Шкловский Лев Переводчик
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Шкловский Лев Переводчик
Размещен: 28/12/2025, изменен: 28/12/2025. 34k.
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CHAPTER FOURTEEN
Later on, if T had to, T could tell myself that it was all
the scaffolding I'd seen in back of the house that
Clinched it. It was too much of a temptation to go un-
'sed. The entire wing was dark and looked abandoned,
oreboding. Now it was going to be haunted—by me.
As it was, I had an easy climb to the top floor,
where there was a choice of three windows through
which to enter. All were loosely boarded over with
weathered slats. I got my fingers behind the plank
Fearest me and pried it out. Normally, at that point, J
should have smelled a trap. The whole thing was far,
far too easy. But I knew the planking had been put
there to keep rain and insects out, not intruders.
What's the use of having your very own private island
if you have to worry about housebreakers?
The room was shrouded in shadows, and the musty
smell of perfume gone stale hung in the air. Enough
light seeped under the doorsill to keep me from
bumping into furniture and things. But without seeing
much, I was certain that a woman had been living in
this room over a period of time, and not long ago.
Maybe this had been her room—Carla's room. She had
faid something once, I couldn't remember exactly
what, about how Steyer had kept her in a separate sec-
tion of the house, not wanting to live with her but just
to keep her handy. Memories started crowding my
thinking, and I quickly banished them to an out-of-
he-way corner of my mind.
The door, of course, was locked from the outside.
o surprise and no big problem. There's a little two-
192
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NICK CARTER:
KILLMASTER
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NICK CARTER: KILLMASTER
pronged gadget I carry around with me, about the s•
and shape of a pair of nail clippers, that I took fro
the still-warm body of a Frenchman named Pa
Rousillon back in '67 or '68—but never mind t
story. Suffce it to say that if I ever decided to re •
from AXE and go into business for myself, a promisin
career as a second-story artist awaited me, with
help of this gadget. It took two minutes to get the 10
open.
I clicked the door open a fraction and saw that
was clear. I tippy-toed down the empty corridor as f
as the stairs and checked again. I started down
staircase very cautiously, hugging the carved te
knobs of the balustrade like a little kid who's sneak
out of bed to spy on the grownups.
Nothing on the second-floor landing. I decided to tr
another half flight and see where it got me. It got
exactly one half flight closer to a roomy, high-vault
entrance foyer, the kind you come across in a lot
Spanish houses, a decorative anteroom that's meant f
walking through, not staying in.
A couple of weird-looking house plants-—some
of overgrown cattails tall enough for Tarzan to do h
act on—were anchored in hammered copper
around the room, and the rest of the space was tak
up with matching antique sideboards. Brown Ian
scapes in heavy gilt frames hung on each of the thr
walls. To the right of the double doors opening on th
outside was another room. Its door had been left co
veniently ajar, and bright light and the sound of voic
spilled out into the foyer.
I couldn't make out any of the words or identify tt
speakers, but the snatches of dialogue I caught seem
laden with anger and exasperation.
I checked my watch again. Twenty-five minutes un
the big boom. In the meantime, I wanted to hear
much of this conversation as possible.
I made it the rest of the way down without a soun
and stashed myself behind one of the big potted fe
Wilhelmina held tight in my hand just in case.
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Wilhelmina held tight in my hand just in case.
PLOT FOR THE FOURTH RETCH
193
. But you are not being realistic, Herr Steyer.
Surely you must see that." "l"wo years since I had last
heard Alexei Subarov's mellow baritone, accenting the
English words with stiff precision.
Steyer's voice answered in a parched, tired croak.
"But your information is wrong," he protested. "I tell
you both those aircraft belong to a man in Pasto. They
were chartered to me that one time when I had no
other planes available. You can check on that. You
think I am trying to hold out on you? They are not
mine, they were never mine!"
Subarov grunted. "Very well. I will accept that for
the sake of argument. Later it will be verified."
Business talk. I knew Steyer was putting on an act,
which was wearing thin. Not for my sake, his own. He
had to make a pretense of dickering—not that it made
the slightest difference any more who agreed to what.
He was stalling for time. I just hoped his nerves didn't
give him away. He didn't know anything yet. Didn't
know for sure that I was on the island and didn't know
what kind of surprise party I had cooked up for them.
Steyer started to say something, but just then an ex-
cited voice called out in Spanish,"Teniente! Look at
this
There were shuffling noises from inside, followed by
a selection of choice Spanish profanity. What was go-
ing on?
"What kind of game is this, Steyer?" The Russian's
voice, cold and clear.
There was feeling in my stomach as if my guts were
tying themselves in knots. The window in the room
gave them an unobstructed view of the little harbor.
No, it couldn't be. Not now, not jumping the gun like
this!
"Friends of yours, eh, Steyer!"
had an idea what was coming next and hoofed it
back up the stairs and out Of sight a split second before
they all rushed out into the foyer and flung open the
heavy double doors.
"Landing craft," one of the Cubans reported breath-
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lcssly. Just as I had feared. "Sixty men or more, it
looks like."
"Who?"
"Yanquis, sir."
Someone started shouting orders in rapid Spanish.
All hell was going to break loose any second. The
marines or the navy or whoever was out there were ig-
noring orders, coming in ahead of schedule. They were
supposed to stay out of sight until the two yachts blew.
The explosion was their signal. Everything was ruined
now. I didn't know how much I could salvage out of
this mess. My life, maybe, if I was lucky.
The Cuban second-in-command was muttering be-
tween his teeth. "This one, he knew... ."
I inched my way down the stairs, Wilhelmina
hovering over the tableau of angry men and settling on
the tall, gangling figure in the cream suit with matching
ash-blond hair.
"Yes," Subarov said thoughtfully. There was a gun
in his hand, a Luger like my own, and it was trained
on the trembling, cowering old man who had his heart
set on spending the rest of his life in an American jail.
"He knows, all right...
"Subarov!" My voice rang out, and all motion sud-
denly froze. "Don't move and don't turn around!"
For a couple of seconds, as the realization of what
was happening to them hit home, I had exactly what I
wanted—eight perfectly rigid armed men. Half of them
armed, anyway. Besides Subarov and Steyer there were
two others in civilian clothes—Steyer's henchmen, I
guessed. The rest of the Cubans were already outside
taking up positions on the beachhead.
It was a thin bluff. Drilling Subarov was the last
thing I wanted or intended to do. But J couldn't Ict him
know that. Steyer loosed a pent-up breath that came
out as a long, thin gasp of relief. I couldn't keep them
like this forever. Half the group was in a position to
see me clearlv and would be doing mental arithmetic
by now to add up eight of them as against only one of
me. The tableau flickered and stirred.
PLOT FOR THE FOURTH REICH
195
Wilhelmina jerked two degrees to the left and spat.
t. bearded Cuban lieutenant fell to the ro
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PLOT FOR THE FOURTH
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Wilhelmina jerked two degrees to the left and spat.
squat, bearded Cuban lieutenant fell to the ground,
moaning and writhing. The gun was back on Subarov
in a second. That's one way of making a point.
The fat Cuban on the mosaic floor who had been
playing Costello to the Russian's Bud Abbott—and be-
lieve me, the resemblance was there—-thrashed desper-
ately and was cursing, praying, sobbing, I couldn't tell
which, for another minute. It was as if we were all
waiting for him to die before going on to the next act.
No one moved. I took advantage of that and advanced
the rest of the way down the stairs, getting in a better
position to cover them.
Subarov slowly started to turn around, and there was
nothing I could do to stop him. The bland Slavic face
stared into mine, screwing up with an emotion I won't
even try to guess at, and his lips silently, imperceptibly
mouthed my name.
Of course. He thought I was dead in the plane
wreck that Porcell had fixed up back in the Sierra.
"Don't believe everything you read in the papers,
Alexei," I said quietly. "Let the gun fall to the floor."
It wasn't going to work. I knew that even as I said
it. Now I was the one stalling for time, waiting for the
good guys to come charging in singing "Anchors
Aweigh. Remember the Alamo. Remember Normandy.
Remember Iwo Jima." My God, they had a hard
enough time remembering their orders! Who was going
to get me out of this mess?
Scattered gunfire was coming from the beach at in-
tervals, but it didn't sound serious. Probably she wasn't
close enough yet. The Cubans were just taking potshots
as she approached.
Subarov's lips were set defiantly. He wasn't letting
go of the gun. All my attention was on him, the man I
had to try not to kill. None of the remaining Cubans
had been issued sidearms, and their M61s were slung
over their shoulders. It was the Russian I had to worry
about. And he was willing to let this Mexican standoff
go on until—-
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NICK CARTER: KILT-MASTER
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Until something happened, which it did, at that very
moment. The double doors banged open, and a Cuban