| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
|
По разделу |
20802 | 1828 |
44 |
175 |
177 |
193 |
179 |
238 |
173 |
133 |
129 |
94 |
142 |
151 |
0 |
4 |
4 |
4 |
2 |
3 |
12 |
6 |
8 |
1 |
0 |
8 |
14 |
11 |
5 |
5 |
4 |
4 |
5 |
6 |
5 |
5 |
3 |
5 |
5 |
5 |
2 |
6 |
7 |
10 |
15 |
3 |
6 |
6 |
5 |
7 |
4 |
2 |
6 |
3 |
3 |
10 |
11 |
3 |
3 |
3 |
11 |
8 |
7 |
6 |
8 |
6 |
2 |
3 |
5 |
4 |
6 |
6 |
3 |
3 |
4 |
9 |
|
Остров традиции |
9762 | 1625 |
32 |
151 |
149 |
182 |
175 |
167 |
166 |
123 |
119 |
80 |
138 |
143 |
0 |
4 |
4 |
4 |
2 |
3 |
12 |
3 |
0 |
0 |
0 |
2 |
14 |
11 |
5 |
2 |
4 |
2 |
5 |
6 |
5 |
5 |
3 |
5 |
5 |
5 |
1 |
6 |
7 |
10 |
6 |
2 |
6 |
6 |
5 |
7 |
4 |
2 |
6 |
3 |
1 |
10 |
11 |
3 |
3 |
3 |
11 |
8 |
7 |
6 |
8 |
6 |
2 |
3 |
5 |
2 |
6 |
6 |
3 |
0 |
4 |
3 |
|
"Гофманиана" в немецком постмодернистском романе |
3464 | 656 |
15 |
89 |
91 |
32 |
37 |
54 |
64 |
90 |
58 |
38 |
44 |
44 |
0 |
2 |
1 |
1 |
2 |
2 |
6 |
0 |
0 |
1 |
0 |
8 |
4 |
1 |
1 |
5 |
3 |
4 |
1 |
3 |
0 |
0 |
2 |
3 |
2 |
4 |
0 |
1 |
3 |
3 |
15 |
3 |
4 |
5 |
0 |
3 |
4 |
2 |
3 |
0 |
2 |
1 |
1 |
2 |
3 |
3 |
4 |
1 |
1 |
2 |
6 |
6 |
1 |
1 |
5 |
4 |
4 |
3 |
2 |
1 |
2 |
9 |
|
Логофил в парадигме |
1649 | 249 |
6 |
26 |
23 |
11 |
18 |
29 |
24 |
26 |
30 |
31 |
8 |
17 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
|
Бездны Юрия Мамлеева |
1597 | 243 |
9 |
21 |
23 |
5 |
20 |
24 |
22 |
22 |
36 |
30 |
14 |
17 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
|
Собственноручное |
1550 | 235 |
3 |
22 |
18 |
6 |
15 |
29 |
22 |
24 |
36 |
26 |
17 |
17 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
|
Постмодернизм в странах немецкого языка: генезис и основные тенденции развития |
226 | 226 |
21 |
38 |
30 |
22 |
27 |
88 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
6 |
3 |
8 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Прекрасность паранойи |
1888 | 205 |
6 |
24 |
22 |
6 |
10 |
21 |
21 |
22 |
25 |
22 |
10 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
|
Метаморфозы "бурного гения": творческий путь Фридриха Максимилиана Клингера |
188 | 188 |
13 |
35 |
25 |
10 |
28 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
6 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Три текста о творчестве Анатолия Королёва |
138 | 138 |
5 |
25 |
21 |
13 |
36 |
38 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
|
Избранные места из переписки в соцсетях |
130 | 130 |
7 |
27 |
24 |
12 |
26 |
34 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
|
Фрагменты незавершенной монографии о творчестве Я.М.Р. Ленца |
115 | 115 |
5 |
31 |
22 |
8 |
20 |
29 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
|
Новелла о двух лицедеях (отрывок из книги "Заметки безъязыкого") |
95 | 95 |
3 |
21 |
39 |
32 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |