| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 |
По разделу |
211851 | 1202 |
33 |
102 |
101 |
159 |
128 |
139 |
97 |
107 |
101 |
78 |
78 |
79 |
1 |
2 |
3 |
3 |
3 |
4 |
3 |
2 |
2 |
3 |
3 |
4 |
3 |
6 |
3 |
2 |
4 |
5 |
3 |
2 |
4 |
3 |
4 |
3 |
3 |
2 |
3 |
4 |
5 |
4 |
3 |
3 |
2 |
3 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
3 |
2 |
4 |
1 |
3 |
4 |
3 |
4 |
2 |
3 |
4 |
3 |
3 |
5 |
4 |
4 |
2 |
4 |
4 |
3 |
2 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8852 | 704 |
7 |
39 |
66 |
138 |
58 |
71 |
67 |
73 |
66 |
39 |
32 |
48 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
5 |
3 |
2 |
1 |
5 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
4 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
2 |
4 |
3 |
1 |
Человек рессентимента как социальный тип. Проблема рессентимента |
12043 | 506 |
18 |
42 |
46 |
41 |
45 |
48 |
46 |
49 |
61 |
38 |
43 |
29 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
2 |
1 |
3 |
4 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
Мировоззрение Достоевского |
12090 | 498 |
15 |
50 |
53 |
53 |
55 |
54 |
32 |
38 |
46 |
36 |
31 |
35 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
0 |
3 |
4 |
2 |
0 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
4 |
0 |
3 |
1 |
4 |
1 |
3 |
2 |
Будущее одной иллюзии Фрейда |
18439 | 495 |
11 |
41 |
47 |
43 |
96 |
75 |
46 |
31 |
39 |
18 |
21 |
27 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
Воля к Власти |
13568 | 377 |
11 |
35 |
39 |
35 |
46 |
55 |
30 |
25 |
31 |
23 |
23 |
24 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
Достоевский и Ницше |
10372 | 375 |
10 |
36 |
45 |
53 |
37 |
40 |
25 |
23 |
31 |
26 |
21 |
28 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
4 |
0 |
3 |
1 |
2 |
0 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3781 | 369 |
16 |
32 |
33 |
39 |
32 |
53 |
26 |
31 |
36 |
28 |
21 |
22 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
Этика Достоевского |
10037 | 277 |
8 |
22 |
29 |
16 |
29 |
41 |
35 |
25 |
30 |
14 |
20 |
8 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Викторианская мораль в Новейшее Время |
6035 | 234 |
11 |
17 |
16 |
19 |
15 |
17 |
24 |
20 |
22 |
25 |
22 |
26 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Опыт человеческой интроспекции: Ингмар Бергман |
3834 | 229 |
3 |
19 |
27 |
18 |
20 |
45 |
19 |
32 |
15 |
15 |
9 |
7 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
Актуальность Достоевского |
4425 | 223 |
4 |
21 |
15 |
12 |
16 |
41 |
25 |
24 |
27 |
15 |
11 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
Достоевский-философ |
9801 | 223 |
9 |
22 |
22 |
15 |
22 |
36 |
22 |
21 |
23 |
9 |
13 |
9 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
Почему глючат программы? |
5892 | 214 |
6 |
35 |
19 |
14 |
20 |
19 |
31 |
20 |
23 |
6 |
14 |
7 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
6 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5027 | 214 |
14 |
18 |
18 |
18 |
12 |
19 |
25 |
18 |
27 |
18 |
15 |
12 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
Мой Шен Би Де Бао |
2475 | 211 |
8 |
30 |
23 |
18 |
15 |
25 |
18 |
19 |
20 |
15 |
10 |
10 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
Ницше и прагматисты |
3091 | 211 |
9 |
19 |
14 |
16 |
19 |
39 |
19 |
21 |
25 |
17 |
6 |
7 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
Оракул информационного общества |
3097 | 207 |
6 |
18 |
16 |
15 |
14 |
35 |
20 |
25 |
23 |
18 |
11 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4238 | 195 |
7 |
20 |
12 |
8 |
23 |
22 |
28 |
20 |
27 |
11 |
12 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4951 | 191 |
4 |
12 |
11 |
8 |
16 |
25 |
24 |
15 |
26 |
12 |
19 |
19 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 |
Эстетические искания А. Куприна (на примере Ямы) |
3492 | 188 |
3 |
18 |
21 |
13 |
12 |
27 |
19 |
12 |
25 |
16 |
14 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
Вечное возвращение Великого |
4966 | 179 |
6 |
22 |
15 |
10 |
11 |
35 |
18 |
17 |
17 |
11 |
10 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
Развитие философии от Декарта к Спинозе |
3654 | 177 |
3 |
19 |
23 |
10 |
10 |
18 |
24 |
18 |
23 |
12 |
11 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
Романтическая иллюзия |
2246 | 176 |
7 |
11 |
14 |
11 |
7 |
34 |
24 |
9 |
27 |
12 |
13 |
7 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2483 | 175 |
4 |
26 |
12 |
14 |
13 |
31 |
19 |
17 |
17 |
13 |
5 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Новая наука логики Или Как философствуют тупым предметом |
2707 | 174 |
4 |
15 |
13 |
12 |
10 |
36 |
17 |
18 |
24 |
10 |
9 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
Сценарий лучшего игрового кино. Русская версия |
2501 | 173 |
7 |
13 |
19 |
10 |
13 |
33 |
18 |
22 |
19 |
8 |
7 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
Мертвый постмодернист |
2380 | 171 |
5 |
19 |
16 |
7 |
10 |
33 |
12 |
22 |
16 |
13 |
13 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
Петербург 2 |
2155 | 168 |
8 |
16 |
20 |
8 |
8 |
36 |
18 |
16 |
15 |
6 |
12 |
5 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
Романтическая иллюзия |
2190 | 164 |
5 |
20 |
14 |
10 |
10 |
25 |
15 |
13 |
15 |
9 |
14 |
14 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2739 | 157 |
8 |
14 |
16 |
15 |
10 |
30 |
16 |
15 |
15 |
7 |
7 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Разговор в метро |
2202 | 155 |
2 |
19 |
15 |
11 |
9 |
26 |
17 |
11 |
18 |
9 |
10 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Лекция профессора Фредерика Тчертовски |
2376 | 153 |
5 |
12 |
17 |
10 |
7 |
31 |
11 |
16 |
17 |
9 |
11 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Боже, храни дуче Викторию |
2944 | 152 |
3 |
19 |
16 |
7 |
6 |
30 |
18 |
9 |
20 |
10 |
8 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
Олигархи всех стран, объединяйтесь! |
2064 | 150 |
7 |
15 |
9 |
9 |
11 |
30 |
15 |
11 |
18 |
11 |
8 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Сумерки себя |
2185 | 150 |
5 |
14 |
13 |
11 |
7 |
27 |
21 |
13 |
16 |
10 |
6 |
7 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
Злое Добро |
2936 | 146 |
3 |
13 |
12 |
6 |
7 |
32 |
12 |
11 |
17 |
16 |
7 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
Информация о владельце раздела |
2255 | 146 |
12 |
21 |
8 |
9 |
7 |
28 |
16 |
11 |
15 |
9 |
5 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
Герой поколения плееров Apple ipod |
2826 | 145 |
5 |
16 |
14 |
9 |
9 |
15 |
18 |
14 |
15 |
11 |
10 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
Проблематика образов человека у Достоевского |
4678 | 143 |
5 |
13 |
13 |
5 |
11 |
14 |
21 |
17 |
16 |
13 |
8 |
7 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |