| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 |
|
По разделу |
60053 | 1527 |
121 |
176 |
131 |
104 |
146 |
140 |
107 |
108 |
117 |
125 |
126 |
126 |
0 |
6 |
9 |
11 |
6 |
5 |
4 |
2 |
4 |
5 |
3 |
5 |
13 |
3 |
3 |
3 |
4 |
2 |
5 |
6 |
6 |
4 |
6 |
3 |
3 |
4 |
2 |
4 |
5 |
2 |
4 |
2 |
3 |
3 |
4 |
2 |
6 |
6 |
3 |
6 |
3 |
1 |
7 |
5 |
1 |
2 |
2 |
17 |
17 |
17 |
16 |
9 |
6 |
10 |
6 |
1 |
2 |
4 |
3 |
1 |
2 |
3 |
|
Secret War: Sirit of time |
2898 | 833 |
77 |
57 |
44 |
58 |
103 |
92 |
73 |
50 |
70 |
65 |
66 |
78 |
0 |
4 |
5 |
11 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
5 |
13 |
1 |
3 |
0 |
1 |
0 |
5 |
6 |
6 |
4 |
3 |
3 |
2 |
2 |
0 |
1 |
5 |
2 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
6 |
2 |
5 |
0 |
1 |
7 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
|
Атом и сознание Весь текст, 616 страниц |
2930 | 633 |
32 |
58 |
95 |
43 |
59 |
68 |
36 |
37 |
42 |
56 |
52 |
55 |
0 |
4 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
1 |
2 |
1 |
0 |
4 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
6 |
1 |
0 |
5 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
6 |
10 |
2 |
0 |
0 |
4 |
3 |
0 |
1 |
0 |
|
Новая художественная теория цвета |
3083 | 496 |
17 |
104 |
24 |
30 |
38 |
34 |
24 |
23 |
55 |
44 |
44 |
59 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
16 |
17 |
17 |
15 |
8 |
4 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Пособие по практической магии |
2020 | 462 |
30 |
37 |
25 |
43 |
43 |
30 |
32 |
38 |
40 |
46 |
52 |
46 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
5 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
|
Соцiальна роль Nft |
1115 | 436 |
19 |
108 |
21 |
24 |
24 |
40 |
18 |
25 |
27 |
43 |
38 |
49 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
4 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
17 |
16 |
17 |
16 |
9 |
4 |
6 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
|
Конфети тудей. Токенизация и блокчейн в сфере искусства |
1812 | 408 |
28 |
20 |
20 |
28 |
27 |
43 |
32 |
34 |
41 |
34 |
51 |
50 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
|
D-Физика и D-философия |
1618 | 382 |
19 |
28 |
26 |
30 |
36 |
35 |
19 |
16 |
32 |
43 |
59 |
39 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
История и перспективы квантовой механики |
1705 | 376 |
24 |
21 |
18 |
19 |
29 |
31 |
12 |
26 |
53 |
50 |
52 |
41 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Феномен художника Андрея Ханова |
1610 | 368 |
26 |
24 |
19 |
24 |
32 |
30 |
25 |
17 |
34 |
36 |
53 |
48 |
0 |
3 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Атом и сознание |
1451 | 363 |
26 |
26 |
24 |
19 |
36 |
28 |
22 |
11 |
31 |
44 |
50 |
46 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
|
Гравитация как проекция "другого" (тёмного) времени на мир человеческого восприятия природы |
1475 | 347 |
19 |
18 |
27 |
13 |
26 |
37 |
17 |
20 |
35 |
36 |
57 |
42 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
|
Secret War: Sirit of time |
1390 | 345 |
23 |
18 |
20 |
28 |
30 |
35 |
19 |
19 |
27 |
39 |
35 |
52 |
0 |
1 |
9 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
5 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Краткое содержание "книги ***" |
1180 | 343 |
24 |
27 |
28 |
27 |
29 |
30 |
15 |
18 |
28 |
39 |
42 |
36 |
0 |
5 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
|
Пост- Постмодернизм, Постпрагматизм И Новая Геометрия Смысла |
2187 | 340 |
25 |
11 |
31 |
21 |
33 |
33 |
23 |
13 |
31 |
41 |
44 |
34 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Secret War: Sirit of time |
2246 | 337 |
32 |
21 |
19 |
20 |
41 |
29 |
15 |
13 |
26 |
34 |
39 |
48 |
0 |
6 |
0 |
1 |
6 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Художник на приёме у доктора |
1442 | 328 |
20 |
16 |
21 |
18 |
21 |
31 |
17 |
16 |
34 |
50 |
43 |
41 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Очередной питч Зефрама Кокрейна из книги "Атом и сознание" (2068). Психоз коронавируса как результат испытания искусственного интеллекта |
1609 | 323 |
25 |
21 |
21 |
18 |
19 |
33 |
18 |
13 |
22 |
47 |
50 |
36 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Атом и сознание. Часть вторая. Весь текст |
1597 | 317 |
23 |
17 |
20 |
17 |
23 |
33 |
19 |
12 |
37 |
37 |
43 |
36 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
О самом важном . doc |
1760 | 317 |
25 |
21 |
20 |
25 |
27 |
35 |
17 |
11 |
23 |
35 |
32 |
46 |
0 |
0 |
4 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 |
|
Определение_неопределённости |
1176 | 315 |
17 |
13 |
27 |
19 |
37 |
36 |
15 |
13 |
28 |
38 |
38 |
34 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
|
Логика смайликов и теории информации (сборник статей) |
1420 | 315 |
20 |
14 |
26 |
15 |
23 |
31 |
24 |
12 |
33 |
40 |
46 |
31 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Живописная композиция и причина эстетического удовольствия |
1809 | 307 |
17 |
17 |
28 |
23 |
25 |
32 |
11 |
15 |
24 |
37 |
43 |
35 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
О цвете. Как работать с цветом? |
1381 | 303 |
20 |
20 |
21 |
30 |
36 |
21 |
11 |
10 |
31 |
33 |
36 |
34 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Книганеомертвых |
1409 | 303 |
18 |
14 |
19 |
17 |
22 |
28 |
12 |
14 |
23 |
42 |
49 |
45 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
600 страниц О мышлении.doc |
2633 | 300 |
19 |
19 |
18 |
12 |
26 |
29 |
14 |
15 |
29 |
35 |
35 |
49 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
555метафора |
1611 | 291 |
20 |
19 |
21 |
21 |
26 |
33 |
13 |
10 |
17 |
38 |
38 |
35 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Арт-блокчейн Евангелие (очерк теории концепта) |
1659 | 289 |
23 |
15 |
18 |
15 |
19 |
24 |
10 |
16 |
27 |
41 |
47 |
34 |
0 |
1 |
1 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Исправление реальности |
1762 | 289 |
17 |
16 |
18 |
12 |
27 |
32 |
12 |
13 |
30 |
34 |
40 |
38 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Визуальная проповедь |
1666 | 284 |
21 |
15 |
25 |
16 |
30 |
29 |
15 |
12 |
23 |
36 |
32 |
30 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Как устроен мир? |
1907 | 284 |
22 |
14 |
15 |
12 |
34 |
31 |
12 |
12 |
26 |
33 |
42 |
31 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Блокчкйн арт и дигитальность |
1486 | 282 |
17 |
18 |
19 |
24 |
18 |
26 |
12 |
15 |
25 |
38 |
38 |
32 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
|
Инфанта в Зазеркалье |
1331 | 275 |
20 |
19 |
15 |
14 |
18 |
25 |
15 |
15 |
26 |
36 |
41 |
31 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
О цвете |
1242 | 272 |
16 |
15 |
21 |
19 |
28 |
28 |
13 |
6 |
21 |
37 |
35 |
33 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Происхождение сферы |
1293 | 271 |
23 |
9 |
17 |
13 |
21 |
24 |
18 |
20 |
22 |
39 |
34 |
31 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
6 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Информация о владельце раздела |
1068 | 234 |
10 |
12 |
16 |
10 |
25 |
23 |
12 |
13 |
20 |
31 |
33 |
29 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Ааа: Анализ Аналитики Аристотеля. (Вступление) |
25 | 25 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
4 |
6 |
5 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Постмодернистское исследование природы представлений человека о природе... |
25 | 25 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
5 |
5 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Физика мета-модернизма. Электромагнетизм с квантовой точки зрения |
22 | 22 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
3 |
3 |
0 |
4 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |