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Итого | За последние 12 месяцев | Sep | Aug | Jul | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
По разделу | 282588 | 2273 | 135 | 191 | 206 | 273 | 187 | 199 | 186 | 163 | 213 | 173 | 184 | 163 | 0 | 9 | 3 | 4 | 6 | 8 | 4 | 3 | 3 | 5 | 8 | 11 | 6 | 4 | 5 | 4 | 5 | 9 | 6 | 7 | 6 | 5 | 8 | 4 | 6 | 8 | 10 | 5 | 6 | 9 | 5 | 9 | 6 | 4 | 4 | 6 | 5 | 7 | 8 | 8 | 7 | 7 | 5 | 8 | 9 | 10 | 4 | 14 | 11 | 8 | 5 | 6 | 5 | 4 | 8 | 2 | 9 | 5 | 5 | 6 | 8 | 5 |
Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 24047 | 2012 | 0 | 178 | 194 | 272 | 164 | 184 | 162 | 157 | 206 | 156 | 180 | 159 | 0 | 9 | 3 | 3 | 6 | 8 | 4 | 3 | 1 | 4 | 8 | 11 | 6 | 3 | 5 | 3 | 5 | 9 | 4 | 7 | 6 | 5 | 8 | 4 | 6 | 8 | 10 | 5 | 3 | 9 | 3 | 9 | 6 | 2 | 4 | 6 | 5 | 7 | 8 | 8 | 7 | 7 | 5 | 8 | 9 | 10 | 4 | 10 | 11 | 8 | 4 | 6 | 4 | 3 | 8 | 2 | 9 | 2 | 5 | 6 | 8 | 5 |
Демон против люфтваффе | 16846 | 689 | 0 | 60 | 74 | 50 | 66 | 91 | 62 | 74 | 62 | 57 | 45 | 48 | 0 | 2 | 0 | 1 | 1 | 5 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 4 | 4 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 4 | 6 | 1 | 3 | 2 | 4 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 3 | 2 | 2 | 9 | 4 | 1 | 14 | 4 | 0 | 1 | 0 | 5 | 0 | 2 | 2 | 1 | 5 | 0 | 0 | 4 | 1 |
Истории про ментов и обычных людей | 6777 | 601 | 0 | 52 | 51 | 44 | 88 | 77 | 75 | 57 | 57 | 23 | 35 | 42 | 0 | 2 | 0 | 2 | 0 | 4 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 3 | 3 | 4 | 2 | 0 | 1 | 2 | 3 | 1 | 2 | 2 | 3 | 0 | 2 | 1 | 2 | 3 | 3 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 0 | 2 | 3 | 2 | 1 | 2 | 1 | 1 | 5 | 2 | 0 | 1 |
Израиль глазами нееврея и атеиста | 7017 | 446 | 0 | 46 | 25 | 144 | 28 | 41 | 26 | 32 | 29 | 30 | 21 | 24 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 3 | 1 | 1 | 4 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 |
Сергей Лукьяненко. Разноцветный дозор. Пародия | 3863 | 357 | 0 | 45 | 45 | 25 | 48 | 41 | 42 | 29 | 35 | 16 | 20 | 11 | 0 | 3 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 2 | 3 | 2 | 5 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 4 | 1 | 2 | 1 | 4 | 1 | 3 | 0 | 5 | 1 | 3 | 2 | 1 | 3 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
Силиконовая женщина доктора Купитмана | 3667 | 351 | 0 | 40 | 37 | 42 | 25 | 29 | 53 | 34 | 34 | 34 | 11 | 12 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 2 | 3 | 2 | 0 |
Попаданец - Учитель Сталина | 8851 | 323 | 0 | 36 | 27 | 23 | 41 | 48 | 33 | 27 | 20 | 24 | 20 | 24 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 5 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 4 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 |
Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3673 | 319 | 0 | 29 | 39 | 17 | 50 | 42 | 32 | 35 | 28 | 15 | 20 | 12 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 3 | 2 | 4 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 |
Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 6035 | 303 | 0 | 30 | 39 | 20 | 35 | 40 | 28 | 32 | 31 | 13 | 13 | 22 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 |
Ахтунг! Микки-маус | 4436 | 300 | 0 | 29 | 41 | 18 | 23 | 36 | 33 | 33 | 38 | 16 | 16 | 17 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 0 |
Убейте фюрера, Теодор | 2606 | 293 | 0 | 32 | 30 | 16 | 18 | 36 | 36 | 34 | 40 | 19 | 17 | 15 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 5 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 5 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 |
Жуткая тайна Кгб | 3492 | 292 | 0 | 37 | 23 | 27 | 38 | 40 | 29 | 21 | 32 | 19 | 14 | 12 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 6 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Небо империи-1. Шпага, честь и любовь | 8759 | 289 | 0 | 30 | 32 | 21 | 37 | 36 | 24 | 36 | 27 | 21 | 15 | 10 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 5 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 |
С Михаилом Задорновым на Гору Святого Моисея | 3100 | 283 | 0 | 30 | 32 | 26 | 22 | 46 | 39 | 25 | 30 | 16 | 9 | 8 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 2 | 4 | 1 | 0 | 5 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Электрическое бессмертие (фрагмент) | 7462 | 275 | 0 | 36 | 42 | 25 | 21 | 35 | 25 | 24 | 23 | 17 | 17 | 10 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 4 | 3 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 2968 | 272 | 0 | 41 | 33 | 18 | 25 | 35 | 35 | 28 | 21 | 13 | 10 | 13 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 5 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 2 | 1 | 3 | 0 | 4 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 |
История Хх века. Новая хронология | 5925 | 271 | 0 | 34 | 30 | 20 | 41 | 35 | 24 | 27 | 28 | 11 | 10 | 11 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Белорусская литература в средней школе - инструмент убийства национальной культуры | 3135 | 271 | 0 | 39 | 26 | 18 | 40 | 53 | 25 | 19 | 23 | 11 | 9 | 8 | 0 | 2 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 2984 | 262 | 0 | 25 | 36 | 24 | 15 | 37 | 27 | 31 | 25 | 13 | 16 | 13 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 4 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 3 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 1 |
Итого | За последние 12 месяцев | Sep | Aug | Jul | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
Марсианская гонка | 2641 | 257 | 0 | 32 | 31 | 15 | 35 | 28 | 28 | 26 | 27 | 12 | 15 | 8 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 4 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 3 | 1 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 2 | 0 |
Антарктическая Гиперборея | 4543 | 257 | 0 | 32 | 28 | 23 | 31 | 39 | 21 | 26 | 18 | 16 | 13 | 10 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
Кровь на броне | 2120 | 256 | 0 | 25 | 25 | 19 | 37 | 29 | 32 | 22 | 34 | 12 | 11 | 10 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 |
Кто есть кто в белорусской фантастике | 3044 | 252 | 0 | 41 | 38 | 15 | 18 | 26 | 28 | 26 | 27 | 15 | 9 | 9 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 6 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 3 | 2 | 2 | 1 | 3 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2199 | 247 | 0 | 35 | 28 | 14 | 47 | 33 | 16 | 31 | 18 | 9 | 9 | 7 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 2 | 2 | 3 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2878 | 245 | 0 | 34 | 34 | 18 | 27 | 29 | 22 | 21 | 21 | 15 | 13 | 11 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 6 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 1 |
Небо империи 2. Князь без княжества | 5024 | 244 | 0 | 32 | 27 | 20 | 28 | 29 | 26 | 24 | 23 | 13 | 14 | 8 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Второй этаж | 2401 | 242 | 0 | 25 | 32 | 18 | 41 | 31 | 19 | 20 | 22 | 10 | 15 | 9 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
Жуткая тайна Кгб киносценарий | 2664 | 242 | 0 | 25 | 31 | 17 | 44 | 30 | 22 | 24 | 22 | 9 | 10 | 8 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 |
Тотальный контроль | 2449 | 241 | 0 | 30 | 25 | 12 | 24 | 36 | 31 | 24 | 30 | 6 | 13 | 10 | 0 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Ваенга эир | 2075 | 240 | 0 | 36 | 30 | 22 | 13 | 27 | 26 | 22 | 29 | 14 | 9 | 12 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 7 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2336 | 237 | 0 | 30 | 23 | 16 | 40 | 30 | 22 | 26 | 17 | 17 | 10 | 6 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Огневой дракон | 2418 | 236 | 0 | 32 | 34 | 14 | 14 | 36 | 20 | 27 | 23 | 13 | 11 | 12 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 0 | 5 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 |
Дирижабль "Россия" | 2745 | 236 | 0 | 35 | 18 | 16 | 32 | 39 | 24 | 24 | 17 | 10 | 13 | 8 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 4 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Русские за рубежом | 2897 | 235 | 0 | 37 | 23 | 17 | 38 | 33 | 22 | 24 | 19 | 10 | 4 | 8 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 7 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2542 | 235 | 0 | 36 | 29 | 19 | 18 | 28 | 33 | 20 | 22 | 11 | 9 | 10 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 4 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 4 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Эпоха героев и перегретого пара | 9876 | 231 | 0 | 30 | 32 | 22 | 15 | 23 | 25 | 25 | 20 | 10 | 20 | 9 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 |
Иномарка | 2755 | 230 | 0 | 29 | 24 | 19 | 19 | 40 | 22 | 25 | 21 | 11 | 10 | 10 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 2992 | 229 | 0 | 24 | 23 | 13 | 20 | 27 | 27 | 32 | 32 | 8 | 13 | 10 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 6 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3876 | 228 | 0 | 33 | 21 | 12 | 41 | 29 | 21 | 19 | 19 | 11 | 13 | 9 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Sep | Aug | Jul | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2710 | 227 | 0 | 34 | 22 | 18 | 28 | 33 | 23 | 20 | 20 | 12 | 7 | 10 | 0 | 3 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 4 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2322 | 226 | 0 | 26 | 31 | 14 | 32 | 27 | 27 | 19 | 23 | 8 | 13 | 6 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 0 | 3 | 1 | 4 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2509 | 223 | 0 | 28 | 17 | 12 | 45 | 32 | 19 | 25 | 16 | 14 | 8 | 7 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3162 | 223 | 0 | 30 | 22 | 14 | 14 | 43 | 25 | 21 | 27 | 8 | 12 | 7 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
Поможем Одесской киностудии! | 1911 | 223 | 0 | 27 | 27 | 15 | 36 | 27 | 20 | 23 | 21 | 7 | 12 | 8 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 |
Письмо редактору | 2129 | 222 | 0 | 33 | 29 | 18 | 29 | 28 | 18 | 23 | 19 | 9 | 9 | 7 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2575 | 221 | 0 | 26 | 24 | 15 | 29 | 26 | 22 | 21 | 24 | 13 | 10 | 11 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 4 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 |
Ричард Длинные Руки - вицеимператор галактики | 9880 | 220 | 0 | 37 | 24 | 16 | 18 | 24 | 29 | 24 | 21 | 11 | 10 | 6 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 4 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 |
Друг, который не предаст | 2442 | 220 | 0 | 25 | 27 | 15 | 29 | 31 | 23 | 21 | 24 | 5 | 12 | 8 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Молитва | 2594 | 219 | 0 | 30 | 28 | 13 | 28 | 31 | 18 | 19 | 22 | 9 | 11 | 10 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 |
Цена имени | 2080 | 219 | 0 | 25 | 22 | 21 | 38 | 31 | 22 | 18 | 18 | 8 | 9 | 7 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Информация о владельце раздела | 2443 | 216 | 0 | 25 | 28 | 12 | 23 | 27 | 27 | 19 | 28 | 12 | 6 | 9 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 |
Утомлённые солнцем - 3 | 3014 | 215 | 0 | 25 | 30 | 19 | 16 | 21 | 28 | 23 | 22 | 9 | 8 | 14 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 |
Счастье лимитед | 1899 | 214 | 0 | 27 | 29 | 19 | 17 | 22 | 25 | 28 | 21 | 9 | 9 | 8 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 3 | 4 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2454 | 213 | 0 | 36 | 23 | 20 | 13 | 31 | 20 | 21 | 15 | 20 | 7 | 7 | 0 | 1 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 4 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Ответные санкции | 3649 | 213 | 0 | 30 | 29 | 14 | 18 | 23 | 26 | 19 | 24 | 9 | 12 | 9 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 3 | 3 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2572 | 211 | 0 | 29 | 21 | 12 | 29 | 27 | 23 | 23 | 20 | 10 | 9 | 8 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 |
Увлечение доктора Арендта | 2403 | 211 | 0 | 27 | 23 | 16 | 14 | 18 | 28 | 30 | 19 | 11 | 15 | 10 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2344 | 211 | 0 | 29 | 22 | 13 | 14 | 23 | 27 | 27 | 27 | 9 | 10 | 10 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 |
Теодор | 2217 | 211 | 0 | 22 | 27 | 12 | 28 | 27 | 21 | 26 | 18 | 10 | 9 | 11 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 4 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Sep | Aug | Jul | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2573 | 209 | 0 | 31 | 21 | 22 | 18 | 25 | 26 | 22 | 17 | 10 | 9 | 8 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2442 | 208 | 0 | 28 | 17 | 18 | 19 | 23 | 24 | 22 | 25 | 10 | 13 | 9 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 4 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 |
Наличные | 2558 | 205 | 0 | 28 | 23 | 14 | 11 | 30 | 23 | 19 | 25 | 10 | 10 | 12 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2337 | 197 | 0 | 32 | 26 | 17 | 11 | 21 | 22 | 20 | 19 | 12 | 10 | 7 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2161 | 195 | 0 | 32 | 20 | 17 | 15 | 26 | 23 | 23 | 17 | 10 | 6 | 6 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 2 | 5 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2585 | 194 | 0 | 28 | 25 | 13 | 19 | 22 | 20 | 18 | 25 | 8 | 9 | 7 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2414 | 194 | 0 | 29 | 23 | 12 | 14 | 24 | 20 | 23 | 22 | 14 | 8 | 5 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Спираль сингулярности | 2489 | 193 | 0 | 23 | 29 | 17 | 16 | 20 | 19 | 21 | 19 | 10 | 12 | 7 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2604 | 189 | 0 | 26 | 24 | 13 | 17 | 14 | 24 | 19 | 19 | 8 | 14 | 11 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 3 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2727 | 188 | 0 | 29 | 19 | 19 | 19 | 18 | 21 | 17 | 24 | 8 | 9 | 5 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 6 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2500 | 185 | 0 | 25 | 25 | 12 | 16 | 26 | 18 | 15 | 22 | 9 | 9 | 8 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 2906 | 183 | 0 | 26 | 23 | 17 | 11 | 24 | 17 | 18 | 16 | 13 | 11 | 7 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
Леди-босс и зомби | 2593 | 183 | 0 | 30 | 26 | 16 | 9 | 18 | 18 | 23 | 20 | 6 | 9 | 8 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
Не все мечты сбываются | 2272 | 177 | 0 | 26 | 18 | 12 | 10 | 15 | 28 | 23 | 20 | 10 | 8 | 7 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"