| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
По разделу |
370431 | 1651 |
28 |
115 |
115 |
122 |
105 |
101 |
105 |
102 |
128 |
128 |
417 |
185 |
1 |
4 |
4 |
3 |
4 |
4 |
4 |
4 |
3 |
4 |
3 |
3 |
3 |
4 |
4 |
3 |
4 |
4 |
4 |
3 |
5 |
4 |
4 |
4 |
4 |
4 |
3 |
2 |
4 |
2 |
4 |
7 |
4 |
4 |
5 |
3 |
4 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
3 |
4 |
3 |
4 |
2 |
3 |
3 |
5 |
4 |
5 |
4 |
5 |
2 |
3 |
5 |
3 |
2 |
4 |
|
Графики Самары |
2663 | 631 |
10 |
55 |
56 |
83 |
58 |
50 |
46 |
47 |
63 |
56 |
56 |
51 |
0 |
1 |
3 |
0 |
0 |
0 |
4 |
2 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
5 |
2 |
4 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
5 |
1 |
1 |
5 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
1 |
3 |
0 |
4 |
1 |
1 |
2 |
0 |
2 |
2 |
4 |
5 |
1 |
5 |
0 |
3 |
1 |
2 |
1 |
4 |
|
Елена Титова.пленница красоты |
630 | 630 |
12 |
26 |
30 |
24 |
14 |
24 |
25 |
11 |
20 |
28 |
350 |
66 |
0 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
|
Дина Богусонова. Амазонка неоабстракционизма |
3149 | 508 |
5 |
45 |
46 |
54 |
36 |
42 |
41 |
48 |
49 |
58 |
45 |
39 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
3 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
4 |
0 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
3 |
2 |
4 |
0 |
0 |
0 |
5 |
0 |
4 |
1 |
4 |
0 |
0 |
4 |
0 |
2 |
1 |
|
Кутяков Сергей. Династия Кутяковых. Простая история |
2254 | 453 |
14 |
34 |
50 |
40 |
33 |
31 |
36 |
31 |
51 |
46 |
45 |
42 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
4 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
|
Портрет семьи в советской живописи.20век |
1337 | 332 |
5 |
32 |
41 |
30 |
27 |
27 |
23 |
22 |
53 |
23 |
27 |
22 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
|
Артур Фонвизин |
1319 | 319 |
4 |
24 |
33 |
33 |
25 |
28 |
24 |
19 |
34 |
31 |
37 |
27 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
0 |
5 |
1 |
2 |
0 |
|
Дубровин Игорь Викторович |
314 | 314 |
8 |
23 |
20 |
29 |
27 |
18 |
12 |
16 |
18 |
66 |
77 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
|
Виноградова Анна. Блеск национальной романтики |
1776 | 301 |
6 |
35 |
32 |
26 |
22 |
26 |
19 |
15 |
31 |
22 |
39 |
28 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Наталья Сюзева. Девичьи игры |
2597 | 300 |
8 |
27 |
32 |
34 |
27 |
24 |
25 |
22 |
27 |
19 |
27 |
28 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Горовых Ксения.Большая и малая жизнь в творчестве |
2180 | 299 |
4 |
23 |
30 |
33 |
23 |
25 |
21 |
17 |
27 |
40 |
29 |
27 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
|
Карпунов Иван. Я всегда хотел быть художником |
2709 | 296 |
9 |
27 |
47 |
34 |
23 |
18 |
24 |
16 |
31 |
22 |
26 |
19 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
|
Рудольф Баранов и академическая живопись России |
2992 | 293 |
3 |
38 |
27 |
31 |
19 |
22 |
25 |
16 |
21 |
18 |
25 |
48 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Бакумов Вячеслав летописец нашей жизни |
431 | 292 |
5 |
16 |
28 |
20 |
12 |
20 |
23 |
10 |
30 |
26 |
33 |
69 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Художник Вадим Петрович Свешников |
726 | 290 |
4 |
32 |
26 |
29 |
30 |
27 |
20 |
21 |
23 |
23 |
30 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Самаринкина Алиса. Из чего же вырастают художники? |
2653 | 286 |
5 |
29 |
28 |
27 |
22 |
23 |
25 |
13 |
28 |
20 |
32 |
34 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
|
Марко Грасси и его Персонажи |
3108 | 285 |
6 |
21 |
26 |
34 |
36 |
20 |
20 |
15 |
30 |
18 |
37 |
22 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
|
Панкратов Василий - портретист |
983 | 282 |
8 |
36 |
27 |
33 |
29 |
19 |
17 |
12 |
24 |
21 |
30 |
26 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Маковские. Братья |
1018 | 279 |
6 |
22 |
27 |
27 |
17 |
33 |
31 |
13 |
32 |
19 |
27 |
25 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Городу модерна - Музей Модерна |
2466 | 279 |
6 |
21 |
28 |
29 |
21 |
19 |
22 |
15 |
27 |
24 |
33 |
34 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Юрий Скачков |
1344 | 278 |
6 |
25 |
29 |
21 |
21 |
29 |
24 |
15 |
37 |
16 |
28 |
27 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Карэн Саркисов |
2426 | 275 |
9 |
31 |
28 |
30 |
40 |
21 |
19 |
11 |
23 |
11 |
26 |
26 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
7 |
0 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
|
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
879 | 275 |
10 |
25 |
22 |
30 |
12 |
26 |
21 |
19 |
38 |
17 |
28 |
27 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
|
Японская гравюра |
1400 | 273 |
7 |
32 |
35 |
36 |
16 |
23 |
22 |
16 |
21 |
19 |
22 |
24 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
3 |
3 |
0 |
3 |
1 |
4 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Константин Коровин. Моцарт русской живописи |
2335 | 270 |
9 |
21 |
30 |
25 |
13 |
26 |
16 |
17 |
23 |
35 |
29 |
26 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Самарские графики. Живое наследие |
1456 | 266 |
3 |
23 |
18 |
30 |
17 |
20 |
15 |
9 |
36 |
25 |
40 |
30 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Станислав Щеглов |
842 | 265 |
2 |
23 |
30 |
35 |
20 |
27 |
19 |
16 |
18 |
20 |
27 |
28 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Евгений Чертыковцев. На тропе к образу |
1633 | 264 |
7 |
19 |
18 |
25 |
20 |
23 |
19 |
18 |
26 |
26 |
25 |
38 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Георгий Кикин.Женщины,подруги и ню |
1239 | 263 |
8 |
28 |
20 |
32 |
25 |
25 |
16 |
22 |
19 |
20 |
19 |
29 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
От утопии до игры.Новые поступления авангарда в Сохм |
1651 | 260 |
6 |
18 |
23 |
27 |
16 |
14 |
17 |
12 |
28 |
15 |
30 |
54 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Карл Брюллов - наследие из Петербурга |
2036 | 260 |
6 |
19 |
26 |
22 |
11 |
21 |
26 |
14 |
30 |
17 |
33 |
35 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Свечников Владимир |
857 | 258 |
6 |
23 |
32 |
24 |
11 |
20 |
20 |
20 |
24 |
21 |
29 |
28 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
|
Западоевропейское искусство в собрании Сохм |
2464 | 256 |
4 |
15 |
17 |
26 |
14 |
20 |
26 |
18 |
31 |
20 |
38 |
27 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
|
Дмитрий Мантров.Теплая выставка в холодный сезон |
1360 | 256 |
9 |
22 |
20 |
27 |
22 |
20 |
21 |
14 |
31 |
18 |
24 |
28 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Дневник влюбленного предпринимателя |
2933 | 255 |
8 |
21 |
29 |
28 |
18 |
21 |
15 |
16 |
32 |
21 |
21 |
25 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
|
Валентин Пурыгин. Мифы о художнике |
1943 | 255 |
4 |
20 |
19 |
21 |
19 |
19 |
28 |
8 |
22 |
22 |
41 |
32 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Мария Бабич.Молодые голоса в стиле фьюжн |
1899 | 254 |
6 |
19 |
24 |
30 |
23 |
22 |
18 |
14 |
27 |
17 |
26 |
28 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
|
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2415 | 252 |
10 |
20 |
31 |
31 |
13 |
18 |
18 |
18 |
21 |
15 |
26 |
31 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Кустодиев.Наследие художника в живописи,графике и фотографии |
1061 | 251 |
5 |
17 |
23 |
29 |
13 |
30 |
23 |
21 |
22 |
22 |
19 |
27 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Рерих и его держава на долгую память |
1894 | 251 |
10 |
21 |
28 |
23 |
27 |
25 |
16 |
17 |
17 |
16 |
27 |
24 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Иван Комиссаров.Красота и восторг как необходимость для художника |
2768 | 251 |
6 |
22 |
28 |
25 |
12 |
22 |
21 |
13 |
28 |
24 |
27 |
23 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2613 | 251 |
7 |
22 |
22 |
25 |
22 |
29 |
19 |
14 |
23 |
20 |
28 |
20 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
|
5.Людмила Петтоки. Рассказы музейного человечка |
892 | 250 |
6 |
24 |
22 |
32 |
19 |
20 |
14 |
14 |
25 |
22 |
25 |
27 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Левитан и его современники |
1302 | 249 |
8 |
20 |
21 |
24 |
17 |
21 |
19 |
19 |
29 |
17 |
31 |
23 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Семейные ценности из Росизо |
1449 | 249 |
4 |
19 |
21 |
24 |
20 |
19 |
19 |
11 |
12 |
12 |
33 |
55 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
|
Н.Какошкина и В. Рябцев. Уходящая натура |
2020 | 249 |
7 |
23 |
28 |
24 |
18 |
20 |
20 |
12 |
20 |
19 |
30 |
28 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Портрет семьи в русской живописи 18-19вв |
923 | 247 |
7 |
21 |
25 |
30 |
19 |
18 |
18 |
16 |
20 |
22 |
28 |
23 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
|
Аннэта Басс. Музей как смысл жизни |
796 | 247 |
2 |
25 |
28 |
18 |
13 |
20 |
24 |
11 |
37 |
19 |
22 |
28 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Рецензия на книгу Вудхауса "Любовь со взломом |
2016 | 246 |
5 |
21 |
32 |
32 |
24 |
17 |
17 |
8 |
34 |
16 |
18 |
22 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Валентин Белоусов. Творчество |
3259 | 246 |
7 |
27 |
25 |
25 |
10 |
19 |
18 |
13 |
28 |
20 |
23 |
31 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
|
Арнольд Лаховский.Наследие Эмигранта |
2264 | 245 |
3 |
28 |
29 |
19 |
15 |
26 |
18 |
15 |
19 |
16 |
28 |
29 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Палех. Маленькие шедевры |
1700 | 245 |
9 |
19 |
28 |
26 |
17 |
22 |
18 |
13 |
20 |
21 |
24 |
28 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Игорь Петров Гений места |
1744 | 244 |
9 |
25 |
27 |
24 |
16 |
22 |
19 |
13 |
29 |
15 |
21 |
24 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
|
В.Пентюх и Н.Непьянова.Образ Отечества |
2135 | 244 |
3 |
27 |
23 |
26 |
18 |
18 |
19 |
10 |
21 |
24 |
28 |
27 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Южанин Сергей |
384 | 244 |
9 |
28 |
19 |
28 |
18 |
10 |
16 |
14 |
19 |
22 |
40 |
21 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Женя Бабушкин.Пыльные цветы |
2260 | 244 |
4 |
19 |
32 |
32 |
25 |
20 |
21 |
12 |
20 |
17 |
19 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
|
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
2127 | 244 |
7 |
23 |
27 |
20 |
22 |
23 |
17 |
16 |
19 |
18 |
27 |
25 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Галина Лемкова.Время города, мгновенья хайку |
2133 | 243 |
4 |
22 |
24 |
27 |
21 |
31 |
26 |
12 |
16 |
15 |
26 |
19 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Народное искусство и его новая жизнь |
1431 | 243 |
7 |
28 |
20 |
32 |
17 |
21 |
20 |
10 |
24 |
17 |
27 |
20 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Виктор Норкин и его Вантастическая живопись |
2288 | 243 |
7 |
29 |
25 |
25 |
16 |
21 |
18 |
12 |
24 |
19 |
26 |
21 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Станислав Федоров. Графика |
1305 | 242 |
7 |
15 |
24 |
30 |
25 |
19 |
20 |
10 |
31 |
18 |
22 |
21 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
|
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2220 | 242 |
5 |
21 |
34 |
27 |
15 |
19 |
20 |
10 |
15 |
24 |
22 |
30 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1984 | 241 |
5 |
17 |
26 |
36 |
20 |
23 |
19 |
11 |
19 |
18 |
23 |
24 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
|
Острецов Анатолий -художник наблюдатель |
2206 | 241 |
2 |
31 |
31 |
25 |
20 |
21 |
20 |
12 |
17 |
16 |
20 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
4 |
3 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Ю.И.Филиппов художник - жизнелюб |
1570 | 240 |
10 |
23 |
19 |
21 |
17 |
18 |
21 |
12 |
14 |
20 |
31 |
34 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
2164 | 239 |
6 |
22 |
19 |
29 |
21 |
21 |
21 |
14 |
20 |
22 |
21 |
23 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
6 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Арон Бух. главное его достижение - свобода |
1187 | 239 |
9 |
21 |
28 |
20 |
16 |
21 |
26 |
11 |
17 |
13 |
31 |
26 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Образ и время в советской живописи 30-х годов |
1598 | 239 |
4 |
20 |
24 |
24 |
14 |
19 |
21 |
19 |
27 |
22 |
26 |
19 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Время волшебников, кукольники |
2492 | 238 |
5 |
19 |
21 |
29 |
16 |
18 |
19 |
10 |
29 |
21 |
25 |
26 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Валентина Крушинина.Своя тема |
1747 | 238 |
9 |
26 |
23 |
30 |
18 |
25 |
15 |
10 |
18 |
15 |
27 |
22 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
|
Нижегородский художественный музей и его шедевры |
828 | 237 |
10 |
26 |
29 |
22 |
20 |
18 |
14 |
9 |
25 |
16 |
21 |
27 |
0 |
4 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Сон в осеннюю ночь |
2427 | 237 |
4 |
20 |
21 |
32 |
18 |
28 |
19 |
12 |
30 |
13 |
17 |
23 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1518 | 237 |
9 |
21 |
26 |
19 |
13 |
20 |
23 |
13 |
18 |
17 |
23 |
35 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Анна Голубкина - русский гений |
808 | 237 |
9 |
24 |
27 |
28 |
19 |
22 |
13 |
12 |
24 |
16 |
23 |
20 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Ковалева Дина и ее теория Красоты |
862 | 236 |
4 |
23 |
32 |
31 |
15 |
17 |
12 |
16 |
21 |
17 |
24 |
24 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Уильям Хогарт -основатель английской живописи |
1994 | 234 |
1 |
19 |
16 |
21 |
19 |
27 |
21 |
13 |
23 |
17 |
27 |
30 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Оттепель 60х в искусстве.Все оттенки оттепели |
1784 | 234 |
11 |
21 |
22 |
23 |
15 |
16 |
13 |
18 |
31 |
17 |
26 |
21 |
0 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
|
Павел Филонов и его механика Вселенной |
1576 | 234 |
4 |
17 |
13 |
24 |
14 |
25 |
22 |
15 |
32 |
17 |
30 |
21 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Маргарита Бортникова. Кружево |
2184 | 234 |
4 |
23 |
31 |
25 |
15 |
23 |
21 |
7 |
28 |
16 |
19 |
22 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
|
Лариса Кондратова. Валяние не Валенков |
2466 | 233 |
5 |
18 |
29 |
26 |
23 |
21 |
18 |
10 |
19 |
16 |
22 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Олег Рамодин -творец сказочной вселенной |
2202 | 233 |
6 |
24 |
22 |
25 |
17 |
21 |
17 |
7 |
15 |
19 |
29 |
31 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Андрей Бодров -мастер сухой иглы |
1786 | 233 |
3 |
25 |
24 |
29 |
21 |
20 |
18 |
7 |
19 |
10 |
32 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Выставка.Лицо старого дома.Самара |
1704 | 232 |
2 |
23 |
24 |
30 |
17 |
17 |
15 |
10 |
12 |
17 |
29 |
36 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Сергей Цедилов - мастер книги |
1602 | 232 |
9 |
16 |
19 |
20 |
10 |
15 |
17 |
20 |
15 |
20 |
38 |
33 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Дмитрий Кондратьев |
1324 | 232 |
4 |
21 |
20 |
27 |
17 |
24 |
16 |
14 |
22 |
15 |
24 |
28 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Шульпин Михаил. Образ Венеции для России |
2239 | 232 |
10 |
17 |
21 |
21 |
16 |
17 |
19 |
17 |
18 |
22 |
26 |
28 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
|
Художники Казахстана.Лицо невесты из Великой степи |
1989 | 232 |
4 |
23 |
30 |
33 |
19 |
21 |
16 |
17 |
16 |
18 |
17 |
18 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Наталья Шепелева. Мастер детского портрета |
1984 | 231 |
9 |
22 |
29 |
33 |
29 |
14 |
20 |
9 |
11 |
13 |
24 |
18 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Рассказы из прошлого века |
2542 | 230 |
4 |
17 |
26 |
18 |
10 |
29 |
25 |
14 |
24 |
18 |
24 |
21 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
2. Чернова Валентина. В мастерской художника |
2285 | 229 |
9 |
28 |
24 |
32 |
25 |
16 |
14 |
11 |
13 |
16 |
24 |
17 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Летние вернисажи |
1797 | 229 |
10 |
18 |
22 |
28 |
19 |
20 |
19 |
14 |
15 |
19 |
24 |
21 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Солдат Победы. История жизни |
2608 | 229 |
6 |
23 |
22 |
22 |
14 |
22 |
21 |
11 |
26 |
17 |
21 |
24 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1668 | 229 |
6 |
22 |
18 |
26 |
13 |
27 |
22 |
16 |
17 |
16 |
23 |
23 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Татьяна Пудова. Новые технологии в творчестве художников |
1852 | 229 |
6 |
21 |
22 |
16 |
13 |
23 |
20 |
12 |
23 |
17 |
28 |
28 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Альфред фон Вакано. Его музей |
671 | 228 |
9 |
21 |
30 |
24 |
16 |
13 |
18 |
13 |
18 |
16 |
28 |
22 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Андреев Юрий. Найди себе учителя и приобрети друга |
2201 | 227 |
6 |
20 |
18 |
23 |
15 |
14 |
18 |
16 |
29 |
23 |
25 |
20 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Бойчукисты в Самаре |
2395 | 226 |
9 |
28 |
24 |
28 |
19 |
16 |
14 |
9 |
11 |
16 |
30 |
22 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Владимир Романов.Портреты и акварели |
1238 | 226 |
4 |
26 |
27 |
20 |
12 |
19 |
21 |
10 |
20 |
15 |
26 |
26 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2590 | 226 |
4 |
24 |
22 |
25 |
15 |
26 |
18 |
16 |
19 |
13 |
24 |
20 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Михаил Нестеров.Внутренняя жизнь и красота духа |
2166 | 226 |
2 |
28 |
14 |
19 |
21 |
19 |
15 |
8 |
33 |
17 |
29 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
6. Василий Ващенко. Рассказы музейного человечка |
952 | 225 |
5 |
24 |
24 |
24 |
16 |
17 |
20 |
12 |
20 |
19 |
23 |
21 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Эрбштейн Борис. Часть первая |
759 | 225 |
3 |
25 |
16 |
32 |
15 |
17 |
23 |
12 |
26 |
16 |
20 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1872 | 225 |
5 |
20 |
28 |
26 |
20 |
23 |
14 |
10 |
16 |
18 |
22 |
23 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Дхш им Марка Шагала -30 лет |
834 | 225 |
8 |
25 |
16 |
23 |
17 |
15 |
17 |
15 |
18 |
18 |
26 |
27 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Кулебакин Николай |
710 | 225 |
5 |
18 |
17 |
23 |
14 |
19 |
26 |
12 |
19 |
12 |
30 |
30 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2217 | 225 |
3 |
19 |
20 |
20 |
15 |
23 |
20 |
17 |
16 |
17 |
33 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Три рассказа о грустном Фане |
2113 | 224 |
5 |
21 |
21 |
30 |
20 |
22 |
16 |
13 |
23 |
20 |
16 |
17 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Запечатленное время в мировоззрении поколения семидесятых |
2113 | 224 |
5 |
20 |
17 |
21 |
10 |
12 |
23 |
12 |
24 |
19 |
24 |
37 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
2117 | 224 |
6 |
21 |
21 |
24 |
18 |
19 |
17 |
11 |
28 |
22 |
17 |
20 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Концептуалисты. Увидели и живем,или повидали и оживились |
1834 | 223 |
5 |
16 |
24 |
31 |
22 |
20 |
17 |
12 |
16 |
19 |
21 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
|
Вилковы.На нашей маленькой земле |
2334 | 223 |
5 |
20 |
20 |
26 |
18 |
24 |
14 |
9 |
19 |
21 |
23 |
24 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Юлия Кузнецова ее пленэрная живопись |
1911 | 223 |
4 |
20 |
20 |
15 |
12 |
21 |
14 |
12 |
28 |
17 |
31 |
29 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Обзор выставок ноября 2016 |
1588 | 223 |
4 |
20 |
27 |
17 |
12 |
19 |
19 |
10 |
34 |
17 |
20 |
24 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Вадим Сушко.Я люблю судьбу свою |
2703 | 222 |
6 |
14 |
30 |
34 |
8 |
15 |
19 |
11 |
19 |
15 |
34 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Борис Иевлев.Живопись мазками |
1521 | 222 |
6 |
19 |
18 |
24 |
16 |
22 |
16 |
12 |
22 |
19 |
23 |
25 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Обзор выставок в Самаре. Экспозиция это? |
2057 | 221 |
5 |
21 |
19 |
25 |
15 |
23 |
16 |
14 |
22 |
20 |
22 |
19 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Передвижники и портретный жанр |
752 | 221 |
5 |
29 |
23 |
28 |
15 |
12 |
17 |
11 |
29 |
15 |
20 |
17 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
|
Е.Поленова и М.Якунчикова творительницы красоты |
582 | 221 |
8 |
23 |
24 |
21 |
14 |
20 |
22 |
10 |
16 |
19 |
21 |
23 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Геннадий Филатов.Мастер видового пейзажа |
1325 | 221 |
4 |
22 |
32 |
25 |
13 |
18 |
14 |
12 |
12 |
19 |
27 |
23 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
|
Елена Макеева. Стремительная живопись |
2282 | 221 |
7 |
23 |
27 |
27 |
19 |
17 |
16 |
10 |
14 |
14 |
23 |
24 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1741 | 220 |
6 |
20 |
30 |
23 |
13 |
20 |
17 |
11 |
25 |
16 |
17 |
22 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
1. Чернова Валентина.Пленники искусства |
2663 | 220 |
3 |
20 |
24 |
24 |
16 |
16 |
18 |
15 |
17 |
18 |
24 |
25 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Коновалов Ген Гри -художник 20 века |
1914 | 219 |
5 |
17 |
25 |
24 |
14 |
20 |
22 |
11 |
19 |
17 |
21 |
24 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
В Лабиринте книжной иллюстрации |
2083 | 219 |
4 |
19 |
24 |
21 |
15 |
21 |
17 |
11 |
24 |
18 |
19 |
26 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Восток в Сохм |
1735 | 219 |
7 |
15 |
20 |
18 |
13 |
24 |
25 |
14 |
19 |
17 |
25 |
22 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Дина Богусонова мастер эмали |
537 | 219 |
8 |
19 |
20 |
28 |
21 |
18 |
15 |
13 |
16 |
17 |
19 |
25 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Иван Карпунов.Как я позировала художнику |
1026 | 219 |
6 |
17 |
23 |
25 |
21 |
16 |
17 |
22 |
9 |
31 |
15 |
17 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Самара в творчестве семидесятников |
2504 | 218 |
8 |
20 |
21 |
25 |
13 |
13 |
19 |
16 |
28 |
14 |
22 |
19 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Тольятти.Союз художников |
588 | 218 |
7 |
25 |
20 |
22 |
22 |
14 |
21 |
14 |
18 |
16 |
20 |
19 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2556 | 217 |
7 |
20 |
22 |
21 |
16 |
19 |
21 |
11 |
25 |
16 |
16 |
23 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
|
Станислав Федоров |
1531 | 217 |
4 |
19 |
25 |
19 |
19 |
18 |
25 |
10 |
17 |
15 |
23 |
23 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Гобелены - славное ремесло из старого Парижа |
2843 | 217 |
6 |
18 |
22 |
29 |
15 |
17 |
16 |
11 |
22 |
22 |
21 |
18 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Мальвы самарского кэмпа |
2788 | 216 |
4 |
26 |
27 |
25 |
14 |
16 |
21 |
11 |
14 |
15 |
21 |
22 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Многообразие фактур и таинство стиля |
2173 | 216 |
7 |
24 |
22 |
28 |
15 |
16 |
20 |
11 |
12 |
17 |
19 |
25 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Валерий Самаринкин.Дорога к храму |
632 | 216 |
6 |
21 |
20 |
18 |
15 |
15 |
20 |
9 |
26 |
18 |
25 |
23 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
В.Башкиров. Нестареющая Природа в его живописи |
1942 | 216 |
6 |
22 |
21 |
18 |
11 |
18 |
17 |
12 |
20 |
22 |
27 |
22 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Юферев Геннадий |
628 | 216 |
9 |
22 |
25 |
25 |
15 |
14 |
19 |
11 |
13 |
17 |
23 |
23 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1807 | 215 |
5 |
25 |
18 |
25 |
13 |
21 |
18 |
11 |
14 |
18 |
20 |
27 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Альфред фон Вакано.Путешествие в Японию начинается |
596 | 215 |
6 |
18 |
24 |
23 |
14 |
18 |
16 |
10 |
25 |
20 |
19 |
22 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Самарские мечтатели или новое на Арт-рынке Самары |
2306 | 215 |
7 |
19 |
18 |
24 |
14 |
13 |
23 |
13 |
21 |
15 |
29 |
19 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Хохлова Наталья |
499 | 214 |
7 |
20 |
22 |
26 |
18 |
17 |
16 |
6 |
23 |
20 |
21 |
18 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Самарские амазонки в интерьере цветущего папорпотника |
1566 | 214 |
11 |
21 |
21 |
20 |
18 |
14 |
17 |
9 |
22 |
17 |
19 |
25 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Передвижники и бытовой жанр |
658 | 214 |
6 |
25 |
20 |
26 |
13 |
12 |
17 |
12 |
15 |
17 |
26 |
25 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Егорова Любовь. Творчество под знаком воздуха и потока |
1047 | 214 |
6 |
18 |
22 |
23 |
20 |
21 |
16 |
7 |
17 |
18 |
25 |
21 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
|
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2238 | 213 |
5 |
28 |
22 |
26 |
16 |
19 |
17 |
8 |
12 |
11 |
25 |
24 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
|
По закону племени |
2169 | 213 |
5 |
16 |
17 |
30 |
13 |
18 |
20 |
12 |
18 |
18 |
23 |
23 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Корнелия Функе.Волшебные сказки для взрослых" |
2378 | 213 |
6 |
20 |
20 |
21 |
16 |
21 |
19 |
9 |
11 |
18 |
28 |
24 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
2056 | 213 |
5 |
17 |
27 |
17 |
13 |
22 |
15 |
15 |
18 |
15 |
25 |
24 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
|
О чем молчат куклы. Третья кукольная выставка |
1878 | 213 |
2 |
18 |
24 |
20 |
15 |
14 |
19 |
10 |
25 |
19 |
22 |
25 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
С любовью из Крыма". Выставка |
2004 | 212 |
10 |
25 |
26 |
22 |
11 |
15 |
16 |
7 |
17 |
17 |
27 |
19 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Гений ар- деко. Эрте |
1105 | 212 |
6 |
17 |
23 |
28 |
15 |
21 |
18 |
10 |
16 |
18 |
22 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
2046 | 212 |
5 |
27 |
22 |
20 |
16 |
17 |
17 |
9 |
17 |
15 |
27 |
20 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Сергей Шнуров про брендреализм |
1236 | 212 |
5 |
23 |
16 |
23 |
9 |
17 |
14 |
16 |
24 |
14 |
29 |
22 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Альфред фон Вакано. Саркофаг из египетской коллекции |
609 | 210 |
4 |
19 |
20 |
24 |
19 |
15 |
17 |
13 |
16 |
15 |
21 |
27 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
4 |
0 |
1 |
0 |
|
Любить жизнь глазами Виктора Новокрещенова |
2982 | 210 |
7 |
23 |
19 |
19 |
15 |
19 |
23 |
10 |
15 |
13 |
24 |
23 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Портретная галерея "Сыны Отечества" |
2382 | 209 |
3 |
18 |
21 |
21 |
11 |
19 |
17 |
13 |
20 |
15 |
26 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Выставка к 100 -летию революции |
1321 | 209 |
9 |
16 |
22 |
24 |
11 |
20 |
20 |
12 |
13 |
17 |
22 |
23 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Туман Жумабаев. Свет старой Самары |
2168 | 209 |
8 |
18 |
29 |
22 |
12 |
16 |
15 |
14 |
16 |
16 |
23 |
20 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
|
Акварель -хорошая девка |
2172 | 208 |
11 |
22 |
23 |
22 |
17 |
14 |
14 |
11 |
14 |
16 |
17 |
27 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Что собирают в Самаре |
2236 | 208 |
7 |
11 |
25 |
25 |
11 |
19 |
17 |
11 |
24 |
15 |
19 |
24 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Владимир Булеков.Экспрессивный портрет художника |
515 | 208 |
2 |
24 |
19 |
22 |
18 |
22 |
24 |
9 |
20 |
9 |
19 |
20 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Счастливый мир детства в зеркале русской живописи |
3685 | 207 |
4 |
20 |
23 |
24 |
14 |
15 |
12 |
15 |
22 |
16 |
23 |
19 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2325 | 207 |
8 |
14 |
20 |
28 |
25 |
13 |
12 |
10 |
20 |
13 |
23 |
21 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Информация о владельце раздела |
2165 | 206 |
6 |
20 |
18 |
25 |
16 |
22 |
20 |
11 |
11 |
16 |
22 |
19 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Николай Вдовкин и Ирина Елизарова.Эмали |
2010 | 206 |
7 |
23 |
22 |
23 |
12 |
20 |
15 |
9 |
15 |
14 |
29 |
17 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Европейские фаянсы 18 века в собрании Сохм |
1865 | 206 |
4 |
13 |
21 |
18 |
17 |
21 |
21 |
12 |
18 |
19 |
21 |
21 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1778 | 205 |
4 |
23 |
18 |
29 |
17 |
17 |
19 |
11 |
8 |
20 |
21 |
18 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
|
Самарский художественный музей. Дары |
1174 | 205 |
6 |
18 |
24 |
23 |
17 |
19 |
15 |
12 |
14 |
20 |
20 |
17 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Три выставки. Вернисажи ноября 2019 |
905 | 204 |
4 |
25 |
29 |
22 |
7 |
14 |
13 |
14 |
23 |
18 |
21 |
14 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
|
Юрий Филиппов. Паломники в Древнюю Русь |
1752 | 204 |
4 |
18 |
23 |
16 |
19 |
16 |
13 |
10 |
26 |
15 |
23 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Цыганская рапсодия |
1998 | 203 |
3 |
17 |
16 |
28 |
19 |
21 |
15 |
12 |
13 |
15 |
22 |
22 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Бородачев Юрий Петрович. Вспоминая современника |
1102 | 202 |
4 |
16 |
23 |
18 |
15 |
18 |
14 |
13 |
14 |
23 |
21 |
23 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Выставка.Краски Солнцеворота |
1786 | 202 |
3 |
13 |
27 |
20 |
10 |
20 |
17 |
15 |
18 |
15 |
23 |
21 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Евгений Штыров.По дорогам Древней Руси |
999 | 202 |
7 |
19 |
17 |
29 |
18 |
14 |
13 |
10 |
11 |
24 |
18 |
22 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Посвящается Франции |
1988 | 202 |
6 |
21 |
18 |
28 |
21 |
15 |
20 |
7 |
13 |
14 |
27 |
12 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Рецензия на серию книг Артема Каменистого - "Девятый" |
1892 | 201 |
3 |
23 |
24 |
19 |
11 |
13 |
15 |
12 |
13 |
28 |
19 |
21 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1783 | 200 |
2 |
21 |
15 |
22 |
19 |
23 |
13 |
14 |
11 |
19 |
18 |
23 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Грани 20 века |
1488 | 200 |
5 |
19 |
22 |
25 |
15 |
15 |
13 |
10 |
22 |
12 |
19 |
23 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
2081 | 200 |
3 |
17 |
25 |
27 |
11 |
15 |
20 |
10 |
14 |
15 |
25 |
18 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Осенние вернисажи 2016 |
1617 | 199 |
3 |
20 |
23 |
27 |
9 |
17 |
13 |
8 |
24 |
15 |
21 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
|
Мысли вслух в технике гобелена |
1364 | 199 |
5 |
14 |
28 |
21 |
15 |
17 |
12 |
8 |
20 |
19 |
19 |
21 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Восточный десерт |
2213 | 199 |
5 |
22 |
29 |
23 |
18 |
13 |
16 |
11 |
11 |
14 |
21 |
16 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Аромат сластей над садами |
2162 | 199 |
4 |
23 |
20 |
23 |
16 |
19 |
17 |
11 |
12 |
15 |
20 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
В.Герасимов -монументалист,живописец,график |
1586 | 198 |
7 |
18 |
12 |
20 |
13 |
18 |
17 |
14 |
13 |
23 |
19 |
24 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Зураб Церетели. Мелодии Грузии |
1629 | 198 |
5 |
15 |
18 |
28 |
18 |
15 |
17 |
7 |
11 |
17 |
20 |
27 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Юлия Кузнецова.Игры Солнца и теней |
1635 | 197 |
7 |
16 |
21 |
18 |
11 |
16 |
17 |
9 |
15 |
15 |
26 |
26 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
За кулисами театра |
1725 | 197 |
6 |
16 |
14 |
24 |
31 |
15 |
16 |
6 |
10 |
16 |
22 |
21 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
4. Рассказы музейного человечка. Похищение Курильщиков |
2050 | 196 |
2 |
21 |
15 |
23 |
14 |
18 |
15 |
11 |
22 |
18 |
15 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Все краски весенней выставки |
1361 | 196 |
4 |
15 |
18 |
24 |
15 |
17 |
15 |
16 |
22 |
12 |
20 |
18 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Степан Эрьзя - русский Роден ? |
2833 | 196 |
5 |
25 |
16 |
21 |
23 |
16 |
16 |
6 |
10 |
19 |
20 |
19 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Кукольный марш |
2191 | 196 |
4 |
16 |
22 |
24 |
11 |
21 |
17 |
11 |
15 |
13 |
23 |
19 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Чернова Валентина. Итоги |
1866 | 195 |
5 |
15 |
22 |
34 |
15 |
19 |
17 |
6 |
14 |
16 |
16 |
16 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Мужская гостиная в Музее Модерна |
1913 | 195 |
5 |
21 |
20 |
18 |
14 |
18 |
19 |
11 |
17 |
14 |
18 |
20 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Виктор Новокрещенов,музыка,воплощенная в красках |
702 | 195 |
4 |
18 |
14 |
24 |
11 |
13 |
18 |
12 |
22 |
18 |
20 |
21 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Иван Айвазовский. Среди стихий |
2147 | 194 |
5 |
16 |
23 |
19 |
15 |
16 |
13 |
11 |
13 |
17 |
24 |
22 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
3.Чернова Валентина.Еще три портрета |
1924 | 193 |
2 |
13 |
21 |
21 |
21 |
16 |
19 |
5 |
25 |
15 |
19 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Шепелева Наталья.Цели и грезы |
564 | 192 |
3 |
23 |
25 |
20 |
11 |
15 |
14 |
8 |
20 |
14 |
19 |
20 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
2074 | 192 |
3 |
24 |
13 |
19 |
11 |
14 |
19 |
13 |
11 |
18 |
26 |
21 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1720 | 191 |
7 |
15 |
24 |
20 |
11 |
14 |
13 |
6 |
23 |
16 |
22 |
20 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Карнавал в искусстве. Посвящение |
1397 | 191 |
4 |
16 |
15 |
23 |
12 |
23 |
13 |
8 |
16 |
18 |
21 |
22 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |