |
10 |
14 |
13 |
18 |
31 |
13 |
16 |
26 |
42 |
43 |
67 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3822 | 319 |
34 |
15 |
21 |
19 |
31 |
36 |
25 |
9 |
23 |
34 |
40 |
32 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Учимся мыслить логически |
3986 | 315 |
31 |
14 |
15 |
19 |
24 |
23 |
24 |
14 |
19 |
43 |
43 |
46 |
0 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Стихи для детей |
5750 | 315 |
27 |
15 |
19 |
24 |
22 |
25 |
16 |
11 |
30 |
49 |
38 |
39 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
|
Александр Кушнер. Аполлон в траве |
4873 | 313 |
27 |
18 |
12 |
22 |
19 |
22 |
20 |
17 |
26 |
44 |
47 |
39 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Ботинок |
4318 | 313 |
31 |
17 |
16 |
21 |
24 |
30 |
13 |
14 |
26 |
44 |
38 |
39 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
|
Самосознание сетевой литературы |
4267 | 312 |
40 |
24 |
20 |
26 |
25 |
26 |
11 |
12 |
22 |
36 |
34 |
36 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
4 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
5 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Михаил Гарцев. История внутри нас |
4764 | 312 |
39 |
13 |
14 |
18 |
18 |
29 |
18 |
16 |
28 |
42 |
37 |
40 |
0 |
1 |
0 |
4 |
4 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Древесная лирика Хельги Ольшванг |
4030 | 308 |
27 |
15 |
14 |
29 |
20 |
32 |
16 |
5 |
28 |
45 |
38 |
39 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Язык и генетика |
4774 | 308 |
29 |
12 |
18 |
32 |
21 |
33 |
14 |
12 |
16 |
41 |
38 |
42 |
0 |
2 |
2 |
4 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Возвращение |
3604 | 307 |
30 |
13 |
22 |
23 |
23 |
23 |
19 |
11 |
18 |
41 |
39 |
45 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
В чем философский смысл фильма "Остров проклятых" |
1417 | 306 |
31 |
17 |
14 |
20 |
21 |
24 |
17 |
29 |
26 |
34 |
31 |
42 |
0 |
2 |
1 |
3 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
|
Похождения Чичикова и мертвых душ в Xxi веке |
411 | 306 |
32 |
14 |
21 |
15 |
26 |
30 |
17 |
11 |
25 |
31 |
37 |
47 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Каждый знает |
6985 | 306 |
32 |
15 |
10 |
36 |
19 |
33 |
13 |
12 |
23 |
39 |
35 |
39 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Потомки "Метрополя" |
6092 | 304 |
29 |
11 |
19 |
17 |
30 |
36 |
20 |
10 |
19 |
37 |
33 |
43 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Психология - наука рабов |
7032 | 302 |
29 |
12 |
22 |
32 |
21 |
27 |
16 |
9 |
30 |
39 |
37 |
28 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Образ России в арт-среде Интернета |
2893 | 302 |
31 |
12 |
15 |
14 |
18 |
26 |
27 |
9 |
32 |
38 |
37 |
43 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Михаил Гарцев и сетевое письмо |
4782 | 301 |
29 |
11 |
19 |
15 |
25 |
25 |
21 |
8 |
27 |
43 |
34 |
44 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
Кто убил старуху процентщицу? |
2349 | 300 |
26 |
13 |
28 |
21 |
26 |
29 |
14 |
11 |
18 |
38 |
33 |
43 |
0 |
2 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Карнавал и декарнавализация |
4395 | 298 |
38 |
10 |
17 |
25 |
21 |
22 |
15 |
14 |
27 |
39 |
28 |
42 |
0 |
4 |
1 |
5 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Кто как кричит |
4780 | 298 |
31 |
18 |
12 |
20 |
22 |
27 |
14 |
7 |
18 |
51 |
39 |
39 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3675 | 297 |
33 |
18 |
23 |
20 |
22 |
27 |
12 |
10 |
24 |
36 |
33 |
39 |
0 |
3 |
1 |
1 |
1 |
4 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
|
Манифест |
2914 | 297 |
33 |
11 |
21 |
19 |
23 |
32 |
17 |
17 |
22 |
41 |
29 |
32 |
0 |
2 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1332 | 297 |
24 |
13 |
17 |
17 |
20 |
22 |
13 |
16 |
21 |
30 |
52 |
52 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Сказка о гейзере на Стихире |
3251 | 296 |
26 |
16 |
16 |
24 |
20 |
24 |
21 |
26 |
21 |
36 |
30 |
36 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Самоубийство разума |
3375 | 295 |
29 |
14 |
15 |
17 |
21 |
30 |
13 |
15 |
24 |
37 |
35 |
45 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2664 | 295 |
28 |
11 |
9 |
22 |
25 |
27 |
10 |
17 |
20 |
41 |
38 |
47 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3407 | 293 |
37 |
12 |
14 |
9 |
29 |
31 |
11 |
12 |
20 |
36 |
44 |
38 |
0 |
2 |
2 |
4 |
1 |
3 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Символизм |
742 | 292 |
30 |
12 |
21 |
17 |
30 |
31 |
16 |
10 |
17 |
36 |
34 |
38 |
0 |
1 |
3 |
4 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Социальные болезни Стихи.ру |
7276 | 291 |
31 |
12 |
17 |
35 |
17 |
20 |
8 |
8 |
19 |
47 |
42 |
35 |
0 |
1 |
4 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Сюжет: событие, действие, мотив |
790 | 291 |
27 |
17 |
17 |
14 |
27 |
26 |
16 |
9 |
17 |
43 |
40 |
38 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
О любви к правителям и поэтам |
1484 | 291 |
33 |
12 |
17 |
17 |
30 |
30 |
12 |
14 |
21 |
38 |
31 |
36 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
В защиту массовой литературы |
5899 | 290 |
29 |
16 |
17 |
24 |
21 |
25 |
13 |
14 |
26 |
36 |
32 |
37 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4353 | 290 |
30 |
14 |
13 |
27 |
21 |
30 |
16 |
13 |
22 |
39 |
32 |
33 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
К вопросу о Фрейде и православии |
3375 | 290 |
32 |
12 |
14 |
18 |
24 |
23 |
14 |
11 |
25 |
40 |
36 |
41 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
План анализа стихотворения |
855 | 289 |
26 |
14 |
14 |
14 |
20 |
29 |
12 |
10 |
24 |
51 |
40 |
35 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Возвращение блудного Чацкого |
1122 | 289 |
20 |
13 |
16 |
14 |
21 |
24 |
18 |
13 |
30 |
44 |
35 |
41 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Воинство Сергия Радонежского |
4646 | 289 |
29 |
14 |
17 |
38 |
25 |
35 |
8 |
8 |
23 |
29 |
24 |
39 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Anti-Dan |
3483 | 289 |
34 |
23 |
19 |
19 |
23 |
27 |
15 |
8 |
21 |
31 |
37 |
32 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
4 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
С кем я познакомилась на Си |
3742 | 288 |
24 |
11 |
14 |
27 |
18 |
26 |
13 |
10 |
25 |
46 |
39 |
35 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Введение в чтение Гоголя. Хлестаков |
914 | 288 |
32 |
16 |
13 |
13 |
25 |
27 |
13 |
11 |
22 |
39 |
38 |
39 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
5 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Бунт против Гегеля |
3436 | 288 |
32 |
12 |
18 |
18 |
24 |
24 |
20 |
13 |
16 |
41 |
29 |
41 |
0 |
1 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Информация о владельце раздела |
3574 | 288 |
23 |
17 |
27 |
23 |
37 |
26 |
12 |
9 |
17 |
27 |
38 |
32 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
|
Демократия как искусство для искусства |
3089 | 286 |
32 |
14 |
17 |
17 |
24 |
26 |
9 |
12 |
21 |
30 |
40 |
44 |
0 |
2 |
1 |
2 |
4 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Государство и общество: свобода и необходимость |
5201 | 285 |
32 |
16 |
18 |
17 |
21 |
22 |
13 |
8 |
24 |
35 |
34 |
45 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Вот и обсудили! |
2903 | 285 |
32 |
18 |
13 |
16 |
23 |
33 |
20 |
14 |
17 |
27 |
33 |
39 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Атрибуты беса |
3341 | 283 |
29 |
15 |
21 |
20 |
22 |
28 |
9 |
10 |
18 |
44 |
31 |
36 |
0 |
1 |
6 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Где же новая поэзия |
2699 | 282 |
28 |
15 |
11 |
18 |
19 |
33 |
13 |
14 |
16 |
40 |
39 |
36 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Рифма к городу |
3806 | 282 |
26 |
7 |
17 |
18 |
23 |
26 |
12 |
10 |
24 |
40 |
36 |
43 |
0 |
4 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Монтаж у Гоголя и Алексиевич |
1017 | 282 |
30 |
13 |
18 |
10 |
26 |
20 |
14 |
8 |
21 |
40 |
36 |
46 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Средства художественной изобразительности |
1810 | 280 |
28 |
14 |
14 |
17 |
21 |
19 |
16 |
9 |
19 |
42 |
43 |
38 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Вмешиваясь в разговор с богом |
3574 | 279 |
31 |
13 |
12 |
17 |
21 |
28 |
16 |
26 |
23 |
32 |
26 |
34 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
|
Вирус абсурда в истории человеческой культуры |
2565 | 278 |
28 |
17 |
23 |
23 |
26 |
23 |
13 |
12 |
17 |
33 |
29 |
34 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Три пальмы |
1524 | 278 |
29 |
18 |
12 |
16 |
24 |
36 |
11 |
14 |
22 |
33 |
32 |
31 |
0 |
3 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Трагический герой |
770 | 278 |
27 |
11 |
18 |
15 |
24 |
25 |
16 |
12 |
18 |
39 |
31 |
42 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Клопы от Фейербаха |
3378 | 278 |
28 |
14 |
19 |
19 |
21 |
31 |
12 |
11 |
19 |
37 |
31 |
36 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Фотомастерская Вадима Месяца |
3193 | 278 |
30 |
10 |
18 |
24 |
22 |
21 |
13 |
9 |
18 |
40 |
35 |
38 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Мир как книга |
1219 | 278 |
31 |
12 |
15 |
14 |
30 |
28 |
7 |
16 |
16 |
37 |
33 |
39 |
0 |
3 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Пейзаж в поэме Лермонтова |
1032 | 278 |
31 |
11 |
15 |
18 |
19 |
25 |
19 |
16 |
16 |
40 |
29 |
39 |
0 |
2 |
1 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Антитеза |
829 | 278 |
34 |
10 |
16 |
15 |
22 |
20 |
14 |
11 |
22 |
34 |
37 |
43 |
0 |
3 |
1 |
7 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
873 | 277 |
37 |
15 |
12 |
15 |
26 |
24 |
15 |
14 |
15 |
38 |
32 |
34 |
0 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Мысль изреченная |
2852 | 277 |
24 |
10 |
19 |
30 |
13 |
23 |
16 |
15 |
14 |
37 |
34 |
42 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Сон как нонсенс в "Войне и мире" |
882 | 276 |
32 |
11 |
17 |
12 |
22 |
21 |
12 |
11 |
20 |
41 |
35 |
42 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Ницше, ценности и Гегель |
3346 | 276 |
30 |
10 |
17 |
24 |
30 |
25 |
9 |
8 |
18 |
31 |
31 |
43 |
0 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Достоевский и конец истории |
3747 | 276 |
30 |
15 |
14 |
20 |
27 |
29 |
12 |
9 |
30 |
29 |
31 |
30 |
0 |
0 |
1 |
5 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
1161 | 276 |
27 |
18 |
17 |
15 |
24 |
21 |
15 |
8 |
19 |
37 |
30 |
45 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Как работает поэтика абсурда |
4670 | 275 |
26 |
15 |
15 |
23 |
20 |
26 |
12 |
8 |
22 |
33 |
34 |
41 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Достоевский как оптимальная точка видения |
3232 | 274 |
30 |
15 |
10 |
17 |
25 |
37 |
8 |
7 |
18 |
36 |
37 |
34 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1190 | 274 |
35 |
8 |
20 |
12 |
17 |
22 |
13 |
12 |
27 |
35 |
36 |
37 |
0 |
0 |
2 |
3 |
2 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Этапы эволюции вируса абсурда в России |
3540 | 274 |
28 |
12 |
10 |
18 |
23 |
28 |
21 |
10 |
21 |
37 |
28 |
38 |
0 |
0 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Утенок |
4798 | 274 |
35 |
13 |
10 |
20 |
20 |
32 |
17 |
12 |
15 |
40 |
29 |
31 |
1 |
1 |
1 |
3 |
0 |
0 |
7 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Форум в контексте книги |
3306 | 274 |
38 |
9 |
16 |
15 |
27 |
31 |
15 |
11 |
20 |
31 |
25 |
36 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
4 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Ленин как поэт Серебряного века |
1582 | 274 |
35 |
17 |
14 |
13 |
19 |
21 |
8 |
12 |
17 |
36 |
35 |
47 |
0 |
1 |
0 |
3 |
0 |
1 |
6 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Замятин "Мы". Конспект урока |
1195 | 274 |
30 |
11 |
16 |
11 |
27 |
26 |
13 |
8 |
18 |
42 |
34 |
38 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя |
1366 | 274 |
30 |
12 |
22 |
18 |
19 |
26 |
10 |
10 |
22 |
34 |
34 |
37 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
1078 | 273 |
33 |
10 |
18 |
11 |
24 |
19 |
21 |
10 |
24 |
36 |
31 |
36 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Избранница народного слова |
2688 | 273 |
33 |
13 |
14 |
21 |
24 |
29 |
11 |
11 |
17 |
28 |
37 |
35 |
0 |
1 |
0 |
3 |
0 |
0 |
4 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
1181 | 272 |
21 |
11 |
17 |
15 |
27 |
29 |
8 |
15 |
19 |
37 |
36 |
37 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Байрон - предтеча русского реализма |
1014 | 272 |
30 |
10 |
24 |
18 |
19 |
22 |
15 |
9 |
15 |
39 |
36 |
35 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Инструкция создателям искусственного разума |
2696 | 272 |
35 |
11 |
18 |
17 |
22 |
23 |
13 |
11 |
17 |
31 |
37 |
37 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
3 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Пьер и Андрей |
1429 | 272 |
27 |
17 |
19 |
19 |
29 |
23 |
13 |
10 |
14 |
35 |
34 |
32 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
|
Искушение как психологический прием |
3097 | 272 |
30 |
14 |
10 |
21 |
18 |
20 |
16 |
10 |
25 |
42 |
30 |
36 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Нам много миллионов лет. Каждому |
1106 | 271 |
32 |
10 |
16 |
10 |
20 |
27 |
13 |
8 |
25 |
32 |
40 |
38 |
0 |
5 |
2 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Липки |
3054 | 271 |
30 |
10 |
14 |
14 |
17 |
22 |
13 |
9 |
17 |
40 |
36 |
49 |
0 |
3 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3636 | 271 |
28 |
13 |
19 |
14 |
22 |
25 |
12 |
8 |
19 |
42 |
27 |
42 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Киев старый и новый |
2537 | 270 |
25 |
12 |
13 |
12 |
29 |
24 |
14 |
18 |
17 |
36 |
36 |
34 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ведьмостиший больше не будет |
3225 | 270 |
33 |
15 |
12 |
14 |
26 |
24 |
12 |
10 |
21 |
32 |
32 |
39 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3532 | 270 |
24 |
16 |
18 |
19 |
19 |
31 |
13 |
12 |
17 |
35 |
33 |
33 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Что в имени мне твоем |
3210 | 270 |
32 |
10 |
15 |
28 |
24 |
26 |
13 |
9 |
18 |
30 |
28 |
37 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Двуединство добра |
3052 | 264 |
31 |
13 |
13 |
12 |
19 |
23 |
17 |
10 |
24 |
34 |
28 |
40 |
0 |
2 |
1 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Теория диссоциаций и Булгаков |
1506 | 264 |
28 |
12 |
19 |
25 |
20 |
18 |
12 |
8 |
20 |
30 |
30 |
42 |
0 |
2 |
1 |
6 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
О чем поют сферы Гоголя |
1136 | 264 |
31 |
11 |
18 |
15 |
24 |
27 |
7 |
15 |
20 |
32 |
31 |
33 |
0 |
5 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Совенок |
3912 | 264 |
24 |
11 |
11 |
13 |
21 |
29 |
18 |
11 |
23 |
33 |
35 |
35 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4285 | 263 |
31 |
16 |
13 |
23 |
20 |
14 |
17 |
9 |
25 |
29 |
30 |
36 |
0 |
1 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1390 | 262 |
26 |
10 |
24 |
18 |
23 |
30 |
9 |
8 |
16 |
32 |
32 |
34 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2608 | 262 |
33 |
10 |
12 |
21 |
21 |
24 |
11 |
14 |
23 |
31 |
30 |
32 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Об одном фильме |
1603 | 261 |
22 |
10 |
16 |
13 |
22 |
27 |
9 |
12 |
25 |
31 |
34 |
40 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
От финских хладных скал... |
3351 | 261 |
26 |
15 |
11 |
21 |
18 |
27 |
14 |
11 |
18 |
31 |
28 |
41 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
5 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
888 | 261 |
26 |
9 |
14 |
14 |
26 |
30 |
15 |
11 |
17 |
30 |
35 |
34 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Какой плод у дерева |
3268 | 259 |
33 |
17 |
10 |
17 |
17 |
23 |
8 |
13 |
19 |
40 |
33 |
29 |
0 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Мастер и Маргарита. Кто написал притчу? |
1331 | 259 |
28 |
13 |
17 |
11 |
24 |
24 |
14 |
10 |
18 |
29 |
32 |
39 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Островский о романтической ипостаси русской литературы |
1450 | 259 |
30 |
11 |
11 |
15 |
22 |
21 |
16 |
10 |
19 |
37 |
31 |
36 |
0 |
0 |
1 |
5 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Проклятое место, проклятые вопросы |
3364 | 259 |
27 |
8 |
13 |
24 |
25 |
23 |
12 |
7 |
23 |
36 |
30 |
31 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Эпос |
2416 | 258 |
35 |
11 |
12 |
14 |
15 |
22 |
20 |
18 |
25 |
30 |
25 |
31 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Технические болезни Стихиры |
2776 | 258 |
25 |
13 |
11 |
16 |
22 |
19 |
13 |
15 |
23 |
26 |
31 |
44 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"Хлыстовская богородица" Маяковского |
1554 | 258 |
24 |
11 |
13 |
14 |
27 |
28 |
9 |
12 |
21 |
32 |
27 |
40 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему поэзия должна быть глуповата |
3381 | 258 |
30 |
13 |
14 |
9 |
19 |
25 |
15 |
12 |
21 |
36 |
27 |
37 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Монтажная композиция |
761 | 257 |
28 |
8 |
18 |
17 |
18 |
28 |
17 |
11 |
20 |
31 |
22 |
39 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Собрание обратных цитат о любви |
3200 | 256 |
26 |
15 |
15 |
16 |
23 |
26 |
10 |
11 |
21 |
30 |
28 |
35 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
1138 | 256 |
29 |
10 |
21 |
13 |
21 |
22 |
12 |
12 |
21 |
33 |
28 |
34 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
1070 | 256 |
26 |
12 |
23 |
10 |
29 |
24 |
11 |
5 |
22 |
28 |
30 |
36 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Юрий Поляков. Грибной царь |
3870 | 256 |
27 |
9 |
11 |
24 |
25 |
20 |
11 |
11 |
19 |
32 |
35 |
32 |
0 |
0 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Введение в философию сказок |
895 | 256 |
26 |
12 |
18 |
16 |
21 |
22 |
13 |
11 |
16 |
29 |
34 |
38 |
0 |
5 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Совет- не любовь |
2838 | 256 |
22 |
15 |
10 |
18 |
27 |
22 |
13 |
12 |
20 |
26 |
33 |
38 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Зеркало |
3150 | 256 |
27 |
11 |
16 |
17 |
20 |
17 |
13 |
9 |
18 |
35 |
37 |
36 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Кто виноват и что делать? Проклятые вопросы в |
664 | 255 |
25 |
13 |
13 |
19 |
26 |
25 |
12 |
7 |
23 |
36 |
25 |
31 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Горе от ума или ум от горя. Перевертыши |
1092 | 255 |
30 |
11 |
12 |
20 |
21 |
23 |
12 |
11 |
22 |
35 |
25 |
33 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Автопортрет, оксюморон |
969 | 255 |
32 |
7 |
16 |
21 |
20 |
21 |
14 |
14 |
12 |
34 |
30 |
34 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Незабудки |
433 | 255 |
27 |
4 |
13 |
9 |
25 |
24 |
14 |
9 |
18 |
44 |
33 |
35 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Пушкин |
6235 | 255 |
35 |
6 |
18 |
18 |
25 |
24 |
13 |
9 |
15 |
38 |
27 |
27 |
0 |
2 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Галич и Мандельштам вокруг образа вождя |
711 | 254 |
33 |
10 |
14 |
14 |
22 |
15 |
13 |
8 |
16 |
39 |
33 |
37 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Каким должен быть правитель |
732 | 254 |
32 |
16 |
13 |
11 |
17 |
28 |
11 |
9 |
15 |
34 |
33 |
35 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
919 | 254 |
26 |
10 |
15 |
6 |
23 |
23 |
15 |
13 |
25 |
36 |
29 |
33 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Андрей Болконский - Дон Кихот |
925 | 254 |
28 |
10 |
13 |
13 |
25 |
23 |
12 |
10 |
20 |
31 |
29 |
40 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
4 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Образы русской природы в лирике Рубцова |
888 | 254 |
34 |
5 |
13 |
14 |
24 |
24 |
9 |
10 |
21 |
31 |
31 |
38 |
0 |
5 |
0 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Письмо Татьяны. Общие места - романтизмы |
868 | 253 |
36 |
10 |
13 |
9 |
20 |
22 |
10 |
13 |
21 |
37 |
29 |
33 |
0 |
3 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Честь как главная жизненная ценность у Достоевского |
794 | 253 |
34 |
15 |
9 |
13 |
19 |
21 |
11 |
9 |
17 |
43 |
28 |
34 |
0 |
1 |
0 |
5 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
О романе "Обратная Перспектива А.Столярова |
1608 | 253 |
27 |
11 |
14 |
9 |
24 |
25 |
9 |
9 |
18 |
30 |
33 |
44 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2378 | 253 |
24 |
14 |
11 |
23 |
20 |
29 |
12 |
8 |
18 |
29 |
24 |
41 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
О времени |
1364 | 239 |
29 |
8 |
11 |
6 |
20 |
25 |
13 |
7 |
24 |
28 |
32 |
36 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Паломничество убогой (2 редакция) |
708 | 238 |
20 |
11 |
17 |
7 |
20 |
27 |
5 |
10 |
22 |
38 |
25 |
36 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
701 | 238 |
27 |
9 |
13 |
12 |
23 |
24 |
14 |
7 |
20 |
29 |
25 |
35 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Легенда о великом инквизиторе |
1251 | 238 |
31 |
11 |
11 |
9 |
19 |
22 |
12 |
13 |
16 |
31 |
26 |
37 |
0 |
6 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Гоголя. Нос |
905 | 238 |
27 |
12 |
15 |
7 |
18 |
29 |
11 |
9 |
17 |
30 |
32 |
31 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Костенька |
287 | 238 |
28 |
5 |
17 |
7 |
18 |
23 |
14 |
8 |
19 |
39 |
25 |
35 |
0 |
2 |
4 |
2 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О Мастере и деле врачей |
1322 | 238 |
25 |
8 |
11 |
10 |
20 |
23 |
16 |
11 |
14 |
40 |
25 |
35 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
1117 | 238 |
22 |
8 |
14 |
11 |
20 |
23 |
13 |
9 |
17 |
36 |
30 |
35 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Аллегория как эпитет |
1572 | 237 |
23 |
14 |
15 |
11 |
19 |
25 |
4 |
10 |
23 |
34 |
29 |
30 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Маркетинг науки, или Научный маркетинг |
3233 | 237 |
21 |
15 |
15 |
13 |
23 |
24 |
13 |
9 |
13 |
35 |
21 |
35 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
О курсе реформ и курсе литературы |
1187 | 236 |
24 |
9 |
16 |
7 |
17 |
17 |
10 |
9 |
18 |
34 |
34 |
41 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Ферапонтово. Коллекция |
2186 | 236 |
24 |
13 |
14 |
7 |
26 |
24 |
7 |
8 |
14 |
32 |
35 |
32 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Хлестаков и Печорин |
1540 | 236 |
21 |
13 |
13 |
11 |
20 |
22 |
6 |
9 |
21 |
32 |
32 |
36 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Сила детской публицистики |
1572 | 236 |
30 |
14 |
14 |
8 |
18 |
22 |
7 |
8 |
25 |
31 |
29 |
30 |
0 |
2 |
4 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Миф о запахе |
2615 | 236 |
23 |
10 |
13 |
13 |
20 |
19 |
9 |
12 |
27 |
29 |
31 |
30 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Невозможность гения эпохи |
768 | 236 |
26 |
12 |
12 |
9 |
18 |
18 |
13 |
13 |
19 |
31 |
29 |
36 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Долой ыгэ! |
826 | 235 |
27 |
13 |
15 |
13 |
21 |
18 |
13 |
10 |
15 |
22 |
31 |
37 |
0 |
2 |
0 |
4 |
0 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Лермонтова. Система отражений |
751 | 235 |
26 |
8 |
19 |
3 |
24 |
22 |
11 |
9 |
21 |
31 |
30 |
31 |
0 |
5 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сексуальность Гоголя |
936 | 235 |
24 |
13 |
16 |
10 |
29 |
24 |
9 |
3 |
18 |
28 |
29 |
32 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Пушкинский пленник |
872 | 235 |
25 |
10 |
14 |
10 |
20 |
27 |
10 |
8 |
20 |
31 |
27 |
33 |
0 |
3 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
"Добрый Филя" и проекция собеседника |
926 | 235 |
29 |
8 |
13 |
7 |
22 |
21 |
10 |
8 |
20 |
30 |
29 |
38 |
0 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Старость |
2491 | 235 |
20 |
10 |
10 |
23 |
19 |
17 |
16 |
6 |
15 |
35 |
32 |
32 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Государство Платона и Акунина |
1111 | 235 |
20 |
13 |
16 |
14 |
19 |
24 |
6 |
4 |
18 |
32 |
28 |
41 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лампа Мафусаила |
1823 | 234 |
25 |
8 |
13 |
16 |
23 |
18 |
12 |
7 |
16 |
35 |
27 |
34 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
947 | 234 |
22 |
10 |
17 |
10 |
19 |
25 |
10 |
5 |
23 |
25 |
31 |
37 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Я начинаю обретать себя |
2596 | 234 |
24 |
10 |
14 |
16 |
18 |
18 |
14 |
8 |
17 |
30 |
32 |
33 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Модель романа-эпопеи |
1159 | 234 |
24 |
11 |
11 |
8 |
25 |
24 |
12 |
8 |
15 |
33 |
29 |
34 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Убийственная преданность. Введение в чтение Пушкина |
911 | 234 |
22 |
12 |
9 |
7 |
21 |
21 |
19 |
11 |
24 |
25 |
30 |
33 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
724 | 233 |
23 |
11 |
18 |
13 |
23 |
19 |
7 |
9 |
20 |
34 |
27 |
29 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Теософия и поэзия |
1238 | 232 |
21 |
7 |
17 |
7 |
25 |
25 |
13 |
13 |
22 |
24 |
23 |
35 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Пушкину миллиарды лет |
1096 | 232 |
25 |
9 |
9 |
14 |
18 |
27 |
9 |
10 |
20 |
34 |
24 |
33 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1418 | 232 |
23 |
9 |
15 |
9 |
20 |
26 |
13 |
8 |
16 |
29 |
31 |
33 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О Бродском - Имперский поэт? |
1046 | 232 |
22 |
14 |
13 |
13 |
20 |
21 |
10 |
8 |
18 |
31 |
29 |
33 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Бог как конечное воплощение жажды славы |
2301 | 231 |
25 |
13 |
10 |
12 |
24 |
21 |
8 |
5 |
15 |
30 |
26 |
42 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
По поводу некоторых неточностей Евгения Клюева |
2592 | 231 |
26 |
8 |
12 |
12 |
21 |
25 |
12 |
6 |
21 |
29 |
27 |
32 |
0 |
0 |
1 |
6 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Белая ворона |
2551 | 230 |
28 |
8 |
12 |
23 |
17 |
17 |
11 |
10 |
12 |
30 |
29 |
33 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Проблематика произведений. Богатство и бедность |
770 | 230 |
30 |
8 |
18 |
5 |
24 |
18 |
8 |
9 |
19 |
25 |
27 |
39 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Экфрасис "Мертвых душ" |
612 | 230 |
30 |
16 |
11 |
10 |
20 |
22 |
10 |
8 |
17 |
33 |
22 |
31 |
0 |
3 |
1 |
1 |
1 |
0 |
4 |
5 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Литературоведение, рабство и пенсионная реформа |
1250 | 230 |
18 |
10 |
12 |
9 |
22 |
19 |
9 |
7 |
19 |
33 |
34 |
38 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1631 | 229 |
24 |
12 |
12 |
7 |
18 |
19 |
11 |
7 |
22 |
35 |
31 |
31 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Хельга Ольшванг в новом веке |
1072 | 229 |
28 |
14 |
13 |
19 |
16 |
19 |
10 |
9 |
23 |
26 |
23 |
29 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Джулиан Барнс в защиту критики |
2852 | 229 |
23 |
12 |
11 |
18 |
17 |
29 |
9 |
9 |
14 |
25 |
27 |
35 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Эпилог |
578 | 229 |
25 |
10 |
14 |
10 |
22 |
28 |
10 |
4 |
17 |
31 |
27 |
31 |
0 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Онтологическое обоснование гения эпохи |
1420 | 229 |
24 |
12 |
16 |
9 |
20 |
20 |
12 |
14 |
19 |
22 |
29 |
32 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
То было двух бесов изображенье |
710 | 228 |
29 |
10 |
15 |
11 |
19 |
21 |
11 |
5 |
23 |
29 |
25 |
30 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Достоевский и риторические вопросы (диатриба) |
840 | 228 |
23 |
9 |
14 |
14 |
21 |
24 |
10 |
6 |
17 |
27 |
28 |
35 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Смех без причины |
2829 | 228 |
26 |
13 |
10 |
13 |
19 |
20 |
16 |
12 |
16 |
34 |
21 |
28 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Детство после взросления |
1264 | 228 |
27 |
13 |
16 |
9 |
21 |
30 |
9 |
7 |
18 |
27 |
25 |
26 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1538 | 227 |
25 |
12 |
13 |
13 |
22 |
27 |
10 |
6 |
15 |
23 |
28 |
33 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Пространство в живописи текста у Гоголя |
936 | 226 |
30 |
8 |
17 |
13 |
18 |
19 |
9 |
7 |
21 |
24 |
27 |
33 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Недоросль в меняющемся мире |
841 | 226 |
28 |
11 |
10 |
7 |
20 |
20 |
8 |
9 |
19 |
23 |
32 |
39 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Поэтика абсурда при свете совести |
2960 | 226 |
23 |
11 |
11 |
15 |
21 |
22 |
8 |
9 |
15 |
32 |
28 |
31 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Литературоведение - наука или "Humanities and Arts"... |
2633 | 225 |
31 |
11 |
15 |
13 |
18 |
21 |
8 |
8 |
14 |
26 |
27 |
33 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"Сретенье " Бродского как трансляция |
743 | 225 |
28 |
9 |
13 |
12 |
22 |
23 |
9 |
10 |
18 |
28 |
27 |
26 |
0 |
3 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
793 | 224 |
23 |
8 |
16 |
9 |
20 |
21 |
16 |
10 |
18 |
26 |
25 |
32 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Бы да кабы |
1030 | 224 |
32 |
5 |
14 |
6 |
17 |
18 |
13 |
12 |
18 |
27 |
30 |
32 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Проклятые вопросы в |
638 | 224 |
29 |
10 |
12 |
10 |
21 |
23 |
10 |
6 |
18 |
29 |
20 |
36 |
1 |
1 |
3 |
3 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Заголовок |
579 | 224 |
25 |
7 |
12 |
15 |
20 |
19 |
10 |
9 |
16 |
27 |
31 |
33 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ноосфера |
803 | 224 |
24 |
11 |
13 |
13 |
15 |
17 |
11 |
7 |
14 |
32 |
37 |
30 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя |
1069 | 223 |
28 |
13 |
9 |
8 |
23 |
21 |
7 |
6 |
19 |
30 |
26 |
33 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Костенька |
256 | 216 |
24 |
6 |
11 |
14 |
18 |
18 |
14 |
7 |
10 |
34 |
32 |
28 |
0 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Монтажная композиция |
632 | 215 |
27 |
10 |
11 |
10 |
18 |
16 |
11 |
7 |
17 |
25 |
27 |
36 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Письмо Ольги Пушкину |
1370 | 214 |
23 |
11 |
11 |
12 |
16 |
15 |
13 |
8 |
21 |
29 |
24 |
31 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
"Детство" и уход из Ясной поляны |
575 | 214 |
29 |
9 |
9 |
16 |
23 |
25 |
9 |
6 |
13 |
21 |
26 |
28 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Введение в чтение Гоголя |
1041 | 213 |
19 |
12 |
15 |
12 |
14 |
19 |
11 |
8 |
15 |
27 |
29 |
32 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Ведение в чтение Гоголя. Шинель |
1180 | 212 |
26 |
14 |
11 |
7 |
23 |
23 |
11 |
10 |
14 |
25 |
23 |
25 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Возможен ли герой нашего времени? |
801 | 211 |
21 |
11 |
16 |
11 |
19 |
23 |
8 |
8 |
17 |
30 |
23 |
24 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Неравный брак (лунное) |
1029 | 208 |
21 |
9 |
14 |
11 |
16 |
19 |
8 |
8 |
11 |
30 |
29 |
32 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Автометафора в стихотворении "Собачьи Нежности" Р.Красновского |
206 | 206 |
26 |
9 |
16 |
12 |
27 |
23 |
13 |
8 |
72 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Время и правители |
1344 | 200 |
24 |
10 |
13 |
8 |
17 |
19 |
13 |
9 |
19 |
24 |
20 |
24 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
То |
703 | 199 |
20 |
7 |
11 |
13 |
18 |
12 |
11 |
11 |
19 |
27 |
25 |
25 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"Толстый и тонкий" - Сатира или модель государства? |
198 | 198 |
33 |
10 |
22 |
15 |
21 |
24 |
17 |
56 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Особенности детской цивилизации: истоки поэтики Тамары Крюковой |
164 | 164 |
32 |
9 |
34 |
16 |
19 |
54 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
5 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Урок придумывания историй |
148 | 148 |
28 |
8 |
13 |
23 |
28 |
48 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Особенности детской цивилизации: истоки поэтики Тамары Крюковой |
135 | 135 |
29 |
7 |
17 |
13 |
28 |
41 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Эстетика неприметного, этика непрекрасного у Ольги Фокиной и Татьяны Бек |
95 | 95 |
59 |
36 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
2 |
7 |
2 |
1 |
2 |
3 |
1 |
5 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
6 |
6 |
4 |
5 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Певучий берег. часть 8 |
86 | 86 |
70 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
5 |
5 |
2 |
7 |
4 |
2 |
5 |
5 |
2 |
4 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Связь с инддуизмом в поэтике Алексея Ганина |
70 | 70 |
47 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
5 |
3 |
2 |
3 |
3 |
1 |
1 |
4 |
9 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Поэтика абсурда Маяковского |
17 | 17 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |