| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
По разделу |
210480 | 1190 |
86 |
159 |
128 |
139 |
97 |
107 |
101 |
78 |
78 |
79 |
73 |
65 |
0 |
4 |
2 |
3 |
4 |
3 |
3 |
5 |
4 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
4 |
3 |
3 |
3 |
2 |
4 |
4 |
3 |
2 |
5 |
4 |
4 |
3 |
6 |
8 |
3 |
2 |
4 |
3 |
4 |
2 |
4 |
4 |
4 |
4 |
2 |
5 |
5 |
8 |
7 |
7 |
7 |
10 |
8 |
9 |
9 |
3 |
7 |
7 |
7 |
3 |
2 |
3 |
3 |
3 |
3 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8796 | 729 |
56 |
138 |
58 |
71 |
67 |
73 |
66 |
39 |
32 |
48 |
45 |
36 |
0 |
4 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
2 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
2 |
4 |
3 |
4 |
1 |
6 |
8 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
5 |
5 |
8 |
7 |
7 |
7 |
10 |
8 |
9 |
9 |
3 |
7 |
7 |
7 |
2 |
1 |
3 |
2 |
1 |
0 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11976 | 506 |
39 |
41 |
45 |
48 |
46 |
49 |
61 |
38 |
43 |
29 |
34 |
33 |
0 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
5 |
4 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
1 |
3 |
Мировоззрение Достоевского |
12019 | 492 |
47 |
53 |
55 |
54 |
32 |
38 |
46 |
36 |
31 |
35 |
37 |
28 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
4 |
0 |
3 |
1 |
4 |
1 |
3 |
2 |
2 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
3 |
0 |
4 |
1 |
4 |
0 |
2 |
2 |
0 |
4 |
0 |
4 |
1 |
3 |
0 |
4 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
Будущее одной иллюзии Фрейда |
18381 | 459 |
41 |
43 |
96 |
75 |
46 |
31 |
39 |
18 |
21 |
27 |
12 |
10 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
2 |
3 |
3 |
Воля к Власти |
13519 | 370 |
36 |
35 |
46 |
55 |
30 |
25 |
31 |
23 |
23 |
24 |
23 |
19 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3732 | 364 |
32 |
39 |
32 |
53 |
26 |
31 |
36 |
28 |
21 |
22 |
27 |
17 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
Достоевский и Ницше |
10320 | 364 |
39 |
53 |
37 |
40 |
25 |
23 |
31 |
26 |
21 |
28 |
24 |
17 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
4 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
5 |
0 |
3 |
3 |
2 |
6 |
4 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
Этика Достоевского |
10001 | 261 |
23 |
16 |
29 |
41 |
35 |
25 |
30 |
14 |
20 |
8 |
15 |
5 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Викторианская мораль в Новейшее Время |
6004 | 225 |
13 |
19 |
15 |
17 |
24 |
20 |
22 |
25 |
22 |
26 |
12 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Актуальность Достоевского |
4398 | 222 |
13 |
12 |
16 |
41 |
25 |
24 |
27 |
15 |
11 |
12 |
17 |
9 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Опыт человеческой интроспекции: Ингмар Бергман |
3808 | 221 |
23 |
18 |
20 |
45 |
19 |
32 |
15 |
15 |
9 |
7 |
10 |
8 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4994 | 209 |
17 |
18 |
12 |
19 |
25 |
18 |
27 |
18 |
15 |
12 |
12 |
16 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Достоевский-философ |
9768 | 209 |
20 |
15 |
22 |
36 |
22 |
21 |
23 |
9 |
13 |
9 |
12 |
7 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
Ницше и прагматисты |
3062 | 198 |
13 |
16 |
19 |
39 |
19 |
21 |
25 |
17 |
6 |
7 |
8 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Оракул информационного общества |
3071 | 194 |
14 |
15 |
14 |
35 |
20 |
25 |
23 |
18 |
11 |
6 |
8 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
Почему глючат программы? |
5849 | 192 |
17 |
14 |
20 |
19 |
31 |
20 |
23 |
6 |
14 |
7 |
12 |
9 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4933 | 191 |
9 |
8 |
16 |
25 |
24 |
15 |
26 |
12 |
19 |
19 |
12 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Эстетические искания А. Куприна (на примере Ямы) |
3468 | 188 |
18 |
13 |
12 |
27 |
19 |
12 |
25 |
16 |
14 |
8 |
17 |
7 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Мой Шен Би Де Бао |
2435 | 187 |
21 |
18 |
15 |
25 |
18 |
19 |
20 |
15 |
10 |
10 |
10 |
6 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4209 | 187 |
10 |
8 |
23 |
22 |
28 |
20 |
27 |
11 |
12 |
5 |
13 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
Вечное возвращение Великого |
4936 | 172 |
13 |
10 |
11 |
35 |
18 |
17 |
17 |
11 |
10 |
7 |
16 |
7 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Новая наука логики Или Как философствуют тупым предметом |
2688 | 171 |
13 |
12 |
10 |
36 |
17 |
18 |
24 |
10 |
9 |
6 |
10 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2225 | 171 |
11 |
11 |
7 |
34 |
24 |
9 |
27 |
12 |
13 |
7 |
11 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Развитие философии от Декарта к Спинозе |
3630 | 168 |
21 |
10 |
10 |
18 |
24 |
18 |
23 |
12 |
11 |
6 |
10 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
Сценарий лучшего игрового кино. Русская версия |
2477 | 163 |
15 |
10 |
13 |
33 |
18 |
22 |
19 |
8 |
7 |
4 |
10 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Мертвый постмодернист |
2356 | 160 |
16 |
7 |
10 |
33 |
12 |
22 |
16 |
13 |
13 |
5 |
10 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2451 | 153 |
10 |
14 |
13 |
31 |
19 |
17 |
17 |
13 |
5 |
4 |
8 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2164 | 153 |
13 |
10 |
10 |
25 |
15 |
13 |
15 |
9 |
14 |
14 |
9 |
6 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Петербург 2 |
2128 | 153 |
17 |
8 |
8 |
36 |
18 |
16 |
15 |
6 |
12 |
5 |
7 |
5 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2715 | 147 |
14 |
15 |
10 |
30 |
16 |
15 |
15 |
7 |
7 |
4 |
11 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Боже, храни дуче Викторию |
2921 | 144 |
15 |
7 |
6 |
30 |
18 |
9 |
20 |
10 |
8 |
6 |
10 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Олигархи всех стран, объединяйтесь! |
2041 | 142 |
8 |
9 |
11 |
30 |
15 |
11 |
18 |
11 |
8 |
6 |
11 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Разговор в метро |
2179 | 142 |
13 |
11 |
9 |
26 |
17 |
11 |
18 |
9 |
10 |
8 |
7 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Злое Добро |
2919 | 142 |
11 |
6 |
7 |
32 |
12 |
11 |
17 |
16 |
7 |
10 |
9 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сумерки себя |
2166 | 142 |
13 |
11 |
7 |
27 |
21 |
13 |
16 |
10 |
6 |
7 |
8 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Лекция профессора Фредерика Тчертовски |
2358 | 141 |
16 |
10 |
7 |
31 |
11 |
16 |
17 |
9 |
11 |
7 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Мысли о России |
2595 | 139 |
10 |
10 |
7 |
28 |
13 |
11 |
14 |
13 |
5 |
9 |
16 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Проблематика образов человека у Достоевского |
4659 | 138 |
12 |
5 |
11 |
14 |
21 |
17 |
16 |
13 |
8 |
7 |
7 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Герой поколения плееров Apple ipod |
2803 | 136 |
12 |
9 |
9 |
15 |
18 |
14 |
15 |
11 |
10 |
9 |
10 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |