| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
По разделу |
211009 | 1188 |
48 |
101 |
159 |
128 |
139 |
97 |
107 |
101 |
78 |
78 |
79 |
73 |
0 |
5 |
4 |
3 |
3 |
2 |
3 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
3 |
2 |
4 |
1 |
3 |
4 |
3 |
4 |
2 |
3 |
4 |
3 |
3 |
5 |
4 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
4 |
3 |
3 |
3 |
2 |
4 |
4 |
3 |
2 |
5 |
4 |
4 |
3 |
6 |
8 |
3 |
2 |
4 |
3 |
4 |
2 |
4 |
4 |
4 |
4 |
2 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8822 | 719 |
16 |
66 |
138 |
58 |
71 |
67 |
73 |
66 |
39 |
32 |
48 |
45 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
4 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
2 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
2 |
4 |
3 |
4 |
1 |
6 |
8 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
Человек рессентимента как социальный тип. Проблема рессентимента |
12007 | 504 |
24 |
46 |
41 |
45 |
48 |
46 |
49 |
61 |
38 |
43 |
29 |
34 |
0 |
3 |
4 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
5 |
4 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
Мировоззрение Достоевского |
12050 | 495 |
25 |
53 |
53 |
55 |
54 |
32 |
38 |
46 |
36 |
31 |
35 |
37 |
0 |
5 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
4 |
0 |
3 |
1 |
4 |
1 |
3 |
2 |
2 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
3 |
0 |
4 |
1 |
4 |
0 |
2 |
2 |
0 |
4 |
0 |
Будущее одной иллюзии Фрейда |
18410 | 478 |
23 |
47 |
43 |
96 |
75 |
46 |
31 |
39 |
18 |
21 |
27 |
12 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
4 |
1 |
1 |
0 |
1 |
Воля к Власти |
13542 | 374 |
20 |
39 |
35 |
46 |
55 |
30 |
25 |
31 |
23 |
23 |
24 |
23 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
Достоевский и Ницше |
10344 | 371 |
18 |
45 |
53 |
37 |
40 |
25 |
23 |
31 |
26 |
21 |
28 |
24 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
4 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3749 | 364 |
16 |
33 |
39 |
32 |
53 |
26 |
31 |
36 |
28 |
21 |
22 |
27 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
Этика Достоевского |
10015 | 270 |
8 |
29 |
16 |
29 |
41 |
35 |
25 |
30 |
14 |
20 |
8 |
15 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
Актуальность Достоевского |
4410 | 225 |
10 |
15 |
12 |
16 |
41 |
25 |
24 |
27 |
15 |
11 |
12 |
17 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Опыт человеческой интроспекции: Ингмар Бергман |
3820 | 225 |
8 |
27 |
18 |
20 |
45 |
19 |
32 |
15 |
15 |
9 |
7 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Викторианская мораль в Новейшее Время |
6013 | 224 |
6 |
16 |
19 |
15 |
17 |
24 |
20 |
22 |
25 |
22 |
26 |
12 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
Достоевский-философ |
9781 | 215 |
11 |
22 |
15 |
22 |
36 |
22 |
21 |
23 |
9 |
13 |
9 |
12 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5003 | 202 |
8 |
18 |
18 |
12 |
19 |
25 |
18 |
27 |
18 |
15 |
12 |
12 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Почему глючат программы? |
5866 | 200 |
15 |
19 |
14 |
20 |
19 |
31 |
20 |
23 |
6 |
14 |
7 |
12 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Ницше и прагматисты |
3071 | 199 |
8 |
14 |
16 |
19 |
39 |
19 |
21 |
25 |
17 |
6 |
7 |
8 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
Оракул информационного общества |
3079 | 197 |
6 |
16 |
15 |
14 |
35 |
20 |
25 |
23 |
18 |
11 |
6 |
8 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Мой Шен Би Де Бао |
2448 | 194 |
11 |
23 |
18 |
15 |
25 |
18 |
19 |
20 |
15 |
10 |
10 |
10 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4941 | 193 |
6 |
11 |
8 |
16 |
25 |
24 |
15 |
26 |
12 |
19 |
19 |
12 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Эстетические искания А. Куприна (на примере Ямы) |
3478 | 191 |
7 |
21 |
13 |
12 |
27 |
19 |
12 |
25 |
16 |
14 |
8 |
17 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4219 | 189 |
8 |
12 |
8 |
23 |
22 |
28 |
20 |
27 |
11 |
12 |
5 |
13 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Развитие философии от Декарта к Спинозе |
3644 | 177 |
12 |
23 |
10 |
10 |
18 |
24 |
18 |
23 |
12 |
11 |
6 |
10 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Вечное возвращение Великого |
4947 | 176 |
9 |
15 |
10 |
11 |
35 |
18 |
17 |
17 |
11 |
10 |
7 |
16 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2232 | 173 |
4 |
14 |
11 |
7 |
34 |
24 |
9 |
27 |
12 |
13 |
7 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Новая наука логики Или Как философствуют тупым предметом |
2693 | 170 |
5 |
13 |
12 |
10 |
36 |
17 |
18 |
24 |
10 |
9 |
6 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
Сценарий лучшего игрового кино. Русская версия |
2487 | 169 |
6 |
19 |
10 |
13 |
33 |
18 |
22 |
19 |
8 |
7 |
4 |
10 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Мертвый постмодернист |
2368 | 169 |
12 |
16 |
7 |
10 |
33 |
12 |
22 |
16 |
13 |
13 |
5 |
10 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2462 | 162 |
9 |
12 |
14 |
13 |
31 |
19 |
17 |
17 |
13 |
5 |
4 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
Романтическая иллюзия |
2175 | 158 |
10 |
14 |
10 |
10 |
25 |
15 |
13 |
15 |
9 |
14 |
14 |
9 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Петербург 2 |
2135 | 155 |
4 |
20 |
8 |
8 |
36 |
18 |
16 |
15 |
6 |
12 |
5 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2725 | 154 |
8 |
16 |
15 |
10 |
30 |
16 |
15 |
15 |
7 |
7 |
4 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
Разговор в метро |
2191 | 151 |
10 |
15 |
11 |
9 |
26 |
17 |
11 |
18 |
9 |
10 |
8 |
7 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Олигархи всех стран, объединяйтесь! |
2051 | 148 |
9 |
9 |
9 |
11 |
30 |
15 |
11 |
18 |
11 |
8 |
6 |
11 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Боже, храни дуче Викторию |
2929 | 147 |
7 |
16 |
7 |
6 |
30 |
18 |
9 |
20 |
10 |
8 |
6 |
10 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Лекция профессора Фредерика Тчертовски |
2363 | 145 |
4 |
17 |
10 |
7 |
31 |
11 |
16 |
17 |
9 |
11 |
7 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Злое Добро |
2926 | 145 |
6 |
12 |
6 |
7 |
32 |
12 |
11 |
17 |
16 |
7 |
10 |
9 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Сумерки себя |
2172 | 145 |
6 |
13 |
11 |
7 |
27 |
21 |
13 |
16 |
10 |
6 |
7 |
8 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Мысли о России |
2603 | 144 |
6 |
12 |
10 |
7 |
28 |
13 |
11 |
14 |
13 |
5 |
9 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Герой поколения плееров Apple ipod |
2810 | 139 |
5 |
14 |
9 |
9 |
15 |
18 |
14 |
15 |
11 |
10 |
9 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Проблематика образов человека у Достоевского |
4665 | 137 |
5 |
13 |
5 |
11 |
14 |
21 |
17 |
16 |
13 |
8 |
7 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |