| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
По разделу |
222018 | 1255 |
111 |
116 |
104 |
94 |
80 |
102 |
127 |
104 |
116 |
98 |
102 |
101 |
0 |
3 |
3 |
2 |
3 |
3 |
3 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
6 |
3 |
3 |
3 |
8 |
3 |
3 |
4 |
2 |
3 |
2 |
4 |
10 |
15 |
4 |
1 |
0 |
2 |
4 |
3 |
3 |
4 |
2 |
3 |
3 |
2 |
5 |
2 |
4 |
5 |
9 |
5 |
3 |
3 |
3 |
5 |
4 |
5 |
6 |
3 |
2 |
3 |
2 |
7 |
3 |
8 |
3 |
4 |
|
Мировоззрение Достоевского |
12640 | 668 |
71 |
67 |
54 |
50 |
41 |
50 |
67 |
55 |
67 |
43 |
50 |
53 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
8 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
6 |
12 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
4 |
1 |
3 |
1 |
3 |
5 |
1 |
2 |
3 |
2 |
4 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
3 |
8 |
3 |
0 |
|
Человек рессентимента как социальный тип. Проблема рессентимента |
12549 | 612 |
49 |
55 |
51 |
53 |
43 |
55 |
72 |
51 |
48 |
47 |
42 |
46 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
6 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
9 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
5 |
1 |
2 |
1 |
2 |
1 |
5 |
2 |
4 |
3 |
3 |
0 |
3 |
0 |
2 |
1 |
3 |
3 |
1 |
|
Почему Ференц Шанта назвал роман "пятая печать"? |
9303 | 563 |
47 |
41 |
40 |
41 |
31 |
50 |
64 |
57 |
46 |
41 |
39 |
66 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
7 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
6 |
3 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
0 |
3 |
2 |
0 |
4 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Достоевский и Ницше |
10823 | 542 |
47 |
50 |
46 |
47 |
28 |
48 |
54 |
47 |
54 |
40 |
36 |
45 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
3 |
0 |
2 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
8 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
3 |
1 |
1 |
2 |
0 |
3 |
0 |
3 |
4 |
1 |
2 |
1 |
0 |
3 |
0 |
7 |
0 |
3 |
0 |
4 |
|
Воля к Власти |
13971 | 488 |
51 |
44 |
38 |
32 |
25 |
37 |
49 |
43 |
53 |
42 |
35 |
39 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
8 |
6 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
9 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
|
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
4166 | 466 |
46 |
42 |
37 |
37 |
26 |
31 |
48 |
40 |
51 |
43 |
32 |
33 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
4 |
9 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
4 |
2 |
3 |
2 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
|
Будущее одной иллюзии Фрейда |
18775 | 435 |
30 |
38 |
32 |
30 |
29 |
33 |
56 |
32 |
41 |
26 |
41 |
47 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
10 |
6 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
2 |
3 |
4 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
2 |
|
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5269 | 292 |
29 |
29 |
18 |
17 |
13 |
25 |
25 |
26 |
37 |
37 |
18 |
18 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
6 |
4 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Эстетические искания А. Куприна (на примере Ямы) |
3740 | 290 |
25 |
25 |
16 |
21 |
23 |
24 |
31 |
29 |
40 |
17 |
18 |
21 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Почему глючат программы? |
6115 | 283 |
20 |
26 |
22 |
11 |
11 |
18 |
30 |
28 |
33 |
30 |
35 |
19 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
|
Гарри Поттер - принц - полудурок. кризис Роулинг |
4480 | 281 |
23 |
22 |
27 |
8 |
23 |
15 |
37 |
26 |
36 |
32 |
20 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
6 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Достоевский-философ |
10026 | 278 |
32 |
19 |
21 |
11 |
14 |
24 |
30 |
23 |
33 |
27 |
22 |
22 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
12 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Этика Достоевского |
10232 | 254 |
30 |
15 |
13 |
10 |
11 |
20 |
32 |
23 |
30 |
19 |
22 |
29 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
|
Петербург 2 |
2356 | 245 |
13 |
15 |
19 |
9 |
14 |
22 |
30 |
22 |
36 |
29 |
16 |
20 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Викторианская мораль в Новейшее Время |
6235 | 244 |
15 |
24 |
24 |
6 |
9 |
20 |
30 |
17 |
37 |
29 |
17 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Развитие философии от Декарта к Спинозе |
3852 | 243 |
19 |
24 |
25 |
10 |
11 |
21 |
30 |
16 |
28 |
17 |
19 |
23 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Проблематика образов человека у Достоевского |
4888 | 241 |
11 |
23 |
23 |
12 |
8 |
25 |
30 |
20 |
38 |
25 |
13 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
|
Сценарий лучшего игрового фильма на сегодня |
2678 | 237 |
18 |
21 |
17 |
14 |
11 |
21 |
27 |
15 |
33 |
22 |
26 |
12 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Вечное возвращение Великого |
5159 | 236 |
17 |
22 |
19 |
9 |
9 |
25 |
27 |
23 |
26 |
22 |
22 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 |
|
Герой поколения плееров Apple ipod |
3027 | 236 |
18 |
31 |
21 |
13 |
16 |
25 |
24 |
15 |
28 |
15 |
16 |
14 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
|
Мой Шен Би Де Бао |
2648 | 234 |
12 |
13 |
18 |
12 |
10 |
22 |
23 |
21 |
26 |
24 |
30 |
23 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Мертвый постмодернист |
2574 | 234 |
10 |
15 |
19 |
15 |
21 |
27 |
30 |
16 |
24 |
22 |
19 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
|
Будущее одной иллюзии по ту сторону Добра и Зла |
5154 | 230 |
12 |
23 |
23 |
10 |
9 |
16 |
42 |
16 |
35 |
21 |
12 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Опыт человеческой интроспекции: Ингмар Бергман |
4015 | 230 |
14 |
19 |
13 |
15 |
15 |
20 |
25 |
21 |
29 |
13 |
19 |
27 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Романтическая иллюзия |
2442 | 228 |
19 |
25 |
18 |
8 |
13 |
13 |
25 |
24 |
37 |
21 |
11 |
14 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Актуальность Достоевского |
4610 | 225 |
17 |
21 |
19 |
5 |
10 |
19 |
27 |
22 |
32 |
17 |
21 |
15 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Оракул информационного общества |
3280 | 223 |
19 |
24 |
24 |
13 |
10 |
11 |
25 |
13 |
30 |
20 |
18 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Сценарий лучшего игрового кино. Русская версия |
2682 | 220 |
16 |
21 |
18 |
12 |
12 |
13 |
22 |
20 |
32 |
22 |
13 |
19 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Олигархи всех стран, объединяйтесь! |
2252 | 219 |
21 |
22 |
22 |
13 |
12 |
21 |
25 |
13 |
26 |
20 |
15 |
9 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
6 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Вебмани партнерская программа Bxod.Com |
1991 | 215 |
22 |
30 |
22 |
7 |
10 |
16 |
32 |
14 |
21 |
22 |
11 |
8 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Techi И Geek - Герои Нашего Времени |
2266 | 213 |
11 |
24 |
21 |
10 |
14 |
17 |
30 |
23 |
22 |
15 |
15 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Новая наука логики Или Как философствуют тупым предметом |
2887 | 212 |
16 |
21 |
19 |
15 |
8 |
17 |
30 |
14 |
24 |
20 |
15 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Ницше и прагматисты |
3259 | 210 |
13 |
13 |
14 |
11 |
11 |
19 |
21 |
26 |
28 |
21 |
19 |
14 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Боже, храни дуче Викторию |
3113 | 207 |
19 |
20 |
16 |
9 |
7 |
18 |
22 |
20 |
25 |
16 |
19 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Развитие философии от Декарта к Спинозе |
2802 | 206 |
11 |
24 |
18 |
14 |
16 |
16 |
20 |
16 |
26 |
17 |
14 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
|
Троя - протест или предтеча глобализации |
2201 | 206 |
13 |
20 |
19 |
11 |
6 |
24 |
20 |
15 |
23 |
25 |
17 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лекция профессора Фредерика Тчертовски |
2543 | 201 |
10 |
23 |
21 |
12 |
8 |
19 |
21 |
16 |
22 |
20 |
12 |
17 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Сумерки себя |
2348 | 195 |
10 |
15 |
11 |
9 |
15 |
19 |
34 |
18 |
21 |
16 |
14 |
13 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2895 | 194 |
15 |
20 |
20 |
9 |
6 |
11 |
22 |
16 |
22 |
23 |
14 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |