| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
По разделу |
76200 | 876 |
12 |
78 |
70 |
70 |
76 |
85 |
105 |
86 |
76 |
80 |
64 |
74 |
0 |
2 |
3 |
3 |
2 |
2 |
2 |
3 |
2 |
2 |
5 |
4 |
2 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
4 |
2 |
2 |
1 |
1 |
2 |
3 |
3 |
1 |
1 |
3 |
6 |
3 |
4 |
1 |
2 |
4 |
3 |
3 |
2 |
1 |
2 |
3 |
2 |
3 |
2 |
3 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
Вдогонку |
11461 | 568 |
4 |
28 |
27 |
52 |
43 |
63 |
72 |
69 |
48 |
63 |
41 |
58 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
Сопрано, рок и верность мечте |
5512 | 279 |
5 |
33 |
37 |
16 |
18 |
30 |
30 |
38 |
27 |
16 |
20 |
9 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
4 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
3 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
Несколько глав из книги Джорджа Майкса "Как быть чужим" : 1.Как стать лицемером. 2.Секс. 3.Душа и преуменьшение. 4.Погода |
7341 | 232 |
6 |
29 |
20 |
16 |
27 |
18 |
30 |
28 |
22 |
9 |
16 |
11 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
Интервью с Кейтом Муном. Журнал The Rolling Stone |
2922 | 216 |
5 |
30 |
16 |
16 |
16 |
16 |
27 |
20 |
25 |
15 |
19 |
11 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Как правильно п(е)редать джаз в кино |
1549 | 188 |
2 |
23 |
18 |
19 |
25 |
14 |
22 |
18 |
18 |
9 |
12 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Стена. Пинк Флойд |
5660 | 186 |
7 |
22 |
18 |
11 |
18 |
17 |
23 |
16 |
20 |
7 |
15 |
12 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Strawberry Fields Revisited |
1782 | 180 |
5 |
30 |
27 |
10 |
10 |
12 |
27 |
16 |
20 |
7 |
10 |
6 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Singing The Dolphin Through |
1500 | 175 |
5 |
23 |
14 |
15 |
14 |
15 |
21 |
16 |
17 |
8 |
15 |
12 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Oh Well (Fleetwood Mac) |
1259 | 170 |
7 |
24 |
12 |
13 |
24 |
13 |
21 |
14 |
19 |
7 |
10 |
6 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Интервью с Джимом Моррисоном |
5492 | 167 |
1 |
19 |
14 |
10 |
14 |
21 |
16 |
19 |
20 |
10 |
14 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Ловкость Хвоста (Как Зверь обвел нас вокруг...) |
1258 | 165 |
2 |
22 |
14 |
16 |
14 |
16 |
22 |
10 |
19 |
7 |
18 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Пригласим Риту Райт в Америку! |
2432 | 162 |
4 |
14 |
18 |
13 |
13 |
19 |
19 |
16 |
17 |
12 |
13 |
4 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
Повесть о Зайце, посеявшем Очки |
2389 | 161 |
1 |
19 |
12 |
11 |
20 |
19 |
15 |
14 |
12 |
16 |
13 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Дебилка походно-сказочная |
2120 | 159 |
2 |
21 |
10 |
8 |
14 |
28 |
21 |
14 |
14 |
7 |
12 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Да, с нирванами у нас туговато |
4041 | 158 |
5 |
24 |
22 |
8 |
11 |
15 |
16 |
12 |
17 |
9 |
9 |
10 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
Abbey Road - Конец Пути |
3522 | 157 |
8 |
14 |
12 |
15 |
8 |
13 |
28 |
12 |
23 |
6 |
10 |
8 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
Желающим натурализоваться |
2892 | 157 |
4 |
17 |
16 |
12 |
11 |
19 |
17 |
17 |
14 |
9 |
12 |
9 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
При Дворе Алого Короля |
2372 | 157 |
7 |
18 |
15 |
13 |
11 |
13 |
19 |
16 |
19 |
8 |
12 |
6 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
Пол Маккартни и Хезэр Миллз - оригинал |
2233 | 156 |
2 |
18 |
15 |
15 |
9 |
17 |
19 |
13 |
18 |
9 |
13 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |