| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
По разделу |
800773 | 2416 |
124 |
177 |
139 |
131 |
221 |
189 |
313 |
393 |
161 |
180 |
221 |
167 |
1 |
4 |
5 |
7 |
8 |
4 |
4 |
4 |
7 |
10 |
6 |
6 |
4 |
8 |
6 |
6 |
4 |
4 |
5 |
6 |
7 |
8 |
6 |
7 |
6 |
6 |
7 |
7 |
4 |
10 |
11 |
5 |
6 |
3 |
5 |
3 |
6 |
5 |
6 |
4 |
7 |
7 |
8 |
5 |
5 |
3 |
7 |
5 |
3 |
5 |
8 |
7 |
4 |
12 |
6 |
9 |
8 |
8 |
5 |
9 |
3 |
4 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
31134 | 1463 |
64 |
110 |
91 |
83 |
173 |
109 |
158 |
187 |
81 |
112 |
163 |
132 |
0 |
0 |
2 |
7 |
3 |
1 |
0 |
1 |
4 |
2 |
2 |
6 |
1 |
6 |
5 |
6 |
1 |
2 |
3 |
1 |
3 |
8 |
2 |
1 |
3 |
1 |
6 |
7 |
4 |
10 |
11 |
5 |
3 |
1 |
2 |
1 |
6 |
2 |
2 |
4 |
0 |
2 |
8 |
3 |
1 |
2 |
2 |
3 |
2 |
3 |
6 |
7 |
3 |
4 |
6 |
2 |
5 |
2 |
5 |
6 |
3 |
2 |
|
Поэтика абсурда. Часть 1 |
4028 | 891 |
32 |
58 |
40 |
60 |
88 |
107 |
93 |
98 |
61 |
70 |
102 |
82 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
5 |
4 |
2 |
3 |
3 |
1 |
4 |
3 |
3 |
0 |
4 |
6 |
4 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
|
Метод приведения к абсурду в школьной классике |
2769 | 835 |
38 |
70 |
42 |
58 |
70 |
68 |
66 |
201 |
38 |
59 |
68 |
57 |
0 |
0 |
2 |
1 |
6 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
6 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
2 |
2 |
4 |
3 |
2 |
1 |
0 |
5 |
1 |
4 |
1 |
0 |
2 |
2 |
3 |
0 |
6 |
1 |
0 |
7 |
1 |
5 |
3 |
0 |
1 |
3 |
1 |
2 |
4 |
4 |
2 |
2 |
2 |
0 |
0 |
3 |
4 |
0 |
2 |
0 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3693 | 644 |
28 |
46 |
25 |
42 |
53 |
63 |
58 |
51 |
49 |
58 |
104 |
67 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
5 |
2 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Мертвые души: хозяйственная бесхозяйственность |
2760 | 537 |
28 |
45 |
20 |
34 |
40 |
50 |
50 |
42 |
31 |
51 |
70 |
76 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
5 |
4 |
1 |
4 |
4 |
1 |
1 |
1 |
2 |
2 |
2 |
6 |
2 |
0 |
0 |
5 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Внутренний монолог |
1585 | 514 |
30 |
40 |
26 |
37 |
40 |
48 |
53 |
41 |
31 |
37 |
65 |
66 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
3 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
|
Гипербола и Гиперборея Маяковского |
1610 | 503 |
21 |
42 |
19 |
34 |
47 |
50 |
49 |
45 |
31 |
38 |
67 |
60 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
3 |
1 |
2 |
4 |
4 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
|
Литературоведение для школьников |
495 | 495 |
25 |
60 |
32 |
41 |
87 |
111 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
4 |
2 |
1 |
3 |
7 |
3 |
1 |
1 |
0 |
1 |
6 |
2 |
3 |
1 |
0 |
5 |
1 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Автобиографизм и автопсихологизм |
1301 | 482 |
21 |
30 |
15 |
26 |
49 |
44 |
51 |
40 |
32 |
50 |
60 |
64 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
6268 | 388 |
40 |
32 |
24 |
24 |
25 |
38 |
29 |
22 |
12 |
36 |
59 |
47 |
0 |
2 |
1 |
4 |
4 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
12160 | 358 |
18 |
35 |
13 |
24 |
64 |
25 |
37 |
17 |
13 |
20 |
53 |
39 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Раскольников - "немецкий шляпник" |
350 | 350 |
24 |
40 |
11 |
19 |
60 |
45 |
21 |
18 |
9 |
35 |
68 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
1 |
6 |
4 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1426 | 347 |
20 |
30 |
20 |
16 |
23 |
36 |
45 |
25 |
12 |
28 |
51 |
41 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Энтропия.net |
6487 | 347 |
22 |
47 |
16 |
20 |
31 |
29 |
34 |
10 |
10 |
37 |
52 |
39 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
3 |
3 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
|
Полифония Блока |
1891 | 346 |
18 |
41 |
18 |
12 |
14 |
35 |
37 |
20 |
16 |
34 |
54 |
47 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
4 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Кот Васька в своей квартире |
8231 | 342 |
27 |
36 |
13 |
20 |
48 |
26 |
28 |
22 |
12 |
19 |
54 |
37 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
5 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
3265 | 340 |
27 |
45 |
19 |
15 |
24 |
26 |
35 |
23 |
11 |
30 |
44 |
41 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
4 |
3 |
1 |
2 |
0 |
1 |
4 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2401 | 334 |
27 |
31 |
14 |
16 |
14 |
30 |
24 |
23 |
16 |
34 |
63 |
42 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
5 |
1 |
4 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Медвежонок |
9363 | 332 |
25 |
33 |
15 |
17 |
38 |
22 |
33 |
15 |
16 |
25 |
48 |
45 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Пестрый дятел |
5032 | 328 |
28 |
31 |
14 |
23 |
34 |
22 |
33 |
16 |
14 |
18 |
50 |
45 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
5 |
2 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Про что поэзия Барто? - да все про то! |
6162 | 325 |
28 |
42 |
14 |
21 |
44 |
22 |
30 |
14 |
8 |
22 |
44 |
36 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
4 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
6038 | 323 |
29 |
35 |
18 |
13 |
29 |
23 |
26 |
21 |
15 |
26 |
46 |
42 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
|
Я играю вместе с мамой |
10037 | 323 |
25 |
38 |
12 |
21 |
32 |
24 |
33 |
13 |
12 |
28 |
39 |
46 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
7 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3849 | 314 |
23 |
38 |
15 |
21 |
19 |
31 |
36 |
25 |
9 |
23 |
34 |
40 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
4 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1281 | 312 |
25 |
32 |
12 |
20 |
12 |
35 |
39 |
18 |
9 |
33 |
40 |
37 |
0 |
0 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Печорин и декабристы - бесславие героев времени |
1720 | 311 |
22 |
41 |
11 |
20 |
11 |
27 |
33 |
24 |
19 |
24 |
45 |
34 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
"История Рода Толстых - история России". Фоторепортаж |
5970 | 310 |
27 |
34 |
10 |
19 |
21 |
23 |
26 |
14 |
12 |
28 |
44 |
52 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
1 |
3 |
4 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Ослик |
8698 | 309 |
21 |
37 |
10 |
17 |
40 |
24 |
18 |
18 |
15 |
28 |
44 |
37 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
5 |
1 |
2 |
1 |
2 |
4 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Самосознание сетевой литературы |
4298 | 307 |
27 |
44 |
24 |
20 |
26 |
25 |
26 |
11 |
12 |
22 |
36 |
34 |
0 |
1 |
5 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
4 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
5 |
1 |
1 |
|
Дуэль Онегина и Ленского |
1612 | 306 |
22 |
29 |
12 |
16 |
16 |
30 |
26 |
15 |
22 |
31 |
50 |
37 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Ушки, ножки, рожки |
6815 | 306 |
25 |
34 |
14 |
20 |
35 |
22 |
27 |
12 |
8 |
27 |
44 |
38 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
1 |
1 |
1 |
5 |
1 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
|
Ботинок |
4350 | 306 |
30 |
33 |
17 |
16 |
21 |
24 |
30 |
13 |
14 |
26 |
44 |
38 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
4 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Александр Кушнер. Аполлон в траве |
4903 | 304 |
26 |
31 |
18 |
12 |
22 |
19 |
22 |
20 |
17 |
26 |
44 |
47 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
|
Потомки "Метрополя" |
6135 | 304 |
43 |
29 |
11 |
19 |
17 |
30 |
36 |
20 |
10 |
19 |
37 |
33 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
3 |
4 |
2 |
5 |
2 |
4 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Стихи для детей |
5778 | 304 |
20 |
35 |
15 |
19 |
24 |
22 |
25 |
16 |
11 |
30 |
49 |
38 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
7 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Что на небе |
8424 | 302 |
24 |
33 |
14 |
18 |
40 |
23 |
25 |
13 |
9 |
21 |
46 |
36 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
|
Михаил Гарцев. История внутри нас |
4794 | 302 |
26 |
43 |
13 |
14 |
18 |
18 |
29 |
18 |
16 |
28 |
42 |
37 |
0 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
4 |
4 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Психология - наука рабов |
7059 | 301 |
23 |
33 |
12 |
22 |
32 |
21 |
27 |
16 |
9 |
30 |
39 |
37 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Учимся мыслить логически |
4012 | 295 |
23 |
34 |
14 |
15 |
19 |
24 |
23 |
24 |
14 |
19 |
43 |
43 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Манифест |
2943 | 294 |
24 |
38 |
11 |
21 |
19 |
23 |
32 |
17 |
17 |
22 |
41 |
29 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
1 |
2 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Anti-Dan |
3520 | 294 |
34 |
37 |
23 |
19 |
19 |
23 |
27 |
15 |
8 |
21 |
31 |
37 |
0 |
1 |
3 |
3 |
4 |
2 |
2 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
4 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
|
Язык и генетика |
4802 | 294 |
25 |
32 |
12 |
18 |
32 |
21 |
33 |
14 |
12 |
16 |
41 |
38 |
0 |
0 |
2 |
2 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
|
Древесная лирика Хельги Ольшванг |
4054 | 293 |
21 |
30 |
15 |
14 |
29 |
20 |
32 |
16 |
5 |
28 |
45 |
38 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Информация о владельце раздела |
3610 | 292 |
31 |
28 |
17 |
27 |
23 |
37 |
26 |
12 |
9 |
17 |
27 |
38 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
4 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
|
Интерьер в "Капитанской дочке" |
1742 | 291 |
33 |
32 |
10 |
14 |
13 |
18 |
31 |
13 |
16 |
26 |
42 |
43 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
3 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
3 |
3 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
В чем философский смысл фильма "Остров проклятых" |
1443 | 290 |
23 |
34 |
17 |
14 |
20 |
21 |
24 |
17 |
29 |
26 |
34 |
31 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Каждый знает |
7008 | 290 |
20 |
35 |
15 |
10 |
36 |
19 |
33 |
13 |
12 |
23 |
39 |
35 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Возвращение |
3628 | 286 |
23 |
31 |
13 |
22 |
23 |
23 |
23 |
19 |
11 |
18 |
41 |
39 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
4 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3702 | 285 |
23 |
37 |
18 |
23 |
20 |
22 |
27 |
12 |
10 |
24 |
36 |
33 |
0 |
1 |
1 |
4 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
0 |
|
Михаил Гарцев и сетевое письмо |
4810 | 285 |
24 |
33 |
11 |
19 |
15 |
25 |
25 |
21 |
8 |
27 |
43 |
34 |
0 |
0 |
1 |
1 |
5 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Сказка о гейзере на Стихире |
3276 | 285 |
21 |
30 |
16 |
16 |
24 |
20 |
24 |
21 |
26 |
21 |
36 |
30 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Кто как кричит |
4805 | 284 |
23 |
33 |
18 |
12 |
20 |
22 |
27 |
14 |
7 |
18 |
51 |
39 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
6 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
|
Образ России в арт-среде Интернета |
2918 | 284 |
22 |
34 |
12 |
15 |
14 |
18 |
26 |
27 |
9 |
32 |
38 |
37 |
0 |
2 |
0 |
5 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Социальные болезни Стихи.ру |
7303 | 283 |
24 |
34 |
12 |
17 |
35 |
17 |
20 |
8 |
8 |
19 |
47 |
42 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Карнавал и декарнавализация |
4421 | 282 |
21 |
43 |
10 |
17 |
25 |
21 |
22 |
15 |
14 |
27 |
39 |
28 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
4 |
1 |
5 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Кто убил старуху процентщицу? |
2374 | 282 |
23 |
28 |
13 |
28 |
21 |
26 |
29 |
14 |
11 |
18 |
38 |
33 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
С кем я познакомилась на Си |
3770 | 281 |
27 |
25 |
11 |
14 |
27 |
18 |
26 |
13 |
10 |
25 |
46 |
39 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4377 | 281 |
22 |
32 |
14 |
13 |
27 |
21 |
30 |
16 |
13 |
22 |
39 |
32 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3433 | 281 |
22 |
41 |
12 |
14 |
9 |
29 |
31 |
11 |
12 |
20 |
36 |
44 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
1 |
3 |
2 |
2 |
4 |
1 |
3 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Похождения Чичикова и мертвых душ в Xxi веке |
432 | 280 |
18 |
35 |
14 |
21 |
15 |
26 |
30 |
17 |
11 |
25 |
31 |
37 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
|
Сюжет: событие, действие, мотив |
815 | 278 |
22 |
30 |
17 |
17 |
14 |
27 |
26 |
16 |
9 |
17 |
43 |
40 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
|
Символизм |
766 | 278 |
20 |
34 |
12 |
21 |
17 |
30 |
31 |
16 |
10 |
17 |
36 |
34 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
3 |
4 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
В защиту массовой литературы |
5923 | 277 |
19 |
34 |
16 |
17 |
24 |
21 |
25 |
13 |
14 |
26 |
36 |
32 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2693 | 277 |
23 |
34 |
11 |
9 |
22 |
25 |
27 |
10 |
17 |
20 |
41 |
38 |
0 |
1 |
4 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
4 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
План анализа стихотворения |
876 | 275 |
19 |
28 |
14 |
14 |
14 |
20 |
29 |
12 |
10 |
24 |
51 |
40 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Возвращение блудного Чацкого |
1149 | 275 |
25 |
22 |
13 |
16 |
14 |
21 |
24 |
18 |
13 |
30 |
44 |
35 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
6 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
К вопросу о Фрейде и православии |
3401 | 275 |
23 |
35 |
12 |
14 |
18 |
24 |
23 |
14 |
11 |
25 |
40 |
36 |
0 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Атрибуты беса |
3368 | 274 |
25 |
31 |
15 |
21 |
20 |
22 |
28 |
9 |
10 |
18 |
44 |
31 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
1 |
1 |
6 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
|
О любви к правителям и поэтам |
1503 | 274 |
18 |
34 |
12 |
17 |
17 |
30 |
30 |
12 |
14 |
21 |
38 |
31 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Самоубийство разума |
3398 | 273 |
17 |
35 |
14 |
15 |
17 |
21 |
30 |
13 |
15 |
24 |
37 |
35 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1359 | 272 |
23 |
28 |
13 |
17 |
17 |
20 |
22 |
13 |
16 |
21 |
30 |
52 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
|
Вот и обсудили! |
2928 | 271 |
24 |
33 |
18 |
13 |
16 |
23 |
33 |
20 |
14 |
17 |
27 |
33 |
0 |
0 |
0 |
4 |
3 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Воинство Сергия Радонежского |
4667 | 271 |
21 |
29 |
14 |
17 |
38 |
25 |
35 |
8 |
8 |
23 |
29 |
24 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
1201 | 271 |
33 |
34 |
18 |
17 |
15 |
24 |
21 |
15 |
8 |
19 |
37 |
30 |
0 |
2 |
3 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
5 |
5 |
4 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
|
Где же новая поэзия |
2723 | 270 |
21 |
31 |
15 |
11 |
18 |
19 |
33 |
13 |
14 |
16 |
40 |
39 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Вирус абсурда в истории человеческой культуры |
2591 | 270 |
23 |
31 |
17 |
23 |
23 |
26 |
23 |
13 |
12 |
17 |
33 |
29 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Вмешиваясь в разговор с богом |
3599 | 270 |
22 |
34 |
13 |
12 |
17 |
21 |
28 |
16 |
26 |
23 |
32 |
26 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
Введение в чтение Гоголя. Хлестаков |
934 | 269 |
17 |
35 |
16 |
13 |
13 |
25 |
27 |
13 |
11 |
22 |
39 |
38 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
5 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Три пальмы |
1546 | 269 |
18 |
33 |
18 |
12 |
16 |
24 |
36 |
11 |
14 |
22 |
33 |
32 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
3 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Достоевский и конец истории |
3770 | 269 |
21 |
32 |
15 |
14 |
20 |
27 |
29 |
12 |
9 |
30 |
29 |
31 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
5 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
|
Лисенок в курятнике Стихи.ру |
6272 | 268 |
26 |
37 |
10 |
16 |
20 |
20 |
26 |
10 |
12 |
24 |
36 |
31 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
|
Средства художественной изобразительности |
1836 | 268 |
21 |
33 |
14 |
14 |
17 |
21 |
19 |
16 |
9 |
19 |
42 |
43 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Клопы от Фейербаха |
3404 | 268 |
22 |
32 |
14 |
19 |
19 |
21 |
31 |
12 |
11 |
19 |
37 |
31 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Ведение в чтение Гоголя |
1397 | 268 |
28 |
33 |
12 |
22 |
18 |
19 |
26 |
10 |
10 |
22 |
34 |
34 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Грамматика абсурдиста |
2437 | 267 |
31 |
50 |
25 |
15 |
18 |
27 |
21 |
6 |
10 |
10 |
27 |
27 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
4 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
4 |
3 |
3 |
1 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
897 | 267 |
20 |
41 |
15 |
12 |
15 |
26 |
24 |
15 |
14 |
15 |
38 |
32 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
|
Утенок |
4822 | 267 |
19 |
40 |
13 |
10 |
20 |
20 |
32 |
17 |
12 |
15 |
40 |
29 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
3 |
0 |
0 |
7 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Фотомастерская Вадима Месяца |
3220 | 267 |
24 |
33 |
10 |
18 |
24 |
22 |
21 |
13 |
9 |
18 |
40 |
35 |
0 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Демократия как искусство для искусства |
3114 | 267 |
22 |
35 |
14 |
17 |
17 |
24 |
26 |
9 |
12 |
21 |
30 |
40 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
5 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Избранница народного слова |
2716 | 266 |
24 |
37 |
13 |
14 |
21 |
24 |
29 |
11 |
11 |
17 |
28 |
37 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
4 |
2 |
1 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
4 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Достоевский как оптимальная точка видения |
3258 | 266 |
24 |
32 |
15 |
10 |
17 |
25 |
37 |
8 |
7 |
18 |
36 |
37 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
4 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
|
Рифма к городу |
3833 | 266 |
22 |
31 |
7 |
17 |
18 |
23 |
26 |
12 |
10 |
24 |
40 |
36 |
0 |
0 |
2 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
4 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Бунт против Гегеля |
3455 | 266 |
15 |
36 |
12 |
18 |
18 |
24 |
24 |
20 |
13 |
16 |
41 |
29 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
1 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Инструкция создателям искусственного разума |
2727 | 266 |
26 |
40 |
11 |
18 |
17 |
22 |
23 |
13 |
11 |
17 |
31 |
37 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
5 |
2 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
3 |
3 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Премия "Поэзия" что хотят жюри |
1644 | 265 |
26 |
30 |
15 |
17 |
18 |
19 |
33 |
10 |
7 |
17 |
39 |
34 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Мысль изреченная |
2882 | 265 |
22 |
32 |
10 |
19 |
30 |
13 |
23 |
16 |
15 |
14 |
37 |
34 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
4 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Пьер и Андрей |
1454 | 265 |
19 |
33 |
17 |
19 |
19 |
29 |
23 |
13 |
10 |
14 |
35 |
34 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Государство и общество: свобода и необходимость |
5225 | 264 |
21 |
35 |
16 |
18 |
17 |
21 |
22 |
13 |
8 |
24 |
35 |
34 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Национальность биографа |
3164 | 264 |
19 |
33 |
12 |
19 |
24 |
27 |
29 |
11 |
5 |
18 |
32 |
35 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
5 |
3 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Замятин "Мы". Конспект урока |
1223 | 264 |
25 |
33 |
11 |
16 |
11 |
27 |
26 |
13 |
8 |
18 |
42 |
34 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
7 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Искушение как психологический прием |
3125 | 264 |
23 |
35 |
14 |
10 |
21 |
18 |
20 |
16 |
10 |
25 |
42 |
30 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
|
Сеть и чудаки |
3194 | 264 |
27 |
26 |
11 |
15 |
14 |
25 |
25 |
13 |
11 |
19 |
42 |
36 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
Киев старый и новый |
2564 | 263 |
23 |
29 |
12 |
13 |
12 |
29 |
24 |
14 |
18 |
17 |
36 |
36 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Страсть и поэзия |
2186 | 263 |
29 |
31 |
10 |
14 |
9 |
18 |
33 |
9 |
10 |
27 |
42 |
31 |
0 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
3 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1216 | 263 |
23 |
38 |
8 |
20 |
12 |
17 |
22 |
13 |
12 |
27 |
35 |
36 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
2 |
3 |
0 |
0 |
2 |
3 |
2 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3557 | 262 |
21 |
28 |
16 |
18 |
19 |
19 |
31 |
13 |
12 |
17 |
35 |
33 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
1208 | 262 |
22 |
26 |
11 |
17 |
15 |
27 |
29 |
8 |
15 |
19 |
37 |
36 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Что в имени мне твоем |
3239 | 262 |
25 |
36 |
10 |
15 |
28 |
24 |
26 |
13 |
9 |
18 |
30 |
28 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
4 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Пейзаж в поэме Лермонтова |
1055 | 262 |
21 |
33 |
11 |
15 |
18 |
19 |
25 |
19 |
16 |
16 |
40 |
29 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Сон как нонсенс в "Войне и мире" |
909 | 261 |
23 |
36 |
11 |
17 |
12 |
22 |
21 |
12 |
11 |
20 |
41 |
35 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Трагический герой |
795 | 261 |
22 |
30 |
11 |
18 |
15 |
24 |
25 |
16 |
12 |
18 |
39 |
31 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Форум в контексте книги |
3329 | 261 |
21 |
40 |
9 |
16 |
15 |
27 |
31 |
15 |
11 |
20 |
31 |
25 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
4 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Как работает поэтика абсурда |
4697 | 261 |
22 |
31 |
15 |
15 |
23 |
20 |
26 |
12 |
8 |
22 |
33 |
34 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
1101 | 260 |
20 |
36 |
10 |
18 |
11 |
24 |
19 |
21 |
10 |
24 |
36 |
31 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Этапы эволюции вируса абсурда в России |
3564 | 260 |
19 |
33 |
12 |
10 |
18 |
23 |
28 |
21 |
10 |
21 |
37 |
28 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
5 |
0 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Совенок |
3943 | 260 |
25 |
30 |
11 |
11 |
13 |
21 |
29 |
18 |
11 |
23 |
33 |
35 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
4 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Маяковский и его философия |
1702 | 260 |
29 |
34 |
14 |
20 |
14 |
22 |
21 |
12 |
10 |
15 |
28 |
41 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
5 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1869 | 259 |
24 |
35 |
8 |
16 |
17 |
23 |
22 |
10 |
10 |
23 |
42 |
29 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Байрон - предтеча русского реализма |
1036 | 259 |
18 |
34 |
10 |
24 |
18 |
19 |
22 |
15 |
9 |
15 |
39 |
36 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Мир как книга |
1239 | 259 |
16 |
35 |
12 |
15 |
14 |
30 |
28 |
7 |
16 |
16 |
37 |
33 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Волчонок |
4481 | 259 |
20 |
34 |
11 |
13 |
24 |
16 |
28 |
10 |
8 |
24 |
36 |
35 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Проклятое место, проклятые вопросы |
3395 | 259 |
27 |
31 |
8 |
13 |
24 |
25 |
23 |
12 |
7 |
23 |
36 |
30 |
0 |
2 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Ведьмостиший больше не будет |
3252 | 258 |
22 |
38 |
15 |
12 |
14 |
26 |
24 |
12 |
10 |
21 |
32 |
32 |
0 |
0 |
0 |
2 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
|
Ленин как поэт Серебряного века |
1613 | 258 |
29 |
37 |
17 |
14 |
13 |
19 |
21 |
8 |
12 |
17 |
36 |
35 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
6 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
6 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1636 | 258 |
19 |
31 |
17 |
11 |
14 |
22 |
31 |
16 |
9 |
28 |
33 |
27 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3572 | 257 |
20 |
34 |
16 |
20 |
20 |
21 |
23 |
12 |
14 |
22 |
27 |
28 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4315 | 257 |
29 |
32 |
16 |
13 |
23 |
20 |
14 |
17 |
9 |
25 |
29 |
30 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Конечный смысл страдания |
2741 | 257 |
21 |
28 |
10 |
13 |
11 |
23 |
21 |
10 |
16 |
27 |
44 |
33 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Антитеза |
851 | 257 |
18 |
38 |
10 |
16 |
15 |
22 |
20 |
14 |
11 |
22 |
34 |
37 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
3 |
1 |
7 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Теория диссоциаций и Булгаков |
1540 | 256 |
32 |
30 |
12 |
19 |
25 |
20 |
18 |
12 |
8 |
20 |
30 |
30 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
2 |
2 |
1 |
1 |
2 |
1 |
6 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Нам много миллионов лет. Каждому |
1129 | 256 |
19 |
36 |
10 |
16 |
10 |
20 |
27 |
13 |
8 |
25 |
32 |
40 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
0 |
5 |
2 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Бегемотик |
3589 | 256 |
20 |
30 |
11 |
15 |
23 |
18 |
22 |
9 |
16 |
27 |
39 |
26 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Монтаж у Гоголя и Алексиевич |
1037 | 256 |
19 |
31 |
13 |
18 |
10 |
26 |
20 |
14 |
8 |
21 |
40 |
36 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2634 | 256 |
23 |
36 |
10 |
12 |
21 |
21 |
24 |
11 |
14 |
23 |
31 |
30 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Какой плод у дерева |
3293 | 255 |
22 |
36 |
17 |
10 |
17 |
17 |
23 |
8 |
13 |
19 |
40 |
33 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
|
Диалектика пути |
2998 | 254 |
19 |
36 |
8 |
15 |
19 |
19 |
26 |
10 |
7 |
24 |
38 |
33 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
3 |
2 |
2 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
1103 | 254 |
19 |
29 |
14 |
17 |
10 |
20 |
24 |
12 |
8 |
15 |
46 |
40 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3661 | 254 |
20 |
33 |
13 |
19 |
14 |
22 |
25 |
12 |
8 |
19 |
42 |
27 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
3 |
2 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ницше, ценности и Гегель |
3366 | 253 |
16 |
34 |
10 |
17 |
24 |
30 |
25 |
9 |
8 |
18 |
31 |
31 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
1163 | 247 |
23 |
31 |
10 |
21 |
13 |
21 |
22 |
12 |
12 |
21 |
33 |
28 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
6 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Горе от ума или ум от горя. Перевертыши |
1117 | 247 |
21 |
34 |
11 |
12 |
20 |
21 |
23 |
12 |
11 |
22 |
35 |
25 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
3 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Юрий Поляков. Грибной царь |
3893 | 247 |
20 |
30 |
9 |
11 |
24 |
25 |
20 |
11 |
11 |
19 |
32 |
35 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Пушкин |
6254 | 247 |
14 |
40 |
6 |
18 |
18 |
25 |
24 |
13 |
9 |
15 |
38 |
27 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Об одном фильме |
1628 | 246 |
21 |
26 |
10 |
16 |
13 |
22 |
27 |
9 |
12 |
25 |
31 |
34 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Мастер и Маргарита. Кто написал притчу? |
1357 | 246 |
24 |
30 |
13 |
17 |
11 |
24 |
24 |
14 |
10 |
18 |
29 |
32 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Методология работы критика над текстом |
2721 | 245 |
25 |
36 |
14 |
13 |
18 |
19 |
20 |
10 |
9 |
16 |
33 |
32 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
4 |
2 |
1 |
2 |
3 |
1 |
3 |
1 |
2 |
4 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Зеркало |
3175 | 245 |
23 |
29 |
11 |
16 |
17 |
20 |
17 |
13 |
9 |
18 |
35 |
37 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Каким должен быть правитель |
757 | 244 |
23 |
34 |
16 |
13 |
11 |
17 |
28 |
11 |
9 |
15 |
34 |
33 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
942 | 244 |
19 |
30 |
10 |
15 |
6 |
23 |
23 |
15 |
13 |
25 |
36 |
29 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Абсурдизм |
3952 | 244 |
15 |
29 |
12 |
17 |
25 |
23 |
21 |
13 |
4 |
23 |
31 |
31 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Памятник Румянцеву в "Капитанской дочке" |
1065 | 244 |
23 |
28 |
9 |
12 |
19 |
20 |
29 |
11 |
7 |
15 |
41 |
30 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
912 | 244 |
25 |
23 |
8 |
19 |
19 |
26 |
27 |
12 |
8 |
17 |
27 |
33 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Почему поэзия должна быть глуповата |
3403 | 243 |
20 |
32 |
13 |
14 |
9 |
19 |
25 |
15 |
12 |
21 |
36 |
27 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Компьютер и сексуальная революция писателя |
3067 | 243 |
19 |
30 |
8 |
16 |
17 |
19 |
31 |
10 |
12 |
21 |
32 |
28 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Базаров |
1199 | 243 |
18 |
35 |
13 |
18 |
18 |
20 |
21 |
12 |
10 |
13 |
34 |
31 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
4 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Автопортрет, оксюморон |
991 | 243 |
19 |
35 |
7 |
16 |
21 |
20 |
21 |
14 |
14 |
12 |
34 |
30 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Незабудки |
456 | 243 |
20 |
30 |
4 |
13 |
9 |
25 |
24 |
14 |
9 |
18 |
44 |
33 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Монтажная композиция |
785 | 242 |
19 |
33 |
8 |
18 |
17 |
18 |
28 |
17 |
11 |
20 |
31 |
22 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
4 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Письмо Татьяны. Общие места - романтизмы |
890 | 242 |
17 |
41 |
10 |
13 |
9 |
20 |
22 |
10 |
13 |
21 |
37 |
29 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
5 |
0 |
3 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Велика ли дань Пушкина мифологии |
3419 | 242 |
20 |
32 |
11 |
22 |
18 |
17 |
26 |
8 |
9 |
19 |
27 |
33 |
0 |
0 |
0 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Можно ли назвать Печорина фаталистом |
1055 | 242 |
19 |
31 |
12 |
19 |
13 |
27 |
28 |
12 |
7 |
18 |
27 |
29 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Суздаль |
2065 | 242 |
21 |
33 |
12 |
12 |
16 |
24 |
31 |
12 |
9 |
19 |
26 |
27 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
2 |
5 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
1092 | 242 |
18 |
30 |
12 |
23 |
10 |
29 |
24 |
11 |
5 |
22 |
28 |
30 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Андрей Болконский - Дон Кихот |
953 | 242 |
24 |
32 |
10 |
13 |
13 |
25 |
23 |
12 |
10 |
20 |
31 |
29 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
2 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
4 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Печорин как писатель |
1226 | 242 |
18 |
30 |
11 |
20 |
11 |
24 |
26 |
12 |
11 |
24 |
34 |
21 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Молодежь и общество потребления |
3954 | 242 |
18 |
36 |
12 |
17 |
15 |
17 |
24 |
11 |
10 |
22 |
25 |
35 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
|
Лирика |
3419 | 242 |
25 |
26 |
11 |
17 |
14 |
21 |
24 |
18 |
10 |
17 |
30 |
29 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Сальери как образец |
1418 | 241 |
21 |
30 |
9 |
17 |
12 |
27 |
22 |
12 |
13 |
22 |
34 |
22 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
4 |
1 |
1 |
5 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Совет- не любовь |
2861 | 241 |
16 |
29 |
15 |
10 |
18 |
27 |
22 |
13 |
12 |
20 |
26 |
33 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
3 |
4 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Отчуждение |
1421 | 240 |
20 |
35 |
13 |
11 |
11 |
19 |
21 |
9 |
10 |
30 |
32 |
29 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
4 |
1 |
1 |
5 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
+7 |
2422 | 240 |
23 |
35 |
9 |
19 |
16 |
18 |
23 |
9 |
14 |
20 |
27 |
27 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
5 |
5 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2406 | 240 |
21 |
31 |
14 |
11 |
23 |
20 |
29 |
12 |
8 |
18 |
29 |
24 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Технические болезни Стихиры |
2802 | 240 |
22 |
29 |
13 |
11 |
16 |
22 |
19 |
13 |
15 |
23 |
26 |
31 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
|
В поисках смысла сетевой литературы |
2940 | 240 |
21 |
35 |
13 |
12 |
20 |
23 |
20 |
9 |
13 |
18 |
26 |
30 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
4 |
4 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
|
"Хлыстовская богородица" Маяковского |
1575 | 239 |
17 |
28 |
11 |
13 |
14 |
27 |
28 |
9 |
12 |
21 |
32 |
27 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Удача и капуста |
2646 | 239 |
25 |
30 |
12 |
12 |
23 |
22 |
22 |
11 |
7 |
20 |
27 |
28 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
4 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Доказательство несовершенства Бога |
2865 | 239 |
21 |
26 |
10 |
13 |
22 |
26 |
23 |
9 |
8 |
21 |
35 |
25 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
5 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Образы русской природы в лирике Рубцова |
911 | 239 |
20 |
37 |
5 |
13 |
14 |
24 |
24 |
9 |
10 |
21 |
31 |
31 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
4 |
1 |
2 |
1 |
5 |
0 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Все по Салтыкову-Щедрину! |
4541 | 238 |
24 |
33 |
17 |
16 |
11 |
21 |
19 |
9 |
9 |
23 |
28 |
28 |
0 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Вирус абсурда в рамках боровской Дополнительности |
2356 | 238 |
25 |
26 |
8 |
14 |
16 |
21 |
19 |
14 |
14 |
23 |
31 |
27 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Честь как главная жизненная ценность у Достоевского |
813 | 238 |
17 |
36 |
15 |
9 |
13 |
19 |
21 |
11 |
9 |
17 |
43 |
28 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
5 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Реминисценция |
783 | 238 |
24 |
29 |
13 |
13 |
16 |
18 |
22 |
11 |
7 |
22 |
37 |
26 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Паломничество убогой |
2975 | 238 |
26 |
30 |
8 |
12 |
10 |
23 |
22 |
7 |
10 |
19 |
38 |
33 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
6 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Дан прислал |
1177 | 237 |
19 |
33 |
10 |
14 |
13 |
21 |
24 |
13 |
13 |
13 |
34 |
30 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
5 |
2 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1890 | 237 |
21 |
31 |
14 |
16 |
10 |
22 |
19 |
13 |
8 |
18 |
30 |
35 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
3 |
2 |
0 |
4 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Буддистский колобок |
3018 | 237 |
18 |
34 |
11 |
16 |
14 |
18 |
21 |
12 |
10 |
23 |
32 |
28 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Кто в окошке. Сказочные звери |
4060 | 236 |
17 |
32 |
12 |
10 |
13 |
18 |
26 |
11 |
8 |
16 |
39 |
34 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
4 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
О романе "Обратная Перспектива А.Столярова |
1635 | 236 |
22 |
32 |
11 |
14 |
9 |
24 |
25 |
9 |
9 |
18 |
30 |
33 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Деление на невозможность |
2295 | 236 |
26 |
34 |
7 |
13 |
15 |
18 |
18 |
9 |
6 |
26 |
33 |
31 |
0 |
3 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
5 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Галич и Мандельштам вокруг образа вождя |
729 | 235 |
16 |
35 |
10 |
14 |
14 |
22 |
15 |
13 |
8 |
16 |
39 |
33 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Советы |
2620 | 235 |
21 |
31 |
12 |
12 |
14 |
21 |
19 |
10 |
11 |
20 |
39 |
25 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Что есть человек |
1509 | 235 |
18 |
38 |
11 |
15 |
18 |
20 |
17 |
8 |
8 |
19 |
32 |
31 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Рубцов и формальный метод |
2831 | 235 |
16 |
32 |
7 |
10 |
16 |
23 |
23 |
10 |
8 |
18 |
41 |
31 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
4 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Чужая сказка |
2729 | 234 |
21 |
34 |
14 |
14 |
12 |
18 |
22 |
11 |
9 |
13 |
38 |
28 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1855 | 234 |
22 |
26 |
14 |
14 |
16 |
22 |
23 |
12 |
10 |
16 |
33 |
26 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Старость |
2522 | 234 |
23 |
28 |
10 |
10 |
23 |
19 |
17 |
16 |
6 |
15 |
35 |
32 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
5 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
|
Менеджеры и профессионалы |
2472 | 234 |
19 |
36 |
14 |
15 |
13 |
24 |
25 |
10 |
5 |
20 |
27 |
26 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
4 |
2 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Автометафора в стихотворении "Собачьи Нежности" Р.Красновского |
233 | 233 |
24 |
29 |
9 |
16 |
12 |
27 |
23 |
13 |
8 |
72 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Инструкция создателям искусственного разума |
3300 | 233 |
21 |
32 |
7 |
18 |
16 |
21 |
18 |
13 |
9 |
14 |
34 |
30 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Иллич или упадок марксизма |
1016 | 228 |
17 |
32 |
13 |
17 |
14 |
18 |
23 |
11 |
12 |
19 |
27 |
25 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
748 | 228 |
21 |
26 |
11 |
18 |
13 |
23 |
19 |
7 |
9 |
20 |
34 |
27 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Необходимое или цель - искусство? |
934 | 228 |
21 |
35 |
12 |
12 |
7 |
14 |
23 |
9 |
12 |
15 |
35 |
33 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
5 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
"Шиповник цветет" - не сжигай |
894 | 227 |
16 |
28 |
10 |
10 |
9 |
21 |
21 |
9 |
6 |
26 |
32 |
39 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Хельга Ольшванг в новом веке |
1099 | 227 |
23 |
32 |
14 |
13 |
19 |
16 |
19 |
10 |
9 |
23 |
26 |
23 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
3 |
3 |
1 |
3 |
0 |
4 |
1 |
1 |
0 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
707 | 227 |
15 |
31 |
13 |
12 |
9 |
30 |
24 |
5 |
7 |
22 |
41 |
18 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Онегин - лицеист? |
902 | 227 |
15 |
31 |
10 |
17 |
11 |
21 |
25 |
12 |
6 |
19 |
35 |
25 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
"Толстый и тонкий" - Сатира или модель государства? |
227 | 227 |
25 |
37 |
10 |
22 |
15 |
21 |
24 |
17 |
56 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
4 |
1 |
4 |
0 |
2 |
1 |
3 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Смех без причины |
2855 | 226 |
19 |
33 |
13 |
10 |
13 |
19 |
20 |
16 |
12 |
16 |
34 |
21 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
6 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Лермонтова. Система отражений |
773 | 226 |
21 |
27 |
8 |
19 |
3 |
24 |
22 |
11 |
9 |
21 |
31 |
30 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Я начинаю обретать себя |
2621 | 226 |
22 |
27 |
10 |
14 |
16 |
18 |
18 |
14 |
8 |
17 |
30 |
32 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
3 |
2 |
1 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Пушкинский пленник |
896 | 226 |
21 |
28 |
10 |
14 |
10 |
20 |
27 |
10 |
8 |
20 |
31 |
27 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Ангел в круге десятом |
998 | 226 |
19 |
25 |
11 |
16 |
15 |
27 |
20 |
12 |
12 |
13 |
29 |
27 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
"Сретенье " Бродского как трансляция |
770 | 226 |
24 |
31 |
9 |
13 |
12 |
22 |
23 |
9 |
10 |
18 |
28 |
27 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
3 |
0 |
3 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
О Мастере и деле врачей |
1345 | 226 |
20 |
28 |
8 |
11 |
10 |
20 |
23 |
16 |
11 |
14 |
40 |
25 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Теософия и поэзия |
1266 | 225 |
22 |
27 |
7 |
17 |
7 |
25 |
25 |
13 |
13 |
22 |
24 |
23 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
975 | 225 |
25 |
25 |
10 |
17 |
10 |
19 |
25 |
10 |
5 |
23 |
25 |
31 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Сексуальность Гоголя |
958 | 225 |
19 |
27 |
13 |
16 |
10 |
29 |
24 |
9 |
3 |
18 |
28 |
29 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3256 | 225 |
23 |
21 |
15 |
15 |
13 |
23 |
24 |
13 |
9 |
13 |
35 |
21 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
5 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Ирония и автоирония |
710 | 224 |
19 |
29 |
8 |
10 |
14 |
21 |
23 |
13 |
6 |
17 |
34 |
30 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Пушкину миллиарды лет |
1121 | 224 |
20 |
30 |
9 |
9 |
14 |
18 |
27 |
9 |
10 |
20 |
34 |
24 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
3 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
О времени |
1385 | 224 |
17 |
33 |
8 |
11 |
6 |
20 |
25 |
13 |
7 |
24 |
28 |
32 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1443 | 224 |
18 |
30 |
9 |
15 |
9 |
20 |
26 |
13 |
8 |
16 |
29 |
31 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Заголовок |
612 | 224 |
26 |
32 |
7 |
12 |
15 |
20 |
19 |
10 |
9 |
16 |
27 |
31 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
8 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
5 |
0 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Убийственная преданность. Введение в чтение Пушкина |
934 | 224 |
17 |
28 |
12 |
9 |
7 |
21 |
21 |
19 |
11 |
24 |
25 |
30 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Долой ыгэ! |
851 | 223 |
18 |
34 |
13 |
15 |
13 |
21 |
18 |
13 |
10 |
15 |
22 |
31 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
4 |
2 |
0 |
4 |
0 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1567 | 223 |
23 |
31 |
12 |
13 |
13 |
22 |
27 |
10 |
6 |
15 |
23 |
28 |
0 |
1 |
3 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Категории добра и зла |
651 | 222 |
19 |
33 |
8 |
14 |
17 |
22 |
22 |
14 |
11 |
18 |
19 |
25 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Хлестаков и Печорин |
1562 | 222 |
21 |
22 |
13 |
13 |
11 |
20 |
22 |
6 |
9 |
21 |
32 |
32 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Костенька |
306 | 222 |
15 |
32 |
5 |
17 |
7 |
18 |
23 |
14 |
8 |
19 |
39 |
25 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
4 |
2 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Государство Платона и Акунина |
1139 | 222 |
25 |
23 |
13 |
16 |
14 |
19 |
24 |
6 |
4 |
18 |
32 |
28 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Онтологическое обоснование гения эпохи |
1445 | 222 |
21 |
28 |
12 |
16 |
9 |
20 |
20 |
12 |
14 |
19 |
22 |
29 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
То было двух бесов изображенье |
733 | 221 |
18 |
34 |
10 |
15 |
11 |
19 |
21 |
11 |
5 |
23 |
29 |
25 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Джулиан Барнс в защиту критики |
2879 | 221 |
25 |
25 |
12 |
11 |
18 |
17 |
29 |
9 |
9 |
14 |
25 |
27 |
0 |
0 |
0 |
4 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
О курсе реформ и курсе литературы |
1213 | 221 |
23 |
27 |
9 |
16 |
7 |
17 |
17 |
10 |
9 |
18 |
34 |
34 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Лампа Мафусаила |
1844 | 221 |
20 |
26 |
8 |
13 |
16 |
23 |
18 |
12 |
7 |
16 |
35 |
27 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Детство после взросления |
1283 | 221 |
15 |
31 |
13 |
16 |
9 |
21 |
30 |
9 |
7 |
18 |
27 |
25 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
|
"Коршун" Тютчева - материализм и идеализм |
893 | 221 |
17 |
30 |
12 |
12 |
8 |
24 |
23 |
8 |
8 |
17 |
32 |
30 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Невозможность гения эпохи |
789 | 221 |
17 |
30 |
12 |
12 |
9 |
18 |
18 |
13 |
13 |
19 |
31 |
29 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1653 | 220 |
17 |
29 |
12 |
12 |
7 |
18 |
19 |
11 |
7 |
22 |
35 |
31 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
718 | 220 |
15 |
29 |
9 |
13 |
12 |
23 |
24 |
14 |
7 |
20 |
29 |
25 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Эпилог |
600 | 220 |
18 |
29 |
10 |
14 |
10 |
22 |
28 |
10 |
4 |
17 |
31 |
27 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Белая ворона |
2574 | 220 |
18 |
33 |
8 |
12 |
23 |
17 |
17 |
11 |
10 |
12 |
30 |
29 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
2 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Модель романа-эпопеи |
1179 | 220 |
19 |
25 |
11 |
11 |
8 |
25 |
24 |
12 |
8 |
15 |
33 |
29 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Экфрасис "Мертвых душ" |
633 | 220 |
21 |
30 |
16 |
11 |
10 |
20 |
22 |
10 |
8 |
17 |
33 |
22 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
4 |
5 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Достоевский и риторические вопросы (диатриба) |
866 | 219 |
21 |
28 |
9 |
14 |
14 |
21 |
24 |
10 |
6 |
17 |
27 |
28 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
2 |
4 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Литературные пейзажи Толстого |
1435 | 219 |
24 |
30 |
12 |
12 |
15 |
26 |
28 |
9 |
8 |
11 |
22 |
22 |
0 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
|
По поводу некоторых неточностей Евгения Клюева |
2612 | 219 |
18 |
28 |
8 |
12 |
12 |
21 |
25 |
12 |
6 |
21 |
29 |
27 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
6 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Поэтика абсурда при свете совести |
2984 | 219 |
20 |
27 |
11 |
11 |
15 |
21 |
22 |
8 |
9 |
15 |
32 |
28 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
|
О Бродском - Имперский поэт? |
1066 | 219 |
18 |
24 |
14 |
13 |
13 |
20 |
21 |
10 |
8 |
18 |
31 |
29 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Легенда о великом инквизиторе |
1268 | 218 |
15 |
33 |
11 |
11 |
9 |
19 |
22 |
12 |
13 |
16 |
31 |
26 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
6 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Крочечка Хаврошечка |
956 | 218 |
23 |
40 |
9 |
9 |
16 |
20 |
21 |
7 |
7 |
12 |
25 |
29 |
0 |
1 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
4 |
4 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Проблематика произведений. Богатство и бедность |
796 | 217 |
21 |
35 |
8 |
18 |
5 |
24 |
18 |
8 |
9 |
19 |
25 |
27 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
4 |
2 |
1 |
4 |
2 |
3 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Встреча этики с эстетикой в рамках поэтики абсурда |
2586 | 217 |
19 |
27 |
11 |
16 |
23 |
21 |
23 |
14 |
7 |
11 |
24 |
21 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Блок и его мэоническая легенда |
940 | 217 |
24 |
27 |
11 |
12 |
9 |
17 |
24 |
11 |
9 |
13 |
35 |
25 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
6 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
Литературоведение, рабство и пенсионная реформа |
1275 | 217 |
20 |
23 |
10 |
12 |
9 |
22 |
19 |
9 |
7 |
19 |
33 |
34 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Исход |
2389 | 216 |
19 |
35 |
9 |
12 |
9 |
21 |
24 |
11 |
10 |
10 |
32 |
24 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
О чем умолчал в своем докладе доктор Борменталь |
881 | 216 |
20 |
30 |
9 |
12 |
10 |
26 |
27 |
6 |
8 |
15 |
28 |
25 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
4 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Пространство в живописи текста у Гоголя |
959 | 216 |
18 |
35 |
8 |
17 |
13 |
18 |
19 |
9 |
7 |
21 |
24 |
27 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
4 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Бы да кабы |
1054 | 216 |
20 |
36 |
5 |
14 |
6 |
17 |
18 |
13 |
12 |
18 |
27 |
30 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
2 |
4 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
Ведение в чтение Гоголя |
1095 | 216 |
22 |
32 |
13 |
9 |
8 |
23 |
21 |
7 |
6 |
19 |
30 |
26 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
"Добрый Филя" и проекция собеседника |
945 | 216 |
17 |
31 |
8 |
13 |
7 |
22 |
21 |
10 |
8 |
20 |
30 |
29 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Миф о времени |
2611 | 215 |
16 |
33 |
8 |
11 |
12 |
21 |
21 |
15 |
9 |
14 |
28 |
27 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
6 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Бог как конечное воплощение жажды славы |
2327 | 215 |
24 |
27 |
13 |
10 |
12 |
24 |
21 |
8 |
5 |
15 |
30 |
26 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Литературоведение - наука или "Humanities and Arts"... |
2656 | 215 |
17 |
37 |
11 |
15 |
13 |
18 |
21 |
8 |
8 |
14 |
26 |
27 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
1 |
5 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Золото партии |
2127 | 215 |
23 |
28 |
12 |
9 |
11 |
21 |
17 |
10 |
9 |
20 |
29 |
26 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
815 | 214 |
22 |
23 |
8 |
16 |
9 |
20 |
21 |
16 |
10 |
18 |
26 |
25 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
|
Миф о числах |
2791 | 214 |
22 |
24 |
8 |
9 |
17 |
17 |
22 |
10 |
12 |
14 |
29 |
30 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Популярные стили в изображении Гоголя |
624 | 213 |
17 |
32 |
7 |
12 |
12 |
16 |
24 |
11 |
14 |
18 |
26 |
24 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Форма абсолютной сути созидаемого |
1021 | 212 |
18 |
25 |
10 |
12 |
13 |
22 |
22 |
7 |
10 |
15 |
28 |
30 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Проклятые вопросы в |
662 | 212 |
19 |
34 |
10 |
12 |
10 |
21 |
23 |
10 |
6 |
18 |
29 |
20 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Был ли влюблен Иван Васильевич в Вареньку? |
774 | 212 |
16 |
32 |
13 |
12 |
9 |
22 |
21 |
8 |
6 |
14 |
38 |
21 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
5 |
1 |
1 |
2 |
2 |
0 |
0 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Ноосфера |
821 | 212 |
15 |
27 |
11 |
13 |
13 |
15 |
17 |
11 |
7 |
14 |
32 |
37 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Возможен ли герой нашего времени? |
825 | 211 |
18 |
27 |
11 |
16 |
11 |
19 |
23 |
8 |
8 |
17 |
30 |
23 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
5 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
|
Дурное общество |
1174 | 211 |
20 |
31 |
7 |
13 |
11 |
17 |
25 |
12 |
4 |
15 |
25 |
31 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Становление гения |
2641 | 211 |
22 |
24 |
14 |
9 |
14 |
16 |
23 |
8 |
11 |
12 |
36 |
22 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Конек-горбунок |
1192 | 211 |
15 |
21 |
9 |
18 |
8 |
26 |
24 |
16 |
8 |
13 |
23 |
30 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
"Детство" и уход из Ясной поляны |
599 | 210 |
17 |
36 |
9 |
9 |
16 |
23 |
25 |
9 |
6 |
13 |
21 |
26 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
4 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Отчуждение. стадия Ад |
1464 | 210 |
18 |
30 |
12 |
14 |
9 |
18 |
20 |
11 |
6 |
12 |
31 |
29 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Обломов и реализм |
837 | 209 |
16 |
26 |
9 |
12 |
13 |
23 |
24 |
10 |
7 |
17 |
24 |
28 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
4 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |