| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
По разделу |
221425 | 1185 |
41 |
116 |
104 |
94 |
80 |
102 |
127 |
104 |
116 |
98 |
102 |
101 |
0 |
2 |
3 |
2 |
4 |
10 |
15 |
4 |
1 |
0 |
2 |
4 |
3 |
3 |
4 |
2 |
3 |
3 |
2 |
5 |
2 |
4 |
5 |
9 |
5 |
3 |
3 |
3 |
5 |
4 |
5 |
6 |
3 |
2 |
3 |
2 |
7 |
3 |
8 |
3 |
4 |
3 |
2 |
4 |
5 |
2 |
3 |
3 |
3 |
3 |
1 |
4 |
3 |
3 |
4 |
4 |
4 |
2 |
4 |
3 |
5 |
7 |
|
Мировоззрение Достоевского |
12599 | 627 |
30 |
67 |
54 |
50 |
41 |
50 |
67 |
55 |
67 |
43 |
50 |
53 |
0 |
1 |
2 |
1 |
4 |
6 |
12 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
3 |
1 |
3 |
5 |
1 |
2 |
3 |
2 |
4 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
3 |
8 |
3 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
0 |
3 |
3 |
4 |
1 |
0 |
3 |
1 |
4 |
0 |
|
Человек рессентимента как социальный тип. Проблема рессентимента |
12517 | 580 |
17 |
55 |
51 |
53 |
43 |
55 |
72 |
51 |
48 |
47 |
42 |
46 |
0 |
2 |
0 |
2 |
2 |
2 |
9 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
5 |
1 |
2 |
1 |
2 |
1 |
5 |
2 |
4 |
3 |
3 |
0 |
3 |
0 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
2 |
3 |
4 |
|
Почему Ференц Шанта назвал роман "пятая печать"? |
9277 | 537 |
21 |
41 |
40 |
41 |
31 |
50 |
64 |
57 |
46 |
41 |
39 |
66 |
0 |
2 |
3 |
1 |
2 |
6 |
3 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
0 |
3 |
2 |
0 |
4 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
|
Достоевский и Ницше |
10793 | 512 |
17 |
50 |
46 |
47 |
28 |
48 |
54 |
47 |
54 |
40 |
36 |
45 |
0 |
0 |
0 |
2 |
0 |
8 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
3 |
1 |
1 |
2 |
0 |
3 |
0 |
3 |
4 |
1 |
2 |
1 |
0 |
3 |
0 |
7 |
0 |
3 |
0 |
4 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
7 |
|
Воля к Власти |
13942 | 459 |
22 |
44 |
38 |
32 |
25 |
37 |
49 |
43 |
53 |
42 |
35 |
39 |
0 |
2 |
0 |
2 |
0 |
8 |
6 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
9 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
3 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
|
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
4137 | 437 |
17 |
42 |
37 |
37 |
26 |
31 |
48 |
40 |
51 |
43 |
32 |
33 |
0 |
0 |
2 |
0 |
2 |
4 |
9 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
4 |
2 |
3 |
2 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
3 |
|
Будущее одной иллюзии Фрейда |
18764 | 424 |
19 |
38 |
32 |
30 |
29 |
33 |
56 |
32 |
41 |
26 |
41 |
47 |
0 |
0 |
1 |
1 |
1 |
10 |
6 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
2 |
3 |
4 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
|
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5256 | 279 |
16 |
29 |
18 |
17 |
13 |
25 |
25 |
26 |
37 |
37 |
18 |
18 |
0 |
0 |
0 |
0 |
4 |
2 |
6 |
4 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
|
Эстетические искания А. Куприна (на примере Ямы) |
3725 | 275 |
10 |
25 |
16 |
21 |
23 |
24 |
31 |
29 |
40 |
17 |
18 |
21 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
|
Гарри Поттер - принц - полудурок. кризис Роулинг |
4472 | 273 |
15 |
22 |
27 |
8 |
23 |
15 |
37 |
26 |
36 |
32 |
20 |
12 |
0 |
0 |
1 |
1 |
1 |
2 |
6 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
5 |
|
Почему глючат программы? |
6103 | 271 |
8 |
26 |
22 |
11 |
11 |
18 |
30 |
28 |
33 |
30 |
35 |
19 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Достоевский-философ |
10016 | 268 |
22 |
19 |
21 |
11 |
14 |
24 |
30 |
23 |
33 |
27 |
22 |
22 |
0 |
0 |
2 |
0 |
2 |
2 |
12 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Этика Достоевского |
10223 | 245 |
21 |
15 |
13 |
10 |
11 |
20 |
32 |
23 |
30 |
19 |
22 |
29 |
0 |
1 |
0 |
0 |
1 |
4 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Петербург 2 |
2346 | 235 |
3 |
15 |
19 |
9 |
14 |
22 |
30 |
22 |
36 |
29 |
16 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Викторианская мораль в Новейшее Время |
6226 | 235 |
6 |
24 |
24 |
6 |
9 |
20 |
30 |
17 |
37 |
29 |
17 |
16 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
5 |
|
Проблематика образов человека у Достоевского |
4879 | 232 |
2 |
23 |
23 |
12 |
8 |
25 |
30 |
20 |
38 |
25 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
|
Развитие философии от Декарта к Спинозе |
3841 | 232 |
8 |
24 |
25 |
10 |
11 |
21 |
30 |
16 |
28 |
17 |
19 |
23 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Сценарий лучшего игрового фильма на сегодня |
2669 | 228 |
9 |
21 |
17 |
14 |
11 |
21 |
27 |
15 |
33 |
22 |
26 |
12 |
0 |
1 |
0 |
1 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
|
Герой поколения плееров Apple ipod |
3018 | 227 |
9 |
31 |
21 |
13 |
16 |
25 |
24 |
15 |
28 |
15 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Мертвый постмодернист |
2566 | 226 |
2 |
15 |
19 |
15 |
21 |
27 |
30 |
16 |
24 |
22 |
19 |
16 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Мой Шен Би Де Бао |
2637 | 223 |
1 |
13 |
18 |
12 |
10 |
22 |
23 |
21 |
26 |
24 |
30 |
23 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Вечное возвращение Великого |
5146 | 223 |
4 |
22 |
19 |
9 |
9 |
25 |
27 |
23 |
26 |
22 |
22 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
|
Будущее одной иллюзии по ту сторону Добра и Зла |
5147 | 223 |
5 |
23 |
23 |
10 |
9 |
16 |
42 |
16 |
35 |
21 |
12 |
11 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
|
Опыт человеческой интроспекции: Ингмар Бергман |
4006 | 221 |
5 |
19 |
13 |
15 |
15 |
20 |
25 |
21 |
29 |
13 |
19 |
27 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Актуальность Достоевского |
4603 | 218 |
10 |
21 |
19 |
5 |
10 |
19 |
27 |
22 |
32 |
17 |
21 |
15 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
|
Романтическая иллюзия |
2430 | 216 |
7 |
25 |
18 |
8 |
13 |
13 |
25 |
24 |
37 |
21 |
11 |
14 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
|
Оракул информационного общества |
3269 | 212 |
8 |
24 |
24 |
13 |
10 |
11 |
25 |
13 |
30 |
20 |
18 |
16 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
|
Сценарий лучшего игрового кино. Русская версия |
2670 | 208 |
4 |
21 |
18 |
12 |
12 |
13 |
22 |
20 |
32 |
22 |
13 |
19 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
6 |
|
Олигархи всех стран, объединяйтесь! |
2240 | 207 |
9 |
22 |
22 |
13 |
12 |
21 |
25 |
13 |
26 |
20 |
15 |
9 |
0 |
0 |
0 |
1 |
0 |
2 |
6 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
6 |
|
Techi И Geek - Герои Нашего Времени |
2258 | 205 |
3 |
24 |
21 |
10 |
14 |
17 |
30 |
23 |
22 |
15 |
15 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
|
Новая наука логики Или Как философствуют тупым предметом |
2876 | 201 |
5 |
21 |
19 |
15 |
8 |
17 |
30 |
14 |
24 |
20 |
15 |
13 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
|
Ницше и прагматисты |
3248 | 199 |
2 |
13 |
14 |
11 |
11 |
19 |
21 |
26 |
28 |
21 |
19 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Боже, храни дуче Викторию |
3104 | 198 |
10 |
20 |
16 |
9 |
7 |
18 |
22 |
20 |
25 |
16 |
19 |
16 |
0 |
0 |
0 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Вебмани партнерская программа Bxod.Com |
1973 | 197 |
4 |
30 |
22 |
7 |
10 |
16 |
32 |
14 |
21 |
22 |
11 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
|
Развитие философии от Декарта к Спинозе |
2791 | 195 |
0 |
24 |
18 |
14 |
16 |
16 |
20 |
16 |
26 |
17 |
14 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
5 |
|
Троя - протест или предтеча глобализации |
2188 | 193 |
0 |
20 |
19 |
11 |
6 |
24 |
20 |
15 |
23 |
25 |
17 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Лекция профессора Фредерика Тчертовски |
2534 | 192 |
1 |
23 |
21 |
12 |
8 |
19 |
21 |
16 |
22 |
20 |
12 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
|
Разговор в метро |
2351 | 185 |
6 |
10 |
15 |
11 |
10 |
14 |
24 |
22 |
23 |
16 |
19 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Сумерки себя |
2338 | 185 |
0 |
15 |
11 |
9 |
15 |
19 |
34 |
18 |
21 |
16 |
14 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |