| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
По разделу |
798556 | 2399 |
130 |
313 |
393 |
161 |
180 |
221 |
167 |
176 |
180 |
151 |
133 |
194 |
0 |
6 |
7 |
10 |
5 |
6 |
5 |
5 |
8 |
14 |
10 |
4 |
5 |
7 |
5 |
8 |
4 |
8 |
13 |
10 |
23 |
17 |
27 |
28 |
34 |
7 |
5 |
9 |
5 |
6 |
13 |
3 |
5 |
7 |
5 |
6 |
14 |
7 |
9 |
6 |
5 |
3 |
4 |
15 |
3 |
6 |
3 |
24 |
4 |
78 |
54 |
100 |
8 |
5 |
6 |
4 |
7 |
5 |
4 |
4 |
4 |
3 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
30581 | 1418 |
77 |
158 |
187 |
81 |
112 |
163 |
132 |
122 |
114 |
66 |
93 |
113 |
0 |
5 |
2 |
2 |
3 |
6 |
5 |
1 |
8 |
14 |
3 |
4 |
2 |
2 |
1 |
6 |
0 |
8 |
5 |
1 |
4 |
2 |
3 |
12 |
4 |
2 |
3 |
9 |
1 |
5 |
13 |
2 |
5 |
2 |
4 |
4 |
12 |
7 |
7 |
0 |
0 |
2 |
1 |
15 |
1 |
6 |
3 |
24 |
4 |
78 |
3 |
4 |
2 |
4 |
5 |
2 |
3 |
5 |
3 |
3 |
2 |
3 |
|
Поэтика абсурда. Часть 1 |
3719 | 928 |
76 |
93 |
98 |
61 |
70 |
102 |
82 |
92 |
60 |
58 |
59 |
77 |
0 |
6 |
6 |
10 |
1 |
6 |
0 |
3 |
5 |
3 |
3 |
4 |
2 |
7 |
2 |
8 |
2 |
3 |
5 |
1 |
5 |
0 |
4 |
5 |
2 |
2 |
2 |
5 |
3 |
5 |
0 |
2 |
2 |
7 |
5 |
3 |
4 |
2 |
6 |
0 |
1 |
3 |
4 |
5 |
1 |
6 |
1 |
4 |
3 |
4 |
3 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
|
Метод приведения к абсурду в школьной классике |
2463 | 821 |
40 |
66 |
201 |
38 |
59 |
68 |
57 |
64 |
52 |
51 |
46 |
79 |
0 |
2 |
3 |
4 |
4 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
3 |
3 |
2 |
7 |
2 |
3 |
4 |
5 |
2 |
3 |
1 |
2 |
4 |
4 |
2 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
54 |
100 |
2 |
4 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3474 | 752 |
38 |
58 |
51 |
49 |
58 |
104 |
67 |
70 |
54 |
57 |
60 |
86 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
5 |
2 |
5 |
2 |
0 |
4 |
0 |
4 |
2 |
2 |
3 |
6 |
3 |
2 |
9 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
7 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
0 |
|
Мертвые души: хозяйственная бесхозяйственность |
2574 | 589 |
31 |
50 |
42 |
31 |
51 |
70 |
76 |
63 |
42 |
45 |
48 |
40 |
0 |
3 |
3 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
4 |
6 |
3 |
1 |
4 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
|
Гипербола и Гиперборея Маяковского |
1432 | 575 |
35 |
49 |
45 |
31 |
38 |
67 |
60 |
71 |
47 |
42 |
43 |
47 |
0 |
3 |
7 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
4 |
3 |
5 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
|
Внутренний монолог |
1396 | 572 |
32 |
53 |
41 |
31 |
37 |
65 |
66 |
67 |
48 |
47 |
38 |
47 |
0 |
2 |
4 |
2 |
0 |
3 |
1 |
3 |
2 |
2 |
1 |
0 |
5 |
2 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
3 |
3 |
4 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
3 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
|
Автобиографизм и автопсихологизм |
1142 | 542 |
26 |
51 |
40 |
32 |
50 |
60 |
64 |
58 |
36 |
45 |
36 |
44 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
5 |
4 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
6113 | 460 |
28 |
29 |
22 |
12 |
36 |
59 |
47 |
54 |
29 |
21 |
35 |
88 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
10 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
3128 | 429 |
19 |
35 |
23 |
11 |
30 |
44 |
41 |
44 |
27 |
29 |
22 |
104 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
5 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
В чем философский смысл фильма "Остров проклятых" |
1329 | 419 |
15 |
24 |
17 |
29 |
26 |
34 |
31 |
42 |
34 |
44 |
52 |
71 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Полифония Блока |
1776 | 386 |
23 |
37 |
20 |
16 |
34 |
54 |
47 |
47 |
36 |
22 |
16 |
34 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2288 | 378 |
19 |
24 |
23 |
16 |
34 |
63 |
42 |
43 |
31 |
23 |
30 |
30 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1303 | 359 |
22 |
45 |
25 |
12 |
28 |
51 |
41 |
42 |
33 |
23 |
18 |
19 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
3 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1167 | 356 |
22 |
39 |
18 |
9 |
33 |
40 |
37 |
37 |
28 |
25 |
25 |
43 |
0 |
3 |
0 |
2 |
0 |
4 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
4 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Энтропия.net |
6338 | 355 |
16 |
34 |
10 |
10 |
37 |
52 |
39 |
45 |
24 |
33 |
23 |
32 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
2 |
3 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
12001 | 354 |
20 |
37 |
17 |
13 |
20 |
53 |
39 |
46 |
32 |
28 |
21 |
28 |
0 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
5 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Пестрый дятел |
4897 | 352 |
17 |
33 |
16 |
14 |
18 |
50 |
45 |
55 |
37 |
22 |
23 |
22 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Медвежонок |
9231 | 350 |
18 |
33 |
15 |
16 |
25 |
48 |
45 |
49 |
35 |
25 |
22 |
19 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Смертная казнь как эротика государственного самоубийства |
7854 | 350 |
18 |
32 |
20 |
21 |
40 |
44 |
41 |
39 |
28 |
25 |
21 |
21 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
|
Михаил Гарцев. История внутри нас |
4675 | 345 |
13 |
29 |
18 |
16 |
28 |
42 |
37 |
40 |
23 |
29 |
42 |
28 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Интерьер в "Капитанской дочке" |
1634 | 342 |
12 |
31 |
13 |
16 |
26 |
42 |
43 |
67 |
25 |
20 |
21 |
26 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5907 | 342 |
16 |
26 |
21 |
15 |
26 |
46 |
42 |
47 |
34 |
29 |
18 |
22 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Печорин и декабристы - бесславие героев времени |
1604 | 341 |
16 |
33 |
24 |
19 |
24 |
45 |
34 |
40 |
27 |
29 |
18 |
32 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
3 |
4 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
|
Я играю вместе с мамой |
9900 | 334 |
15 |
33 |
13 |
12 |
28 |
39 |
46 |
40 |
36 |
25 |
21 |
26 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
4 |
1 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Кот Васька в своей квартире |
8081 | 331 |
20 |
28 |
22 |
12 |
19 |
54 |
37 |
40 |
27 |
27 |
26 |
19 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Дуэль Онегина и Ленского |
1506 | 325 |
19 |
26 |
15 |
22 |
31 |
50 |
37 |
37 |
27 |
25 |
14 |
22 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
|
Каждый знает |
6886 | 325 |
13 |
33 |
13 |
12 |
23 |
39 |
35 |
39 |
30 |
28 |
21 |
39 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
4 |
2 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
"История Рода Толстых - история России". Фоторепортаж |
5853 | 323 |
17 |
26 |
14 |
12 |
28 |
44 |
52 |
42 |
19 |
26 |
21 |
22 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Похождения Чичикова и мертвых душ в Xxi веке |
322 | 322 |
19 |
30 |
17 |
11 |
25 |
31 |
37 |
47 |
105 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
|
Учимся мыслить логически |
3900 | 321 |
17 |
23 |
24 |
14 |
19 |
43 |
43 |
46 |
27 |
29 |
17 |
19 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Михаил Гарцев и сетевое письмо |
4701 | 321 |
18 |
25 |
21 |
8 |
27 |
43 |
34 |
44 |
32 |
25 |
22 |
22 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Александр Кушнер. Аполлон в траве |
4786 | 317 |
11 |
22 |
20 |
17 |
26 |
44 |
47 |
39 |
26 |
24 |
16 |
25 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
|
Потомки "Метрополя" |
6007 | 317 |
21 |
36 |
20 |
10 |
19 |
37 |
33 |
43 |
25 |
29 |
26 |
18 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
|
Кто убил старуху процентщицу? |
2254 | 317 |
19 |
29 |
14 |
11 |
18 |
38 |
33 |
43 |
23 |
38 |
22 |
29 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Стихи для детей |
5660 | 317 |
17 |
25 |
16 |
11 |
30 |
49 |
38 |
39 |
26 |
28 |
19 |
19 |
0 |
5 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Ослик |
8566 | 317 |
17 |
18 |
18 |
15 |
28 |
44 |
37 |
41 |
25 |
34 |
22 |
18 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
|
Образ России в арт-среде Интернета |
2813 | 316 |
10 |
26 |
27 |
9 |
32 |
38 |
37 |
43 |
27 |
29 |
21 |
17 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
8 |
2 |
6 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3721 | 314 |
19 |
36 |
25 |
9 |
23 |
34 |
40 |
32 |
25 |
27 |
20 |
24 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
7 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Древесная лирика Хельги Ольшванг |
3938 | 312 |
13 |
32 |
16 |
5 |
28 |
45 |
38 |
39 |
20 |
39 |
20 |
17 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Самоубийство разума |
3292 | 312 |
13 |
30 |
13 |
15 |
24 |
37 |
35 |
45 |
26 |
30 |
22 |
22 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
О любви к правителям и поэтам |
1396 | 312 |
21 |
30 |
12 |
14 |
21 |
38 |
31 |
36 |
33 |
29 |
27 |
20 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Ботинок |
4229 | 309 |
20 |
30 |
13 |
14 |
26 |
44 |
38 |
39 |
25 |
32 |
11 |
17 |
0 |
2 |
4 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1255 | 305 |
14 |
22 |
13 |
16 |
21 |
30 |
52 |
52 |
26 |
26 |
15 |
18 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2586 | 304 |
17 |
27 |
10 |
17 |
20 |
41 |
38 |
47 |
29 |
29 |
14 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Антитеза |
744 | 304 |
12 |
20 |
14 |
11 |
22 |
34 |
37 |
43 |
32 |
22 |
31 |
26 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
С кем я познакомилась на Си |
3659 | 301 |
11 |
26 |
13 |
10 |
25 |
46 |
39 |
35 |
31 |
32 |
16 |
17 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Что на небе |
8286 | 301 |
14 |
25 |
13 |
9 |
21 |
46 |
36 |
49 |
30 |
21 |
21 |
16 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Язык и генетика |
4678 | 301 |
16 |
33 |
14 |
12 |
16 |
41 |
38 |
42 |
26 |
21 |
22 |
20 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Рифма к городу |
3733 | 300 |
18 |
26 |
12 |
10 |
24 |
40 |
36 |
43 |
31 |
27 |
15 |
18 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Конечный смысл страдания |
2652 | 300 |
17 |
21 |
10 |
16 |
27 |
44 |
33 |
36 |
29 |
25 |
25 |
17 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Кто как кричит |
4693 | 300 |
16 |
27 |
14 |
7 |
18 |
51 |
39 |
39 |
21 |
37 |
13 |
18 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3328 | 300 |
22 |
31 |
11 |
12 |
20 |
36 |
44 |
38 |
23 |
24 |
18 |
21 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
4 |
1 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Сказка о гейзере на Стихире |
3164 | 300 |
15 |
24 |
21 |
26 |
21 |
36 |
30 |
36 |
16 |
25 |
26 |
24 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
К вопросу о Фрейде и православии |
3292 | 300 |
17 |
23 |
14 |
11 |
25 |
40 |
36 |
41 |
25 |
29 |
17 |
22 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Возвращение |
3508 | 297 |
15 |
23 |
19 |
11 |
18 |
41 |
39 |
45 |
24 |
26 |
19 |
17 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
|
Средства художественной изобразительности |
1730 | 296 |
14 |
19 |
16 |
9 |
19 |
42 |
43 |
38 |
32 |
28 |
15 |
21 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
|
Возвращение блудного Чацкого |
1049 | 295 |
11 |
24 |
18 |
13 |
30 |
44 |
35 |
41 |
25 |
27 |
12 |
15 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Замятин "Мы". Конспект урока |
1116 | 295 |
16 |
26 |
13 |
8 |
18 |
42 |
34 |
38 |
17 |
27 |
36 |
20 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Ушки, ножки, рожки |
6683 | 294 |
18 |
27 |
12 |
8 |
27 |
44 |
38 |
45 |
24 |
24 |
14 |
13 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
997 | 292 |
15 |
19 |
21 |
10 |
24 |
36 |
31 |
36 |
25 |
29 |
19 |
27 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Где же новая поэзия |
2622 | 291 |
14 |
33 |
13 |
14 |
16 |
40 |
39 |
36 |
31 |
26 |
15 |
14 |
0 |
1 |
0 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Психология - наука рабов |
6935 | 291 |
19 |
27 |
16 |
9 |
30 |
39 |
37 |
28 |
18 |
30 |
20 |
18 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
4 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
1004 | 291 |
10 |
24 |
12 |
8 |
15 |
46 |
40 |
36 |
19 |
30 |
29 |
22 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
План анализа стихотворения |
780 | 290 |
13 |
29 |
12 |
10 |
24 |
51 |
40 |
35 |
20 |
22 |
16 |
18 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Достоевский как оптимальная точка видения |
3152 | 289 |
17 |
37 |
8 |
7 |
18 |
36 |
37 |
34 |
32 |
26 |
16 |
21 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
6 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Утенок |
4713 | 289 |
13 |
32 |
17 |
12 |
15 |
40 |
29 |
31 |
28 |
30 |
27 |
15 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Про что поэзия Барто? - да все про то! |
6003 | 289 |
12 |
30 |
14 |
8 |
22 |
44 |
36 |
35 |
25 |
20 |
24 |
19 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Монтаж у Гоголя и Алексиевич |
935 | 289 |
15 |
20 |
14 |
8 |
21 |
40 |
36 |
46 |
31 |
29 |
12 |
17 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Манифест |
2821 | 288 |
14 |
32 |
17 |
17 |
22 |
41 |
29 |
32 |
23 |
27 |
20 |
14 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4196 | 288 |
14 |
14 |
17 |
9 |
25 |
29 |
30 |
36 |
34 |
35 |
27 |
18 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Форум в контексте книги |
3224 | 287 |
23 |
31 |
15 |
11 |
20 |
31 |
25 |
36 |
37 |
26 |
16 |
16 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
|
Сон как нонсенс в "Войне и мире" |
802 | 286 |
14 |
21 |
12 |
11 |
20 |
41 |
35 |
42 |
30 |
29 |
14 |
17 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Нам много миллионов лет. Каждому |
1033 | 286 |
15 |
27 |
13 |
8 |
25 |
32 |
40 |
38 |
22 |
27 |
19 |
20 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Клопы от Фейербаха |
3293 | 285 |
16 |
31 |
12 |
11 |
19 |
37 |
31 |
36 |
28 |
24 |
21 |
19 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
4 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Избранница народного слова |
2599 | 284 |
16 |
29 |
11 |
11 |
17 |
28 |
37 |
35 |
26 |
31 |
23 |
20 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
О "Медном всаднике" |
1293 | 283 |
10 |
26 |
8 |
13 |
23 |
41 |
34 |
39 |
31 |
18 |
15 |
25 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
4 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
В защиту массовой литературы |
5808 | 283 |
16 |
25 |
13 |
14 |
26 |
36 |
32 |
37 |
22 |
26 |
23 |
13 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
|
Вот и обсудили! |
2818 | 283 |
17 |
33 |
20 |
14 |
17 |
27 |
33 |
39 |
28 |
20 |
16 |
19 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
5 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Почему в Прибалтике не проходит русский бунт |
2773 | 283 |
19 |
29 |
11 |
11 |
20 |
33 |
32 |
45 |
29 |
23 |
11 |
20 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Вмешиваясь в разговор с богом |
3494 | 283 |
14 |
28 |
16 |
26 |
23 |
32 |
26 |
34 |
21 |
23 |
14 |
26 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
|
Введение в чтение Гоголя. Хлестаков |
834 | 282 |
19 |
27 |
13 |
11 |
22 |
39 |
38 |
39 |
20 |
21 |
17 |
16 |
0 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Демократия как искусство для искусства |
3003 | 282 |
18 |
26 |
9 |
12 |
21 |
30 |
40 |
44 |
22 |
24 |
14 |
22 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Почему поэзия должна быть глуповата |
3310 | 281 |
14 |
25 |
15 |
12 |
21 |
36 |
27 |
37 |
25 |
28 |
21 |
20 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Мир как книга |
1140 | 281 |
23 |
28 |
7 |
16 |
16 |
37 |
33 |
39 |
33 |
20 |
10 |
19 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
4 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Пейзаж в поэме Лермонтова |
949 | 281 |
11 |
25 |
19 |
16 |
16 |
40 |
29 |
39 |
21 |
25 |
20 |
20 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
|
Социальные болезни Стихи.ру |
7177 | 280 |
13 |
20 |
8 |
8 |
19 |
47 |
42 |
35 |
31 |
20 |
19 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя |
1278 | 280 |
13 |
26 |
10 |
10 |
22 |
34 |
34 |
37 |
20 |
25 |
24 |
25 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Страсть и поэзия |
2090 | 278 |
15 |
33 |
9 |
10 |
27 |
42 |
31 |
35 |
30 |
19 |
15 |
12 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
784 | 278 |
16 |
24 |
15 |
14 |
15 |
38 |
32 |
34 |
38 |
26 |
8 |
18 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
|
Карнавал и декарнавализация |
4295 | 278 |
11 |
22 |
15 |
14 |
27 |
39 |
28 |
42 |
28 |
22 |
14 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Трагический герой |
693 | 278 |
18 |
25 |
16 |
12 |
18 |
39 |
31 |
42 |
13 |
24 |
15 |
25 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Фотомастерская Вадима Месяца |
3104 | 278 |
15 |
21 |
13 |
9 |
18 |
40 |
35 |
38 |
21 |
25 |
19 |
24 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Символизм |
650 | 278 |
18 |
31 |
16 |
10 |
17 |
36 |
34 |
38 |
17 |
23 |
21 |
17 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Маяковский и его философия |
1584 | 277 |
15 |
21 |
12 |
10 |
15 |
28 |
41 |
38 |
26 |
28 |
19 |
24 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1761 | 277 |
15 |
22 |
10 |
10 |
23 |
42 |
29 |
35 |
22 |
20 |
23 |
26 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Алексиевич. Чернобыль |
1289 | 276 |
17 |
22 |
10 |
9 |
27 |
33 |
39 |
36 |
19 |
28 |
13 |
23 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Липки |
2982 | 276 |
13 |
22 |
13 |
9 |
17 |
40 |
36 |
49 |
26 |
27 |
10 |
14 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Бунт против Гегеля |
3350 | 276 |
18 |
24 |
20 |
13 |
16 |
41 |
29 |
41 |
21 |
27 |
12 |
14 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Волчонок |
4374 | 276 |
11 |
28 |
10 |
8 |
24 |
36 |
35 |
34 |
31 |
23 |
18 |
18 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1109 | 275 |
11 |
22 |
13 |
12 |
27 |
35 |
36 |
37 |
13 |
21 |
22 |
26 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Совенок |
3846 | 275 |
14 |
29 |
18 |
11 |
23 |
33 |
35 |
35 |
19 |
27 |
16 |
15 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Художник у Христа за пазухой |
2840 | 274 |
18 |
27 |
10 |
12 |
24 |
36 |
29 |
36 |
23 |
20 |
18 |
21 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4262 | 274 |
14 |
30 |
16 |
13 |
22 |
39 |
32 |
33 |
17 |
28 |
15 |
15 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
4 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Три пальмы |
1444 | 274 |
19 |
36 |
11 |
14 |
22 |
33 |
32 |
31 |
20 |
23 |
13 |
20 |
0 |
1 |
2 |
4 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
6 |
1 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Сюжет: событие, действие, мотив |
704 | 274 |
16 |
26 |
16 |
9 |
17 |
43 |
40 |
38 |
19 |
21 |
19 |
10 |
0 |
1 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
|
Информация о владельце раздела |
3470 | 274 |
23 |
26 |
12 |
9 |
17 |
27 |
38 |
32 |
18 |
30 |
20 |
22 |
0 |
3 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Проклятое место, проклятые вопросы |
3287 | 274 |
20 |
23 |
12 |
7 |
23 |
36 |
30 |
31 |
23 |
24 |
16 |
29 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
1077 | 274 |
17 |
21 |
15 |
8 |
19 |
37 |
30 |
45 |
26 |
24 |
15 |
17 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Атрибуты беса |
3249 | 273 |
15 |
28 |
9 |
10 |
18 |
44 |
31 |
36 |
26 |
22 |
21 |
13 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
3 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Этапы эволюции вируса абсурда в России |
3462 | 273 |
13 |
28 |
21 |
10 |
21 |
37 |
28 |
38 |
30 |
21 |
13 |
13 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
|
Мысль изреченная |
2765 | 273 |
9 |
23 |
16 |
15 |
14 |
37 |
34 |
42 |
26 |
27 |
17 |
13 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Островский о романтической ипостаси русской литературы |
1376 | 273 |
15 |
21 |
16 |
10 |
19 |
37 |
31 |
36 |
19 |
22 |
19 |
28 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Можно ли назвать Печорина фаталистом |
950 | 272 |
16 |
28 |
12 |
7 |
18 |
27 |
29 |
32 |
20 |
24 |
30 |
29 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
От финских хладных скал... |
3275 | 272 |
15 |
27 |
14 |
11 |
18 |
31 |
28 |
41 |
22 |
26 |
19 |
20 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Между прошлым и будущим |
791 | 272 |
19 |
24 |
10 |
8 |
15 |
33 |
35 |
39 |
27 |
22 |
21 |
19 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3555 | 272 |
15 |
25 |
12 |
8 |
19 |
42 |
27 |
42 |
24 |
27 |
17 |
14 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
19 августа 1991 года |
2537 | 270 |
15 |
24 |
13 |
18 |
15 |
26 |
33 |
40 |
29 |
26 |
15 |
16 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
|
Пьер и Андрей |
1338 | 270 |
20 |
23 |
13 |
10 |
14 |
35 |
34 |
32 |
24 |
25 |
14 |
26 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Зеркало |
3073 | 270 |
14 |
17 |
13 |
9 |
18 |
35 |
37 |
36 |
23 |
31 |
12 |
25 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
817 | 269 |
18 |
30 |
15 |
11 |
17 |
30 |
35 |
34 |
22 |
25 |
13 |
19 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Лисенок в курятнике Стихи.ру |
6157 | 268 |
14 |
26 |
10 |
12 |
24 |
36 |
31 |
30 |
20 |
23 |
19 |
23 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ницше, ценности и Гегель |
3257 | 268 |
22 |
25 |
9 |
8 |
18 |
31 |
31 |
43 |
24 |
25 |
16 |
16 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Премия "Поэзия" что хотят жюри |
1532 | 268 |
13 |
33 |
10 |
7 |
17 |
39 |
34 |
36 |
26 |
22 |
18 |
13 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
4 |
2 |
4 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Гегельянство в России |
1240 | 268 |
13 |
19 |
10 |
8 |
30 |
34 |
32 |
43 |
22 |
22 |
15 |
20 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Киев старый и новый |
2468 | 267 |
22 |
24 |
14 |
18 |
17 |
36 |
36 |
34 |
16 |
21 |
17 |
12 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Кто в окошке. Сказочные звери |
3973 | 267 |
15 |
26 |
11 |
8 |
16 |
39 |
34 |
33 |
24 |
25 |
22 |
14 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Диалектика пути |
2895 | 267 |
13 |
26 |
10 |
7 |
24 |
38 |
33 |
37 |
23 |
26 |
13 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Ленин как поэт Серебряного века |
1497 | 266 |
13 |
21 |
8 |
12 |
17 |
36 |
35 |
47 |
24 |
22 |
13 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2526 | 266 |
15 |
24 |
11 |
14 |
23 |
31 |
30 |
32 |
27 |
24 |
13 |
22 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
729 | 265 |
12 |
21 |
16 |
10 |
18 |
26 |
25 |
32 |
19 |
35 |
33 |
18 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Ведьмостиший больше не будет |
3145 | 265 |
20 |
24 |
12 |
10 |
21 |
32 |
32 |
39 |
16 |
24 |
19 |
16 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Паломничество убогой |
2885 | 265 |
19 |
22 |
7 |
10 |
19 |
38 |
33 |
37 |
28 |
23 |
15 |
14 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Самосознание сетевой литературы |
4154 | 265 |
22 |
26 |
11 |
12 |
22 |
36 |
34 |
36 |
16 |
19 |
17 |
14 |
0 |
2 |
0 |
1 |
5 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Достоевский и конец истории |
3660 | 265 |
19 |
29 |
12 |
9 |
30 |
29 |
31 |
30 |
21 |
20 |
21 |
14 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Государство и общество: свобода и необходимость |
5109 | 264 |
12 |
22 |
13 |
8 |
24 |
35 |
34 |
45 |
23 |
17 |
19 |
12 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Бегемотик |
3486 | 264 |
14 |
22 |
9 |
16 |
27 |
39 |
26 |
35 |
19 |
18 |
20 |
19 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Как работает поэтика абсурда |
4583 | 264 |
12 |
26 |
12 |
8 |
22 |
33 |
34 |
41 |
26 |
22 |
13 |
15 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
|
"Коршун" Тютчева - материализм и идеализм |
806 | 264 |
16 |
23 |
8 |
8 |
17 |
32 |
30 |
45 |
18 |
26 |
16 |
25 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Лирика |
3321 | 264 |
16 |
24 |
18 |
10 |
17 |
30 |
29 |
32 |
25 |
26 |
15 |
22 |
0 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
1109 | 263 |
19 |
29 |
8 |
15 |
19 |
37 |
36 |
37 |
20 |
19 |
11 |
13 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
3 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Мастер и Маргарита. Кто написал притчу? |
1253 | 263 |
15 |
24 |
14 |
10 |
18 |
29 |
32 |
39 |
26 |
25 |
15 |
16 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Воинство Сергия Радонежского |
4539 | 263 |
16 |
35 |
8 |
8 |
23 |
29 |
24 |
39 |
31 |
20 |
21 |
9 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Введение в чтение Гоголя. Нос |
836 | 263 |
10 |
29 |
11 |
9 |
17 |
30 |
32 |
31 |
38 |
23 |
13 |
20 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Андрей Болконский - Дон Кихот |
851 | 263 |
15 |
23 |
12 |
10 |
20 |
31 |
29 |
40 |
22 |
28 |
14 |
19 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Сеть и чудаки |
3091 | 263 |
15 |
25 |
13 |
11 |
19 |
42 |
36 |
34 |
20 |
24 |
9 |
15 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
|
В поисках смысла сетевой литературы |
2832 | 263 |
16 |
20 |
9 |
13 |
18 |
26 |
30 |
40 |
23 |
24 |
23 |
21 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Двуединство добра |
2978 | 262 |
14 |
23 |
17 |
10 |
24 |
34 |
28 |
40 |
21 |
19 |
15 |
17 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Реформы Путина и моя им гегельянская поддержка |
2906 | 262 |
18 |
19 |
16 |
8 |
9 |
36 |
37 |
36 |
27 |
25 |
12 |
19 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
|
О чем поют сферы Гоголя |
1054 | 262 |
17 |
27 |
7 |
15 |
20 |
32 |
31 |
33 |
25 |
17 |
15 |
23 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3573 | 261 |
14 |
27 |
12 |
10 |
24 |
36 |
33 |
39 |
19 |
22 |
12 |
13 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
1057 | 261 |
13 |
22 |
12 |
12 |
21 |
33 |
28 |
34 |
26 |
24 |
17 |
19 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
О романе "Обратная Перспектива А.Столярова |
1535 | 261 |
12 |
25 |
9 |
9 |
18 |
30 |
33 |
44 |
24 |
21 |
17 |
19 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Об одном фильме |
1534 | 261 |
14 |
27 |
9 |
12 |
25 |
31 |
34 |
40 |
20 |
19 |
11 |
19 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Какой плод у дерева |
3186 | 261 |
12 |
23 |
8 |
13 |
19 |
40 |
33 |
29 |
23 |
28 |
16 |
17 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Удача и капуста |
2539 | 261 |
17 |
22 |
11 |
7 |
20 |
27 |
28 |
43 |
27 |
22 |
16 |
21 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Онегин - лицеист? |
812 | 261 |
15 |
25 |
12 |
6 |
19 |
35 |
25 |
34 |
28 |
27 |
20 |
15 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Anti-Dan |
3382 | 261 |
17 |
27 |
15 |
8 |
21 |
31 |
37 |
32 |
16 |
23 |
17 |
17 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Отчуждение |
1328 | 260 |
16 |
21 |
9 |
10 |
30 |
32 |
29 |
34 |
27 |
23 |
10 |
19 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
"Хлыстовская богородица" Маяковского |
1482 | 260 |
17 |
28 |
9 |
12 |
21 |
32 |
27 |
40 |
23 |
25 |
12 |
14 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Юрий Поляков. Грибной царь |
3790 | 260 |
16 |
20 |
11 |
11 |
19 |
32 |
35 |
32 |
18 |
28 |
18 |
20 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Памятник Румянцеву в "Капитанской дочке" |
968 | 260 |
14 |
29 |
11 |
7 |
15 |
41 |
30 |
36 |
21 |
23 |
8 |
25 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
3 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Образы русской природы в лирике Рубцова |
813 | 260 |
15 |
24 |
9 |
10 |
21 |
31 |
31 |
38 |
21 |
23 |
15 |
22 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1537 | 260 |
15 |
31 |
16 |
9 |
28 |
33 |
27 |
31 |
25 |
19 |
12 |
14 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
"Шиповник цветет" - не сжигай |
813 | 259 |
13 |
21 |
9 |
6 |
26 |
32 |
39 |
32 |
25 |
27 |
13 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Горе от ума или ум от горя. Перевертыши |
1012 | 259 |
14 |
23 |
12 |
11 |
22 |
35 |
25 |
33 |
21 |
24 |
22 |
17 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Снова по поводу "Тихого Дона" |
1288 | 259 |
15 |
23 |
17 |
14 |
15 |
25 |
26 |
35 |
19 |
22 |
15 |
33 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
6 |
4 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Постновогодний синдром |
776 | 259 |
26 |
25 |
13 |
7 |
15 |
37 |
36 |
31 |
23 |
21 |
14 |
11 |
0 |
2 |
1 |
1 |
2 |
0 |
4 |
0 |
2 |
3 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
|
Анализ прозы |
642 | 259 |
11 |
26 |
22 |
17 |
24 |
34 |
24 |
28 |
15 |
25 |
19 |
14 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3453 | 258 |
12 |
23 |
12 |
14 |
22 |
27 |
28 |
32 |
32 |
21 |
17 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
5 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
1000 | 258 |
11 |
24 |
11 |
13 |
23 |
42 |
31 |
39 |
16 |
18 |
14 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1304 | 257 |
15 |
30 |
9 |
8 |
16 |
32 |
32 |
34 |
21 |
21 |
18 |
21 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Автопортрет, оксюморон |
884 | 257 |
11 |
21 |
14 |
14 |
12 |
34 |
30 |
34 |
19 |
25 |
30 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
+7 |
2314 | 256 |
12 |
23 |
9 |
14 |
20 |
27 |
27 |
37 |
22 |
25 |
18 |
22 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1789 | 256 |
13 |
19 |
13 |
8 |
18 |
30 |
35 |
33 |
16 |
25 |
25 |
21 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Вирус абсурда в истории человеческой культуры |
2467 | 255 |
19 |
23 |
13 |
12 |
17 |
33 |
29 |
34 |
21 |
20 |
16 |
18 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Технические болезни Стихиры |
2707 | 255 |
18 |
19 |
13 |
15 |
23 |
26 |
31 |
44 |
20 |
22 |
11 |
13 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Что в имени мне твоем |
3120 | 255 |
19 |
26 |
13 |
9 |
18 |
30 |
28 |
37 |
22 |
22 |
17 |
14 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Необходимое или цель - искусство? |
843 | 255 |
10 |
23 |
9 |
12 |
15 |
35 |
33 |
37 |
25 |
23 |
16 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Ирония и автоирония |
620 | 254 |
11 |
23 |
13 |
6 |
17 |
34 |
30 |
35 |
19 |
25 |
24 |
17 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3448 | 254 |
12 |
31 |
13 |
12 |
17 |
35 |
33 |
33 |
19 |
24 |
14 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Автометафора |
780 | 254 |
17 |
14 |
17 |
11 |
17 |
41 |
24 |
29 |
19 |
23 |
24 |
18 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Буддистский колобок |
2920 | 254 |
13 |
21 |
12 |
10 |
23 |
32 |
28 |
37 |
25 |
23 |
15 |
15 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
О времени |
1306 | 254 |
16 |
25 |
13 |
7 |
24 |
28 |
32 |
36 |
22 |
21 |
13 |
17 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
808 | 254 |
16 |
27 |
12 |
8 |
17 |
27 |
33 |
36 |
19 |
26 |
16 |
17 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Национальность биографа |
3050 | 253 |
20 |
29 |
11 |
5 |
18 |
32 |
35 |
27 |
24 |
21 |
16 |
15 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
4 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
853 | 253 |
14 |
23 |
15 |
13 |
25 |
36 |
29 |
33 |
18 |
18 |
11 |
18 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Байрон - предтеча русского реализма |
925 | 253 |
12 |
22 |
15 |
9 |
15 |
39 |
36 |
35 |
19 |
19 |
12 |
20 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1758 | 253 |
17 |
23 |
12 |
10 |
16 |
33 |
26 |
34 |
26 |
20 |
13 |
23 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
1054 | 253 |
12 |
23 |
13 |
9 |
17 |
36 |
30 |
35 |
22 |
21 |
15 |
20 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Эпос |
2339 | 252 |
10 |
22 |
20 |
18 |
25 |
30 |
25 |
31 |
17 |
21 |
14 |
19 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Собрание обратных цитат о любви |
3122 | 252 |
17 |
26 |
10 |
11 |
21 |
30 |
28 |
35 |
21 |
23 |
16 |
14 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Галич и Мандельштам вокруг образа вождя |
632 | 252 |
14 |
15 |
13 |
8 |
16 |
39 |
33 |
37 |
26 |
25 |
13 |
13 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Рванет-не рванет |
797 | 252 |
16 |
24 |
12 |
9 |
15 |
27 |
36 |
40 |
23 |
19 |
11 |
20 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
"Добрый Филя" и проекция собеседника |
863 | 252 |
16 |
21 |
10 |
8 |
20 |
30 |
29 |
38 |
19 |
22 |
20 |
19 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Незабудки |
372 | 252 |
17 |
24 |
14 |
9 |
18 |
44 |
33 |
35 |
18 |
18 |
11 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Монтажная композиция |
685 | 251 |
13 |
28 |
17 |
11 |
20 |
31 |
22 |
39 |
16 |
22 |
13 |
19 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Дан прислал |
1083 | 251 |
16 |
24 |
13 |
13 |
13 |
34 |
30 |
37 |
20 |
20 |
17 |
14 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Сексуальность Гоголя |
863 | 251 |
19 |
24 |
9 |
3 |
18 |
28 |
29 |
32 |
14 |
34 |
24 |
17 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Суздаль |
1966 | 250 |
19 |
31 |
12 |
9 |
19 |
26 |
27 |
32 |
14 |
24 |
22 |
15 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Искушение как психологический прием |
3018 | 250 |
14 |
20 |
16 |
10 |
25 |
42 |
30 |
36 |
19 |
18 |
11 |
9 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
|
Шаров и его теодицея |
803 | 250 |
13 |
22 |
13 |
9 |
21 |
31 |
33 |
33 |
19 |
25 |
16 |
15 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Короля делает свита |
2420 | 249 |
16 |
23 |
9 |
9 |
18 |
29 |
35 |
37 |
24 |
22 |
16 |
11 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О курсе реформ и курсе литературы |
1126 | 249 |
12 |
17 |
10 |
9 |
18 |
34 |
34 |
41 |
28 |
22 |
10 |
14 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Доказательство несовершенства Бога |
2766 | 249 |
19 |
23 |
9 |
8 |
21 |
35 |
25 |
36 |
17 |
25 |
15 |
16 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Быков и Навальный |
801 | 249 |
14 |
24 |
15 |
9 |
17 |
34 |
31 |
33 |
19 |
23 |
12 |
18 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3164 | 249 |
18 |
24 |
13 |
9 |
13 |
35 |
21 |
35 |
11 |
28 |
23 |
19 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Печорин как писатель |
1129 | 249 |
17 |
26 |
12 |
11 |
24 |
34 |
21 |
31 |
24 |
20 |
13 |
16 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Миф о запахе |
2553 | 249 |
17 |
19 |
9 |
12 |
27 |
29 |
31 |
30 |
22 |
19 |
13 |
21 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Введение в философию сказок |
816 | 249 |
14 |
22 |
13 |
11 |
16 |
29 |
34 |
38 |
19 |
22 |
16 |
15 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Вирус абсурда в рамках боровской Дополнительности |
2262 | 248 |
16 |
19 |
14 |
14 |
23 |
31 |
27 |
38 |
16 |
21 |
15 |
14 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Письмо Татьяны. Общие места - романтизмы |
793 | 248 |
13 |
22 |
10 |
13 |
21 |
37 |
29 |
33 |
21 |
20 |
11 |
18 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
4 |
1 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Ферапонтово. Коллекция |
2124 | 248 |
22 |
24 |
7 |
8 |
14 |
32 |
35 |
32 |
20 |
23 |
14 |
17 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Романтизм |
634 | 248 |
12 |
20 |
11 |
7 |
19 |
31 |
36 |
40 |
27 |
18 |
16 |
11 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
652 | 248 |
16 |
19 |
7 |
9 |
20 |
34 |
27 |
29 |
31 |
21 |
16 |
19 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Рубцов и формальный метод |
2743 | 248 |
16 |
23 |
10 |
8 |
18 |
41 |
31 |
36 |
19 |
18 |
14 |
14 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Совет- не любовь |
2765 | 248 |
19 |
22 |
13 |
12 |
20 |
26 |
33 |
38 |
15 |
20 |
11 |
19 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Каким должен быть правитель |
656 | 247 |
13 |
28 |
11 |
9 |
15 |
34 |
33 |
35 |
17 |
24 |
12 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
По поводу некоторых неточностей Евгения Клюева |
2528 | 247 |
15 |
25 |
12 |
6 |
21 |
29 |
27 |
32 |
31 |
22 |
8 |
19 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Кто виноват и что делать? Проклятые вопросы в |
585 | 246 |
17 |
25 |
12 |
7 |
23 |
36 |
25 |
31 |
17 |
22 |
13 |
18 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Чужая сказка |
2626 | 246 |
10 |
22 |
11 |
9 |
13 |
38 |
28 |
34 |
20 |
23 |
22 |
16 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Базаров |
1089 | 246 |
12 |
21 |
12 |
10 |
13 |
34 |
31 |
31 |
25 |
20 |
17 |
20 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Почему Путин заинтересован в развитии гражданского общества |
2744 | 246 |
18 |
26 |
11 |
7 |
20 |
34 |
26 |
34 |
19 |
22 |
11 |
18 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Паломничество убогой (2 редакция) |
650 | 246 |
17 |
27 |
5 |
10 |
22 |
38 |
25 |
36 |
21 |
19 |
14 |
12 |
0 |
1 |
0 |
5 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Модель романа-эпопеи |
1097 | 246 |
17 |
24 |
12 |
8 |
15 |
33 |
29 |
34 |
19 |
22 |
17 |
16 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Методология работы критика над текстом |
2610 | 246 |
14 |
20 |
10 |
9 |
16 |
33 |
32 |
33 |
24 |
22 |
18 |
15 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ангел в круге десятом |
902 | 246 |
17 |
20 |
12 |
12 |
13 |
29 |
27 |
46 |
19 |
21 |
14 |
16 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
3 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Преодоление расы |
1545 | 246 |
15 |
30 |
15 |
10 |
19 |
34 |
28 |
36 |
12 |
19 |
12 |
16 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Инструкция создателям искусственного разума |
2609 | 246 |
16 |
23 |
13 |
11 |
17 |
31 |
37 |
37 |
18 |
18 |
14 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Честь как главная жизненная ценность у Достоевского |
715 | 245 |
11 |
21 |
11 |
9 |
17 |
43 |
28 |
34 |
25 |
22 |
11 |
13 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2302 | 245 |
16 |
29 |
12 |
8 |
18 |
29 |
24 |
41 |
20 |
24 |
14 |
10 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Ведение в чтение Гоголя |
1002 | 245 |
14 |
21 |
7 |
6 |
19 |
30 |
26 |
33 |
23 |
27 |
22 |
17 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Теория диссоциаций и Булгаков |
1416 | 244 |
14 |
18 |
12 |
8 |
20 |
30 |
30 |
42 |
16 |
24 |
10 |
20 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
616 | 244 |
19 |
24 |
5 |
7 |
22 |
41 |
18 |
40 |
18 |
22 |
11 |
17 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
628 | 244 |
11 |
24 |
14 |
7 |
20 |
29 |
25 |
35 |
21 |
21 |
17 |
20 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Компьютер и сексуальная революция писателя |
2969 | 244 |
11 |
31 |
10 |
12 |
21 |
32 |
28 |
33 |
17 |
17 |
13 |
19 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
1 |
2 |
5 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1355 | 244 |
13 |
26 |
13 |
8 |
16 |
29 |
31 |
33 |
23 |
22 |
14 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Интервью с Игорем Панариным |
2664 | 243 |
10 |
19 |
9 |
10 |
18 |
32 |
24 |
43 |
24 |
19 |
12 |
23 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
987 | 243 |
17 |
24 |
11 |
5 |
22 |
28 |
30 |
36 |
21 |
22 |
16 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Теософия и поэзия |
1178 | 238 |
17 |
25 |
13 |
13 |
22 |
24 |
23 |
35 |
20 |
23 |
12 |
11 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Форма абсолютной сути созидаемого |
938 | 238 |
17 |
22 |
7 |
10 |
15 |
28 |
30 |
30 |
27 |
20 |
13 |
19 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
К проблеме Израиля |
1462 | 238 |
15 |
16 |
12 |
9 |
19 |
30 |
30 |
36 |
21 |
21 |
12 |
17 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Абсурдизм |
3845 | 238 |
14 |
21 |
13 |
4 |
23 |
31 |
31 |
28 |
19 |
20 |
16 |
18 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
881 | 238 |
12 |
25 |
10 |
5 |
23 |
25 |
31 |
37 |
20 |
21 |
15 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Достоевский и риторические вопросы (диатриба) |
773 | 237 |
14 |
24 |
10 |
6 |
17 |
27 |
28 |
35 |
20 |
24 |
17 |
15 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Миф о времени |
2525 | 237 |
15 |
21 |
15 |
9 |
14 |
28 |
27 |
31 |
19 |
17 |
17 |
24 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Литературоведение, рабство и пенсионная реформа |
1194 | 237 |
15 |
19 |
9 |
7 |
19 |
33 |
34 |
38 |
13 |
24 |
10 |
16 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1471 | 237 |
18 |
27 |
10 |
6 |
15 |
23 |
28 |
33 |
16 |
23 |
17 |
21 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Отчуждение. стадия Ад |
1377 | 236 |
14 |
20 |
11 |
6 |
12 |
31 |
29 |
33 |
24 |
20 |
13 |
23 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
|
О чем умолчал в своем докладе доктор Борменталь |
794 | 235 |
20 |
27 |
6 |
8 |
15 |
28 |
25 |
28 |
17 |
20 |
18 |
23 |
0 |
2 |
0 |
6 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Деление на невозможность |
2195 | 235 |
13 |
18 |
9 |
6 |
26 |
33 |
31 |
37 |
24 |
16 |
9 |
13 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Аллегория как эпитет |
1502 | 235 |
12 |
25 |
4 |
10 |
23 |
34 |
29 |
30 |
21 |
19 |
14 |
14 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Пушкину миллиарды лет |
1035 | 235 |
14 |
27 |
9 |
10 |
20 |
34 |
24 |
33 |
20 |
17 |
9 |
18 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Реминисценция |
684 | 235 |
14 |
22 |
11 |
7 |
22 |
37 |
26 |
29 |
14 |
19 |
21 |
13 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лампа Мафусаила |
1752 | 235 |
14 |
18 |
12 |
7 |
16 |
35 |
27 |
34 |
30 |
14 |
13 |
15 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Молчание - литературная преемственность |
820 | 235 |
15 |
22 |
13 |
12 |
14 |
24 |
24 |
34 |
14 |
20 |
20 |
23 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Сальери как образец |
1320 | 235 |
18 |
22 |
12 |
13 |
22 |
34 |
22 |
25 |
13 |
21 |
17 |
16 |
0 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
603 | 234 |
19 |
28 |
7 |
6 |
21 |
24 |
26 |
34 |
19 |
20 |
15 |
15 |
0 |
2 |
0 |
6 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Радио Свобода, Цру и великая русская литература |
2565 | 233 |
20 |
20 |
15 |
10 |
15 |
22 |
27 |
35 |
22 |
20 |
13 |
14 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
"Сретенье " Бродского как трансляция |
671 | 233 |
12 |
23 |
9 |
10 |
18 |
28 |
27 |
26 |
27 |
21 |
17 |
15 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Джулиан Барнс в защиту критики |
2783 | 232 |
12 |
29 |
9 |
9 |
14 |
25 |
27 |
35 |
26 |
16 |
15 |
15 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Введение в чтение Лермонтова. Система отражений |
686 | 232 |
15 |
22 |
11 |
9 |
21 |
31 |
30 |
31 |
16 |
21 |
15 |
10 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Обломов и реализм |
751 | 232 |
13 |
24 |
10 |
7 |
17 |
24 |
28 |
31 |
25 |
17 |
14 |
22 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Бог как конечное воплощение жажды славы |
2233 | 232 |
16 |
21 |
8 |
5 |
15 |
30 |
26 |
42 |
21 |
17 |
14 |
17 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Блок и его мэоническая легенда |
850 | 232 |
10 |
24 |
11 |
9 |
13 |
35 |
25 |
33 |
23 |
19 |
13 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Онтологическое обоснование гения эпохи |
1351 | 232 |
12 |
20 |
12 |
14 |
19 |
22 |
29 |
32 |
23 |
21 |
12 |
16 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Невозможность гения эпохи |
705 | 232 |
14 |
18 |
13 |
13 |
19 |
31 |
29 |
36 |
15 |
18 |
12 |
14 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
О Бродском - Имперский поэт? |
977 | 232 |
13 |
21 |
10 |
8 |
18 |
31 |
29 |
33 |
22 |
20 |
11 |
16 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Воспитание гениев |
1119 | 231 |
14 |
17 |
9 |
12 |
17 |
39 |
30 |
33 |
13 |
16 |
16 |
15 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Инструкция создателям искусственного разума |
3195 | 231 |
10 |
18 |
13 |
9 |
14 |
34 |
30 |
36 |
15 |
24 |
16 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3278 | 231 |
14 |
21 |
7 |
8 |
18 |
31 |
23 |
37 |
18 |
23 |
17 |
14 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Смысл и убеждение |
2374 | 231 |
9 |
23 |
8 |
14 |
23 |
25 |
27 |
33 |
16 |
23 |
12 |
18 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Велика ли дань Пушкина мифологии |
3311 | 230 |
12 |
26 |
8 |
9 |
19 |
27 |
33 |
30 |
17 |
17 |
17 |
15 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Миф о числах |
2706 | 230 |
12 |
22 |
10 |
12 |
14 |
29 |
30 |
28 |
20 |
19 |
15 |
19 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Поэтика абсурда Маяковского |
1643 | 230 |
21 |
19 |
13 |
6 |
18 |
20 |
28 |
29 |
13 |
21 |
21 |
21 |
0 |
1 |
0 |
2 |
1 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Эмоции |
1191 | 230 |
14 |
19 |
10 |
12 |
20 |
28 |
31 |
30 |
17 |
19 |
16 |
14 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Бы да кабы |
968 | 229 |
12 |
18 |
13 |
12 |
18 |
27 |
30 |
32 |
22 |
18 |
11 |
16 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Становление гения |
2554 | 229 |
12 |
23 |
8 |
11 |
12 |
36 |
22 |
31 |
23 |
19 |
19 |
13 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Крочечка Хаврошечка |
852 | 228 |
13 |
21 |
7 |
7 |
12 |
25 |
29 |
32 |
28 |
26 |
13 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Литературоведение - наука или "Humanities and Arts"... |
2558 | 220 |
13 |
21 |
8 |
8 |
14 |
26 |
27 |
33 |
26 |
18 |
9 |
17 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Дурное общество |
1086 | 218 |
11 |
25 |
12 |
4 |
15 |
25 |
31 |
30 |
20 |
15 |
12 |
18 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Пространство в живописи текста у Гоголя |
860 | 218 |
10 |
19 |
9 |
7 |
21 |
24 |
27 |
33 |
14 |
19 |
15 |
20 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Долой ыгэ! |
752 | 218 |
15 |
18 |
13 |
10 |
15 |
22 |
31 |
37 |
20 |
17 |
9 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Монтажная композиция |
569 | 217 |
13 |
16 |
11 |
7 |
17 |
25 |
27 |
36 |
14 |
23 |
17 |
11 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Проблематика произведений. Богатство и бедность |
699 | 217 |
14 |
18 |
8 |
9 |
19 |
25 |
27 |
39 |
22 |
18 |
10 |
8 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Неравный брак (лунное) |
971 | 217 |
13 |
19 |
8 |
8 |
11 |
30 |
29 |
32 |
22 |
20 |
12 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Литературоведение для школьников |
217 | 217 |
78 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
5 |
2 |
3 |
1 |
4 |
5 |
4 |
6 |
4 |
4 |
1 |
4 |
5 |
2 |
4 |
7 |
13 |
10 |
23 |
17 |
27 |
28 |
34 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ну и реклама сейчас у Проханова |
2183 | 216 |
14 |
19 |
11 |
11 |
11 |
29 |
27 |
31 |
13 |
23 |
12 |
15 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
|
Встреча этики с эстетикой в рамках поэтики абсурда |
2484 | 216 |
15 |
23 |
14 |
7 |
11 |
24 |
21 |
30 |
22 |
29 |
10 |
10 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Золото партии |
2036 | 216 |
13 |
17 |
10 |
9 |
20 |
29 |
26 |
29 |
14 |
21 |
13 |
15 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя. Шинель |
1115 | 216 |
16 |
23 |
11 |
10 |
14 |
25 |
23 |
25 |
20 |
23 |
11 |
15 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Экфрасис "Мертвых душ" |
538 | 215 |
13 |
22 |
10 |
8 |
17 |
33 |
22 |
31 |
15 |
18 |
14 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Был ли влюблен Иван Васильевич в Вареньку? |
684 | 215 |
14 |
21 |
8 |
6 |
14 |
38 |
21 |
31 |
11 |
21 |
12 |
18 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Хельга Ольшванг в новом веке |
992 | 211 |
10 |
19 |
10 |
9 |
23 |
26 |
23 |
29 |
17 |
18 |
12 |
15 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Классицизм |
584 | 210 |
14 |
18 |
8 |
6 |
14 |
31 |
29 |
34 |
15 |
17 |
11 |
13 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Возможен ли герой нашего времени? |
738 | 209 |
15 |
23 |
8 |
8 |
17 |
30 |
23 |
24 |
9 |
24 |
15 |
13 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
День 7 ноября |
1015 | 208 |
12 |
19 |
9 |
7 |
13 |
33 |
29 |
36 |
14 |
19 |
10 |
7 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
"Детство" и уход из Ясной поляны |
504 | 204 |
15 |
25 |
9 |
6 |
13 |
21 |
26 |
28 |
21 |
20 |
13 |
7 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
То |
646 | 195 |
12 |
12 |
11 |
11 |
19 |
27 |
25 |
25 |
12 |
17 |
10 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |