| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
По разделу |
391061 | 1322 |
127 |
126 |
125 |
80 |
81 |
120 |
115 |
115 |
122 |
105 |
101 |
105 |
0 |
6 |
5 |
12 |
4 |
2 |
6 |
5 |
2 |
3 |
3 |
4 |
2 |
3 |
4 |
3 |
2 |
2 |
3 |
3 |
2 |
5 |
2 |
4 |
4 |
3 |
8 |
12 |
12 |
1 |
1 |
3 |
8 |
3 |
3 |
2 |
3 |
2 |
7 |
4 |
3 |
5 |
4 |
4 |
4 |
5 |
4 |
4 |
6 |
5 |
5 |
5 |
5 |
3 |
4 |
5 |
4 |
3 |
2 |
6 |
4 |
4 |
|
Графики Самары |
2967 | 662 |
59 |
69 |
60 |
40 |
40 |
46 |
55 |
56 |
83 |
58 |
50 |
46 |
0 |
0 |
3 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
3 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
3 |
3 |
0 |
5 |
2 |
3 |
1 |
2 |
0 |
9 |
4 |
0 |
0 |
3 |
8 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
4 |
0 |
4 |
1 |
3 |
4 |
2 |
6 |
2 |
4 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
3 |
3 |
|
Дина Богусонова. Амазонка неоабстракционизма |
3409 | 529 |
58 |
52 |
47 |
42 |
28 |
38 |
45 |
46 |
54 |
36 |
42 |
41 |
0 |
6 |
1 |
2 |
3 |
1 |
6 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
4 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
4 |
3 |
8 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
0 |
4 |
3 |
3 |
2 |
2 |
1 |
0 |
5 |
2 |
0 |
2 |
2 |
1 |
2 |
|
Кутяков Сергей. Династия Кутяковых. Простая история |
2421 | 405 |
32 |
42 |
30 |
19 |
23 |
35 |
34 |
50 |
40 |
33 |
31 |
36 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
|
Артур Фонвизин |
1462 | 314 |
25 |
32 |
32 |
29 |
12 |
17 |
24 |
33 |
33 |
25 |
28 |
24 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
|
Портрет семьи в советской живописи.20век |
1463 | 311 |
21 |
28 |
31 |
12 |
19 |
20 |
32 |
41 |
30 |
27 |
27 |
23 |
0 |
4 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
|
Карпунов Иван. Я всегда хотел быть художником |
2834 | 307 |
16 |
26 |
29 |
16 |
15 |
32 |
27 |
47 |
34 |
23 |
18 |
24 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
|
Рудольф Баранов и академическая живопись России |
3124 | 297 |
33 |
25 |
16 |
18 |
14 |
29 |
38 |
27 |
31 |
19 |
22 |
25 |
0 |
0 |
2 |
12 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
|
Виноградова Анна. Блеск национальной романтики |
1903 | 293 |
18 |
31 |
29 |
16 |
13 |
26 |
35 |
32 |
26 |
22 |
26 |
19 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
|
Наталья Сюзева. Девичьи игры |
2710 | 290 |
17 |
26 |
19 |
16 |
20 |
23 |
27 |
32 |
34 |
27 |
24 |
25 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
|
Карэн Саркисов |
2535 | 287 |
15 |
16 |
14 |
15 |
26 |
32 |
31 |
28 |
30 |
40 |
21 |
19 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Свечников Владимир |
1007 | 286 |
57 |
27 |
25 |
13 |
10 |
24 |
23 |
32 |
24 |
11 |
20 |
20 |
0 |
3 |
5 |
3 |
3 |
2 |
2 |
3 |
1 |
3 |
3 |
2 |
1 |
2 |
4 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
|
Станислав Щеглов |
967 | 281 |
26 |
24 |
24 |
10 |
27 |
16 |
23 |
30 |
35 |
20 |
27 |
19 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
|
В.Пентюх и Н.Непьянова.Образ Отечества |
2281 | 280 |
26 |
32 |
27 |
21 |
20 |
23 |
27 |
23 |
26 |
18 |
18 |
19 |
0 |
3 |
0 |
1 |
2 |
0 |
4 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
|
Острецов Анатолий -художник наблюдатель |
2335 | 279 |
12 |
28 |
20 |
23 |
32 |
16 |
31 |
31 |
25 |
20 |
21 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Художник Вадим Петрович Свешников |
836 | 278 |
15 |
23 |
35 |
11 |
15 |
15 |
32 |
26 |
29 |
30 |
27 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
|
Панкратов Василий - портретист |
1091 | 277 |
18 |
28 |
20 |
11 |
14 |
25 |
36 |
27 |
33 |
29 |
19 |
17 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Дубровин Игорь Викторович |
448 | 271 |
32 |
33 |
25 |
15 |
13 |
24 |
23 |
20 |
29 |
27 |
18 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
5 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
|
Японская гравюра |
1495 | 266 |
17 |
27 |
24 |
8 |
7 |
19 |
32 |
35 |
36 |
16 |
23 |
22 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
|
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
993 | 260 |
22 |
22 |
33 |
10 |
14 |
23 |
25 |
22 |
30 |
12 |
26 |
21 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Народное искусство и его новая жизнь |
1546 | 260 |
13 |
25 |
22 |
15 |
20 |
27 |
28 |
20 |
32 |
17 |
21 |
20 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Юрий Скачков |
1448 | 259 |
17 |
24 |
26 |
9 |
10 |
24 |
25 |
29 |
21 |
21 |
29 |
24 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Любить жизнь глазами Виктора Новокрещенова |
3116 | 259 |
25 |
36 |
31 |
12 |
21 |
16 |
23 |
19 |
19 |
15 |
19 |
23 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
5 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
|
Андрей Бодров -мастер сухой иглы |
1903 | 257 |
25 |
23 |
22 |
12 |
13 |
25 |
25 |
24 |
29 |
21 |
20 |
18 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
3 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Игорь Петров Гений места |
1857 | 255 |
18 |
27 |
20 |
13 |
19 |
25 |
25 |
27 |
24 |
16 |
22 |
19 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Е.Поленова и М.Якунчикова творительницы красоты |
705 | 255 |
17 |
24 |
26 |
16 |
17 |
31 |
23 |
24 |
21 |
14 |
20 |
22 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
|
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2334 | 255 |
20 |
35 |
22 |
8 |
17 |
17 |
21 |
34 |
27 |
15 |
19 |
20 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
|
Галина Лемкова.Время города, мгновенья хайку |
2233 | 255 |
31 |
20 |
17 |
5 |
14 |
17 |
22 |
24 |
27 |
21 |
31 |
26 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
3 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
Виктор Норкин и его Вантастическая живопись |
2401 | 254 |
17 |
30 |
26 |
10 |
16 |
21 |
29 |
25 |
25 |
16 |
21 |
18 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
|
Геннадий Филатов.Мастер видового пейзажа |
1450 | 253 |
19 |
32 |
23 |
14 |
16 |
25 |
22 |
32 |
25 |
13 |
18 |
14 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
|
Георгий Кикин.Женщины,подруги и ню |
1338 | 253 |
21 |
24 |
26 |
8 |
11 |
17 |
28 |
20 |
32 |
25 |
25 |
16 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
|
Эрбштейн Борис. Часть первая |
878 | 250 |
26 |
25 |
19 |
8 |
14 |
30 |
25 |
16 |
32 |
15 |
17 |
23 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
|
Наталья Шепелева. Мастер детского портрета |
2078 | 250 |
16 |
26 |
22 |
8 |
13 |
18 |
22 |
29 |
33 |
29 |
14 |
20 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
|
Елена Титова.пленница красоты |
725 | 250 |
22 |
22 |
16 |
12 |
13 |
22 |
26 |
30 |
24 |
14 |
24 |
25 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
|
Арнольд Лаховский.Наследие Эмигранта |
2375 | 249 |
23 |
32 |
26 |
6 |
10 |
17 |
28 |
29 |
19 |
15 |
26 |
18 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
8 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
|
Анна Голубкина - русский гений |
914 | 248 |
27 |
24 |
20 |
7 |
11 |
26 |
24 |
27 |
28 |
19 |
22 |
13 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
9 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
|
Южанин Сергей |
503 | 247 |
23 |
27 |
25 |
16 |
18 |
19 |
28 |
19 |
28 |
18 |
10 |
16 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
|
Городу модерна - Музей Модерна |
2566 | 246 |
14 |
23 |
24 |
12 |
11 |
22 |
21 |
28 |
29 |
21 |
19 |
22 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
|
Иван Комиссаров.Красота и восторг как необходимость для художника |
2878 | 246 |
30 |
23 |
23 |
10 |
9 |
21 |
22 |
28 |
25 |
12 |
22 |
21 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
6 |
3 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
|
Аннэта Басс. Музей как смысл жизни |
912 | 246 |
23 |
25 |
21 |
8 |
16 |
25 |
25 |
28 |
18 |
13 |
20 |
24 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Валентин Белоусов. Творчество |
3374 | 246 |
27 |
26 |
28 |
5 |
13 |
23 |
27 |
25 |
25 |
10 |
19 |
18 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
|
Маковские. Братья |
1098 | 243 |
16 |
16 |
19 |
5 |
13 |
17 |
22 |
27 |
27 |
17 |
33 |
31 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1630 | 243 |
14 |
30 |
24 |
10 |
24 |
19 |
21 |
26 |
19 |
13 |
20 |
23 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
|
Женя Бабушкин.Пыльные цветы |
2350 | 243 |
15 |
19 |
22 |
7 |
10 |
21 |
19 |
32 |
32 |
25 |
20 |
21 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2710 | 243 |
18 |
21 |
23 |
5 |
17 |
20 |
22 |
22 |
25 |
22 |
29 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Валентина Крушинина.Своя тема |
1842 | 241 |
22 |
21 |
23 |
5 |
14 |
19 |
26 |
23 |
30 |
18 |
25 |
15 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
2. Чернова Валентина. В мастерской художника |
2377 | 240 |
14 |
24 |
20 |
9 |
14 |
20 |
28 |
24 |
32 |
25 |
16 |
14 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Кустодиев.Наследие художника в живописи,графике и фотографии |
1161 | 240 |
15 |
22 |
27 |
9 |
10 |
22 |
17 |
23 |
29 |
13 |
30 |
23 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1850 | 238 |
22 |
25 |
26 |
9 |
16 |
17 |
20 |
30 |
23 |
13 |
20 |
17 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
6 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Передвижники и бытовой жанр |
777 | 238 |
21 |
23 |
31 |
6 |
18 |
26 |
25 |
20 |
26 |
13 |
12 |
17 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
|
Передвижники и портретный жанр |
860 | 237 |
16 |
26 |
25 |
10 |
12 |
24 |
29 |
23 |
28 |
15 |
12 |
17 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Арон Бух. главное его достижение - свобода |
1283 | 237 |
24 |
20 |
21 |
8 |
11 |
21 |
21 |
28 |
20 |
16 |
21 |
26 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
|
Маргарита Бортникова. Кружево |
2278 | 236 |
13 |
21 |
23 |
11 |
11 |
19 |
23 |
31 |
25 |
15 |
23 |
21 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
5.Людмила Петтоки. Рассказы музейного человечка |
990 | 235 |
18 |
29 |
19 |
11 |
12 |
15 |
24 |
22 |
32 |
19 |
20 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
|
Портрет семьи в русской живописи 18-19вв |
1020 | 235 |
19 |
21 |
23 |
10 |
15 |
16 |
21 |
25 |
30 |
19 |
18 |
18 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2691 | 235 |
19 |
29 |
21 |
11 |
12 |
13 |
24 |
22 |
25 |
15 |
26 |
18 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
5 |
0 |
0 |
5 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Многообразие фактур и таинство стиля |
2276 | 235 |
13 |
25 |
28 |
13 |
15 |
16 |
24 |
22 |
28 |
15 |
16 |
20 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
|
Горовых Ксения.Большая и малая жизнь в творчестве |
2255 | 234 |
12 |
21 |
12 |
9 |
11 |
14 |
23 |
30 |
33 |
23 |
25 |
21 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
|
Ковалева Дина и ее теория Красоты |
962 | 234 |
27 |
24 |
22 |
6 |
12 |
13 |
23 |
32 |
31 |
15 |
17 |
12 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
|
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1884 | 233 |
23 |
22 |
23 |
7 |
14 |
21 |
23 |
18 |
29 |
17 |
17 |
19 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1767 | 233 |
17 |
25 |
21 |
11 |
12 |
19 |
22 |
18 |
26 |
13 |
27 |
22 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
|
Самаринкина Алиса. Из чего же вырастают художники? |
2726 | 232 |
13 |
15 |
16 |
9 |
12 |
13 |
29 |
28 |
27 |
22 |
23 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
2257 | 232 |
23 |
19 |
15 |
11 |
12 |
19 |
22 |
19 |
29 |
21 |
21 |
21 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Мария Бабич.Молодые голоса в стиле фьюжн |
1989 | 232 |
14 |
19 |
20 |
11 |
17 |
15 |
19 |
24 |
30 |
23 |
22 |
18 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
Марко Грасси и его Персонажи |
3176 | 231 |
8 |
14 |
17 |
7 |
12 |
16 |
21 |
26 |
34 |
36 |
20 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Самарские графики. Живое наследие |
1561 | 231 |
18 |
24 |
28 |
8 |
13 |
17 |
23 |
18 |
30 |
17 |
20 |
15 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
|
Валентин Пурыгин. Мифы о художнике |
2044 | 231 |
16 |
28 |
25 |
7 |
8 |
21 |
20 |
19 |
21 |
19 |
19 |
28 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
|
Константин Коровин. Моцарт русской живописи |
2426 | 231 |
13 |
27 |
25 |
11 |
9 |
15 |
21 |
30 |
25 |
13 |
26 |
16 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
4 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
2068 | 230 |
12 |
17 |
16 |
5 |
17 |
22 |
17 |
26 |
36 |
20 |
23 |
19 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
|
Левитан и его современники |
1402 | 230 |
12 |
16 |
18 |
17 |
21 |
24 |
20 |
21 |
24 |
17 |
21 |
19 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
|
Олег Рамодин -творец сказочной вселенной |
2300 | 230 |
22 |
21 |
21 |
7 |
12 |
21 |
24 |
22 |
25 |
17 |
21 |
17 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
|
Вадим Сушко.Я люблю судьбу свою |
2807 | 230 |
14 |
21 |
24 |
11 |
21 |
19 |
14 |
30 |
34 |
8 |
15 |
19 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Бакумов Вячеслав летописец нашей жизни |
537 | 230 |
22 |
25 |
25 |
7 |
13 |
19 |
16 |
28 |
20 |
12 |
20 |
23 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
|
Дневник влюбленного предпринимателя |
3022 | 229 |
10 |
25 |
18 |
6 |
14 |
24 |
21 |
29 |
28 |
18 |
21 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
|
Нижегородский художественный музей и его шедевры |
918 | 229 |
13 |
22 |
21 |
10 |
11 |
23 |
26 |
29 |
22 |
20 |
18 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Борис Иевлев.Живопись мазками |
1629 | 229 |
12 |
26 |
24 |
11 |
12 |
29 |
19 |
18 |
24 |
16 |
22 |
16 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
|
Н.Какошкина и В. Рябцев. Уходящая натура |
2109 | 229 |
10 |
26 |
24 |
6 |
13 |
17 |
23 |
28 |
24 |
18 |
20 |
20 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
|
6. Василий Ващенко. Рассказы музейного человечка |
1050 | 228 |
11 |
27 |
26 |
11 |
9 |
19 |
24 |
24 |
24 |
16 |
17 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
|
Вилковы.На нашей маленькой земле |
2435 | 228 |
19 |
22 |
23 |
9 |
14 |
19 |
20 |
20 |
26 |
18 |
24 |
14 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
|
Палех. Маленькие шедевры |
1789 | 228 |
15 |
23 |
19 |
8 |
5 |
28 |
19 |
28 |
26 |
17 |
22 |
18 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Самарский художественный музей. Дары |
1280 | 228 |
21 |
26 |
25 |
6 |
9 |
25 |
18 |
24 |
23 |
17 |
19 |
15 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
|
Андреев Юрий. Найди себе учителя и приобрети друга |
2314 | 227 |
27 |
33 |
23 |
8 |
13 |
15 |
20 |
18 |
23 |
15 |
14 |
18 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
7 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
|
Рецензия на книгу Вудхауса "Любовь со взломом |
2095 | 227 |
13 |
16 |
20 |
9 |
13 |
13 |
21 |
32 |
32 |
24 |
17 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
|
Альфред фон Вакано. Саркофаг из египетской коллекции |
718 | 227 |
21 |
26 |
29 |
9 |
14 |
14 |
19 |
20 |
24 |
19 |
15 |
17 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
|
Дмитрий Мантров.Теплая выставка в холодный сезон |
1446 | 227 |
19 |
23 |
17 |
6 |
10 |
20 |
22 |
20 |
27 |
22 |
20 |
21 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
6 |
1 |
1 |
|
Евгений Чертыковцев. На тропе к образу |
1728 | 226 |
16 |
23 |
27 |
7 |
7 |
22 |
19 |
18 |
25 |
20 |
23 |
19 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Дмитрий Кондратьев |
1421 | 226 |
19 |
26 |
22 |
8 |
11 |
15 |
21 |
20 |
27 |
17 |
24 |
16 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2500 | 226 |
10 |
21 |
19 |
8 |
10 |
27 |
20 |
31 |
31 |
13 |
18 |
18 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Елена Макеева. Стремительная живопись |
2371 | 225 |
13 |
18 |
25 |
9 |
11 |
20 |
23 |
27 |
27 |
19 |
17 |
16 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Мальвы самарского кэмпа |
2879 | 224 |
14 |
24 |
19 |
7 |
12 |
19 |
26 |
27 |
25 |
14 |
16 |
21 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Оттепель 60х в искусстве.Все оттенки оттепели |
1887 | 224 |
20 |
24 |
24 |
7 |
15 |
24 |
21 |
22 |
23 |
15 |
16 |
13 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
Ю.И.Филиппов художник - жизнелюб |
1665 | 224 |
20 |
25 |
22 |
7 |
9 |
22 |
23 |
19 |
21 |
17 |
18 |
21 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
|
Рерих и его держава на долгую память |
1967 | 223 |
10 |
20 |
12 |
8 |
8 |
25 |
21 |
28 |
23 |
27 |
25 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
|
Владимир Романов.Портреты и акварели |
1332 | 223 |
16 |
29 |
19 |
9 |
12 |
13 |
26 |
27 |
20 |
12 |
19 |
21 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
|
Художники Казахстана.Лицо невесты из Великой степи |
2066 | 223 |
24 |
10 |
15 |
5 |
10 |
17 |
23 |
30 |
33 |
19 |
21 |
16 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
6 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
Посвящается Франции |
2082 | 223 |
16 |
23 |
18 |
7 |
14 |
22 |
21 |
18 |
28 |
21 |
15 |
20 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
|
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
2163 | 223 |
33 |
19 |
22 |
13 |
12 |
13 |
17 |
27 |
17 |
13 |
22 |
15 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
3 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Коновалов Ген Гри -художник 20 века |
2009 | 222 |
25 |
26 |
17 |
11 |
7 |
14 |
17 |
25 |
24 |
14 |
20 |
22 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
|
Три рассказа о грустном Фане |
2200 | 222 |
10 |
19 |
21 |
13 |
6 |
23 |
21 |
21 |
30 |
20 |
22 |
16 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
|
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1958 | 222 |
18 |
14 |
19 |
9 |
11 |
20 |
20 |
28 |
26 |
20 |
23 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Восток в Сохм |
1835 | 222 |
16 |
27 |
18 |
6 |
16 |
24 |
15 |
20 |
18 |
13 |
24 |
25 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
|
Станислав Федоров. Графика |
1387 | 222 |
21 |
18 |
16 |
5 |
10 |
19 |
15 |
24 |
30 |
25 |
19 |
20 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
|
Станислав Федоров |
1624 | 222 |
19 |
25 |
25 |
4 |
7 |
17 |
19 |
25 |
19 |
19 |
18 |
25 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
|
Самара в творчестве семидесятников |
2606 | 221 |
15 |
33 |
24 |
7 |
16 |
15 |
20 |
21 |
25 |
13 |
13 |
19 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
|
Восточный десерт |
2308 | 221 |
12 |
23 |
22 |
10 |
10 |
23 |
22 |
29 |
23 |
18 |
13 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
|
Николай Вдовкин и Ирина Елизарова.Эмали |
2109 | 221 |
10 |
20 |
26 |
10 |
16 |
24 |
23 |
22 |
23 |
12 |
20 |
15 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Евгений Штыров.По дорогам Древней Руси |
1103 | 221 |
24 |
22 |
26 |
6 |
15 |
18 |
19 |
17 |
29 |
18 |
14 |
13 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
|
Владимир Булеков.Экспрессивный портрет художника |
605 | 221 |
20 |
22 |
19 |
6 |
9 |
16 |
24 |
19 |
22 |
18 |
22 |
24 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Карл Брюллов - наследие из Петербурга |
2125 | 220 |
15 |
19 |
24 |
10 |
14 |
13 |
19 |
26 |
22 |
11 |
21 |
26 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
|
Шульпин Михаил. Образ Венеции для России |
2338 | 220 |
16 |
27 |
25 |
7 |
13 |
21 |
17 |
21 |
21 |
16 |
17 |
19 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
|
Иван Карпунов.Как я позировала художнику |
1121 | 220 |
18 |
26 |
27 |
5 |
12 |
13 |
17 |
23 |
25 |
21 |
16 |
17 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
|
Солдат Победы. История жизни |
2698 | 220 |
16 |
25 |
19 |
7 |
10 |
19 |
23 |
22 |
22 |
14 |
22 |
21 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
|
Чернова Валентина. Итоги |
1959 | 220 |
14 |
29 |
20 |
6 |
12 |
17 |
15 |
22 |
34 |
15 |
19 |
17 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
|
3.Чернова Валентина.Еще три портрета |
2030 | 219 |
16 |
30 |
23 |
12 |
13 |
14 |
13 |
21 |
21 |
21 |
16 |
19 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
5 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
Концептуалисты. Увидели и живем,или повидали и оживились |
1918 | 219 |
15 |
21 |
17 |
8 |
10 |
18 |
16 |
24 |
31 |
22 |
20 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
|
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2649 | 219 |
15 |
25 |
20 |
5 |
12 |
23 |
20 |
22 |
21 |
16 |
19 |
21 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Юлия Кузнецова ее пленэрная живопись |
2024 | 219 |
13 |
20 |
26 |
13 |
18 |
27 |
20 |
20 |
15 |
12 |
21 |
14 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2316 | 219 |
19 |
27 |
20 |
10 |
12 |
14 |
19 |
20 |
20 |
15 |
23 |
20 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
|
Татьяна Пудова. Новые технологии в творчестве художников |
1950 | 219 |
21 |
23 |
23 |
10 |
10 |
17 |
21 |
22 |
16 |
13 |
23 |
20 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Уильям Хогарт -основатель английской живописи |
2088 | 218 |
21 |
21 |
22 |
7 |
11 |
13 |
19 |
16 |
21 |
19 |
27 |
21 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
С любовью из Крыма". Выставка |
2096 | 217 |
13 |
21 |
21 |
5 |
20 |
22 |
25 |
26 |
22 |
11 |
15 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
Юрий Филиппов. Паломники в Древнюю Русь |
1860 | 217 |
30 |
29 |
19 |
10 |
12 |
12 |
18 |
23 |
16 |
19 |
16 |
13 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
|
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
2205 | 217 |
15 |
23 |
17 |
6 |
10 |
14 |
23 |
27 |
20 |
22 |
23 |
17 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
|
Самарские мечтатели или новое на Арт-рынке Самары |
2405 | 217 |
12 |
28 |
23 |
9 |
12 |
22 |
19 |
18 |
24 |
14 |
13 |
23 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2421 | 216 |
12 |
26 |
24 |
5 |
16 |
21 |
14 |
20 |
28 |
25 |
13 |
12 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
2138 | 216 |
11 |
20 |
26 |
9 |
10 |
21 |
27 |
22 |
20 |
16 |
17 |
17 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Михаил Нестеров.Внутренняя жизнь и красота духа |
2264 | 216 |
13 |
28 |
25 |
8 |
13 |
13 |
28 |
14 |
19 |
21 |
19 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
|
Лариса Кондратова. Валяние не Валенков |
2541 | 215 |
14 |
19 |
19 |
3 |
9 |
16 |
18 |
29 |
26 |
23 |
21 |
18 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
|
Семейные ценности из Росизо |
1538 | 215 |
15 |
26 |
21 |
3 |
12 |
16 |
19 |
21 |
24 |
20 |
19 |
19 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
|
Шепелева Наталья.Цели и грезы |
668 | 215 |
12 |
25 |
28 |
8 |
17 |
17 |
23 |
25 |
20 |
11 |
15 |
14 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
Альфред фон Вакано.Путешествие в Японию начинается |
692 | 215 |
13 |
26 |
21 |
9 |
17 |
16 |
18 |
24 |
23 |
14 |
18 |
16 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Валерий Самаринкин.Дорога к храму |
732 | 215 |
17 |
23 |
24 |
7 |
15 |
20 |
21 |
20 |
18 |
15 |
15 |
20 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Куклы из особняка Клодта. Самара |
1781 | 213 |
20 |
25 |
15 |
10 |
18 |
23 |
18 |
20 |
21 |
13 |
14 |
16 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
|
Тольятти.Союз художников |
670 | 213 |
13 |
16 |
20 |
8 |
11 |
21 |
25 |
20 |
22 |
22 |
14 |
21 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
|
Иван Айвазовский. Среди стихий |
2253 | 213 |
25 |
21 |
24 |
7 |
12 |
22 |
16 |
23 |
19 |
15 |
16 |
13 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
|
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
2204 | 213 |
17 |
21 |
23 |
5 |
7 |
20 |
21 |
21 |
24 |
18 |
19 |
17 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Счастливый мир детства в зеркале русской живописи |
3785 | 212 |
12 |
26 |
24 |
12 |
11 |
19 |
20 |
23 |
24 |
14 |
15 |
12 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Информация о владельце раздела |
2250 | 212 |
17 |
20 |
19 |
2 |
11 |
22 |
20 |
18 |
25 |
16 |
22 |
20 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Корнелия Функе.Волшебные сказки для взрослых" |
2467 | 212 |
19 |
25 |
17 |
9 |
12 |
13 |
20 |
20 |
21 |
16 |
21 |
19 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Образ и время в советской живописи 30-х годов |
1684 | 212 |
17 |
16 |
21 |
7 |
13 |
16 |
20 |
24 |
24 |
14 |
19 |
21 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Художественное образование в Самаре |
962 | 211 |
22 |
22 |
24 |
6 |
7 |
24 |
21 |
17 |
26 |
8 |
16 |
18 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
6 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
|
Сон в осеннюю ночь |
2495 | 210 |
12 |
15 |
14 |
6 |
9 |
16 |
20 |
21 |
32 |
18 |
28 |
19 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
|
Время волшебников, кукольники |
2575 | 210 |
8 |
18 |
22 |
6 |
9 |
25 |
19 |
21 |
29 |
16 |
18 |
19 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Павел Филонов и его механика Вселенной |
1667 | 210 |
15 |
25 |
28 |
8 |
8 |
11 |
17 |
13 |
24 |
14 |
25 |
22 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
|
За кулисами театра |
1813 | 210 |
14 |
25 |
22 |
6 |
7 |
20 |
16 |
14 |
24 |
31 |
15 |
16 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Осенние вернисажи 2016 |
1714 | 209 |
16 |
16 |
27 |
9 |
16 |
16 |
20 |
23 |
27 |
9 |
17 |
13 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1891 | 209 |
13 |
26 |
19 |
6 |
9 |
16 |
25 |
18 |
25 |
13 |
21 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
|
Альфред фон Вакано. Его музей |
749 | 209 |
13 |
15 |
18 |
4 |
18 |
19 |
21 |
30 |
24 |
16 |
13 |
18 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
|
Что собирают в Самаре |
2330 | 209 |
13 |
23 |
25 |
10 |
10 |
20 |
11 |
25 |
25 |
11 |
19 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
|
Егорова Любовь. Творчество под знаком воздуха и потока |
1130 | 209 |
12 |
23 |
25 |
4 |
8 |
17 |
18 |
22 |
23 |
20 |
21 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Бойчукисты в Самаре |
2465 | 208 |
13 |
16 |
15 |
6 |
9 |
20 |
28 |
24 |
28 |
19 |
16 |
14 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
|
Западоевропейское искусство в собрании Сохм |
2550 | 208 |
12 |
22 |
22 |
4 |
13 |
17 |
15 |
17 |
26 |
14 |
20 |
26 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
|
В Лабиринте книжной иллюстрации |
2170 | 208 |
18 |
20 |
24 |
9 |
9 |
11 |
19 |
24 |
21 |
15 |
21 |
17 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Степан Эрьзя - русский Роден ? |
2919 | 208 |
18 |
18 |
17 |
8 |
10 |
20 |
25 |
16 |
21 |
23 |
16 |
16 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
|
В.Башкиров. Нестареющая Природа в его живописи |
2037 | 208 |
19 |
24 |
18 |
12 |
13 |
15 |
22 |
21 |
18 |
11 |
18 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
2171 | 208 |
12 |
21 |
21 |
8 |
13 |
18 |
17 |
25 |
27 |
11 |
15 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
|
О чем молчат куклы. Третья кукольная выставка |
1974 | 208 |
17 |
25 |
25 |
5 |
8 |
18 |
18 |
24 |
20 |
15 |
14 |
19 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Дина Богусонова.Эмали |
923 | 207 |
18 |
23 |
23 |
7 |
13 |
17 |
19 |
17 |
25 |
11 |
14 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Сергей Шнуров про брендреализм |
1336 | 207 |
11 |
23 |
25 |
7 |
16 |
23 |
23 |
16 |
23 |
9 |
17 |
14 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
|
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1822 | 206 |
26 |
21 |
24 |
8 |
12 |
18 |
15 |
24 |
20 |
11 |
14 |
13 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Бородачев Юрий Петрович. Вспоминая современника |
1200 | 206 |
16 |
21 |
27 |
9 |
11 |
18 |
16 |
23 |
18 |
15 |
18 |
14 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
|
Рассказы из прошлого века |
2619 | 206 |
17 |
12 |
21 |
7 |
11 |
13 |
17 |
26 |
18 |
10 |
29 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
|
Запечатленное время в мировоззрении поколения семидесятых |
2211 | 206 |
11 |
27 |
21 |
11 |
15 |
18 |
20 |
17 |
21 |
10 |
12 |
23 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Обзор выставок ноября 2016 |
1676 | 206 |
8 |
24 |
21 |
12 |
11 |
16 |
20 |
27 |
17 |
12 |
19 |
19 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
|
Летние вернисажи |
1866 | 205 |
10 |
14 |
18 |
4 |
9 |
24 |
18 |
22 |
28 |
19 |
20 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Кукольная страна |
2740 | 205 |
16 |
20 |
18 |
7 |
11 |
23 |
22 |
24 |
25 |
11 |
11 |
17 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
|
В.Герасимов -монументалист,живописец,график |
1686 | 205 |
20 |
27 |
23 |
13 |
9 |
15 |
18 |
12 |
20 |
13 |
18 |
17 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
|
Европейские фаянсы 18 века в собрании Сохм |
1955 | 205 |
16 |
21 |
25 |
3 |
9 |
20 |
13 |
21 |
18 |
17 |
21 |
21 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
|
Гобелены - славное ремесло из старого Парижа |
2925 | 205 |
16 |
15 |
18 |
9 |
8 |
22 |
18 |
22 |
29 |
15 |
17 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Хохлова Наталья |
577 | 204 |
14 |
16 |
14 |
6 |
14 |
21 |
20 |
22 |
26 |
18 |
17 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
|
Гений ар- деко. Эрте |
1181 | 204 |
16 |
16 |
17 |
6 |
9 |
18 |
17 |
23 |
28 |
15 |
21 |
18 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Грани 20 века |
1578 | 204 |
19 |
21 |
22 |
7 |
9 |
17 |
19 |
22 |
25 |
15 |
15 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
|
Выставка к 100 -летию революции |
1403 | 204 |
17 |
21 |
22 |
4 |
8 |
19 |
16 |
22 |
24 |
11 |
20 |
20 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
|
Передвижники |
717 | 203 |
20 |
26 |
22 |
7 |
14 |
16 |
17 |
13 |
24 |
16 |
12 |
16 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
|
1. Чернова Валентина.Пленники искусства |
2745 | 203 |
15 |
23 |
25 |
6 |
8 |
8 |
20 |
24 |
24 |
16 |
16 |
18 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
|
Обзор выставок в Самаре. Экспозиция это? |
2135 | 202 |
19 |
16 |
17 |
7 |
9 |
15 |
21 |
19 |
25 |
15 |
23 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
6 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
|
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2307 | 202 |
6 |
17 |
14 |
6 |
13 |
18 |
28 |
22 |
26 |
16 |
19 |
17 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Самарские амазонки в интерьере цветущего папорпотника |
1646 | 202 |
12 |
27 |
17 |
5 |
11 |
19 |
21 |
21 |
20 |
18 |
14 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Акварель -хорошая девка |
2251 | 202 |
20 |
17 |
19 |
8 |
6 |
20 |
22 |
23 |
22 |
17 |
14 |
14 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
|
Аромат сластей над садами |
2242 | 202 |
16 |
16 |
23 |
6 |
8 |
15 |
23 |
20 |
23 |
16 |
19 |
17 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Юферев Геннадий |
701 | 202 |
13 |
13 |
17 |
8 |
13 |
18 |
22 |
25 |
25 |
15 |
14 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Три выставки. Вернисажи ноября 2019 |
992 | 201 |
11 |
19 |
19 |
4 |
16 |
22 |
25 |
29 |
22 |
7 |
14 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
|
Юлия Кузнецова.Игры Солнца и теней |
1730 | 201 |
16 |
28 |
21 |
7 |
12 |
18 |
16 |
21 |
18 |
11 |
16 |
17 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
|
Мужская гостиная в Музее Модерна |
1999 | 201 |
21 |
19 |
22 |
3 |
8 |
18 |
21 |
20 |
18 |
14 |
18 |
19 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
|
4. Рассказы музейного человечка. Похищение Курильщиков |
2142 | 200 |
18 |
23 |
18 |
11 |
11 |
13 |
21 |
15 |
23 |
14 |
18 |
15 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
|
Дина Богусонова мастер эмали |
608 | 200 |
11 |
15 |
18 |
4 |
13 |
18 |
19 |
20 |
28 |
21 |
18 |
15 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Кулебакин Николай |
787 | 199 |
11 |
15 |
20 |
7 |
10 |
19 |
18 |
17 |
23 |
14 |
19 |
26 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
100 картин из Оренбурга для Самары |
2208 | 198 |
18 |
26 |
21 |
7 |
11 |
17 |
20 |
22 |
17 |
14 |
13 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
|
По закону племени |
2248 | 198 |
7 |
19 |
19 |
8 |
10 |
21 |
16 |
17 |
30 |
13 |
18 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
|
Эрбштейн Борис.Часть вторая |
708 | 198 |
22 |
23 |
20 |
5 |
19 |
16 |
16 |
18 |
25 |
12 |
10 |
12 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
|
Портретная галерея "Сыны Отечества" |
2469 | 197 |
13 |
24 |
21 |
6 |
12 |
14 |
18 |
21 |
21 |
11 |
19 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1755 | 197 |
17 |
21 |
18 |
11 |
15 |
16 |
22 |
22 |
19 |
11 |
8 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
|
Выставка.Лицо старого дома.Самара |
1772 | 196 |
11 |
16 |
15 |
7 |
7 |
14 |
23 |
24 |
30 |
17 |
17 |
15 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
От утопии до игры.Новые поступления авангарда в Сохм |
1726 | 196 |
15 |
13 |
17 |
6 |
12 |
18 |
18 |
23 |
27 |
16 |
14 |
17 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
|
Кукольный марш |
2272 | 196 |
16 |
20 |
15 |
8 |
8 |
18 |
16 |
22 |
24 |
11 |
21 |
17 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
|
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
2167 | 196 |
13 |
24 |
27 |
7 |
8 |
17 |
24 |
13 |
19 |
11 |
14 |
19 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Выставка.Краски Солнцеворота |
1872 | 196 |
14 |
20 |
22 |
7 |
12 |
14 |
13 |
27 |
20 |
10 |
20 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Цыганская рапсодия |
2075 | 196 |
12 |
21 |
21 |
3 |
10 |
13 |
17 |
16 |
28 |
19 |
21 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Туман Жумабаев. Свет старой Самары |
2243 | 195 |
9 |
20 |
20 |
7 |
12 |
15 |
18 |
29 |
22 |
12 |
16 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
|
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1862 | 194 |
7 |
17 |
22 |
17 |
9 |
9 |
21 |
15 |
22 |
19 |
23 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Карнавал в искусстве. Посвящение |
1485 | 194 |
18 |
23 |
20 |
4 |
13 |
14 |
16 |
15 |
23 |
12 |
23 |
13 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Дхш им Марка Шагала -30 лет |
907 | 194 |
15 |
17 |
16 |
7 |
11 |
15 |
25 |
16 |
23 |
17 |
15 |
17 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Сад ее глазами ,и сад тот -райская страна |
1901 | 192 |
11 |
20 |
26 |
8 |
11 |
15 |
22 |
16 |
19 |
16 |
14 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Рецензия на серию книг Артема Каменистого - "Девятый" |
1976 | 192 |
13 |
22 |
18 |
6 |
9 |
19 |
23 |
24 |
19 |
11 |
13 |
15 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Мысли вслух в технике гобелена |
1443 | 191 |
20 |
16 |
18 |
4 |
10 |
16 |
14 |
28 |
21 |
15 |
17 |
12 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
|
Волжский самовар в экзистенциальных поисках |
1148 | 189 |
12 |
24 |
25 |
7 |
10 |
17 |
17 |
18 |
17 |
19 |
11 |
12 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Великие модернисты. Взгляд Artmedia Plei |
1802 | 188 |
9 |
25 |
18 |
4 |
11 |
15 |
14 |
18 |
21 |
16 |
19 |
18 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
|
Сергей Цедилов - мастер книги |
1684 | 188 |
12 |
19 |
24 |
7 |
11 |
18 |
16 |
19 |
20 |
10 |
15 |
17 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
|
Зураб Церетели. Мелодии Грузии |
1701 | 188 |
8 |
22 |
15 |
6 |
8 |
18 |
15 |
18 |
28 |
18 |
15 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Виктор Новокрещенов,музыка,воплощенная в красках |
787 | 187 |
10 |
22 |
25 |
2 |
12 |
18 |
18 |
14 |
24 |
11 |
13 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
|
Все краски весенней выставки |
1439 | 186 |
11 |
18 |
15 |
6 |
15 |
17 |
15 |
18 |
24 |
15 |
17 |
15 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
|
Свет живописи старых мастеров |
1454 | 186 |
11 |
27 |
20 |
3 |
11 |
17 |
16 |
17 |
25 |
7 |
17 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Илья Репин, наше все? |
1996 | 180 |
18 |
18 |
17 |
5 |
8 |
14 |
13 |
19 |
21 |
14 |
19 |
14 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
|
Евгений Казнин |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сливкова Анна |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |