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| Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| По разделу | 207256 | 2014 | 41 | 115 | 155 | 156 | 172 | 163 | 193 | 155 | 202 | 187 | 224 | 251 | 0 | 3 | 3 | 5 | 2 | 2 | 2 | 2 | 5 | 1 | 2 | 3 | 2 | 1 | 2 | 3 | 3 | 7 | 2 | 3 | 2 | 2 | 2 | 1 | 5 | 3 | 3 | 4 | 3 | 4 | 4 | 1 | 4 | 6 | 5 | 4 | 6 | 3 | 3 | 2 | 3 | 4 | 6 | 6 | 4 | 4 | 6 | 3 | 4 | 6 | 3 | 5 | 3 | 5 | 4 | 6 | 3 | 4 | 4 | 7 | 3 | 4 |
| Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы | 24399 | 1331 | 27 | 85 | 89 | 89 | 94 | 86 | 80 | 108 | 139 | 138 | 192 | 204 | 0 | 1 | 0 | 4 | 2 | 1 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 3 | 7 | 0 | 2 | 1 | 2 | 2 | 1 | 5 | 0 | 3 | 1 | 3 | 3 | 2 | 1 | 3 | 6 | 5 | 2 | 6 | 3 | 2 | 2 | 3 | 3 | 6 | 1 | 4 | 3 | 0 | 3 | 2 | 6 | 2 | 3 | 3 | 1 | 2 | 6 | 1 | 3 | 2 | 7 | 3 | 3 |
| Полемика - искусство спора | 8964 | 874 | 14 | 53 | 68 | 94 | 79 | 69 | 56 | 71 | 132 | 93 | 82 | 63 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 6 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 2 | 4 | 3 | 3 | 1 | 2 | 0 | 3 | 1 | 1 | 6 | 0 | 3 | 1 | 0 | 4 | 1 | 2 | 4 | 0 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 0 |
| Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 13222 | 817 | 20 | 54 | 74 | 73 | 74 | 57 | 39 | 65 | 101 | 97 | 85 | 78 | 0 | 0 | 3 | 5 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 2 | 3 | 2 | 2 | 3 | 1 | 0 | 1 | 3 | 4 | 1 | 4 | 1 | 3 | 3 | 1 | 3 | 1 | 4 | 1 | 5 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 4 |
| Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 12263 | 788 | 11 | 51 | 62 | 63 | 72 | 77 | 63 | 68 | 89 | 69 | 90 | 73 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 2 | 2 | 1 | 4 | 2 | 4 | 3 | 0 | 5 | 0 | 1 | 3 | 0 | 4 | 1 | 3 | 1 | 3 | 0 | 2 | 0 | 2 | 2 | 0 |
| Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 7384 | 770 | 15 | 48 | 49 | 67 | 70 | 51 | 47 | 68 | 95 | 101 | 80 | 79 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 4 | 0 | 1 | 2 | 0 | 4 | 0 | 3 | 1 | 2 | 2 | 1 | 5 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 3 | 3 | 1 | 2 | 1 | 0 | 2 | 0 |
| Жанр баллады в русской романтической поэзии | 15720 | 762 | 15 | 46 | 59 | 69 | 59 | 49 | 57 | 56 | 104 | 89 | 103 | 56 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 4 | 0 | 0 | 0 | 4 | 4 | 2 | 1 | 2 | 1 | 0 | 0 | 4 | 3 | 4 | 2 | 4 | 1 | 0 | 3 | 0 | 2 | 2 | 3 | 0 | 4 | 4 | 1 | 4 | 0 | 3 | 0 | 4 |
| Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 7735 | 720 | 8 | 38 | 53 | 54 | 51 | 55 | 51 | 65 | 89 | 71 | 77 | 108 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 3 | 2 | 2 | 1 | 0 | 2 | 3 | 2 | 3 | 0 | 2 | 0 | 0 | 3 | 0 | 2 | 3 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 3 |
| Пресса Франции. 1949-1989 гг | 10713 | 717 | 14 | 32 | 57 | 66 | 57 | 52 | 112 | 47 | 89 | 78 | 65 | 48 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 4 | 3 | 1 | 0 | 2 | 1 | 3 | 0 | 3 | 3 | 0 | 3 | 0 | 4 | 1 | 2 | 0 | 2 | 0 | 0 |
| Гротеск в литературе | 7655 | 696 | 14 | 51 | 60 | 58 | 54 | 55 | 53 | 63 | 83 | 77 | 73 | 55 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 4 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 4 | 3 | 3 | 0 | 3 | 1 | 4 | 0 | 0 | 5 | 0 | 3 | 1 | 4 | 0 | 0 | 4 | 0 | 3 | 0 |
| Творчество Мольера | 9410 | 636 | 12 | 54 | 51 | 59 | 56 | 50 | 37 | 53 | 74 | 69 | 82 | 39 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 4 | 1 | 1 | 3 | 0 | 4 | 2 | 2 | 2 | 3 | 1 | 3 | 0 | 3 | 2 | 2 | 3 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 3 | 0 | 0 |
| Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 4558 | 512 | 9 | 39 | 42 | 50 | 45 | 36 | 33 | 29 | 64 | 58 | 59 | 48 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 3 | 2 | 3 | 2 | 0 | 6 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 |
| Романтические новеллы Вашингтона Ирвинга | 5439 | 504 | 7 | 38 | 48 | 53 | 47 | 47 | 26 | 33 | 61 | 52 | 53 | 39 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 4 | 3 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 1 |
| Публицистика 80х годов. В.Песков | 5492 | 321 | 5 | 15 | 9 | 24 | 47 | 24 | 16 | 34 | 50 | 37 | 37 | 23 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 7174 | 318 | 7 | 19 | 18 | 34 | 23 | 20 | 19 | 23 | 53 | 32 | 48 | 22 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
| Стресс - понятие, характеристика, стадии развития | 18475 | 317 | 1 | 19 | 19 | 36 | 23 | 17 | 19 | 25 | 44 | 52 | 34 | 28 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
| 300 лет литературной традиции российской журналистики | 2206 | 272 | 5 | 21 | 21 | 25 | 24 | 10 | 11 | 24 | 34 | 40 | 33 | 24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 |
| О "черном романтизме" в литературе | 4408 | 261 | 4 | 21 | 15 | 31 | 31 | 13 | 14 | 22 | 34 | 37 | 25 | 14 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
| В шелесте ангельских крыл | 2636 | 241 | 3 | 15 | 18 | 19 | 18 | 12 | 7 | 20 | 35 | 38 | 38 | 18 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
| Ты помнишь, как все начиналось?... | 2471 | 232 | 5 | 10 | 18 | 20 | 24 | 12 | 7 | 16 | 30 | 38 | 28 | 24 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Плесень | 1747 | 230 | 7 | 17 | 13 | 17 | 16 | 9 | 9 | 21 | 36 | 37 | 28 | 20 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Счастливчик Джесс | 2360 | 228 | 4 | 19 | 15 | 16 | 15 | 8 | 7 | 23 | 31 | 42 | 29 | 19 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| "Последнее плавание "Морскoй ведьмы" | 3449 | 223 | 4 | 17 | 15 | 14 | 18 | 9 | 11 | 19 | 38 | 26 | 31 | 21 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Мотивы путешествия на чёрте в литературе первой трети Xix века | 2998 | 215 | 0 | 20 | 15 | 22 | 19 | 12 | 7 | 13 | 26 | 35 | 21 | 25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
| "Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2762 | 213 | 5 | 17 | 21 | 26 | 21 | 5 | 9 | 17 | 32 | 21 | 24 | 15 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
| Еще одна история, рассказанная в Диканьке | 1974 | 212 | 2 | 9 | 8 | 19 | 17 | 10 | 11 | 14 | 32 | 36 | 26 | 28 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Так не бывает | 2363 | 210 | 1 | 12 | 15 | 17 | 16 | 9 | 11 | 25 | 30 | 29 | 26 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 |
| Битва Титанов. Сон Сэма Уортингтона | 1858 | 210 | 1 | 14 | 9 | 17 | 16 | 8 | 6 | 15 | 50 | 24 | 30 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Информация о владельце раздела | 1850 | 210 | 2 | 16 | 15 | 27 | 21 | 5 | 3 | 10 | 33 | 35 | 31 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
| Приемы плетения интриг в "Повести о Бове-королевиче" | 2023 | 204 | 3 | 10 | 18 | 20 | 23 | 10 | 6 | 20 | 30 | 29 | 23 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 |
| Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2870 | 204 | 2 | 17 | 19 | 18 | 22 | 10 | 8 | 18 | 23 | 29 | 27 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Встреча | 1653 | 203 | 2 | 16 | 12 | 15 | 19 | 13 | 9 | 13 | 31 | 33 | 24 | 16 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Утро главного редактора | 1531 | 196 | 2 | 14 | 8 | 23 | 19 | 5 | 7 | 15 | 32 | 24 | 31 | 16 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Тайна старого поместья | 2248 | 195 | 4 | 13 | 8 | 23 | 17 | 7 | 5 | 17 | 27 | 34 | 21 | 19 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Категория таинственного в романтическом произведении | 1808 | 191 | 0 | 14 | 11 | 19 | 20 | 7 | 7 | 13 | 31 | 33 | 20 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
| Как Кур Лисице мстил | 1900 | 186 | 3 | 8 | 17 | 16 | 14 | 8 | 11 | 15 | 33 | 27 | 19 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
| Ангельское пение | 1538 | 183 | 1 | 13 | 6 | 19 | 11 | 9 | 7 | 17 | 22 | 33 | 27 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |