| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
По разделу |
388873 | 1241 |
46 |
126 |
125 |
80 |
81 |
120 |
115 |
115 |
122 |
105 |
101 |
105 |
0 |
2 |
4 |
4 |
3 |
8 |
12 |
12 |
1 |
1 |
3 |
8 |
3 |
3 |
2 |
3 |
2 |
7 |
4 |
3 |
5 |
4 |
4 |
4 |
5 |
4 |
4 |
6 |
5 |
5 |
5 |
5 |
3 |
4 |
5 |
4 |
3 |
2 |
6 |
4 |
4 |
5 |
3 |
3 |
4 |
5 |
4 |
3 |
6 |
3 |
6 |
5 |
3 |
4 |
4 |
3 |
6 |
4 |
2 |
6 |
5 |
6 |
|
Графики Самары |
2929 | 624 |
21 |
69 |
60 |
40 |
40 |
46 |
55 |
56 |
83 |
58 |
50 |
46 |
0 |
2 |
3 |
1 |
2 |
0 |
9 |
4 |
0 |
0 |
3 |
8 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
4 |
0 |
4 |
1 |
3 |
4 |
2 |
6 |
2 |
4 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
3 |
1 |
3 |
2 |
4 |
1 |
4 |
2 |
1 |
3 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
3 |
2 |
4 |
|
Дина Богусонова. Амазонка неоабстракционизма |
3371 | 491 |
20 |
52 |
47 |
42 |
28 |
38 |
45 |
46 |
54 |
36 |
42 |
41 |
0 |
0 |
2 |
0 |
3 |
4 |
3 |
8 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
0 |
4 |
3 |
3 |
2 |
2 |
1 |
0 |
5 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
6 |
1 |
1 |
4 |
2 |
5 |
|
Кутяков Сергей. Династия Кутяковых. Простая история |
2401 | 385 |
12 |
42 |
30 |
19 |
23 |
35 |
34 |
50 |
40 |
33 |
31 |
36 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
4 |
0 |
2 |
|
Артур Фонвизин |
1449 | 301 |
12 |
32 |
32 |
29 |
12 |
17 |
24 |
33 |
33 |
25 |
28 |
24 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
0 |
|
Карпунов Иван. Я всегда хотел быть художником |
2828 | 301 |
10 |
26 |
29 |
16 |
15 |
32 |
27 |
47 |
34 |
23 |
18 |
24 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
|
Портрет семьи в советской живописи.20век |
1448 | 296 |
6 |
28 |
31 |
12 |
19 |
20 |
32 |
41 |
30 |
27 |
27 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
|
Виноградова Анна. Блеск национальной романтики |
1892 | 282 |
7 |
31 |
29 |
16 |
13 |
26 |
35 |
32 |
26 |
22 |
26 |
19 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
|
Наталья Сюзева. Девичьи игры |
2700 | 280 |
7 |
26 |
19 |
16 |
20 |
23 |
27 |
32 |
34 |
27 |
24 |
25 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Карэн Саркисов |
2527 | 279 |
7 |
16 |
14 |
15 |
26 |
32 |
31 |
28 |
30 |
40 |
21 |
19 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Рудольф Баранов и академическая живопись России |
3103 | 276 |
12 |
25 |
16 |
18 |
14 |
29 |
38 |
27 |
31 |
19 |
22 |
25 |
0 |
1 |
2 |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
|
Острецов Анатолий -художник наблюдатель |
2329 | 273 |
6 |
28 |
20 |
23 |
32 |
16 |
31 |
31 |
25 |
20 |
21 |
20 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
4 |
|
Художник Вадим Петрович Свешников |
827 | 269 |
6 |
23 |
35 |
11 |
15 |
15 |
32 |
26 |
29 |
30 |
27 |
20 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
5 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
2 |
|
Панкратов Василий - портретист |
1080 | 266 |
7 |
28 |
20 |
11 |
14 |
25 |
36 |
27 |
33 |
29 |
19 |
17 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
|
Станислав Щеглов |
952 | 266 |
11 |
24 |
24 |
10 |
27 |
16 |
23 |
30 |
35 |
20 |
27 |
19 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
|
В.Пентюх и Н.Непьянова.Образ Отечества |
2263 | 262 |
8 |
32 |
27 |
21 |
20 |
23 |
27 |
23 |
26 |
18 |
18 |
19 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
|
Японская гравюра |
1482 | 253 |
4 |
27 |
24 |
8 |
7 |
19 |
32 |
35 |
36 |
16 |
23 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Дубровин Игорь Викторович |
429 | 252 |
13 |
33 |
25 |
15 |
13 |
24 |
23 |
20 |
29 |
27 |
18 |
12 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
5 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
3 |
0 |
4 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Народное искусство и его новая жизнь |
1537 | 251 |
4 |
25 |
22 |
15 |
20 |
27 |
28 |
20 |
32 |
17 |
21 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
|
Юрий Скачков |
1438 | 249 |
7 |
24 |
26 |
9 |
10 |
24 |
25 |
29 |
21 |
21 |
29 |
24 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
981 | 248 |
10 |
22 |
33 |
10 |
14 |
23 |
25 |
22 |
30 |
12 |
26 |
21 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
4 |
3 |
|
Игорь Петров Гений места |
1847 | 245 |
8 |
27 |
20 |
13 |
19 |
25 |
25 |
27 |
24 |
16 |
22 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Наталья Шепелева. Мастер детского портрета |
2073 | 245 |
11 |
26 |
22 |
8 |
13 |
18 |
22 |
29 |
33 |
29 |
14 |
20 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
|
Виктор Норкин и его Вантастическая живопись |
2392 | 245 |
8 |
30 |
26 |
10 |
16 |
21 |
29 |
25 |
25 |
16 |
21 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
5 |
|
Андрей Бодров -мастер сухой иглы |
1890 | 244 |
12 |
23 |
22 |
12 |
13 |
25 |
25 |
24 |
29 |
21 |
20 |
18 |
0 |
1 |
0 |
0 |
0 |
4 |
3 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
|
Любить жизнь глазами Виктора Новокрещенова |
3101 | 244 |
10 |
36 |
31 |
12 |
21 |
16 |
23 |
19 |
19 |
15 |
19 |
23 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
5 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
|
Галина Лемкова.Время города, мгновенья хайку |
2221 | 243 |
19 |
20 |
17 |
5 |
14 |
17 |
22 |
24 |
27 |
21 |
31 |
26 |
0 |
0 |
1 |
4 |
1 |
2 |
3 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Геннадий Филатов.Мастер видового пейзажа |
1439 | 242 |
8 |
32 |
23 |
14 |
16 |
25 |
22 |
32 |
25 |
13 |
18 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
|
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2321 | 242 |
7 |
35 |
22 |
8 |
17 |
17 |
21 |
34 |
27 |
15 |
19 |
20 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
2 |
|
Георгий Кикин.Женщины,подруги и ню |
1326 | 241 |
9 |
24 |
26 |
8 |
11 |
17 |
28 |
20 |
32 |
25 |
25 |
16 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
|
Елена Титова.пленница красоты |
716 | 241 |
13 |
22 |
16 |
12 |
13 |
22 |
26 |
30 |
24 |
14 |
24 |
25 |
0 |
1 |
3 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Арнольд Лаховский.Наследие Эмигранта |
2367 | 241 |
15 |
32 |
26 |
6 |
10 |
17 |
28 |
29 |
19 |
15 |
26 |
18 |
0 |
1 |
1 |
1 |
0 |
8 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
|
Эрбштейн Борис. Часть первая |
868 | 240 |
16 |
25 |
19 |
8 |
14 |
30 |
25 |
16 |
32 |
15 |
17 |
23 |
0 |
1 |
2 |
0 |
1 |
0 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Е.Поленова и М.Якунчикова творительницы красоты |
690 | 240 |
2 |
24 |
26 |
16 |
17 |
31 |
23 |
24 |
21 |
14 |
20 |
22 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
4 |
|
Свечников Владимир |
961 | 240 |
11 |
27 |
25 |
13 |
10 |
24 |
23 |
32 |
24 |
11 |
20 |
20 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Городу модерна - Музей Модерна |
2559 | 239 |
7 |
23 |
24 |
12 |
11 |
22 |
21 |
28 |
29 |
21 |
19 |
22 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
|
Южанин Сергей |
493 | 237 |
13 |
27 |
25 |
16 |
18 |
19 |
28 |
19 |
28 |
18 |
10 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Аннэта Басс. Музей как смысл жизни |
903 | 237 |
14 |
25 |
21 |
8 |
16 |
25 |
25 |
28 |
18 |
13 |
20 |
24 |
0 |
1 |
0 |
1 |
1 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
|
Женя Бабушкин.Пыльные цветы |
2342 | 235 |
7 |
19 |
22 |
7 |
10 |
21 |
19 |
32 |
32 |
25 |
20 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2701 | 234 |
9 |
21 |
23 |
5 |
17 |
20 |
22 |
22 |
25 |
22 |
29 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Анна Голубкина - русский гений |
900 | 234 |
13 |
24 |
20 |
7 |
11 |
26 |
24 |
27 |
28 |
19 |
22 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
9 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
|
Маковские. Братья |
1088 | 233 |
6 |
16 |
19 |
5 |
13 |
17 |
22 |
27 |
27 |
17 |
33 |
31 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Иван Комиссаров.Красота и восторг как необходимость для художника |
2864 | 232 |
16 |
23 |
23 |
10 |
9 |
21 |
22 |
28 |
25 |
12 |
22 |
21 |
0 |
1 |
0 |
0 |
1 |
6 |
3 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
|
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1618 | 231 |
2 |
30 |
24 |
10 |
24 |
19 |
21 |
26 |
19 |
13 |
20 |
23 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
|
2. Чернова Валентина. В мастерской художника |
2367 | 230 |
4 |
24 |
20 |
9 |
14 |
20 |
28 |
24 |
32 |
25 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Валентин Белоусов. Творчество |
3358 | 230 |
11 |
26 |
28 |
5 |
13 |
23 |
27 |
25 |
25 |
10 |
19 |
18 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Портрет семьи в русской живописи 18-19вв |
1013 | 228 |
12 |
21 |
23 |
10 |
15 |
16 |
21 |
25 |
30 |
19 |
18 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
|
Передвижники и бытовой жанр |
767 | 228 |
11 |
23 |
31 |
6 |
18 |
26 |
25 |
20 |
26 |
13 |
12 |
17 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
|
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1839 | 227 |
11 |
25 |
26 |
9 |
16 |
17 |
20 |
30 |
23 |
13 |
20 |
17 |
0 |
0 |
0 |
0 |
2 |
6 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
|
Кустодиев.Наследие художника в живописи,графике и фотографии |
1148 | 227 |
2 |
22 |
27 |
9 |
10 |
22 |
17 |
23 |
29 |
13 |
30 |
23 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Арон Бух. главное его достижение - свобода |
1273 | 227 |
14 |
20 |
21 |
8 |
11 |
21 |
21 |
28 |
20 |
16 |
21 |
26 |
0 |
0 |
0 |
1 |
1 |
2 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
6 |
0 |
0 |
|
Валентина Крушинина.Своя тема |
1828 | 227 |
8 |
21 |
23 |
5 |
14 |
19 |
26 |
23 |
30 |
18 |
25 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
|
Передвижники и портретный жанр |
849 | 226 |
5 |
26 |
25 |
10 |
12 |
24 |
29 |
23 |
28 |
15 |
12 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
6 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
|
Горовых Ксения.Большая и малая жизнь в творчестве |
2247 | 226 |
4 |
21 |
12 |
9 |
11 |
14 |
23 |
30 |
33 |
23 |
25 |
21 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Маргарита Бортникова. Кружево |
2268 | 226 |
3 |
21 |
23 |
11 |
11 |
19 |
23 |
31 |
25 |
15 |
23 |
21 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
|
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2681 | 225 |
9 |
29 |
21 |
11 |
12 |
13 |
24 |
22 |
25 |
15 |
26 |
18 |
0 |
1 |
0 |
0 |
0 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
5 |
0 |
0 |
5 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
|
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1759 | 225 |
9 |
25 |
21 |
11 |
12 |
19 |
22 |
18 |
26 |
13 |
27 |
22 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
|
Самаринкина Алиса. Из чего же вырастают художники? |
2718 | 224 |
5 |
15 |
16 |
9 |
12 |
13 |
29 |
28 |
27 |
22 |
23 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Марко Грасси и его Персонажи |
3169 | 224 |
1 |
14 |
17 |
7 |
12 |
16 |
21 |
26 |
34 |
36 |
20 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Мария Бабич.Молодые голоса в стиле фьюжн |
1981 | 224 |
6 |
19 |
20 |
11 |
17 |
15 |
19 |
24 |
30 |
23 |
22 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Многообразие фактур и таинство стиля |
2265 | 224 |
2 |
25 |
28 |
13 |
15 |
16 |
24 |
22 |
28 |
15 |
16 |
20 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Валентин Пурыгин. Мифы о художнике |
2037 | 224 |
9 |
28 |
25 |
7 |
8 |
21 |
20 |
19 |
21 |
19 |
19 |
28 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
4 |
1 |
|
Н.Какошкина и В. Рябцев. Уходящая натура |
2104 | 224 |
5 |
26 |
24 |
6 |
13 |
17 |
23 |
28 |
24 |
18 |
20 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
|
5.Людмила Петтоки. Рассказы музейного человечка |
978 | 223 |
6 |
29 |
19 |
11 |
12 |
15 |
24 |
22 |
32 |
19 |
20 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
|
6. Василий Ващенко. Рассказы музейного человечка |
1044 | 222 |
5 |
27 |
26 |
11 |
9 |
19 |
24 |
24 |
24 |
16 |
17 |
20 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
|
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
2060 | 222 |
4 |
17 |
16 |
5 |
17 |
22 |
17 |
26 |
36 |
20 |
23 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Левитан и его современники |
1394 | 222 |
4 |
16 |
18 |
17 |
21 |
24 |
20 |
21 |
24 |
17 |
21 |
19 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Нижегородский художественный музей и его шедевры |
911 | 222 |
6 |
22 |
21 |
10 |
11 |
23 |
26 |
29 |
22 |
20 |
18 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
|
Константин Коровин. Моцарт русской живописи |
2417 | 222 |
4 |
27 |
25 |
11 |
9 |
15 |
21 |
30 |
25 |
13 |
26 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
4 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
4 |
|
Олег Рамодин -творец сказочной вселенной |
2291 | 221 |
13 |
21 |
21 |
7 |
12 |
21 |
24 |
22 |
25 |
17 |
21 |
17 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
|
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
2246 | 221 |
12 |
19 |
15 |
11 |
12 |
19 |
22 |
19 |
29 |
21 |
21 |
21 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
|
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2495 | 221 |
5 |
21 |
19 |
8 |
10 |
27 |
20 |
31 |
31 |
13 |
18 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Дневник влюбленного предпринимателя |
3013 | 220 |
1 |
25 |
18 |
6 |
14 |
24 |
21 |
29 |
28 |
18 |
21 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Вадим Сушко.Я люблю судьбу свою |
2797 | 220 |
4 |
21 |
24 |
11 |
21 |
19 |
14 |
30 |
34 |
8 |
15 |
19 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Самарские графики. Живое наследие |
1550 | 220 |
7 |
24 |
28 |
8 |
13 |
17 |
23 |
18 |
30 |
17 |
20 |
15 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
|
Борис Иевлев.Живопись мазками |
1620 | 220 |
3 |
26 |
24 |
11 |
12 |
29 |
19 |
18 |
24 |
16 |
22 |
16 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
|
Палех. Маленькие шедевры |
1781 | 220 |
7 |
23 |
19 |
8 |
5 |
28 |
19 |
28 |
26 |
17 |
22 |
18 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
|
Рецензия на книгу Вудхауса "Любовь со взломом |
2087 | 219 |
5 |
16 |
20 |
9 |
13 |
13 |
21 |
32 |
32 |
24 |
17 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Ковалева Дина и ее теория Красоты |
947 | 219 |
12 |
24 |
22 |
6 |
12 |
13 |
23 |
32 |
31 |
15 |
17 |
12 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
|
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1869 | 218 |
8 |
22 |
23 |
7 |
14 |
21 |
23 |
18 |
29 |
17 |
17 |
19 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Бакумов Вячеслав летописец нашей жизни |
525 | 218 |
10 |
25 |
25 |
7 |
13 |
19 |
16 |
28 |
20 |
12 |
20 |
23 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
4 |
|
Три рассказа о грустном Фане |
2195 | 217 |
5 |
19 |
21 |
13 |
6 |
23 |
21 |
21 |
30 |
20 |
22 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
|
Елена Макеева. Стремительная живопись |
2363 | 217 |
5 |
18 |
25 |
9 |
11 |
20 |
23 |
27 |
27 |
19 |
17 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
Вилковы.На нашей маленькой земле |
2423 | 216 |
7 |
22 |
23 |
9 |
14 |
19 |
20 |
20 |
26 |
18 |
24 |
14 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Дмитрий Кондратьев |
1411 | 216 |
9 |
26 |
22 |
8 |
11 |
15 |
21 |
20 |
27 |
17 |
24 |
16 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Евгений Чертыковцев. На тропе к образу |
1717 | 215 |
5 |
23 |
27 |
7 |
7 |
22 |
19 |
18 |
25 |
20 |
23 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
|
Самарский художественный музей. Дары |
1267 | 215 |
8 |
26 |
25 |
6 |
9 |
25 |
18 |
24 |
23 |
17 |
19 |
15 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
|
Мальвы самарского кэмпа |
2869 | 214 |
4 |
24 |
19 |
7 |
12 |
19 |
26 |
27 |
25 |
14 |
16 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1950 | 214 |
10 |
14 |
19 |
9 |
11 |
20 |
20 |
28 |
26 |
20 |
23 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
Рерих и его держава на долгую память |
1958 | 214 |
1 |
20 |
12 |
8 |
8 |
25 |
21 |
28 |
23 |
27 |
25 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Карл Брюллов - наследие из Петербурга |
2119 | 214 |
9 |
19 |
24 |
10 |
14 |
13 |
19 |
26 |
22 |
11 |
21 |
26 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
5 |
0 |
|
Андреев Юрий. Найди себе учителя и приобрети друга |
2300 | 213 |
13 |
33 |
23 |
8 |
13 |
15 |
20 |
18 |
23 |
15 |
14 |
18 |
0 |
0 |
0 |
1 |
0 |
2 |
6 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
7 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
|
Оттепель 60х в искусстве.Все оттенки оттепели |
1876 | 213 |
9 |
24 |
24 |
7 |
15 |
24 |
21 |
22 |
23 |
15 |
16 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
5 |
0 |
0 |
|
Ю.И.Филиппов художник - жизнелюб |
1654 | 213 |
9 |
25 |
22 |
7 |
9 |
22 |
23 |
19 |
21 |
17 |
18 |
21 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
4 |
|
Дмитрий Мантров.Теплая выставка в холодный сезон |
1432 | 213 |
5 |
23 |
17 |
6 |
10 |
20 |
22 |
20 |
27 |
22 |
20 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Посвящается Франции |
2072 | 213 |
6 |
23 |
18 |
7 |
14 |
22 |
21 |
18 |
28 |
21 |
15 |
20 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Самара в творчестве семидесятников |
2597 | 212 |
6 |
33 |
24 |
7 |
16 |
15 |
20 |
21 |
25 |
13 |
13 |
19 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
6 |
|
Восточный десерт |
2299 | 212 |
3 |
23 |
22 |
10 |
10 |
23 |
22 |
29 |
23 |
18 |
13 |
16 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
6 |
|
Художники Казахстана.Лицо невесты из Великой степи |
2055 | 212 |
13 |
10 |
15 |
5 |
10 |
17 |
23 |
30 |
33 |
19 |
21 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
6 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Станислав Федоров |
1614 | 212 |
9 |
25 |
25 |
4 |
7 |
17 |
19 |
25 |
19 |
19 |
18 |
25 |
0 |
1 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Тольятти.Союз художников |
664 | 207 |
7 |
16 |
20 |
8 |
11 |
21 |
25 |
20 |
22 |
22 |
14 |
21 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Валерий Самаринкин.Дорога к храму |
724 | 207 |
9 |
23 |
24 |
7 |
15 |
20 |
21 |
20 |
18 |
15 |
15 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
|
Самарские мечтатели или новое на Арт-рынке Самары |
2395 | 207 |
2 |
28 |
23 |
9 |
12 |
22 |
19 |
18 |
24 |
14 |
13 |
23 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
|
Лариса Кондратова. Валяние не Валенков |
2532 | 206 |
5 |
19 |
19 |
3 |
9 |
16 |
18 |
29 |
26 |
23 |
21 |
18 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Шепелева Наталья.Цели и грезы |
659 | 206 |
3 |
25 |
28 |
8 |
17 |
17 |
23 |
25 |
20 |
11 |
15 |
14 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
|
Солдат Победы. История жизни |
2684 | 206 |
2 |
25 |
19 |
7 |
10 |
19 |
23 |
22 |
22 |
14 |
22 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
|
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
2146 | 206 |
16 |
19 |
22 |
13 |
12 |
13 |
17 |
27 |
17 |
13 |
22 |
15 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
5 |
1 |
|
Уильям Хогарт -основатель английской живописи |
2075 | 205 |
8 |
21 |
22 |
7 |
11 |
13 |
19 |
16 |
21 |
19 |
27 |
21 |
0 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Евгений Штыров.По дорогам Древней Руси |
1087 | 205 |
8 |
22 |
26 |
6 |
15 |
18 |
19 |
17 |
29 |
18 |
14 |
13 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
|
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2302 | 205 |
5 |
27 |
20 |
10 |
12 |
14 |
19 |
20 |
20 |
15 |
23 |
20 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Юрий Филиппов. Паломники в Древнюю Русь |
1847 | 204 |
17 |
29 |
19 |
10 |
12 |
12 |
18 |
23 |
16 |
19 |
16 |
13 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
|
За кулисами театра |
1807 | 204 |
8 |
25 |
22 |
6 |
7 |
20 |
16 |
14 |
24 |
31 |
15 |
16 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
|
Семейные ценности из Росизо |
1526 | 203 |
3 |
26 |
21 |
3 |
12 |
16 |
19 |
21 |
24 |
20 |
19 |
19 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
|
Сон в осеннюю ночь |
2488 | 203 |
5 |
15 |
14 |
6 |
9 |
16 |
20 |
21 |
32 |
18 |
28 |
19 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Время волшебников, кукольники |
2568 | 203 |
1 |
18 |
22 |
6 |
9 |
25 |
19 |
21 |
29 |
16 |
18 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Иван Карпунов.Как я позировала художнику |
1104 | 203 |
1 |
26 |
27 |
5 |
12 |
13 |
17 |
23 |
25 |
21 |
16 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
|
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
2194 | 203 |
7 |
21 |
23 |
5 |
7 |
20 |
21 |
21 |
24 |
18 |
19 |
17 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
5 |
1 |
|
Бойчукисты в Самаре |
2459 | 202 |
7 |
16 |
15 |
6 |
9 |
20 |
28 |
24 |
28 |
19 |
16 |
14 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Образ и время в советской живописи 30-х годов |
1674 | 202 |
7 |
16 |
21 |
7 |
13 |
16 |
20 |
24 |
24 |
14 |
19 |
21 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
|
Куклы из особняка Клодта. Самара |
1769 | 201 |
8 |
25 |
15 |
10 |
18 |
23 |
18 |
20 |
21 |
13 |
14 |
16 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Художественное образование в Самаре |
952 | 201 |
12 |
22 |
24 |
6 |
7 |
24 |
21 |
17 |
26 |
8 |
16 |
18 |
0 |
1 |
1 |
0 |
0 |
6 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
|
Степан Эрьзя - русский Роден ? |
2912 | 201 |
11 |
18 |
17 |
8 |
10 |
20 |
25 |
16 |
21 |
23 |
16 |
16 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1883 | 201 |
5 |
26 |
19 |
6 |
9 |
16 |
25 |
18 |
25 |
13 |
21 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
|
Альфред фон Вакано. Его музей |
741 | 201 |
5 |
15 |
18 |
4 |
18 |
19 |
21 |
30 |
24 |
16 |
13 |
18 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
|
Что собирают в Самаре |
2322 | 201 |
5 |
23 |
25 |
10 |
10 |
20 |
11 |
25 |
25 |
11 |
19 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
1 |
|
Западоевропейское искусство в собрании Сохм |
2542 | 200 |
4 |
22 |
22 |
4 |
13 |
17 |
15 |
17 |
26 |
14 |
20 |
26 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Летние вернисажи |
1861 | 200 |
5 |
14 |
18 |
4 |
9 |
24 |
18 |
22 |
28 |
19 |
20 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
|
Счастливый мир детства в зеркале русской живописи |
3773 | 200 |
0 |
26 |
24 |
12 |
11 |
19 |
20 |
23 |
24 |
14 |
15 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
|
Егорова Любовь. Творчество под знаком воздуха и потока |
1121 | 200 |
3 |
23 |
25 |
4 |
8 |
17 |
18 |
22 |
23 |
20 |
21 |
16 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
|
Иван Айвазовский. Среди стихий |
2240 | 200 |
12 |
21 |
24 |
7 |
12 |
22 |
16 |
23 |
19 |
15 |
16 |
13 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
|
В.Башкиров. Нестареющая Природа в его живописи |
2029 | 200 |
11 |
24 |
18 |
12 |
13 |
15 |
22 |
21 |
18 |
11 |
18 |
17 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
1 |
|
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
2163 | 200 |
4 |
21 |
21 |
8 |
13 |
18 |
17 |
25 |
27 |
11 |
15 |
20 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
5 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
|
О чем молчат куклы. Третья кукольная выставка |
1966 | 200 |
9 |
25 |
25 |
5 |
8 |
18 |
18 |
24 |
20 |
15 |
14 |
19 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
2 |
5 |
1 |
|
В Лабиринте книжной иллюстрации |
2161 | 199 |
9 |
20 |
24 |
9 |
9 |
11 |
19 |
24 |
21 |
15 |
21 |
17 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
|
Рассказы из прошлого века |
2612 | 199 |
10 |
12 |
21 |
7 |
11 |
13 |
17 |
26 |
18 |
10 |
29 |
25 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Гений ар- деко. Эрте |
1176 | 199 |
11 |
16 |
17 |
6 |
9 |
18 |
17 |
23 |
28 |
15 |
21 |
18 |
0 |
0 |
4 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
|
Дина Богусонова.Эмали |
915 | 199 |
10 |
23 |
23 |
7 |
13 |
17 |
19 |
17 |
25 |
11 |
14 |
20 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Информация о владельце раздела |
2237 | 199 |
4 |
20 |
19 |
2 |
11 |
22 |
20 |
18 |
25 |
16 |
22 |
20 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Корнелия Функе.Волшебные сказки для взрослых" |
2454 | 199 |
6 |
25 |
17 |
9 |
12 |
13 |
20 |
20 |
21 |
16 |
21 |
19 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
4 |
0 |
|
Хохлова Наталья |
571 | 198 |
8 |
16 |
14 |
6 |
14 |
21 |
20 |
22 |
26 |
18 |
17 |
16 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Осенние вернисажи 2016 |
1703 | 198 |
5 |
16 |
27 |
9 |
16 |
16 |
20 |
23 |
27 |
9 |
17 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2303 | 198 |
2 |
17 |
14 |
6 |
13 |
18 |
28 |
22 |
26 |
16 |
19 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Кукольная страна |
2733 | 198 |
9 |
20 |
18 |
7 |
11 |
23 |
22 |
24 |
25 |
11 |
11 |
17 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Обзор выставок ноября 2016 |
1668 | 198 |
0 |
24 |
21 |
12 |
11 |
16 |
20 |
27 |
17 |
12 |
19 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
|
Самарские амазонки в интерьере цветущего папорпотника |
1641 | 197 |
7 |
27 |
17 |
5 |
11 |
19 |
21 |
21 |
20 |
18 |
14 |
17 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Запечатленное время в мировоззрении поколения семидесятых |
2202 | 197 |
2 |
27 |
21 |
11 |
15 |
18 |
20 |
17 |
21 |
10 |
12 |
23 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
4 |
0 |
|
Европейские фаянсы 18 века в собрании Сохм |
1947 | 197 |
8 |
21 |
25 |
3 |
9 |
20 |
13 |
21 |
18 |
17 |
21 |
21 |
0 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
|
Павел Филонов и его механика Вселенной |
1653 | 196 |
1 |
25 |
28 |
8 |
8 |
11 |
17 |
13 |
24 |
14 |
25 |
22 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
|
Сергей Шнуров про брендреализм |
1325 | 196 |
0 |
23 |
25 |
7 |
16 |
23 |
23 |
16 |
23 |
9 |
17 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
|
Гобелены - славное ремесло из старого Парижа |
2916 | 196 |
7 |
15 |
18 |
9 |
8 |
22 |
18 |
22 |
29 |
15 |
17 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Бородачев Юрий Петрович. Вспоминая современника |
1189 | 195 |
5 |
21 |
27 |
9 |
11 |
18 |
16 |
23 |
18 |
15 |
18 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
|
Три выставки. Вернисажи ноября 2019 |
986 | 195 |
5 |
19 |
19 |
4 |
16 |
22 |
25 |
29 |
22 |
7 |
14 |
13 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
1. Чернова Валентина.Пленники искусства |
2737 | 195 |
7 |
23 |
25 |
6 |
8 |
8 |
20 |
24 |
24 |
16 |
16 |
18 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Обзор выставок в Самаре. Экспозиция это? |
2127 | 194 |
11 |
16 |
17 |
7 |
9 |
15 |
21 |
19 |
25 |
15 |
23 |
16 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Выставка к 100 -летию революции |
1393 | 194 |
7 |
21 |
22 |
4 |
8 |
19 |
16 |
22 |
24 |
11 |
20 |
20 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
|
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1809 | 193 |
13 |
21 |
24 |
8 |
12 |
18 |
15 |
24 |
20 |
11 |
14 |
13 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
|
Грани 20 века |
1567 | 193 |
8 |
21 |
22 |
7 |
9 |
17 |
19 |
22 |
25 |
15 |
15 |
13 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Дина Богусонова мастер эмали |
601 | 193 |
4 |
15 |
18 |
4 |
13 |
18 |
19 |
20 |
28 |
21 |
18 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
|
Акварель -хорошая девка |
2242 | 193 |
11 |
17 |
19 |
8 |
6 |
20 |
22 |
23 |
22 |
17 |
14 |
14 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Цыганская рапсодия |
2072 | 193 |
9 |
21 |
21 |
3 |
10 |
13 |
17 |
16 |
28 |
19 |
21 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Юферев Геннадий |
692 | 193 |
4 |
13 |
17 |
8 |
13 |
18 |
22 |
25 |
25 |
15 |
14 |
19 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
В.Герасимов -монументалист,живописец,график |
1673 | 192 |
7 |
27 |
23 |
13 |
9 |
15 |
18 |
12 |
20 |
13 |
18 |
17 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
|
Портретная галерея "Сыны Отечества" |
2463 | 191 |
7 |
24 |
21 |
6 |
12 |
14 |
18 |
21 |
21 |
11 |
19 |
17 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Юлия Кузнецова.Игры Солнца и теней |
1720 | 191 |
6 |
28 |
21 |
7 |
12 |
18 |
16 |
21 |
18 |
11 |
16 |
17 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
|
По закону племени |
2241 | 191 |
0 |
19 |
19 |
8 |
10 |
21 |
16 |
17 |
30 |
13 |
18 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
4. Рассказы музейного человечка. Похищение Курильщиков |
2132 | 190 |
8 |
23 |
18 |
11 |
11 |
13 |
21 |
15 |
23 |
14 |
18 |
15 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Передвижники |
704 | 190 |
7 |
26 |
22 |
7 |
14 |
16 |
17 |
13 |
24 |
16 |
12 |
16 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
|
100 картин из Оренбурга для Самары |
2200 | 190 |
10 |
26 |
21 |
7 |
11 |
17 |
20 |
22 |
17 |
14 |
13 |
12 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
|
Кулебакин Николай |
778 | 190 |
2 |
15 |
20 |
7 |
10 |
19 |
18 |
17 |
23 |
14 |
19 |
26 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Выставка.Краски Солнцеворота |
1866 | 190 |
8 |
20 |
22 |
7 |
12 |
14 |
13 |
27 |
20 |
10 |
20 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1857 | 189 |
2 |
17 |
22 |
17 |
9 |
9 |
21 |
15 |
22 |
19 |
23 |
13 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Аромат сластей над садами |
2229 | 189 |
3 |
16 |
23 |
6 |
8 |
15 |
23 |
20 |
23 |
16 |
19 |
17 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Мужская гостиная в Музее Модерна |
1987 | 189 |
9 |
19 |
22 |
3 |
8 |
18 |
21 |
20 |
18 |
14 |
18 |
19 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Туман Жумабаев. Свет старой Самары |
2237 | 189 |
3 |
20 |
20 |
7 |
12 |
15 |
18 |
29 |
22 |
12 |
16 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
От утопии до игры.Новые поступления авангарда в Сохм |
1718 | 188 |
7 |
13 |
17 |
6 |
12 |
18 |
18 |
23 |
27 |
16 |
14 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1746 | 188 |
8 |
21 |
18 |
11 |
15 |
16 |
22 |
22 |
19 |
11 |
8 |
17 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
|
Выставка.Лицо старого дома.Самара |
1763 | 187 |
2 |
16 |
15 |
7 |
7 |
14 |
23 |
24 |
30 |
17 |
17 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
2158 | 187 |
4 |
24 |
27 |
7 |
8 |
17 |
24 |
13 |
19 |
11 |
14 |
19 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
2 |
|
Кукольный марш |
2262 | 186 |
6 |
20 |
15 |
8 |
8 |
18 |
16 |
22 |
24 |
11 |
21 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Дхш им Марка Шагала -30 лет |
898 | 185 |
6 |
17 |
16 |
7 |
11 |
15 |
25 |
16 |
23 |
17 |
15 |
17 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Сад ее глазами ,и сад тот -райская страна |
1894 | 185 |
4 |
20 |
26 |
8 |
11 |
15 |
22 |
16 |
19 |
16 |
14 |
14 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
5 |
0 |
|
Эрбштейн Борис.Часть вторая |
695 | 185 |
9 |
23 |
20 |
5 |
19 |
16 |
16 |
18 |
25 |
12 |
10 |
12 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Карнавал в искусстве. Посвящение |
1475 | 184 |
8 |
23 |
20 |
4 |
13 |
14 |
16 |
15 |
23 |
12 |
23 |
13 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
4 |
|
Мысли вслух в технике гобелена |
1434 | 182 |
11 |
16 |
18 |
4 |
10 |
16 |
14 |
28 |
21 |
15 |
17 |
12 |
0 |
1 |
0 |
2 |
0 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Зураб Церетели. Мелодии Грузии |
1695 | 182 |
2 |
22 |
15 |
6 |
8 |
18 |
15 |
18 |
28 |
18 |
15 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Сергей Цедилов - мастер книги |
1677 | 181 |
5 |
19 |
24 |
7 |
11 |
18 |
16 |
19 |
20 |
10 |
15 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Рецензия на серию книг Артема Каменистого - "Девятый" |
1965 | 181 |
2 |
22 |
18 |
6 |
9 |
19 |
23 |
24 |
19 |
11 |
13 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Великие модернисты. Взгляд Artmedia Plei |
1794 | 180 |
1 |
25 |
18 |
4 |
11 |
15 |
14 |
18 |
21 |
16 |
19 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Все краски весенней выставки |
1432 | 179 |
4 |
18 |
15 |
6 |
15 |
17 |
15 |
18 |
24 |
15 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Свет живописи старых мастеров |
1446 | 178 |
3 |
27 |
20 |
3 |
11 |
17 |
16 |
17 |
25 |
7 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
|
Виктор Новокрещенов,музыка,воплощенная в красках |
778 | 178 |
1 |
22 |
25 |
2 |
12 |
18 |
18 |
14 |
24 |
11 |
13 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Волжский самовар в экзистенциальных поисках |
1136 | 177 |
0 |
24 |
25 |
7 |
10 |
17 |
17 |
18 |
17 |
19 |
11 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
|
Илья Репин, наше все? |
1986 | 170 |
8 |
18 |
17 |
5 |
8 |
14 |
13 |
19 |
21 |
14 |
19 |
14 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Евгений Казнин |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сливкова Анна |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |