Шкловский Лев Переводчик
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Шкловский Лев Переводчик
Размещен: 28/12/2025, изменен: 28/12/2025. 33k.
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ge to catch up.
NICK CARTER: KTLLMASTFR
It was a long, grueling trek down the first part of the
escarpment, tricky but not all that steep, making it
possible to cover some distance in the little time we
had before dark. We had to make maddening detours
around some of the bigger ravines, but mostly it was a
matter of climbing down the iutting, slippery granite
ledges, one after another, that formed a mammoth stair-
case down the mountainside. For all the protection our
thin clothing gave, we might just as well have done it
naked. But the wind was slight and erratic, and that
was something. I gave her my sport coat and told her
not to let the cold register. Think about something else.
Exhaustion is fifty percent mental, as they tell you in
the army.
Twice we had to ford shallow, burbling streams that
broke our downward route. The water was only waist
deep, but it was freezing. At the last moment T remem-
bered the half-used-up matchbook that Felipe had
toqsed me in the airplane, fumbled in my pockets,
found it, and held it above mv head while I sloshed
through the wet. Later on, it would come in handy.
I kept her talking as much as I could every step of
the descent. "Do you have any theories on what made
the plane come down?" I'd been noing over that one in
my mind for a while but wanted a second opinion in
case I had missed something. And I wanted something
to keep her mind off the chill, biting wind that was
starting to blow as the sun slipped below the horizon. I
stood on a broad ledge waiting for her to scramble
down after me, offering token support—immoral sup-
port, I suppose it could be called—to Carla's compact
fanny.
'No," she grunted, as she dangled her legs a little
farther, closed her eyes, and dropped. About two feet.
"I don't have any idea how it happened," she said as
she caught her breath. "It doesn't make much sense."
"It must make sense to someone. Let's take a break
here for five minutes and think. That was a bomb, in
case you didn't realize it. Plastique, not gelignite. A
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tiny one, but it doesn't take much to knock a plane out
of the air."
"It was in the tail section."
"In it or possibly fastened outside. Okay, the ques-
tion is, who put it there and why?"
She stared blankly, waiting for me to go on, so T
said, "Start by elimination. Only two people to my
knowledge knew about that flight. One at one end, one
at the other. Porcell and your friend Steyer. Now,
Steyer went to a lot of trouble arranging all that. He
wanted you back in Colombia for a confrontation of
some kind, and he apparently wanted me for question-
ing. He sent two pilots and one airplane and borrowed
one of Porcell's henchmen to do the job. If he simply
wanted us dead without a trace, that was a pretty
roundabout way of doing it. Pretty extravagant as well.
We could have disappeared just as permanently in Ar-
gentina. All he had to do was give the word to Por-
cell."
"You're saying that it must have been Porcell, the
gray-haired man at the airfield. The other man said
that he wanted very badly to kill you."
"He did want to kill me," I agreed, "but there has to
be morc to it than that."
"More to what than what?"
"Look," I said patiently, "Porcell wanted to kill me
in such a way that Steyer would never find out. He rigs
a bomb with a timer-activated barometric fuse. But it
couldn't have been at that airfield in Argentina: he
didn't know about the overnight stop in Peru. From the
way Steyer's pilots acted with that crooked colonel in
Peru, they knew him. So it couldn't have been there.
That makes it Quito. No one came inside the plane at
Quito, so they must have clamped it onto the tail."
"l saw a lot of men around the plane there, but they
were iust ordinary men in overalls."
Her innocent naiveté made me crin. "So much for
how it was done. The idea was that we would crash
right on Steyer's doorstep, and no one would ever sus-
pect Porcell. Felipe was a throw-away piece,
the two
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NICK CARTER: KTLLMASTER
pilots were working for Steyer, and you—well, you
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NICK CARTER: KTLLMASTER
pilots were working for Steyer, and you—well, you
were just cargo."
"He must have hated you very much to plan all
that."
"Maybe," I said. "Maybe that, and maybe there was
something else we just don't know about. It's a feeling
I have. Anyway, forget it. We better get moving
again."
The coal-black, clear night sky was seeded with
bright stars by the time we found the cave. It had be-
come too dark to do any more climbing, so we had
walked another half mile along the wide saddle of
granite we were on until we found it. It was just big
enough for the two of us to squeeze into, but it had the
advantage of being protected by an outcropping of
some crystalline mineral that broke the shrilly howling
wind.
For the last half hour, as we descended the middle
slope, we had been coming across tufts of grass and an
occasional cactus poking up from the scree. No trees
yet, and no wood, but I carefully collected an armload
of dried animal droppings, and there was plenty more
scattered over the slope. Cows and goats must wander
up here fairly frequently in search of grazing, and that
meant there was an Indian village somewhere nearby.
Carla sat propped against the back wall of the cave
while I tried to get a fire going with the dung. I ran-
sacked my wallet for tinder and came up with some
Argentine hundred- and five-hundred-peso notes. I
shredded them and threw in a couple of scraps of pa-
per with girls' phone numbers scribbled on them. It
wasn't enough. I added my driver's license (real), a
Canadian fishing license (real) that I haven't had a
chance to use for years but keep on renewing, various
ID and business cards (forged), a frayed Cornell Uni-
versity faculty card (stolen). There were five hundred
American dollars sewn into a fold in the leather, but I
hoped I wouldn't have to use them—for tinder.
I lay flat on my belly, blowing gently until the flames
PLOT FOR THE FOURTH REICH
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PLOT FOR THE FOURTH REICH
129
caught and the dried dung began smoldering. In an-
other minute it was going nicely.
"Wait here," I said to Carla. "I'm going out after
some more ... uh, fuel. I'll be right back."
I came back with another armful ten minutes later.
Carla was sitting close to the fire, her legs crossed In-
dian style, and some of the redness had gone out of her
face.
"Thawing out?" I asked.
"My God, you make it sound like it's something to
joke about! I know I'm going to be shivering for the
rest of my life." She watched me break up the crusted
droppings and feed them to the fire. "How can you see
out there to find the stuff?"
"Moon's out now; go take a look. It's a beautiful
view from up here. Like being on the moon itself."
"No thanks. I'd rather stay right here."
I sat down in front of the fire and crossed my legs. I
began stripping off my outer clothing, drinking in the
fire's warmth through the pores of my skin. I'd decided
that neither of us was in danger of freezing as long as
we stayed out of the wind, but even with the fire, it ap-
peared that we were in for a long and uncomfortable
night. I got busy trying to undo a frozen shoelace.
"Nick. • • e"
"Um?" I said, not looking up. A curse hissed from
under my breath as I almost took off my thumbnail
picking at the damn shoelace.
"Nick." Her voice was hushed and flat, but it carried
a lot of meaning.
"What is it?"
c 'I wanted to say thanks, that's all. For saving my
life."
I couldn't hold back a slight chuckle. "How do you
mean? We're not exactly out of the woods yet. Not by
a long shot. You better wait a while and see if I really
earn it."
' 'No—I don't have to wait. You've earned it. I know
how I've been acting all along, and I'm sorry. You
didn't ask for me to come along just to make scenes.
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in tas
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or me to come along just to make scenes.
NICK CARTER'. KILLMASTER
You must really think I'm such a fool. You do, don't
you?"
I didn't say anything. My eyes came up level with
hers, and I could see a question forming there among
the brown and gold flecks glimmering in the firelight. A
question and a plea.
"Am I a pretty fool at least, Nick?"
I had a clever answer for her, kind and noncommit-
tal, but something stopped me. Behind her, on the
jagged cornices of the cave wall, the fire cast a flicker-
ing, shapeless shadow that loomed over Carla like a
demon ready at any sudden moment to sweep her up in
the black folds of fear.
Forget about that, I told myself. Your imagination is
working overtime. Forget about that and concentrate
on the reality.
Reality, at that moment, was a pair of bruised but
beautiful lips parting and moving closer, arms sliding
around my waist and hugging, hands churning up
eddies of pleasure as they made soft, stroking motions
on my shoulders.
Reality was a tongue, warm, moist, and active, prob-
ing between my lips and finding what it wanted.
My hands were at the back of the baggy, two-sizes-
too-large print dress they had given her at the ranch,
fumbling at the zipper. Instinct,'l suppose.
But common sense had the upper hand. For another
moment, anyway. Come on, boy, it was telling me.
This is no scented boudoir. This is a cave-—a cold,
damp, cramped cave with nothing between you and the
rock but a few pieces of sopping-wet clothes. You can't
be serious. The temperature is below freezing. Your
breath must be like a sewer after five days. Your
bodyPs ready to give out from cold and fatigue.
Only for a moment. I pulled the plug on my brain,
and from there on, the only thing I knew was that this
was happening because it had to happen.
We squirmed together like moths struggling to break
free of a cocoon—just enough to get clear of obstacles.
Not very romantic, I know, but given the circum-
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