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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| По разделу | 302823 | 1911 | 57 | 130 | 173 | 132 | 227 | 160 | 161 | 193 | 146 | 178 | 176 | 178 | 0 | 4 | 4 | 5 | 3 | 5 | 2 | 3 | 3 | 4 | 4 | 4 | 2 | 3 | 3 | 3 | 5 | 3 | 3 | 4 | 7 | 6 | 6 | 2 | 4 | 7 | 4 | 6 | 2 | 5 | 3 | 2 | 2 | 7 | 7 | 5 | 5 | 5 | 4 | 4 | 3 | 3 | 3 | 6 | 6 | 3 | 3 | 5 | 6 | 6 | 7 | 9 | 9 | 6 | 5 | 5 | 5 | 6 | 5 | 5 | 3 | 5 |
| Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 25957 | 1531 | 40 | 98 | 99 | 97 | 135 | 120 | 143 | 164 | 146 | 161 | 157 | 171 | 0 | 1 | 4 | 4 | 3 | 5 | 1 | 2 | 3 | 2 | 2 | 4 | 1 | 2 | 1 | 0 | 5 | 2 | 2 | 0 | 4 | 2 | 6 | 1 | 3 | 7 | 1 | 4 | 1 | 5 | 3 | 2 | 0 | 7 | 7 | 3 | 4 | 3 | 4 | 4 | 1 | 2 | 3 | 6 | 6 | 3 | 2 | 4 | 1 | 2 | 1 | 2 | 3 | 4 | 4 | 5 | 2 | 4 | 3 | 3 | 3 | 3 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 3883 | 835 | 10 | 37 | 164 | 88 | 210 | 104 | 47 | 60 | 11 | 29 | 35 | 40 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 4 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 5 | 6 | 6 | 7 | 9 | 9 | 6 | 5 | 5 | 5 | 6 | 5 | 5 | 3 | 5 |
| Истории про ментов и обычных людей | 7320 | 451 | 22 | 48 | 35 | 33 | 30 | 31 | 37 | 49 | 23 | 38 | 63 | 42 | 0 | 1 | 0 | 5 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 3 | 2 | 3 | 3 | 7 | 0 | 4 | 2 | 2 | 3 | 4 | 4 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 4 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 3 |
| Демон против люфтваффе | 17366 | 402 | 15 | 32 | 37 | 25 | 20 | 27 | 33 | 30 | 32 | 41 | 52 | 58 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 4 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 5 | 2 | 3 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 2 |
| Сергей Лукьяненко. Разноцветный дозор. Пародия | 4277 | 335 | 11 | 29 | 21 | 26 | 14 | 20 | 25 | 50 | 14 | 35 | 46 | 44 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 4 | 3 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 |
| Силиконовая женщина доктора Купитмана | 4066 | 314 | 15 | 42 | 16 | 21 | 27 | 18 | 28 | 18 | 20 | 31 | 41 | 37 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 4 | 1 | 3 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 5 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
| Ахтунг! Микки-маус | 4811 | 313 | 15 | 44 | 29 | 18 | 31 | 27 | 18 | 15 | 19 | 26 | 37 | 34 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 4 | 3 | 1 | 0 | 4 | 2 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 |
| Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 4028 | 307 | 11 | 31 | 18 | 27 | 60 | 27 | 17 | 13 | 15 | 24 | 29 | 35 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 |
| Небо империи-1. Шпага, честь и любовь | 9098 | 285 | 12 | 33 | 17 | 19 | 13 | 23 | 25 | 20 | 21 | 31 | 39 | 32 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 5 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 |
| Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3505 | 285 | 19 | 43 | 46 | 19 | 18 | 11 | 12 | 14 | 13 | 21 | 36 | 33 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 2 | 4 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 3 | 3 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 4 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 |
| История Хх века. Новая хронология | 6265 | 275 | 19 | 37 | 21 | 23 | 15 | 26 | 26 | 14 | 10 | 20 | 29 | 35 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 4 | 2 | 1 | 1 | 1 | 3 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 |
| Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 6390 | 273 | 15 | 24 | 25 | 16 | 20 | 19 | 17 | 20 | 10 | 28 | 44 | 35 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 |
| Израиль глазами нееврея и атеиста | 7337 | 269 | 17 | 30 | 16 | 20 | 19 | 22 | 22 | 15 | 11 | 24 | 30 | 43 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 2 | 0 | 3 | 3 | 2 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
| Дирижабль "Россия" | 3082 | 268 | 10 | 25 | 19 | 13 | 30 | 22 | 23 | 13 | 8 | 32 | 37 | 36 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 2 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| Электрическое бессмертие (фрагмент) | 7805 | 265 | 11 | 29 | 21 | 11 | 25 | 13 | 23 | 21 | 7 | 25 | 43 | 36 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 4 | 5 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 3198 | 257 | 15 | 27 | 18 | 13 | 23 | 20 | 22 | 11 | 15 | 26 | 31 | 36 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2888 | 250 | 9 | 33 | 23 | 13 | 19 | 14 | 17 | 8 | 11 | 34 | 28 | 41 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 5 | 2 | 4 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 4 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 3279 | 250 | 11 | 19 | 26 | 12 | 18 | 16 | 24 | 15 | 13 | 20 | 40 | 36 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
| Утомлённые солнцем - 3 | 3322 | 249 | 18 | 30 | 28 | 17 | 14 | 19 | 19 | 11 | 5 | 23 | 33 | 32 | 0 | 0 | 2 | 2 | 0 | 5 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 3 | 1 | 0 | 2 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2632 | 249 | 12 | 19 | 19 | 12 | 19 | 21 | 22 | 17 | 15 | 17 | 36 | 40 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Эпоха героев и перегретого пара | 10188 | 248 | 17 | 26 | 22 | 17 | 13 | 16 | 15 | 10 | 11 | 23 | 42 | 36 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 4 | 5 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 5 | 0 | 0 | 1 | 0 | 2 |
| Огневой дракон | 2728 | 247 | 11 | 37 | 15 | 13 | 12 | 18 | 20 | 16 | 9 | 26 | 32 | 38 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 4 | 4 | 0 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 4 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
| Белорусская литература в средней школе - инструмент убийства национальной культуры | 3442 | 246 | 5 | 30 | 18 | 12 | 20 | 19 | 24 | 13 | 13 | 21 | 39 | 32 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 |
| Жуткая тайна Кгб киносценарий | 2959 | 245 | 10 | 31 | 14 | 15 | 16 | 10 | 15 | 14 | 10 | 30 | 42 | 38 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
| Попаданец - Учитель Сталина | 9160 | 242 | 10 | 26 | 13 | 8 | 19 | 16 | 23 | 10 | 15 | 20 | 42 | 40 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 3 | 4 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Небо империи 2. Князь без княжества | 5321 | 242 | 9 | 34 | 20 | 6 | 18 | 12 | 20 | 15 | 24 | 23 | 26 | 35 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 4 | 0 | 3 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 |
| Убейте фюрера, Теодор | 2915 | 241 | 12 | 30 | 23 | 11 | 14 | 25 | 19 | 10 | 8 | 22 | 36 | 31 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 3 | 2 | 1 | 2 | 4 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 |
| Русские за рубежом | 3195 | 240 | 12 | 27 | 19 | 17 | 21 | 12 | 12 | 19 | 13 | 19 | 36 | 33 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 3 | 4 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
| Ответные санкции | 3945 | 239 | 14 | 24 | 18 | 17 | 17 | 16 | 20 | 10 | 9 | 21 | 38 | 35 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 4 | 3 | 3 | 0 | 0 | 4 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
| Антарктическая Гиперборея | 4846 | 239 | 11 | 32 | 24 | 12 | 24 | 15 | 16 | 11 | 6 | 22 | 38 | 28 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 4 | 4 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 1 |
| Кто есть кто в белорусской фантастике | 3342 | 236 | 6 | 28 | 18 | 13 | 17 | 18 | 17 | 11 | 14 | 20 | 31 | 43 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 4 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 4158 | 230 | 15 | 27 | 21 | 14 | 10 | 19 | 15 | 10 | 8 | 20 | 35 | 36 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2872 | 228 | 7 | 20 | 18 | 10 | 10 | 18 | 14 | 11 | 9 | 29 | 51 | 31 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2832 | 228 | 12 | 16 | 16 | 15 | 15 | 19 | 12 | 13 | 13 | 24 | 34 | 39 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
| Ваенга эир | 2360 | 227 | 13 | 24 | 15 | 14 | 20 | 19 | 16 | 13 | 9 | 19 | 33 | 32 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2640 | 226 | 9 | 22 | 20 | 13 | 14 | 15 | 14 | 17 | 16 | 19 | 35 | 32 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| С Михаилом Задорновым на Гору Святого Моисея | 3395 | 226 | 11 | 19 | 21 | 14 | 24 | 15 | 16 | 10 | 9 | 16 | 34 | 37 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 3 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 |
| Спираль сингулярности | 2778 | 224 | 15 | 27 | 18 | 12 | 18 | 16 | 19 | 6 | 10 | 14 | 29 | 40 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 2 | 2 | 0 | 2 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
| Ричард Длинные Руки - вицеимператор галактики | 10161 | 223 | 4 | 25 | 18 | 12 | 14 | 17 | 17 | 10 | 11 | 16 | 46 | 33 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2692 | 222 | 13 | 20 | 14 | 12 | 16 | 15 | 12 | 15 | 10 | 17 | 43 | 35 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2716 | 221 | 14 | 31 | 14 | 12 | 17 | 13 | 14 | 12 | 10 | 25 | 28 | 31 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 2 | 5 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 4 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Молитва | 2873 | 220 | 16 | 26 | 13 | 16 | 11 | 16 | 18 | 9 | 9 | 19 | 32 | 35 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
| Кровь на броне | 2391 | 219 | 9 | 18 | 18 | 16 | 17 | 13 | 12 | 13 | 15 | 16 | 40 | 32 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
| Увлечение доктора Арендта | 2679 | 218 | 9 | 22 | 11 | 18 | 21 | 14 | 10 | 11 | 11 | 25 | 30 | 36 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Леди-босс и зомби | 2873 | 217 | 13 | 24 | 13 | 10 | 12 | 15 | 10 | 8 | 8 | 27 | 40 | 37 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2443 | 216 | 9 | 19 | 17 | 13 | 11 | 14 | 16 | 10 | 16 | 21 | 39 | 31 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 3005 | 215 | 15 | 32 | 14 | 12 | 15 | 14 | 13 | 10 | 10 | 20 | 29 | 31 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 4 | 4 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2843 | 214 | 11 | 25 | 23 | 14 | 16 | 13 | 13 | 11 | 10 | 15 | 28 | 35 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 6 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 3273 | 214 | 15 | 27 | 15 | 10 | 14 | 15 | 18 | 10 | 8 | 14 | 39 | 29 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 |
| Марсианская гонка | 2909 | 214 | 10 | 22 | 19 | 12 | 20 | 16 | 13 | 10 | 7 | 18 | 32 | 35 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 4 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
| Наличные | 2834 | 213 | 9 | 24 | 16 | 11 | 18 | 16 | 12 | 16 | 9 | 14 | 35 | 33 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Счастье лимитед | 2167 | 212 | 12 | 25 | 15 | 19 | 17 | 10 | 15 | 11 | 9 | 24 | 33 | 22 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 5 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2849 | 211 | 12 | 22 | 21 | 10 | 10 | 18 | 14 | 13 | 11 | 18 | 28 | 34 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 |
| Письмо редактору | 2403 | 211 | 16 | 29 | 12 | 12 | 12 | 11 | 14 | 9 | 8 | 19 | 34 | 35 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 5 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2603 | 209 | 10 | 24 | 10 | 14 | 13 | 17 | 17 | 8 | 10 | 19 | 32 | 35 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2978 | 208 | 11 | 22 | 15 | 13 | 11 | 13 | 24 | 11 | 9 | 22 | 32 | 25 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
| Второй этаж | 2672 | 207 | 9 | 21 | 19 | 13 | 17 | 14 | 14 | 10 | 8 | 14 | 37 | 31 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2469 | 205 | 4 | 20 | 16 | 12 | 12 | 15 | 13 | 11 | 9 | 22 | 35 | 36 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
| Теодор | 2476 | 205 | 14 | 22 | 17 | 8 | 11 | 20 | 14 | 11 | 7 | 15 | 37 | 29 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Иномарка | 3023 | 203 | 11 | 26 | 20 | 6 | 14 | 14 | 20 | 9 | 11 | 18 | 27 | 27 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Поможем Одесской киностудии! | 2175 | 203 | 12 | 20 | 9 | 10 | 17 | 16 | 14 | 11 | 7 | 18 | 32 | 37 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 5 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Тотальный контроль | 2704 | 201 | 7 | 20 | 17 | 12 | 15 | 16 | 15 | 9 | 11 | 17 | 34 | 28 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2714 | 200 | 7 | 20 | 14 | 7 | 16 | 20 | 16 | 10 | 9 | 19 | 33 | 29 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 3170 | 198 | 11 | 21 | 17 | 10 | 16 | 14 | 12 | 13 | 8 | 21 | 30 | 25 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2755 | 198 | 12 | 26 | 14 | 16 | 11 | 21 | 14 | 12 | 8 | 15 | 25 | 24 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 3 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 |
| Друг, который не предаст | 2685 | 193 | 9 | 22 | 18 | 13 | 17 | 18 | 13 | 11 | 13 | 10 | 28 | 21 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 5 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Цена имени | 2325 | 190 | 8 | 25 | 13 | 7 | 7 | 10 | 16 | 15 | 13 | 15 | 36 | 25 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2580 | 189 | 9 | 21 | 14 | 11 | 8 | 18 | 17 | 9 | 8 | 16 | 29 | 29 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2745 | 189 | 8 | 22 | 14 | 10 | 20 | 13 | 13 | 10 | 11 | 14 | 29 | 25 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Не все мечты сбываются | 2494 | 181 | 11 | 23 | 14 | 6 | 16 | 18 | 14 | 9 | 8 | 15 | 24 | 23 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
| Информация о владельце раздела | 2670 | 178 | 9 | 17 | 14 | 13 | 19 | 18 | 12 | 7 | 10 | 10 | 24 | 25 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2834 | 172 | 5 | 24 | 15 | 12 | 9 | 12 | 12 | 11 | 7 | 19 | 28 | 18 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 |
| Жуткая тайна Кгб | 55 | 55 | 19 | 36 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 3 | 3 | 2 | 1 | 4 | 5 | 5 | 2 | 2 | 0 | 3 | 2 | 6 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |