| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
По разделу |
766658 | 2198 |
204 |
167 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
1 |
6 |
5 |
6 |
4 |
4 |
6 |
5 |
8 |
7 |
10 |
7 |
12 |
5 |
5 |
7 |
5 |
5 |
6 |
6 |
12 |
9 |
8 |
8 |
6 |
18 |
9 |
6 |
8 |
3 |
6 |
5 |
5 |
5 |
6 |
4 |
5 |
6 |
4 |
7 |
9 |
5 |
9 |
4 |
5 |
7 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29955 | 1417 |
152 |
132 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
0 |
5 |
2 |
6 |
2 |
4 |
1 |
2 |
8 |
7 |
8 |
6 |
5 |
3 |
3 |
2 |
5 |
1 |
6 |
6 |
12 |
9 |
8 |
8 |
3 |
18 |
3 |
5 |
4 |
3 |
4 |
1 |
3 |
4 |
6 |
2 |
0 |
6 |
4 |
5 |
9 |
4 |
9 |
2 |
5 |
5 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3208 | 1175 |
92 |
67 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
0 |
4 |
1 |
3 |
3 |
4 |
4 |
0 |
3 |
1 |
3 |
6 |
3 |
4 |
0 |
3 |
5 |
1 |
3 |
4 |
1 |
4 |
1 |
5 |
5 |
3 |
4 |
6 |
8 |
1 |
2 |
1 |
3 |
4 |
3 |
3 |
5 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
4 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
|
Поэтика абсурда. Часть 1 |
3315 | 807 |
96 |
82 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
0 |
6 |
1 |
0 |
2 |
2 |
2 |
2 |
4 |
1 |
2 |
1 |
2 |
5 |
5 |
7 |
1 |
5 |
1 |
3 |
5 |
6 |
3 |
5 |
6 |
4 |
9 |
0 |
6 |
1 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
3 |
2 |
7 |
2 |
2 |
3 |
2 |
4 |
2 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
|
Метод приведения к абсурду в школьной классике |
2053 | 693 |
62 |
57 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
0 |
2 |
3 |
3 |
2 |
2 |
1 |
2 |
3 |
1 |
3 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
1 |
3 |
0 |
4 |
2 |
3 |
4 |
3 |
3 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
3 |
2 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
|
Мертвые души: хозяйственная бесхозяйственность |
2366 | 626 |
67 |
76 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
0 |
3 |
5 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
6 |
1 |
8 |
2 |
5 |
3 |
5 |
2 |
3 |
2 |
0 |
4 |
4 |
4 |
5 |
3 |
0 |
4 |
1 |
4 |
2 |
0 |
4 |
0 |
4 |
1 |
5 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
|
Гипербола и Гиперборея Маяковского |
1230 | 618 |
63 |
60 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
0 |
2 |
1 |
2 |
4 |
3 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
4 |
1 |
3 |
1 |
3 |
6 |
2 |
2 |
6 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
4 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
|
Внутренний монолог |
1194 | 590 |
57 |
66 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
1 |
0 |
3 |
0 |
3 |
3 |
4 |
1 |
3 |
1 |
3 |
3 |
3 |
5 |
0 |
4 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
4 |
3 |
0 |
4 |
2 |
4 |
6 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
|
В чем философский смысл фильма "Остров проклятых" |
1216 | 567 |
32 |
31 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
|
Автобиографизм и автопсихологизм |
938 | 516 |
55 |
64 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
2 |
4 |
1 |
4 |
0 |
5 |
3 |
0 |
3 |
2 |
2 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
3 |
4 |
1 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5978 | 485 |
51 |
47 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
4 |
3 |
1 |
1 |
3 |
2 |
3 |
3 |
4 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
4 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
3005 | 445 |
39 |
41 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
|
Печорин и декабристы - бесславие героев времени |
1485 | 445 |
42 |
34 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
4 |
4 |
3 |
3 |
2 |
3 |
3 |
3 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
|
Полифония Блока |
1642 | 427 |
50 |
47 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
5 |
4 |
4 |
2 |
2 |
0 |
2 |
5 |
0 |
3 |
1 |
4 |
2 |
2 |
1 |
5 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
|
Шукшин ли "Хозяин бани и огорода"? |
2166 | 417 |
57 |
42 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
1 |
7 |
0 |
2 |
0 |
3 |
1 |
5 |
6 |
1 |
1 |
2 |
4 |
2 |
4 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
|
Интерьер в "Капитанской дочке" |
1531 | 415 |
37 |
43 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
|
Дуэль Онегина и Ленского |
1389 | 410 |
46 |
37 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
4 |
1 |
2 |
1 |
4 |
2 |
1 |
3 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11891 | 397 |
50 |
39 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
2 |
1 |
3 |
3 |
3 |
4 |
3 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
1 |
0 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
|
Антитеза |
660 | 389 |
29 |
37 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
4 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
|
Михаил Гарцев. История внутри нас |
4566 | 388 |
37 |
37 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
4 |
2 |
3 |
1 |
0 |
1 |
5 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Смертная казнь как эротика государственного самоубийства |
7714 | 385 |
35 |
41 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
3 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
|
Энтропия.net |
6227 | 385 |
48 |
39 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
4 |
6 |
4 |
0 |
5 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
5 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1041 | 383 |
35 |
37 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
|
Кто убил старуху процентщицу? |
2158 | 381 |
33 |
33 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
|
Я играю вместе с мамой |
9794 | 376 |
34 |
46 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
|
Пестрый дятел |
4796 | 373 |
47 |
45 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
5 |
4 |
4 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
2 |
1 |
4 |
2 |
6 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
|
Образ России в арт-среде Интернета |
2705 | 368 |
34 |
37 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
4 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5800 | 358 |
43 |
42 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
3 |
2 |
2 |
4 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
|
"История Рода Толстых - история России". Фоторепортаж |
5752 | 356 |
40 |
52 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
4 |
2 |
3 |
4 |
2 |
1 |
3 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
|
Медвежонок |
9117 | 355 |
41 |
45 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
4 |
4 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
|
Кот Васька в своей квартире |
7974 | 354 |
48 |
37 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
6 |
4 |
3 |
2 |
2 |
1 |
2 |
3 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
|
Древесная лирика Хельги Ольшванг |
3835 | 349 |
36 |
38 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
3 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
|
Кто как кричит |
4606 | 349 |
46 |
39 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
6 |
4 |
0 |
3 |
4 |
6 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
|
Что на небе |
8197 | 347 |
39 |
36 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
4 |
1 |
4 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
|
Каждый знает |
6787 | 340 |
34 |
35 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
3 |
4 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
|
Можно ли назвать Печорина фаталистом |
866 | 339 |
24 |
29 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
|
План анализа стихотворения |
690 | 336 |
49 |
40 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
0 |
4 |
5 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
6 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
|
Учимся мыслить логически |
3799 | 335 |
39 |
43 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
2 |
2 |
3 |
3 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
934 | 334 |
45 |
40 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
3 |
1 |
3 |
4 |
2 |
5 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
|
Александр Кушнер. Аполлон в траве |
4688 | 332 |
42 |
47 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
3 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Ослик |
8465 | 331 |
39 |
37 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
2 |
5 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
|
Михаил Гарцев и сетевое письмо |
4596 | 329 |
37 |
34 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
3 |
4 |
1 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
|
Замятин "Мы". Конспект урока |
1032 | 328 |
39 |
34 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1164 | 325 |
25 |
52 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
|
К вопросу о Фрейде и православии |
3199 | 325 |
37 |
36 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
5 |
0 |
2 |
3 |
3 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1164 | 322 |
44 |
41 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
4 |
0 |
2 |
2 |
3 |
2 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
|
Маяковский и его философия |
1508 | 321 |
25 |
41 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
|
Средства художественной изобразительности |
1648 | 320 |
37 |
43 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
7 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4115 | 319 |
27 |
30 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
|
Стихи для детей |
5551 | 318 |
39 |
38 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
5 |
2 |
0 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
5 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
|
Карнавал и декарнавализация |
4203 | 317 |
36 |
28 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
|
Волчонок |
4291 | 316 |
34 |
35 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
5 |
2 |
1 |
1 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
|
Потомки "Метрополя" |
5899 | 315 |
35 |
33 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
|
Липки |
2905 | 315 |
37 |
36 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
|
Язык и генетика |
4581 | 315 |
35 |
38 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
2 |
1 |
4 |
2 |
4 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
|
Психология - наука рабов |
6831 | 314 |
36 |
37 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
3 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
|
Почему в Прибалтике не проходит русский бунт |
2680 | 314 |
30 |
32 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
6 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
|
О любви к правителям и поэтам |
1295 | 314 |
35 |
31 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
|
Зеркало |
2996 | 313 |
29 |
37 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
|
Про что поэзия Барто? - да все про то! |
5913 | 312 |
40 |
36 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
4 |
1 |
2 |
3 |
4 |
2 |
3 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Возвращение |
3415 | 311 |
34 |
39 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
976 | 310 |
32 |
28 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
|
Сон как нонсенс в "Войне и мире" |
718 | 310 |
35 |
35 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
3 |
0 |
2 |
5 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
|
Рифма к городу |
3635 | 310 |
32 |
36 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
|
Ушки, ножки, рожки |
6585 | 309 |
38 |
38 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
5 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
|
В защиту массовой литературы |
5710 | 309 |
32 |
32 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
|
Поэтика абсурда и образ Святой Земли |
3605 | 309 |
30 |
40 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
|
С кем я познакомилась на Си |
3568 | 308 |
40 |
39 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
5 |
3 |
1 |
1 |
3 |
1 |
1 |
4 |
0 |
1 |
2 |
5 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
|
Ботинок |
4123 | 308 |
41 |
38 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
5 |
2 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
|
Сказка о гейзере на Стихире |
3054 | 308 |
33 |
30 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1020 | 307 |
31 |
36 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
|
Кирилл Юрьевич отбывает в Канаду |
3228 | 306 |
32 |
44 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2491 | 306 |
37 |
38 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
3 |
3 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
|
Монтаж у Гоголя и Алексиевич |
853 | 305 |
36 |
36 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
|
Самоубийство разума |
3193 | 305 |
33 |
35 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
3 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
4 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
|
Островский о романтической ипостаси русской литературы |
1292 | 304 |
34 |
31 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
7 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
|
Гегельянство в России |
1157 | 304 |
31 |
32 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
6 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
993 | 304 |
33 |
30 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
3 |
4 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
|
О курсе реформ и курсе литературы |
1057 | 303 |
31 |
34 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
|
Сюжет: событие, действие, мотив |
615 | 303 |
38 |
40 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
2 |
3 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
906 | 302 |
34 |
31 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
|
Бунт против Гегеля |
3256 | 302 |
38 |
29 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
|
Достоевский как оптимальная точка видения |
3063 | 301 |
34 |
37 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
6 |
2 |
3 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
|
Избранница народного слова |
2511 | 300 |
24 |
37 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
|
Ирония и автоирония |
547 | 300 |
31 |
30 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
6 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
|
Какой плод у дерева |
3108 | 300 |
37 |
33 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
|
Фотомастерская Вадима Месяца |
3024 | 300 |
36 |
35 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
7 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
|
Информация о владельце раздела |
3383 | 300 |
27 |
38 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
5 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
|
Пейзаж в поэме Лермонтова |
858 | 300 |
36 |
29 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
|
Ведение в чтение Гоголя |
1194 | 300 |
31 |
34 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
3 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
|
Достоевский и конец истории |
3558 | 299 |
26 |
31 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
|
Алексиевич. Чернобыль |
1200 | 297 |
29 |
39 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
|
Почему поэзия должна быть глуповата |
3221 | 297 |
34 |
27 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
5 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
|
Социальные болезни Стихи.ру |
7104 | 297 |
42 |
42 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
2 |
5 |
2 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
|
Демократия как искусство для искусства |
2914 | 297 |
27 |
40 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
|
Ницше, ценности и Гегель |
3171 | 296 |
27 |
31 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1675 | 296 |
36 |
29 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
|
Пьер и Андрей |
1255 | 295 |
32 |
34 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
|
О "Медном всаднике" |
1209 | 294 |
37 |
34 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
4 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
|
Где же новая поэзия |
2530 | 294 |
38 |
39 |
36 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
4 |
2 |
3 |
2 |
2 |
1 |
5 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
695 | 293 |
33 |
32 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
4 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
|
Галич и Мандельштам вокруг образа вождя |
563 | 293 |
36 |
33 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
4 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
|
Об одном фильме |
1444 | 293 |
28 |
34 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
0 |
3 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
|
Введение в чтение Гоголя. Хлестаков |
737 | 293 |
34 |
38 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
|
Конечный смысл страдания |
2557 | 293 |
40 |
33 |
36 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
4 |
0 |
3 |
2 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
|
Возвращение блудного Чацкого |
951 | 292 |
42 |
35 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
4 |
7 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
|
Автопортрет, оксюморон |
809 | 292 |
31 |
30 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
|
Утенок |
4621 | 292 |
37 |
29 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
5 |
3 |
1 |
3 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
|
Юрий Поляков. Грибной царь |
3710 | 291 |
29 |
35 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
|
Мир как книга |
1045 | 289 |
32 |
33 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
6 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
|
Памятник Румянцеву в "Капитанской дочке" |
888 | 289 |
37 |
30 |
36 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
0 |
6 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
|
Самосознание сетевой литературы |
4057 | 288 |
32 |
34 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
|
Буддистский колобок |
2840 | 288 |
31 |
28 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
6 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
|
Интервью с Игорем Панариным |
2593 | 287 |
27 |
24 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
|
Вирус абсурда в истории человеческой культуры |
2381 | 287 |
31 |
29 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
|
В поисках смысла сетевой литературы |
2754 | 287 |
24 |
30 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
6 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
|
Трагический герой |
599 | 286 |
34 |
31 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
4 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
|
Незабудки |
286 | 286 |
40 |
33 |
35 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
|
Андрей Болконский - Дон Кихот |
769 | 286 |
29 |
29 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
|
Нам много миллионов лет. Каждому |
941 | 285 |
28 |
40 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Расширит ли виртуальная реальность возможности познания истины |
3368 | 285 |
25 |
28 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
|
Автометафора |
702 | 285 |
39 |
24 |
29 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
3 |
5 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
723 | 285 |
27 |
35 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
|
Поэтика абсурда при свете совести |
2823 | 285 |
30 |
28 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
|
"Коршун" Тютчева - материализм и идеализм |
730 | 285 |
28 |
30 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
|
Кто в окошке. Сказочные звери |
3894 | 284 |
36 |
34 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
|
Манифест |
2714 | 284 |
36 |
29 |
32 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
5 |
2 |
1 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
|
Реформы Путина и моя им гегельянская поддержка |
2832 | 284 |
32 |
37 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
|
Клопы от Фейербаха |
3202 | 284 |
35 |
31 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
|
Между прошлым и будущим |
710 | 284 |
28 |
35 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
|
Ведьмостиший больше не будет |
3056 | 283 |
30 |
32 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
|
Бессмертие и спасение |
2691 | 283 |
30 |
30 |
42 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
|
Двуединство добра |
2887 | 282 |
31 |
28 |
40 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1678 | 282 |
31 |
26 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
6 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
|
Ленин как поэт Серебряного века |
1421 | 282 |
31 |
35 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
3 |
3 |
3 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
724 | 282 |
23 |
33 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1495 | 281 |
31 |
31 |
31 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
|
Короля делает свита |
2341 | 281 |
25 |
35 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
|
Государство и общество: свобода и необходимость |
5027 | 281 |
32 |
34 |
45 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
3 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
|
Страсть и поэзия |
1994 | 281 |
40 |
31 |
35 |
30 |
19 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
2 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Паломничество убогой |
2804 | 281 |
34 |
33 |
37 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
|
Anti-Dan |
3292 | 281 |
29 |
37 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
|
Проклятое место, проклятые вопросы |
3198 | 281 |
32 |
30 |
31 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
|
Необходимое или цель - искусство? |
769 | 280 |
30 |
33 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1715 | 279 |
27 |
35 |
33 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
3 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
974 | 279 |
30 |
30 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
|
Атрибуты беса |
3164 | 278 |
39 |
31 |
36 |
26 |
22 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3359 | 278 |
31 |
33 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
|
Чужая сказка |
2557 | 278 |
34 |
28 |
34 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
4 |
3 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
|
Этапы эволюции вируса абсурда в России |
3362 | 278 |
30 |
28 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
5 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
|
19 августа 1991 года |
2450 | 278 |
24 |
33 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
|
Премия "Поэзия" что хотят жюри |
1449 | 278 |
36 |
34 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
3 |
3 |
4 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
|
Образы русской природы в лирике Рубцова |
730 | 278 |
27 |
31 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3473 | 278 |
39 |
27 |
42 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
3 |
3 |
0 |
0 |
0 |
4 |
2 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
|
Байрон - предтеча русского реализма |
847 | 277 |
34 |
36 |
35 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
3 |
1 |
6 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
|
Мысль изреченная |
2680 | 277 |
29 |
34 |
42 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Символизм |
553 | 277 |
31 |
34 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
|
Отчуждение |
1237 | 276 |
27 |
29 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4164 | 276 |
36 |
32 |
33 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
3 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
649 | 275 |
23 |
25 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Онегин - лицеист? |
732 | 271 |
32 |
25 |
34 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
|
Совенок |
3749 | 271 |
31 |
35 |
35 |
19 |
27 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
|
Евгений Водолазкин и поэтика абсурда |
1276 | 271 |
26 |
31 |
33 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
5 |
1 |
0 |
1 |
0 |
4 |
|
Лисенок в курятнике Стихи.ру |
6067 | 270 |
32 |
31 |
30 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
|
Введение в чтение Гоголя. Нос |
757 | 270 |
27 |
32 |
31 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
|
Теория диссоциаций и Булгаков |
1341 | 269 |
27 |
30 |
42 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
577 | 269 |
30 |
27 |
29 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
|
Мастер и Маргарита. Кто написал притчу? |
1167 | 269 |
24 |
32 |
39 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
0 |
3 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3483 | 268 |
33 |
33 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
|
Воспитание гениев |
1045 | 268 |
34 |
30 |
33 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
4 |
2 |
0 |
3 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
|
О чем поют сферы Гоголя |
965 | 268 |
29 |
31 |
33 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
|
Модель романа-эпопеи |
1017 | 268 |
29 |
29 |
34 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
|
Все по Салтыкову-Щедрину! |
4356 | 268 |
25 |
28 |
36 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
|
+7 |
2234 | 267 |
25 |
27 |
37 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
|
От финских хладных скал... |
3185 | 267 |
26 |
28 |
41 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
|
Дан прислал |
1001 | 267 |
31 |
30 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
5 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
|
Поэтика абсурда Маяковского |
1563 | 267 |
17 |
28 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
|
Базаров |
1017 | 267 |
30 |
31 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
|
Методология работы критика над текстом |
2539 | 267 |
31 |
32 |
33 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
5 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
|
Ангел в круге десятом |
825 | 267 |
26 |
27 |
46 |
19 |
21 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Лирика |
3233 | 267 |
27 |
29 |
32 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
6 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
3 |
|
Сеть и чудаки |
3005 | 267 |
39 |
36 |
34 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1222 | 266 |
28 |
32 |
34 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
|
"Хлыстовская богородица" Маяковского |
1392 | 266 |
29 |
27 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
|
Ведение в чтение Гоголя |
933 | 266 |
28 |
26 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
|
Воинство Сергия Радонежского |
4446 | 266 |
26 |
24 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
536 | 265 |
38 |
18 |
40 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
6 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
915 | 265 |
39 |
31 |
39 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
5 |
5 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
|
Доказательство несовершенства Бога |
2682 | 265 |
31 |
25 |
36 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
|
Технические болезни Стихиры |
2617 | 264 |
24 |
31 |
44 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
|
По поводу некоторых неточностей Евгения Клюева |
2446 | 264 |
26 |
27 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
|
Маркетинг науки, или Научный маркетинг |
3083 | 264 |
31 |
21 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
|
Национальность биографа |
2965 | 263 |
30 |
35 |
27 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
1010 | 263 |
28 |
36 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
|
Лампа Мафусаила |
1683 | 263 |
33 |
27 |
34 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
|
Государство Платона и Акунина |
975 | 263 |
30 |
28 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Киев старый и новый |
2369 | 262 |
32 |
36 |
34 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
|
Достоевский и риторические вопросы (диатриба) |
700 | 262 |
25 |
28 |
35 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
|
Джулиан Барнс в защиту критики |
2708 | 262 |
23 |
27 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
|
Рванет-не рванет |
718 | 262 |
24 |
36 |
40 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
5 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Абсурдизм |
3768 | 262 |
29 |
31 |
28 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
|
Быков и Навальный |
719 | 262 |
31 |
31 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
|
Инструкция создателям искусственного разума |
2525 | 262 |
27 |
37 |
37 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
|
Легенда о великом инквизиторе |
1103 | 261 |
27 |
26 |
37 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
|
Лимерик |
2357 | 261 |
32 |
29 |
29 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
|
Печорин как писатель |
1036 | 261 |
31 |
21 |
31 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
2 |
2 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
5 |
|
Собрание обратных цитат о любви |
3035 | 260 |
28 |
28 |
35 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
|
"Шиповник цветет" - не сжигай |
737 | 260 |
31 |
39 |
32 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
4 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
|
Молчание - литературная преемственность |
741 | 260 |
21 |
24 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
|
Искушение как психологический прием |
2928 | 260 |
37 |
30 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
|
Шаров и его теодицея |
723 | 260 |
29 |
33 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Реминисценция |
603 | 259 |
32 |
26 |
29 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
|
Крочечка Хаврошечка |
790 | 259 |
23 |
29 |
32 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Невозможность гения эпохи |
626 | 259 |
29 |
29 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
760 | 258 |
33 |
29 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
|
То было двух бесов изображенье |
563 | 257 |
26 |
25 |
30 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1435 | 257 |
30 |
27 |
31 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
3 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
|
Отчуждение. стадия Ад |
1309 | 257 |
26 |
29 |
33 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
|
Анализ прозы |
539 | 257 |
31 |
24 |
28 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
|
"Добрый Филя" и проекция собеседника |
784 | 256 |
26 |
29 |
38 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
5 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Заголовок |
444 | 256 |
25 |
31 |
33 |
22 |
16 |
10 |
16 |
14 |
20 |
22 |
19 |
28 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
|
Введение в философию сказок |
737 | 256 |
26 |
34 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
|
Миф о времени |
2448 | 255 |
25 |
27 |
31 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
|
Почему Путин заинтересован в развитии гражданского общества |
2658 | 255 |
30 |
26 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
4 |
0 |
2 |
3 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
|
Смысл и убеждение |
2293 | 255 |
21 |
27 |
33 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Удача и капуста |
2461 | 255 |
26 |
28 |
43 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
|
Неравный брак (лунное) |
909 | 255 |
27 |
29 |
32 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
|
Недоросль в меняющемся мире |
704 | 255 |
18 |
32 |
39 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
5 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
|
Литературоведение, рабство и пенсионная реформа |
1123 | 255 |
31 |
34 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
|
Письмо Ольги Пушкину |
1238 | 254 |
27 |
24 |
31 |
21 |
21 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Честь как главная жизненная ценность у Достоевского |
641 | 254 |
38 |
28 |
34 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Советы |
2447 | 254 |
37 |
25 |
36 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
3 |
2 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
519 | 254 |
21 |
26 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
|
Паломничество убогой (2 редакция) |
565 | 254 |
34 |
25 |
36 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
5 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
|
Сексуальность Гоголя |
785 | 254 |
23 |
29 |
32 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
907 | 254 |
27 |
30 |
36 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
|
Литературоведение - наука или "Humanities and Arts"... |
2491 | 254 |
23 |
27 |
33 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
|
Молодежь и общество потребления |
3769 | 254 |
22 |
35 |
32 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
|
Бегемотик |
3392 | 253 |
33 |
26 |
35 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
|
Письмо Татьяны. Общие места - романтизмы |
712 | 252 |
35 |
29 |
33 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
|
Инструкция создателям искусственного разума |
3128 | 252 |
31 |
30 |
36 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
3 |
1 |
4 |
3 |
2 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
548 | 252 |
25 |
25 |
35 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
|
Компьютер и сексуальная революция писателя |
2880 | 252 |
28 |
28 |
33 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
|
Бог как конечное воплощение жажды славы |
2164 | 252 |
26 |
26 |
42 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
4 |
|
Я начинаю обретать себя |
2455 | 252 |
28 |
32 |
33 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Сила детской публицистики |
1424 | 252 |
29 |
29 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
2 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
|
Каким должен быть правитель |
577 | 251 |
31 |
33 |
35 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
6 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
1 |
|
Миф о запахе |
2464 | 251 |
24 |
31 |
30 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
|
Пушкин |
6067 | 251 |
33 |
27 |
27 |
20 |
21 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
3 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
|
Пространство в живописи текста у Гоголя |
790 | 250 |
20 |
27 |
33 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
|
О времени |
1216 | 250 |
23 |
32 |
36 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1392 | 250 |
20 |
28 |
33 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
|
Монтажная композиция |
502 | 250 |
22 |
27 |
36 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
5 |
|
Дурное общество |
1017 | 249 |
23 |
31 |
30 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
|
Аллегория как эпитет |
1426 | 249 |
32 |
29 |
30 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
|
К проблеме Израиля |
1390 | 249 |
29 |
30 |
36 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
|
Кто виноват и что делать? Проклятые вопросы в |
497 | 248 |
32 |
25 |
31 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
6 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Становление гения |
2487 | 248 |
35 |
22 |
31 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
4 |
0 |
6 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
|
Пушкинский пленник |
726 | 248 |
29 |
27 |
33 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
4 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Вирус абсурда в рамках боровской Дополнительности |
2173 | 248 |
28 |
27 |
38 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
6 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |