| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
По разделу |
214637 | 1290 |
64 |
116 |
98 |
102 |
101 |
159 |
128 |
139 |
97 |
107 |
101 |
78 |
0 |
3 |
3 |
4 |
4 |
4 |
4 |
4 |
2 |
4 |
3 |
2 |
3 |
8 |
3 |
3 |
3 |
3 |
4 |
4 |
4 |
5 |
6 |
3 |
3 |
3 |
4 |
4 |
3 |
4 |
5 |
3 |
4 |
4 |
2 |
2 |
3 |
4 |
3 |
4 |
3 |
3 |
3 |
4 |
4 |
3 |
4 |
6 |
5 |
4 |
3 |
3 |
3 |
2 |
3 |
7 |
3 |
3 |
4 |
4 |
3 |
5 |
|
Почему Ференц Шанта назвал роман "пятая печать"? |
8966 | 738 |
34 |
46 |
41 |
39 |
66 |
138 |
58 |
71 |
67 |
73 |
66 |
39 |
0 |
2 |
1 |
2 |
4 |
4 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
4 |
4 |
2 |
0 |
1 |
3 |
4 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
5 |
0 |
1 |
3 |
2 |
0 |
0 |
7 |
2 |
2 |
4 |
3 |
1 |
3 |
|
Мировоззрение Достоевского |
12217 | 559 |
32 |
67 |
43 |
50 |
53 |
53 |
55 |
54 |
32 |
38 |
46 |
36 |
0 |
3 |
1 |
4 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
1 |
3 |
0 |
3 |
1 |
4 |
1 |
4 |
2 |
2 |
2 |
1 |
4 |
2 |
2 |
3 |
2 |
3 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
5 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
|
Человек рессентимента как социальный тип. Проблема рессентимента |
12150 | 541 |
30 |
48 |
47 |
42 |
46 |
41 |
45 |
48 |
46 |
49 |
61 |
38 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
4 |
0 |
1 |
3 |
0 |
3 |
1 |
3 |
0 |
3 |
0 |
3 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
4 |
1 |
0 |
3 |
|
Будущее одной иллюзии Фрейда |
18514 | 522 |
19 |
41 |
26 |
41 |
47 |
43 |
96 |
75 |
46 |
31 |
39 |
18 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
Воля к Власти |
13678 | 440 |
26 |
53 |
42 |
35 |
39 |
35 |
46 |
55 |
30 |
25 |
31 |
23 |
0 |
3 |
2 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
4 |
1 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
4 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
3 |
4 |
6 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
5 |
|
Достоевский и Ницше |
10483 | 437 |
27 |
54 |
40 |
36 |
45 |
53 |
37 |
40 |
25 |
23 |
31 |
26 |
0 |
0 |
3 |
1 |
3 |
0 |
4 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
1 |
5 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
4 |
2 |
1 |
3 |
2 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
|
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3881 | 426 |
22 |
51 |
43 |
32 |
33 |
39 |
32 |
53 |
26 |
31 |
36 |
28 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
3 |
2 |
|
Этика Достоевского |
10088 | 300 |
10 |
30 |
19 |
22 |
29 |
16 |
29 |
41 |
35 |
25 |
30 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
|
Почему глючат программы? |
5967 | 268 |
18 |
33 |
30 |
35 |
19 |
14 |
20 |
19 |
31 |
20 |
23 |
6 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
|
Опыт человеческой интроспекции: Ингмар Бергман |
3883 | 262 |
10 |
29 |
13 |
19 |
27 |
18 |
20 |
45 |
19 |
32 |
15 |
15 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
6 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
|
Достоевский-философ |
9862 | 262 |
10 |
33 |
27 |
22 |
22 |
15 |
22 |
36 |
22 |
21 |
23 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
|
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5101 | 261 |
14 |
37 |
37 |
18 |
18 |
18 |
12 |
19 |
25 |
18 |
27 |
18 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
|
Актуальность Достоевского |
4482 | 257 |
12 |
32 |
17 |
21 |
15 |
12 |
16 |
41 |
25 |
24 |
27 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
|
Ницше и прагматисты |
3149 | 256 |
18 |
28 |
21 |
19 |
14 |
16 |
19 |
39 |
19 |
21 |
25 |
17 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
8 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Гарри Поттер - принц - полудурок. кризис Роулинг |
4311 | 251 |
12 |
36 |
32 |
20 |
12 |
8 |
23 |
22 |
28 |
20 |
27 |
11 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
|
Викторианская мораль в Новейшее Время |
6100 | 251 |
10 |
37 |
29 |
17 |
16 |
19 |
15 |
17 |
24 |
20 |
22 |
25 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
5 |
2 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
|
Мой Шен Би Де Бао |
2526 | 242 |
9 |
26 |
24 |
30 |
23 |
18 |
15 |
25 |
18 |
19 |
20 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
3 |
|
Оракул информационного общества |
3149 | 242 |
8 |
30 |
20 |
18 |
16 |
15 |
14 |
35 |
20 |
25 |
23 |
18 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
|
Эстетические искания А. Куприна (на примере Ямы) |
3563 | 237 |
17 |
40 |
17 |
18 |
21 |
13 |
12 |
27 |
19 |
12 |
25 |
16 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
3 |
1 |
2 |
4 |
1 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
|
Сценарий лучшего игрового фильма на сегодня |
2541 | 224 |
7 |
33 |
22 |
26 |
12 |
14 |
13 |
31 |
19 |
17 |
17 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
|
Сценарий лучшего игрового кино. Русская версия |
2560 | 221 |
12 |
32 |
22 |
13 |
19 |
10 |
13 |
33 |
18 |
22 |
19 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
|
Романтическая иллюзия |
2311 | 221 |
14 |
37 |
21 |
11 |
14 |
11 |
7 |
34 |
24 |
9 |
27 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
|
Петербург 2 |
2223 | 219 |
11 |
36 |
29 |
16 |
20 |
8 |
8 |
36 |
18 |
16 |
15 |
6 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
4 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
|
Вечное возвращение Великого |
5021 | 217 |
13 |
26 |
22 |
22 |
15 |
10 |
11 |
35 |
18 |
17 |
17 |
11 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
|
Будущее одной иллюзии по ту сторону Добра и Зла |
5012 | 214 |
9 |
35 |
21 |
12 |
11 |
8 |
16 |
25 |
24 |
15 |
26 |
12 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
|
Развитие философии от Декарта к Спинозе |
3704 | 210 |
8 |
28 |
17 |
19 |
23 |
10 |
10 |
18 |
24 |
18 |
23 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
|
Новая наука логики Или Как философствуют тупым предметом |
2755 | 207 |
8 |
24 |
20 |
15 |
13 |
12 |
10 |
36 |
17 |
18 |
24 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
|
Мертвый постмодернист |
2430 | 203 |
9 |
24 |
22 |
19 |
16 |
7 |
10 |
33 |
12 |
22 |
16 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
2 |
|
Проблематика образов человека у Достоевского |
4748 | 198 |
12 |
38 |
25 |
13 |
13 |
5 |
11 |
14 |
21 |
17 |
16 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
4 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
3 |
4 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
|
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2784 | 191 |
8 |
22 |
23 |
14 |
16 |
15 |
10 |
30 |
16 |
15 |
15 |
7 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
4 |
|
Боже, храни дуче Викторию |
2993 | 187 |
11 |
25 |
16 |
19 |
16 |
7 |
6 |
30 |
18 |
9 |
20 |
10 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
|
Романтическая иллюзия |
2240 | 186 |
11 |
26 |
18 |
20 |
14 |
10 |
10 |
25 |
15 |
13 |
15 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
|
Разговор в метро |
2250 | 185 |
11 |
23 |
16 |
19 |
15 |
11 |
9 |
26 |
17 |
11 |
18 |
9 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Информация о владельце раздела |
2301 | 182 |
10 |
23 |
25 |
21 |
8 |
9 |
7 |
28 |
16 |
11 |
15 |
9 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
|
Олигархи всех стран, объединяйтесь! |
2109 | 181 |
6 |
26 |
20 |
15 |
9 |
9 |
11 |
30 |
15 |
11 |
18 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
|
Лекция профессора Фредерика Тчертовски |
2421 | 180 |
8 |
22 |
20 |
12 |
17 |
10 |
7 |
31 |
11 |
16 |
17 |
9 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
|
Сумерки себя |
2224 | 176 |
7 |
21 |
16 |
14 |
13 |
11 |
7 |
27 |
21 |
13 |
16 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
|
Мысли о России |
2663 | 174 |
9 |
26 |
17 |
14 |
12 |
10 |
7 |
28 |
13 |
11 |
14 |
13 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
|
Троя - протест или предтеча глобализации |
2079 | 174 |
6 |
23 |
25 |
17 |
13 |
6 |
8 |
29 |
13 |
10 |
14 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |