| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
По разделу |
78556 | 991 |
76 |
105 |
86 |
83 |
71 |
78 |
70 |
70 |
76 |
85 |
105 |
86 |
0 |
3 |
2 |
4 |
3 |
4 |
2 |
3 |
2 |
3 |
3 |
3 |
3 |
4 |
6 |
6 |
2 |
2 |
3 |
3 |
3 |
5 |
5 |
3 |
3 |
4 |
4 |
4 |
3 |
4 |
3 |
3 |
1 |
2 |
3 |
3 |
1 |
2 |
4 |
2 |
4 |
4 |
4 |
4 |
2 |
3 |
2 |
3 |
3 |
4 |
2 |
4 |
3 |
2 |
2 |
2 |
3 |
2 |
4 |
3 |
4 |
4 |
|
Вдогонку |
11633 | 530 |
0 |
56 |
43 |
45 |
32 |
28 |
27 |
52 |
43 |
63 |
72 |
69 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
6 |
6 |
1 |
1 |
1 |
1 |
0 |
4 |
3 |
0 |
0 |
2 |
4 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
|
Сопрано, рок и верность мечте |
5666 | 361 |
0 |
49 |
37 |
39 |
34 |
33 |
37 |
16 |
18 |
30 |
30 |
38 |
0 |
3 |
0 |
0 |
3 |
4 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Несколько глав из книги Джорджа Майкса "Как быть чужим" : 1.Как стать лицемером. 2.Секс. 3.Душа и преуменьшение. 4.Погода |
7474 | 307 |
0 |
40 |
43 |
33 |
23 |
29 |
20 |
16 |
27 |
18 |
30 |
28 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
|
Интервью с Кейтом Муном. Журнал The Rolling Stone |
3037 | 261 |
0 |
38 |
24 |
31 |
27 |
30 |
16 |
16 |
16 |
16 |
27 |
20 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
|
Strawberry Fields Revisited |
1878 | 233 |
0 |
30 |
23 |
23 |
25 |
30 |
27 |
10 |
10 |
12 |
27 |
16 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Стена. Пинк Флойд |
5758 | 230 |
0 |
37 |
23 |
24 |
21 |
22 |
18 |
11 |
18 |
17 |
23 |
16 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
0 |
4 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
|
Как правильно п(е)редать джаз в кино |
1628 | 220 |
0 |
22 |
23 |
23 |
13 |
23 |
18 |
19 |
25 |
14 |
22 |
18 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
|
При Дворе Алого Короля |
2479 | 219 |
0 |
47 |
30 |
18 |
19 |
18 |
15 |
13 |
11 |
13 |
19 |
16 |
0 |
2 |
1 |
4 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
3 |
3 |
|
Поэт |
1208 | 216 |
0 |
40 |
36 |
21 |
28 |
16 |
13 |
4 |
10 |
14 |
22 |
12 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
4 |
2 |
1 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
1 |
4 |
1 |
|
Oh Well (Fleetwood Mac) |
1342 | 211 |
0 |
28 |
28 |
16 |
18 |
24 |
12 |
13 |
24 |
13 |
21 |
14 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
4 |
|
Интервью с Джимом Моррисоном |
5588 | 210 |
0 |
28 |
25 |
28 |
16 |
19 |
14 |
10 |
14 |
21 |
16 |
19 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
|
Ловкость Хвоста (Как Зверь обвел нас вокруг...) |
1351 | 209 |
0 |
38 |
21 |
21 |
15 |
22 |
14 |
16 |
14 |
16 |
22 |
10 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Conquistador |
1201 | 207 |
0 |
31 |
25 |
17 |
19 |
19 |
15 |
16 |
13 |
19 |
16 |
17 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
|
Инtoksикация - www.intoksicated.narod.ru |
1923 | 205 |
0 |
34 |
25 |
27 |
18 |
15 |
15 |
9 |
17 |
12 |
19 |
14 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
|
Да, с нирванами у нас туговато |
4133 | 205 |
0 |
32 |
24 |
25 |
16 |
24 |
22 |
8 |
11 |
15 |
16 |
12 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Пол Маккартни и Хезэр Миллз - оригинал |
2330 | 205 |
0 |
39 |
20 |
22 |
18 |
18 |
15 |
15 |
9 |
17 |
19 |
13 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Пригласим Риту Райт в Америку! |
2515 | 199 |
0 |
24 |
19 |
27 |
17 |
14 |
18 |
13 |
13 |
19 |
19 |
16 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Abbey Road - Конец Пути |
3611 | 199 |
0 |
30 |
26 |
19 |
22 |
14 |
12 |
15 |
8 |
13 |
28 |
12 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
|
Singing The Dolphin Through |
1575 | 198 |
0 |
25 |
21 |
15 |
19 |
23 |
14 |
15 |
14 |
15 |
21 |
16 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |