| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
По разделу |
717231 | 1869 |
24 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
130 |
105 |
103 |
1 |
4 |
4 |
4 |
4 |
4 |
3 |
5 |
4 |
4 |
4 |
3 |
4 |
5 |
5 |
9 |
5 |
4 |
4 |
5 |
4 |
5 |
4 |
2 |
4 |
3 |
4 |
4 |
4 |
6 |
4 |
3 |
5 |
3 |
4 |
6 |
3 |
4 |
3 |
4 |
4 |
6 |
4 |
5 |
20 |
4 |
4 |
8 |
5 |
6 |
5 |
7 |
5 |
6 |
5 |
6 |
7 |
7 |
8 |
8 |
8 |
8 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2880 | 1185 |
12 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
90 |
42 |
48 |
0 |
3 |
4 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
4 |
0 |
4 |
1 |
2 |
1 |
1 |
4 |
3 |
2 |
2 |
2 |
2 |
0 |
4 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
5 |
1 |
3 |
2 |
4 |
2 |
6 |
2 |
2 |
2 |
0 |
3 |
1 |
1 |
4 |
0 |
3 |
4 |
6 |
5 |
2 |
2 |
2 |
3 |
5 |
3 |
4 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29377 | 1143 |
8 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
67 |
70 |
73 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
5 |
4 |
3 |
3 |
2 |
2 |
5 |
2 |
9 |
1 |
2 |
4 |
3 |
2 |
1 |
4 |
2 |
3 |
2 |
1 |
4 |
2 |
6 |
2 |
0 |
5 |
2 |
2 |
5 |
1 |
4 |
2 |
1 |
4 |
3 |
4 |
1 |
7 |
3 |
4 |
5 |
1 |
5 |
4 |
6 |
3 |
5 |
3 |
4 |
3 |
6 |
0 |
6 |
4 |
4 |
Метод приведения к абсурду в школьной классике |
1775 | 549 |
8 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
38 |
21 |
33 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
5 |
20 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
0 |
5 |
3 |
2 |
2 |
Поэтика абсурда. Часть 1 |
2938 | 548 |
11 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
40 |
24 |
19 |
0 |
3 |
1 |
2 |
2 |
2 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
3 |
5 |
2 |
2 |
1 |
3 |
5 |
4 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
4 |
0 |
2 |
3 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
4 |
1 |
2 |
3 |
1 |
5 |
1 |
3 |
4 |
5 |
2 |
1 |
4 |
7 |
3 |
В чем философский смысл фильма "Остров проклятых" |
1037 | 488 |
4 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
30 |
19 |
22 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
5 |
1 |
0 |
3 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
3 |
4 |
5 |
2 |
1 |
4 |
4 |
0 |
1 |
1 |
7 |
1 |
4 |
2 |
2 |
0 |
2 |
1 |
1 |
4 |
4 |
Гипербола и Гиперборея Маяковского |
952 | 461 |
5 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
32 |
25 |
27 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
5 |
0 |
2 |
0 |
3 |
2 |
3 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
2 |
3 |
Мертвые души: хозяйственная бесхозяйственность |
2082 | 447 |
9 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
26 |
28 |
19 |
0 |
4 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
4 |
1 |
3 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
5 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
Внутренний монолог |
918 | 422 |
9 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
28 |
25 |
25 |
0 |
0 |
2 |
4 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
3 |
3 |
3 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
4 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
3 |
Интерьер в "Капитанской дочке" |
1340 | 372 |
1 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
51 |
39 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
Печорин и декабристы - бесславие героев времени |
1319 | 372 |
6 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
26 |
16 |
12 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
4 |
3 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5780 | 351 |
4 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
18 |
17 |
12 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
8 |
5 |
6 |
5 |
1 |
1 |
0 |
4 |
4 |
4 |
4 |
2 |
1 |
1 |
3 |
Автобиографизм и автопсихологизм |
689 | 340 |
9 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
23 |
11 |
9 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
4 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
3 |
1 |
1 |
3 |
0 |
1 |
Полифония Блока |
1443 | 326 |
3 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
31 |
23 |
13 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
5 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2829 | 325 |
4 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
24 |
15 |
5 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
5 |
6 |
7 |
7 |
8 |
8 |
8 |
8 |
Дуэль Онегина и Ленского |
1221 | 314 |
4 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
19 |
21 |
10 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
Кто убил старуху процентщицу? |
1993 | 314 |
5 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
31 |
16 |
22 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
3 |
Михаил Гарцев. История внутри нас |
4405 | 308 |
5 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
24 |
18 |
10 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
5 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
Антитеза |
498 | 305 |
1 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
27 |
12 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
Смертная казнь как эротика государственного самоубийства |
7551 | 300 |
5 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
14 |
23 |
13 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Елена Чудинова. Мечеть Парижской Богоматери |
11701 | 297 |
5 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
23 |
34 |
15 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
0 |
1 |
1 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
879 | 292 |
0 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
28 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
1 |
4 |
1 |
3 |
1 |
3 |
3 |
2 |
Шукшин ли "Хозяин бани и огорода"? |
1970 | 291 |
0 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
21 |
12 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
Можно ли назвать Печорина фаталистом |
741 | 278 |
4 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
16 |
14 |
10 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
Энтропия.net |
6042 | 278 |
4 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
26 |
18 |
17 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
Я играю вместе с мамой |
9616 | 270 |
3 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
24 |
20 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
План анализа стихотворения |
527 | 267 |
3 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
25 |
21 |
20 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
Образ России в арт-среде Интернета |
2537 | 267 |
2 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
19 |
16 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
"История Рода Толстых - история России". Фоторепортаж |
5574 | 256 |
1 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
26 |
22 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
Древесная лирика Хельги Ольшванг |
3666 | 246 |
3 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
13 |
17 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
Кот Васька в своей квартире |
7798 | 245 |
3 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
31 |
11 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
Замятин "Мы". Конспект урока |
881 | 242 |
4 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
20 |
13 |
7 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
884 | 240 |
2 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
25 |
7 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
Сказка о гейзере на Стихире |
2917 | 236 |
3 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
27 |
9 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
Три пальмы |
1206 | 234 |
3 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
20 |
30 |
23 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
Каждый знает |
6625 | 230 |
4 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
22 |
8 |
7 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
3 |
Ведение в чтение Гоголя |
1050 | 230 |
3 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
31 |
11 |
9 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
5 |
1 |
Что на небе |
8029 | 229 |
7 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
20 |
11 |
8 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Пестрый дятел |
4596 | 229 |
6 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
19 |
11 |
12 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
Медвежонок |
8924 | 228 |
2 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
17 |
17 |
8 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Поэтика абсурда Маяковского |
1458 | 227 |
3 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
15 |
17 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
Кто как кричит |
4429 | 227 |
5 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
19 |
13 |
8 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Комментариии к статье А.Виноградова о сетевой литературе |
3957 | 225 |
4 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
23 |
16 |
9 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
Маяковский и его философия |
1355 | 225 |
5 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
17 |
17 |
9 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
Волчонок |
4140 | 224 |
6 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
25 |
11 |
9 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5608 | 223 |
3 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
19 |
11 |
9 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
1 |
0 |
1 |
3 |
Ослик |
8296 | 223 |
7 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
18 |
17 |
14 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
К вопросу о Фрейде и православии |
3034 | 223 |
3 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
25 |
14 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
Александр Кушнер. Аполлон в траве |
4513 | 222 |
3 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
23 |
9 |
10 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
2 |
Карнавал и декарнавализация |
4049 | 221 |
2 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
15 |
15 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
Сюжет: событие, действие, мотив |
460 | 221 |
1 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
25 |
16 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Ирония и автоирония |
409 | 220 |
2 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
21 |
7 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
Психология - наука рабов |
6687 | 218 |
5 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
15 |
15 |
8 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
Достоевский и конец истории |
3432 | 218 |
2 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
19 |
9 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
Поэтика абсурда и образ Святой Земли |
3453 | 218 |
2 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
22 |
9 |
7 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
Язык и генетика |
4423 | 217 |
4 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
21 |
12 |
9 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
834 | 216 |
2 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
15 |
7 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
768 | 216 |
4 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
19 |
8 |
6 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
Михаил Гарцев и сетевое письмо |
4429 | 215 |
5 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
16 |
14 |
6 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
Почему поэзия должна быть глуповата |
3074 | 215 |
4 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
25 |
8 |
7 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Натюрморт (Гоголь, Бродский, Есенин) |
839 | 215 |
4 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
16 |
9 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
Островский о романтической ипостаси русской литературы |
1154 | 213 |
4 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
16 |
9 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
Потомки "Метрополя" |
5739 | 212 |
5 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
18 |
12 |
6 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1536 | 212 |
3 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
23 |
7 |
6 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
Про что поэзия Барто? - да все про то! |
5760 | 212 |
3 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
19 |
8 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
Фотомастерская Вадима Месяца |
2871 | 212 |
2 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
25 |
17 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
В защиту массовой литературы |
5566 | 211 |
5 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
23 |
8 |
7 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
Об одном фильме |
1306 | 211 |
3 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
20 |
12 |
8 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
Юрий Поляков. Грибной царь |
3573 | 211 |
5 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
16 |
14 |
12 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
Учимся мыслить логически |
3619 | 210 |
4 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
23 |
11 |
7 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
Самосознание сетевой литературы |
3921 | 209 |
1 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
11 |
19 |
14 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
О любви к правителям и поэтам |
1137 | 209 |
6 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
25 |
10 |
10 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
2 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
Зеркало |
2843 | 209 |
3 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
19 |
9 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Гегельянство в России |
1009 | 208 |
2 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
22 |
7 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
В поисках смысла сетевой литературы |
2618 | 207 |
5 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
21 |
10 |
7 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
Пушкинские и лермонтовские мотивы у Некрасова |
754 | 206 |
3 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
20 |
8 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
Автопортрет, оксюморон |
672 | 206 |
2 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
22 |
5 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Информация о владельце раздела |
3242 | 206 |
4 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
18 |
8 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
Пейзаж в поэме Лермонтова |
710 | 206 |
2 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
20 |
8 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3232 | 205 |
2 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
22 |
9 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Эмоции |
993 | 205 |
2 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
22 |
3 |
8 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
Вирус абсурда в истории человеческой культуры |
2248 | 204 |
2 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
19 |
7 |
9 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
675 | 204 |
3 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
19 |
13 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
О "Медном всаднике" |
1051 | 202 |
1 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
22 |
15 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
Ботинок |
3956 | 202 |
8 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
28 |
9 |
8 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
Анализ прозы |
418 | 202 |
2 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
18 |
22 |
18 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Памятник Румянцеву в "Капитанской дочке" |
742 | 201 |
1 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
15 |
17 |
14 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
Избранница народного слова |
2362 | 200 |
4 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
20 |
8 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
Пьер и Андрей |
1112 | 200 |
4 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
21 |
8 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
2 |
Кирилл Юрьевич отбывает в Канаду |
3071 | 199 |
4 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
21 |
11 |
5 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
Стихи для детей |
5383 | 199 |
2 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
18 |
9 |
10 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1360 | 198 |
2 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
14 |
22 |
6 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Реминисценция |
485 | 198 |
2 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
13 |
19 |
12 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Anti-Dan |
3156 | 198 |
1 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
17 |
19 |
9 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
Почему в Прибалтике не проходит русский бунт |
2525 | 198 |
4 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
16 |
5 |
6 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
Евгений Водолазкин и поэтика абсурда |
1143 | 198 |
2 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
16 |
9 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
Алексиевич. Чернобыль |
1054 | 197 |
5 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
16 |
10 |
5 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1583 | 197 |
4 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
17 |
19 |
6 |
8 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
Поэтика абсурда при свете совести |
2687 | 197 |
2 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
18 |
7 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
Воспитание гениев |
921 | 196 |
2 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
12 |
24 |
8 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
С кем я познакомилась на Си |
3394 | 196 |
3 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
26 |
17 |
7 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4026 | 196 |
8 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
19 |
14 |
7 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Символизм |
413 | 196 |
3 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
12 |
20 |
12 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
590 | 196 |
3 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
18 |
8 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
Какой плод у дерева |
2962 | 195 |
4 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
16 |
9 |
6 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
Дискуссия о гениальности, Достоевском и социальном запросе |
987 | 195 |
4 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
23 |
9 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
Самоубийство разума |
3030 | 195 |
6 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
21 |
10 |
6 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
3 |
То было двух бесов изображенье |
447 | 194 |
1 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
18 |
16 |
10 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
536 | 194 |
4 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
14 |
10 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
Достоевский как оптимальная точка видения |
2907 | 194 |
7 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
21 |
8 |
8 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
Снова по поводу "Тихого Дона" |
1078 | 194 |
1 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
19 |
6 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
0 |
Рифма к городу |
3470 | 194 |
4 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
18 |
11 |
8 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Абсурдизм |
3644 | 194 |
3 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
15 |
13 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
Автометафора |
570 | 194 |
2 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
14 |
7 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
582 | 194 |
2 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
15 |
10 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1542 | 194 |
1 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
14 |
8 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
Буддистский колобок |
2698 | 194 |
2 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
20 |
7 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
Вмешиваясь в разговор с богом |
3254 | 193 |
3 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
14 |
15 |
11 |
10 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
Возвращение |
3249 | 193 |
2 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
18 |
10 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Сон как нонсенс в "Войне и мире" |
551 | 192 |
4 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
18 |
6 |
8 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Интервью с Игорем Панариным |
2459 | 192 |
3 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
15 |
4 |
6 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
984 | 192 |
3 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
14 |
10 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
Липки |
2732 | 192 |
2 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
21 |
10 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
Трагический герой |
456 | 192 |
1 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
15 |
18 |
7 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
Что в имени мне твоем |
2897 | 191 |
1 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
15 |
20 |
10 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Ницше, ценности и Гегель |
3023 | 190 |
2 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
17 |
5 |
9 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
Монтажная композиция |
468 | 189 |
2 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
23 |
22 |
14 |
7 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
Пространство в живописи текста у Гоголя |
679 | 188 |
2 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
20 |
14 |
7 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
Манифест |
2570 | 188 |
3 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
15 |
18 |
8 |
7 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
Горе от ума или ум от горя. Перевертыши |
797 | 188 |
5 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
15 |
16 |
6 |
8 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
442 | 188 |
3 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
17 |
22 |
8 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
Образы русской природы в лирике Рубцова |
591 | 188 |
1 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
19 |
17 |
7 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
Молчание - литературная преемственность |
633 | 188 |
5 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
11 |
15 |
4 |
6 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
"Коршун" Тютчева - материализм и идеализм |
585 | 188 |
2 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
18 |
9 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
Двуединство добра |
2749 | 187 |
1 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
11 |
21 |
6 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
Ведьмостиший больше не будет |
2918 | 187 |
3 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
17 |
8 |
5 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
Введение в чтение Гоголя. Хлестаков |
587 | 187 |
2 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
19 |
13 |
7 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
Иду, а к ногам моим падает вдруг кипятильник |
2298 | 187 |
3 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
16 |
9 |
6 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
2 |
Галич и Мандельштам вокруг образа вождя |
408 | 186 |
2 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
17 |
8 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
Маркетинг науки, или Научный маркетинг |
2963 | 186 |
6 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
19 |
13 |
5 |
5 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Сальери как образец |
1119 | 186 |
1 |
17 |
16 |
10 |
25 |
19 |
13 |
27 |
17 |
20 |
13 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
Кто в окошке. Сказочные звери |
3748 | 185 |
6 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
21 |
11 |
4 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
630 | 185 |
1 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
28 |
5 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
Ферапонтово. Коллекция |
1911 | 185 |
4 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
22 |
5 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
Вот и обсудили! |
2572 | 185 |
2 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
14 |
17 |
13 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
Андрей Болконский - Дон Кихот |
625 | 185 |
4 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
13 |
7 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
Демократия как искусство для искусства |
2762 | 185 |
5 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
20 |
3 |
8 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
Проклятое место, проклятые вопросы |
3060 | 185 |
2 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
8 |
20 |
9 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
838 | 185 |
2 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
15 |
6 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
521 | 184 |
6 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
10 |
5 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
Лисенок в курятнике Стихи.ру |
5937 | 184 |
6 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
14 |
14 |
9 |
7 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
Лирика |
3100 | 184 |
6 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
24 |
16 |
8 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
Художник у Христа за пазухой |
2607 | 183 |
2 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
19 |
8 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
Утенок |
4470 | 183 |
4 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
18 |
8 |
6 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Ушки, ножки, рожки |
6420 | 182 |
4 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
10 |
15 |
7 |
6 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
Достоевский и риторические вопросы (диатриба) |
572 | 182 |
4 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
18 |
17 |
5 |
8 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
Чужая сказка |
2420 | 182 |
2 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
15 |
6 |
6 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
Этапы эволюции вируса абсурда в России |
3217 | 182 |
2 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
18 |
17 |
8 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Бунт против Гегеля |
3104 | 182 |
4 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
6 |
15 |
6 |
5 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
Письмо Ольги Пушкину |
1115 | 181 |
1 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
15 |
21 |
9 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Компьютер и сексуальная революция писателя |
2759 | 176 |
2 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
11 |
20 |
9 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
По поводу некоторых неточностей Евгения Клюева |
2309 | 176 |
1 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
18 |
6 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
Чудачество и донкихотство. Шукшин и Сервантес |
1304 | 176 |
1 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
18 |
9 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1275 | 176 |
3 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
13 |
15 |
11 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
Нам много миллионов лет. Каждому |
791 | 175 |
5 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
18 |
5 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
Джулиан Барнс в защиту критики |
2582 | 175 |
1 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
10 |
14 |
8 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
402 | 175 |
2 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
16 |
14 |
7 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
Байрон - предтеча русского реализма |
704 | 175 |
0 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
12 |
18 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
Клопы от Фейербаха |
3052 | 175 |
4 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
5 |
22 |
10 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Конек-горбунок |
918 | 174 |
2 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
16 |
16 |
9 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
Социальные болезни Стихи.ру |
6939 | 174 |
5 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
9 |
19 |
9 |
5 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Монтажная композиция |
381 | 174 |
1 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
20 |
16 |
4 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Все по Салтыкову-Щедрину! |
4223 | 174 |
2 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
7 |
20 |
7 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
Отчуждение |
1100 | 173 |
3 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
10 |
18 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
Модель романа-эпопеи |
885 | 173 |
1 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
13 |
7 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
Между прошлым и будущим |
563 | 173 |
4 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
16 |
11 |
6 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
Пушкин |
5944 | 173 |
5 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
15 |
15 |
9 |
6 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
Проклятые вопросы в |
383 | 172 |
2 |
20 |
15 |
12 |
21 |
17 |
18 |
26 |
16 |
15 |
6 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
Лампа Мафусаила |
1546 | 172 |
1 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
15 |
16 |
7 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
Сексуальность Гоголя |
658 | 172 |
5 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
14 |
19 |
7 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Методология работы критика над текстом |
2400 | 172 |
3 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
12 |
15 |
9 |
8 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
Лимерик |
2231 | 172 |
3 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
14 |
14 |
5 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
Заголовок |
320 | 172 |
3 |
10 |
16 |
14 |
20 |
22 |
19 |
28 |
15 |
15 |
6 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
О чем умолчал в своем докладе доктор Борменталь |
604 | 171 |
4 |
18 |
23 |
14 |
13 |
20 |
15 |
18 |
13 |
19 |
7 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
Национальность биографа |
2834 | 171 |
6 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
10 |
16 |
5 |
8 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Возвращение блудного Чацкого |
784 | 171 |
3 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
10 |
17 |
9 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
Ведение в чтение Гоголя |
798 | 171 |
2 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
16 |
7 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
Как в "Превращении" Кафки выражена идея торжества разума |
773 | 171 |
1 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
19 |
18 |
4 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
Смысл и убеждение |
2175 | 171 |
2 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
9 |
14 |
6 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
Был ли влюблен Иван Васильевич в Вареньку? |
500 | 171 |
1 |
12 |
18 |
16 |
22 |
14 |
16 |
21 |
19 |
16 |
9 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
Постновогодний синдром |
546 | 171 |
4 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
13 |
16 |
7 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
Страсть и поэзия |
1840 | 170 |
1 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
15 |
15 |
7 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
Дурное общество |
898 | 170 |
0 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
16 |
15 |
7 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
От финских хладных скал... |
3046 | 170 |
4 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
12 |
18 |
5 |
7 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
"Хлыстовская богородица" Маяковского |
1251 | 170 |
3 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
19 августа 1991 года |
2300 | 170 |
2 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
14 |
13 |
8 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
Популярные стили в изображении Гоголя |
347 | 170 |
1 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
14 |
13 |
5 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2314 | 170 |
3 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
17 |
5 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3343 | 169 |
6 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
10 |
19 |
5 |
7 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Государство и общество: свобода и необходимость |
4880 | 169 |
4 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
9 |
14 |
9 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Собрание обратных цитат о любви |
2904 | 169 |
4 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
15 |
15 |
7 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
Темное вещество, абсолютный дух и человеческая цивилизация |
873 | 169 |
3 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
18 |
8 |
5 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
Обломов и реализм |
557 | 169 |
2 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
19 |
4 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
Мастер и Маргарита. Кто написал притчу? |
1024 | 169 |
3 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
14 |
16 |
5 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
Где же новая поэзия |
2364 | 168 |
4 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
14 |
17 |
6 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Реформы Путина и моя им гегельянская поддержка |
2679 | 168 |
4 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
8 |
19 |
5 |
5 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
2 |
Монтаж у Гоголя и Алексиевич |
679 | 168 |
4 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
13 |
13 |
4 |
7 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Необходимое или цель - искусство? |
623 | 168 |
2 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
15 |
12 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
Киев старый и новый |
2232 | 167 |
2 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
10 |
20 |
6 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
О романе "Обратная Перспектива А.Столярова |
1314 | 167 |
4 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
11 |
16 |
6 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
Атрибуты беса |
3016 | 167 |
6 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
6 |
17 |
5 |
9 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
История одной столицы |
508 | 167 |
3 |
17 |
20 |
15 |
20 |
17 |
17 |
20 |
13 |
15 |
5 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
Доказательство несовершенства Бога |
2551 | 167 |
3 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
8 |
18 |
4 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Рубцов и формальный метод |
2526 | 167 |
3 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
12 |
7 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
Сила детской публицистики |
1297 | 167 |
1 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
11 |
17 |
6 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
Совенок |
3604 | 167 |
2 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
7 |
18 |
10 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
Как работает поэтика абсурда |
4350 | 167 |
3 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
16 |
10 |
12 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
Ноосфера |
539 | 167 |
1 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
10 |
12 |
6 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
Письмо Татьяны. Общие места - романтизмы |
578 | 166 |
4 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
17 |
18 |
7 |
6 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
Кто виноват и что делать? Проклятые вопросы в |
374 | 166 |
4 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
12 |
18 |
6 |
5 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Аллегория как эпитет |
1297 | 166 |
2 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
12 |
17 |
8 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Суздаль |
1757 | 166 |
4 |
22 |
15 |
12 |
13 |
19 |
18 |
20 |
15 |
16 |
7 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
Литературные пейзажи Толстого |
1162 | 166 |
0 |
10 |
13 |
15 |
27 |
16 |
21 |
21 |
18 |
12 |
5 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
Детство после взросления |
1003 | 166 |
2 |
14 |
19 |
16 |
22 |
12 |
15 |
25 |
14 |
17 |
6 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
424 | 166 |
3 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
17 |
12 |
4 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
Романтизм |
415 | 166 |
2 |
16 |
11 |
13 |
21 |
15 |
20 |
26 |
14 |
15 |
5 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Мысль изреченная |
2525 | 166 |
3 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
14 |
15 |
9 |
6 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Форум в контексте книги |
2972 | 166 |
3 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
14 |
17 |
6 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
Категории добра и зла |
354 | 165 |
4 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
11 |
17 |
8 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
773 | 165 |
2 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
13 |
20 |
7 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
"Добрый Филя" и проекция собеседника |
653 | 165 |
3 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
14 |
18 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
Введение в чтение Гоголя. Нос |
608 | 165 |
2 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
16 |
7 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
Литературоведение - наука или "Humanities and Arts"... |
2364 | 165 |
0 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
9 |
14 |
9 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
Искушение как психологический прием |
2789 | 165 |
1 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
15 |
10 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
Крочечка Хаврошечка |
655 | 164 |
3 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
12 |
17 |
8 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
Премия "Поэзия" что хотят жюри |
1298 | 164 |
3 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
9 |
16 |
7 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
Воинство Сергия Радонежского |
4308 | 164 |
2 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Быков и Навальный |
583 | 164 |
1 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
11 |
16 |
5 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
Отражение. Две рецензии на стихи Феликса Когана |
3317 | 164 |
3 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
17 |
13 |
6 |
6 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
Отчуждение. стадия Ад |
1180 | 164 |
3 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
9 |
17 |
6 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Что есть человек |
1211 | 163 |
3 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
15 |
6 |
6 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
Технические болезни Стихиры |
2478 | 163 |
2 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
14 |
13 |
6 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
Ангел в круге десятом |
688 | 163 |
2 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
12 |
14 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Ведение в чтение Гоголя. Шинель |
928 | 163 |
3 |
11 |
15 |
14 |
21 |
17 |
15 |
25 |
13 |
15 |
8 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Миф о запахе |
2341 | 163 |
3 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
13 |
13 |
5 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
4 |
Возможен ли герой нашего времени? |
561 | 162 |
4 |
15 |
13 |
24 |
20 |
16 |
13 |
23 |
7 |
19 |
4 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Введение в чтение Гоголя |
792 | 162 |
3 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
15 |
13 |
4 |
5 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
Инструкция создателям искусственного разума |
2996 | 162 |
4 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
18 |
8 |
5 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Рванет-не рванет |
579 | 162 |
3 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
8 |
17 |
9 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
Ленин как поэт Серебряного века |
1265 | 162 |
3 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
13 |
12 |
5 |
6 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
Молодежь и общество потребления |
3641 | 162 |
4 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
5 |
16 |
6 |
9 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
Введение в философию сказок |
602 | 162 |
4 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
13 |
14 |
7 |
7 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
Велика ли дань Пушкина мифологии |
3116 | 161 |
3 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
9 |
14 |
7 |
8 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Миф о числах |
2513 | 161 |
3 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
12 |
15 |
5 |
5 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
Паломничество убогой (2 редакция) |
433 | 161 |
3 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
20 |
5 |
6 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
Эпилог |
313 | 161 |
3 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
14 |
6 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Онегин - лицеист? |
589 | 161 |
3 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
11 |
4 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
Теософия и поэзия |
966 | 160 |
3 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
15 |
7 |
7 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Паломничество убогой |
2652 | 160 |
3 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
9 |
15 |
5 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
Недоросль в меняющемся мире |
570 | 160 |
3 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
15 |
16 |
6 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
Инструкция создателям искусственного разума |
2391 | 160 |
3 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
15 |
5 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
Сеть и чудаки |
2853 | 160 |
1 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
12 |
21 |
8 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
Советы |
2309 | 159 |
2 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
14 |
16 |
7 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
Введение в чтение Лермонтова. Система отражений |
482 | 159 |
3 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
12 |
8 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Бегемотик |
3263 | 159 |
2 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
5 |
18 |
5 |
7 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
Почему Путин заинтересован в развитии гражданского общества |
2529 | 159 |
2 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
11 |
13 |
5 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Каким должен быть правитель |
442 | 158 |
5 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
18 |
6 |
6 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
Неравный брак (лунное) |
780 | 158 |
1 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
9 |
18 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
Шаров и его теодицея |
588 | 158 |
4 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
12 |
12 |
6 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
Долой ыгэ! |
555 | 157 |
1 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
12 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
Диалектика пути |
2661 | 157 |
3 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
9 |
16 |
7 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
Бог как конечное воплощение жажды славы |
2035 | 157 |
3 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
16 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Проблематика произведений. Богатство и бедность |
501 | 157 |
1 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
14 |
7 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
Блок и его мэоническая легенда |
650 | 157 |
2 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
15 |
7 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
Убийственная преданность. Введение в чтение Пушкина |
640 | 157 |
2 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
14 |
6 |
6 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
Исход |
2106 | 156 |
2 |
16 |
16 |
11 |
18 |
15 |
12 |
24 |
10 |
16 |
12 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
Ну и реклама сейчас у Проханова |
1997 | 156 |
3 |
12 |
15 |
24 |
19 |
18 |
8 |
23 |
14 |
13 |
3 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
Хельга Ольшванг в новом веке |
810 | 156 |
2 |
12 |
15 |
18 |
16 |
20 |
12 |
19 |
18 |
13 |
9 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
Пушкинский пленник |
593 | 156 |
1 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
15 |
14 |
7 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
Государство Платона и Акунина |
831 | 156 |
4 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
11 |
14 |
7 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |