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Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
По разделу | 503088 | 1504 | 133 | 113 | 155 | 134 | 138 | 148 | 128 | 192 | 98 | 88 | 90 | 87 | 2 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 6 | 4 | 5 | 4 | 5 | 5 | 3 | 4 | 3 | 2 | 9 | 6 | 5 | 5 | 6 | 4 | 4 | 5 | 5 | 4 | 5 | 7 | 3 | 2 | 3 | 3 | 3 | 2 | 4 | 4 | 5 | 4 | 5 | 5 | 2 | 3 | 3 | 5 | 4 | 3 | 3 | 4 | 3 | 3 | 3 | 3 | 4 | 4 | 5 | 3 | 5 | 3 | 5 |
7. О символизации насилия. Песочный Человек | 3462 | 706 | 44 | 40 | 55 | 74 | 60 | 96 | 82 | 76 | 56 | 36 | 44 | 43 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 1 | 3 | 2 | 2 | 1 | 2 | 2 | 1 | 5 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 5 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 5 |
Художественные описания механизмов психологической защиты | 13293 | 643 | 48 | 39 | 44 | 47 | 75 | 93 | 73 | 51 | 62 | 33 | 33 | 45 | 0 | 4 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 3 | 3 | 2 | 0 | 3 | 1 | 9 | 2 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 4 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 0 | 3 | 0 | 5 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 3 | 3 | 0 | 2 | 2 |
1. Расставание брата и сестры | 3850 | 527 | 42 | 37 | 113 | 47 | 38 | 41 | 54 | 42 | 36 | 26 | 32 | 19 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 3 | 1 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 3 | 4 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 5 | 1 | 0 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3915 | 502 | 64 | 62 | 47 | 55 | 46 | 43 | 38 | 38 | 25 | 28 | 27 | 29 | 1 | 0 | 3 | 1 | 4 | 4 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 5 | 1 | 2 | 0 | 3 | 0 | 4 | 2 | 1 | 5 | 1 | 3 | 2 | 3 | 5 | 0 | 5 | 7 | 3 | 0 | 3 | 0 | 1 | 2 | 3 | 0 | 1 | 3 | 2 | 5 | 0 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 3 | 0 | 3 | 3 | 1 | 3 | 5 | 1 | 3 | 2 | 3 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1852 | 463 | 53 | 47 | 50 | 50 | 59 | 43 | 38 | 26 | 27 | 32 | 19 | 19 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 3 | 1 | 2 | 4 | 1 | 2 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 3 | 0 | 4 | 3 | 4 | 2 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 3 | 0 | 2 | 3 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 4 | 2 | 4 | 1 | 2 |
Ритуал и выгорание в субкультуре скорой помощи | 9631 | 431 | 46 | 23 | 93 | 36 | 38 | 41 | 30 | 37 | 21 | 25 | 25 | 16 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 3 | 4 | 1 | 0 | 1 | 0 | 3 | 3 | 2 | 1 | 2 | 3 | 0 | 1 | 4 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 3 | 1 | 0 |
7. Интерпретация эпоса об Урал-Батыре | 1978 | 394 | 51 | 50 | 42 | 55 | 41 | 37 | 34 | 27 | 18 | 16 | 10 | 13 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 3 | 6 | 1 | 1 | 3 | 2 | 5 | 0 | 1 | 2 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 4 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 1 | 5 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 4 | 0 | 3 | 0 | 3 | 1 | 0 | 4 | 1 | 4 | 1 | 2 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2477 | 384 | 30 | 30 | 33 | 29 | 31 | 42 | 50 | 46 | 22 | 18 | 24 | 29 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 5 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 2 |
Мотив Города | 3340 | 323 | 34 | 22 | 22 | 29 | 24 | 33 | 41 | 34 | 19 | 33 | 11 | 21 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 |
26. Динамика развития психики по оси Самость-Эго | 1987 | 319 | 27 | 29 | 25 | 27 | 39 | 41 | 34 | 27 | 23 | 20 | 15 | 12 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 |
6. Насилие и интеграция психики в архаической сказке | 1470 | 299 | 21 | 23 | 27 | 19 | 21 | 24 | 24 | 85 | 22 | 12 | 10 | 11 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
12. Интеграция и Анимы, и Анимуса | 1927 | 281 | 28 | 25 | 24 | 20 | 33 | 37 | 29 | 20 | 17 | 19 | 19 | 10 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 4 |
Психосоматика наизнанку | 5115 | 279 | 24 | 29 | 20 | 19 | 39 | 30 | 39 | 23 | 19 | 18 | 7 | 12 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 3 | 1 |
2. Андрогинность в сказке и мифе | 1783 | 279 | 25 | 30 | 18 | 20 | 16 | 34 | 41 | 33 | 19 | 19 | 10 | 14 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 |
4. О символизации насилия в эддической поэзии | 2387 | 277 | 23 | 21 | 21 | 19 | 23 | 34 | 46 | 28 | 16 | 17 | 17 | 12 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
Упражнение Бог | 3774 | 267 | 32 | 27 | 27 | 19 | 28 | 30 | 37 | 27 | 16 | 6 | 10 | 8 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 |
14. Мастера и шарлатаны Гофмана | 2153 | 265 | 21 | 24 | 38 | 15 | 22 | 31 | 45 | 21 | 15 | 17 | 7 | 9 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 5 |
10. Об Аниме женщины | 1985 | 265 | 39 | 25 | 27 | 20 | 28 | 23 | 41 | 17 | 13 | 16 | 7 | 9 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 0 | 3 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 6 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 3 |
8. Запутанная история Джона Ди | 1679 | 261 | 24 | 20 | 24 | 28 | 23 | 24 | 41 | 26 | 15 | 16 | 6 | 14 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
5. Особенности архаической сказки | 1825 | 257 | 30 | 29 | 18 | 19 | 27 | 30 | 32 | 25 | 15 | 15 | 9 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 3 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 3 | 1 | 0 | 0 |
Совершая труд | 4812 | 253 | 17 | 24 | 18 | 17 | 21 | 24 | 31 | 52 | 16 | 18 | 10 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
Графоманские стихи | 3551 | 253 | 29 | 23 | 22 | 23 | 31 | 25 | 31 | 22 | 13 | 13 | 7 | 14 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 3 | 3 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 |
Симбиоз гештальта и символдрамы | 3285 | 252 | 23 | 23 | 17 | 25 | 30 | 29 | 26 | 29 | 16 | 15 | 11 | 8 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2539 | 252 | 25 | 27 | 26 | 21 | 22 | 35 | 30 | 17 | 14 | 19 | 10 | 6 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 |
Архетипические мотивы в фольклоре єскорой помощи" | 2373 | 251 | 22 | 20 | 12 | 23 | 21 | 21 | 25 | 69 | 9 | 14 | 8 | 7 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 |
10. Современные андрогинные персонажи, Душа и Дух | 1730 | 250 | 27 | 22 | 23 | 13 | 18 | 25 | 29 | 27 | 15 | 22 | 9 | 20 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 |
4. Ад без жала | 1646 | 249 | 22 | 18 | 16 | 18 | 23 | 21 | 28 | 32 | 21 | 25 | 8 | 17 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1917 | 249 | 34 | 23 | 21 | 21 | 16 | 33 | 30 | 21 | 15 | 16 | 9 | 10 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
24. Травмирующие архетипические персонажи Х. Мураками | 1734 | 247 | 30 | 26 | 21 | 22 | 22 | 29 | 28 | 21 | 24 | 10 | 6 | 8 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 |
5. Сказка о Персоне, что учится самосознанию | 1749 | 244 | 27 | 24 | 17 | 17 | 19 | 23 | 32 | 27 | 19 | 15 | 11 | 13 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 |
2. Представления об Анимусе мужчины | 2064 | 243 | 28 | 20 | 14 | 16 | 14 | 34 | 31 | 34 | 12 | 19 | 10 | 11 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
Клеменс Брентано. Лоре Лай | 1541 | 242 | 23 | 16 | 17 | 16 | 17 | 32 | 40 | 26 | 24 | 12 | 9 | 10 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 |
Оценка эффективности работы психолога с клиентами | 2966 | 241 | 22 | 26 | 19 | 20 | 30 | 24 | 32 | 17 | 10 | 15 | 12 | 14 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 |
16. Список литературы | 1312 | 241 | 29 | 25 | 12 | 16 | 21 | 37 | 32 | 31 | 11 | 10 | 8 | 9 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 2066 | 240 | 34 | 24 | 13 | 15 | 18 | 26 | 26 | 19 | 21 | 24 | 11 | 9 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 4 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2289 | 238 | 22 | 23 | 16 | 16 | 20 | 28 | 36 | 21 | 19 | 18 | 10 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
13. Женщина перед расстрелом | 1295 | 238 | 24 | 19 | 25 | 18 | 29 | 23 | 30 | 23 | 11 | 15 | 11 | 10 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 3 |
Графоманские стихи | 2480 | 237 | 31 | 24 | 15 | 22 | 21 | 25 | 34 | 24 | 10 | 11 | 8 | 12 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 4 |
4. Влияния Анимы и Анимуса на мужское Эго | 2787 | 237 | 25 | 22 | 14 | 19 | 17 | 33 | 30 | 19 | 18 | 19 | 11 | 10 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Эмоциональное выгорание, травма и нарциссизм | 5791 | 236 | 24 | 21 | 16 | 16 | 23 | 32 | 33 | 19 | 18 | 18 | 4 | 12 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
13. Внутрениие вредители в произведениях Гофмана | 1751 | 233 | 25 | 17 | 24 | 22 | 27 | 28 | 28 | 18 | 13 | 19 | 5 | 7 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 |
О книге Матрица и потенциал характера | 1595 | 233 | 32 | 18 | 13 | 21 | 20 | 21 | 36 | 20 | 18 | 15 | 4 | 15 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 4 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
13. Аида: комментарии к либретто | 1888 | 233 | 21 | 24 | 30 | 14 | 19 | 30 | 25 | 19 | 20 | 16 | 6 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
3. Как мужчины обращаются с Анимой | 3487 | 233 | 30 | 34 | 13 | 16 | 18 | 23 | 24 | 22 | 17 | 16 | 7 | 13 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 3 | 2 | 5 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 |
Отношения врача и пациента с точки зрения созависимости | 6558 | 233 | 25 | 24 | 21 | 23 | 21 | 24 | 36 | 17 | 15 | 11 | 8 | 8 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 |
6. О символизации насилия. Значимые персонажи | 2071 | 232 | 27 | 24 | 24 | 18 | 19 | 24 | 27 | 28 | 11 | 15 | 9 | 6 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1587 | 231 | 25 | 23 | 11 | 18 | 24 | 28 | 35 | 23 | 11 | 12 | 9 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 |
2. Неюнгианские механизмы интеграции психики в сказке | 1608 | 230 | 29 | 22 | 15 | 19 | 23 | 23 | 35 | 15 | 18 | 16 | 3 | 12 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 3 |
3. О символизации насилия в поэзии скальдов | 3306 | 229 | 26 | 18 | 21 | 37 | 14 | 24 | 25 | 19 | 14 | 16 | 4 | 11 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 |
15. Николай Ставрогин и его адепты | 1925 | 227 | 23 | 33 | 15 | 15 | 19 | 18 | 32 | 22 | 19 | 15 | 5 | 11 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 5 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 5 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 3 | 1 | 2 | 3 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 3096 | 227 | 27 | 21 | 12 | 18 | 37 | 22 | 26 | 17 | 16 | 11 | 5 | 15 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
7. Созидающее насилие: подвиги Геракла | 1662 | 226 | 25 | 20 | 18 | 11 | 31 | 25 | 22 | 15 | 19 | 15 | 9 | 16 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 |
Двойные ловушки Плоского мира | 1739 | 224 | 32 | 17 | 16 | 13 | 17 | 28 | 32 | 29 | 10 | 17 | 5 | 8 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 |
9. Психика как пара | 1717 | 224 | 25 | 20 | 18 | 13 | 20 | 20 | 34 | 32 | 12 | 16 | 7 | 7 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1732 | 223 | 23 | 24 | 14 | 25 | 21 | 31 | 21 | 28 | 14 | 11 | 7 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 1 |
Непрожитая старость | 10409 | 222 | 24 | 25 | 18 | 18 | 14 | 31 | 24 | 20 | 16 | 17 | 9 | 6 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 0 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2238 | 222 | 27 | 21 | 19 | 13 | 25 | 28 | 25 | 20 | 15 | 13 | 4 | 12 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
9. Лихтенберг - мыслящее тело | 1186 | 222 | 26 | 29 | 21 | 16 | 33 | 17 | 27 | 17 | 8 | 15 | 5 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 |
Запрет на идентификацию с больным и эмоциональное выгорание | 3022 | 220 | 22 | 25 | 11 | 17 | 18 | 23 | 32 | 18 | 12 | 13 | 23 | 6 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 2 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1657 | 220 | 29 | 20 | 19 | 16 | 30 | 21 | 27 | 18 | 13 | 14 | 7 | 6 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 |
8. Тотем, Трикстер, Первопредки | 1540 | 220 | 25 | 25 | 15 | 14 | 20 | 28 | 28 | 25 | 10 | 17 | 6 | 7 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 3 |
3. Сказочные злодеи: Консолидатор Тени | 1599 | 219 | 25 | 19 | 13 | 17 | 16 | 25 | 33 | 27 | 20 | 11 | 5 | 8 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
1. Преамбула: феминное и маскулинное | 1843 | 218 | 27 | 20 | 20 | 15 | 17 | 22 | 33 | 20 | 16 | 14 | 6 | 8 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 |
9. Персона и Тень | 1744 | 218 | 20 | 21 | 19 | 16 | 30 | 22 | 28 | 21 | 14 | 10 | 9 | 8 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 5 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
Больной Крысолов | 1503 | 217 | 25 | 24 | 13 | 15 | 17 | 24 | 30 | 27 | 14 | 13 | 9 | 6 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 |
6. Сходство и различия сюжетов о Переодетой сестре | 1749 | 217 | 24 | 18 | 16 | 23 | 17 | 21 | 35 | 16 | 16 | 16 | 8 | 7 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 |
5. Мужчина выбирает между Анимусом и Анимой | 1377 | 216 | 32 | 24 | 8 | 10 | 21 | 24 | 46 | 14 | 14 | 10 | 6 | 7 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 3 | 1 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 |
3. Молитвенная мельница | 1550 | 215 | 21 | 17 | 14 | 15 | 27 | 29 | 32 | 22 | 12 | 15 | 4 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1385 | 215 | 21 | 24 | 14 | 18 | 18 | 30 | 23 | 14 | 17 | 20 | 6 | 10 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 |
11. Миры и зло Средиземья и Валинора | 1600 | 213 | 21 | 20 | 15 | 19 | 21 | 23 | 28 | 20 | 15 | 13 | 8 | 10 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 |
Больница глазами гештальт-терапевта | 4084 | 213 | 26 | 20 | 17 | 11 | 20 | 27 | 35 | 23 | 13 | 10 | 5 | 6 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 2 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 |
7 Заклинатели | 1756 | 212 | 33 | 14 | 20 | 14 | 19 | 20 | 35 | 18 | 12 | 13 | 7 | 7 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 6 | 0 | 1 | 1 | 0 | 3 | 4 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1685 | 211 | 29 | 30 | 10 | 16 | 35 | 19 | 26 | 16 | 13 | 11 | 2 | 4 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 4 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 |
Кошачья подсистема в семье | 1038 | 211 | 27 | 21 | 14 | 15 | 23 | 20 | 31 | 25 | 8 | 15 | 5 | 7 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1666 | 209 | 21 | 23 | 20 | 20 | 25 | 22 | 25 | 16 | 12 | 11 | 6 | 8 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 |
Особенности структуры семьи учащихся техникума | 2091 | 209 | 25 | 23 | 23 | 11 | 19 | 19 | 25 | 21 | 10 | 16 | 7 | 10 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
4. Зловещие магнетизеры | 2289 | 208 | 35 | 31 | 19 | 13 | 17 | 18 | 26 | 15 | 12 | 14 | 4 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 3 | 4 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 3 |
33. Пространство, время, человек и божество в сказке | 1387 | 208 | 24 | 20 | 9 | 14 | 30 | 22 | 28 | 16 | 17 | 15 | 5 | 8 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 |
2. Персонажи "Котлована" строят новый мир и новое тело | 1121 | 208 | 16 | 25 | 19 | 11 | 34 | 23 | 26 | 16 | 12 | 9 | 6 | 11 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
15. Типичные протагонисты произведений Гофмана | 1485 | 207 | 20 | 19 | 11 | 17 | 19 | 24 | 27 | 16 | 11 | 23 | 10 | 10 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1594 | 206 | 25 | 21 | 11 | 16 | 22 | 30 | 29 | 16 | 13 | 11 | 6 | 6 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
3. Сказка о феминном и маскулинном состояниях Эго | 1581 | 206 | 25 | 17 | 15 | 17 | 14 | 18 | 25 | 19 | 15 | 17 | 11 | 13 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Дворянин Фаланд или владыка альвов? | 1017 | 205 | 24 | 20 | 16 | 16 | 16 | 21 | 30 | 19 | 10 | 14 | 10 | 9 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 5 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
20. О некоторых особенностях структуры фэнтези | 1846 | 205 | 18 | 20 | 17 | 15 | 20 | 22 | 35 | 22 | 12 | 13 | 7 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Телесный симптом в роли символа | 1964 | 204 | 23 | 21 | 13 | 20 | 23 | 19 | 33 | 14 | 10 | 14 | 6 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 |
16. Миры и образы зла, связанные с Темной Башней | 2140 | 203 | 20 | 17 | 18 | 17 | 17 | 25 | 27 | 22 | 16 | 11 | 6 | 7 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Юные птицы старого русского рока | 961 | 202 | 28 | 21 | 11 | 13 | 26 | 21 | 33 | 17 | 11 | 13 | 3 | 5 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 |
Роковой треугольник - 1 | 1882 | 202 | 24 | 17 | 12 | 14 | 20 | 21 | 28 | 33 | 12 | 10 | 5 | 6 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 |
4. Ранние пьесы М. Цветаевой | 1956 | 202 | 21 | 22 | 16 | 14 | 17 | 18 | 31 | 22 | 12 | 15 | 5 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
1. Тело и мир персонажей Андрея Платонова | 1415 | 202 | 20 | 21 | 14 | 17 | 20 | 25 | 25 | 17 | 15 | 9 | 9 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
11. Пространство лагеря | 1125 | 201 | 31 | 17 | 18 | 18 | 31 | 14 | 27 | 12 | 11 | 14 | 3 | 5 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
10. Большая женщина. Начало возрождения | 1075 | 200 | 26 | 22 | 17 | 11 | 26 | 21 | 28 | 16 | 13 | 12 | 2 | 6 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 |
Образ Бога и зрелость личности | 2505 | 200 | 24 | 24 | 18 | 10 | 28 | 23 | 19 | 22 | 9 | 14 | 2 | 7 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 5 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 |
3. Выбор художника - Анима или Анимус? | 1584 | 200 | 20 | 20 | 11 | 15 | 20 | 28 | 22 | 19 | 14 | 16 | 6 | 9 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
7. О проекции переживаний травмы на Аниму | 1483 | 198 | 31 | 17 | 11 | 15 | 17 | 30 | 29 | 11 | 13 | 10 | 7 | 7 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 |
5. Женщина в плаще цвета Времени | 1326 | 198 | 28 | 26 | 13 | 10 | 19 | 18 | 27 | 17 | 12 | 15 | 4 | 9 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 3 | 4 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
2. Конец истории о Крысолове | 2019 | 198 | 33 | 16 | 12 | 11 | 22 | 28 | 25 | 19 | 12 | 11 | 4 | 5 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
12. Мир и зло "Властелина Колец" | 1943 | 198 | 28 | 24 | 14 | 19 | 20 | 20 | 25 | 13 | 9 | 10 | 10 | 6 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 2 | 1 | 1 | 1 |
8. Как остаться инфантильной | 1364 | 198 | 25 | 28 | 20 | 12 | 17 | 23 | 26 | 15 | 10 | 13 | 5 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 4 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Перстень, яблоко, собор | 1741 | 198 | 27 | 24 | 12 | 16 | 17 | 20 | 23 | 18 | 12 | 16 | 7 | 6 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 3 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1702 | 198 | 22 | 18 | 19 | 17 | 14 | 32 | 21 | 16 | 9 | 14 | 4 | 12 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1418 | 198 | 20 | 17 | 17 | 14 | 19 | 19 | 27 | 20 | 15 | 12 | 11 | 7 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Тум-балалайка | 1919 | 197 | 18 | 18 | 15 | 12 | 28 | 22 | 27 | 23 | 10 | 11 | 4 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 |
10. Самозванцы: Пепсер и Крошка Цахес | 2541 | 197 | 22 | 18 | 14 | 16 | 16 | 27 | 32 | 20 | 11 | 11 | 4 | 6 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 2077 | 196 | 15 | 26 | 17 | 11 | 23 | 17 | 25 | 17 | 13 | 17 | 6 | 9 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 |
4. Архаичные материнские образы | 1417 | 196 | 25 | 23 | 14 | 14 | 21 | 19 | 26 | 16 | 11 | 15 | 5 | 7 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 3 |
Г. Гессе. Стихотворение о Степном Волке | 1846 | 196 | 18 | 14 | 16 | 17 | 19 | 24 | 27 | 19 | 13 | 10 | 7 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
5. Заместитель | 1395 | 196 | 23 | 25 | 11 | 14 | 19 | 19 | 27 | 20 | 14 | 9 | 7 | 8 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 1 |
2. Сказка о становлении гендерных различий и женского Эго | 1607 | 196 | 22 | 22 | 11 | 14 | 18 | 26 | 21 | 17 | 15 | 15 | 7 | 8 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 |
23. Настя заболела | 1267 | 196 | 28 | 17 | 16 | 11 | 14 | 22 | 24 | 19 | 15 | 15 | 5 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 |
3 консультации в гештальт-подходе | 2323 | 196 | 23 | 17 | 10 | 14 | 32 | 24 | 27 | 21 | 10 | 6 | 5 | 7 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
11. Кое-что об Анимусе женщины | 1537 | 196 | 27 | 23 | 10 | 10 | 26 | 22 | 25 | 14 | 15 | 11 | 6 | 7 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 4 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
2.Почему же произведения Гофмана популярны до сих пор? | 1274 | 195 | 17 | 23 | 12 | 14 | 31 | 16 | 29 | 14 | 12 | 7 | 10 | 10 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
27. О различении Я и Эго-комплекса | 1297 | 195 | 21 | 25 | 12 | 14 | 16 | 22 | 27 | 12 | 16 | 15 | 7 | 8 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 3 | 4 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1604 | 195 | 16 | 21 | 13 | 13 | 18 | 26 | 33 | 13 | 15 | 15 | 5 | 7 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 |
3. Убежища | 1559 | 195 | 25 | 21 | 11 | 11 | 15 | 23 | 32 | 25 | 12 | 10 | 6 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 1 |
15. Мир и образ зла в "Темных началах" | 1381 | 194 | 25 | 18 | 14 | 14 | 17 | 21 | 28 | 18 | 14 | 13 | 5 | 7 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 |
Из плена профессиональной Персоны? | 1522 | 194 | 32 | 16 | 12 | 15 | 18 | 22 | 23 | 16 | 14 | 14 | 4 | 8 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 2 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
2. Шаманское странствие | 1273 | 193 | 18 | 26 | 19 | 9 | 18 | 33 | 20 | 16 | 8 | 14 | 5 | 7 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
6. Насколько опасен Анимус мужчины | 1446 | 193 | 18 | 19 | 11 | 11 | 19 | 23 | 33 | 18 | 14 | 18 | 3 | 6 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
15. Деревня изнутри. Во дворах | 1086 | 193 | 24 | 19 | 16 | 10 | 19 | 22 | 28 | 17 | 12 | 13 | 6 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 |
22. О героях авторских сказок и фэнтези | 1529 | 193 | 27 | 23 | 12 | 10 | 22 | 19 | 26 | 20 | 11 | 12 | 7 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 |
Начальство развлекается | 1427 | 193 | 25 | 23 | 11 | 11 | 25 | 22 | 28 | 15 | 10 | 16 | 1 | 6 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 |
12. Песочник и его жертва | 1373 | 193 | 15 | 20 | 19 | 16 | 21 | 22 | 23 | 17 | 11 | 16 | 4 | 9 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
4. Погребальные дроги | 1410 | 193 | 23 | 19 | 12 | 14 | 12 | 26 | 26 | 28 | 11 | 8 | 5 | 9 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 |
О старости | 2194 | 192 | 28 | 15 | 16 | 32 | 16 | 15 | 27 | 15 | 7 | 11 | 6 | 4 | 0 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1685 | 191 | 26 | 18 | 21 | 11 | 18 | 22 | 24 | 14 | 12 | 12 | 4 | 9 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
Алгоритм сортировки клиентов социального центра | 2061 | 191 | 20 | 19 | 16 | 12 | 21 | 16 | 27 | 19 | 11 | 13 | 7 | 10 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
20. Нвстя заболевает | 1145 | 191 | 23 | 15 | 12 | 15 | 12 | 26 | 30 | 22 | 13 | 10 | 8 | 5 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 |
27. Безвременье котлована | 1068 | 191 | 22 | 18 | 15 | 13 | 21 | 22 | 23 | 20 | 15 | 10 | 8 | 4 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 |
21. Властные хитрецы | 1389 | 191 | 18 | 18 | 13 | 16 | 18 | 23 | 27 | 18 | 12 | 12 | 6 | 10 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 |
8. Поглощенное время | 1484 | 191 | 26 | 21 | 10 | 20 | 18 | 21 | 26 | 14 | 10 | 12 | 6 | 7 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
2. О преображении в полете | 801 | 191 | 19 | 20 | 26 | 14 | 15 | 19 | 29 | 21 | 8 | 12 | 3 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
28. О символике эволюции | 1298 | 191 | 22 | 22 | 14 | 12 | 23 | 15 | 29 | 15 | 10 | 16 | 6 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 4 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 |
3. Произведения молодости М. Цветаевой | 1412 | 191 | 28 | 14 | 13 | 11 | 17 | 21 | 26 | 17 | 15 | 12 | 9 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1651 | 190 | 21 | 19 | 16 | 13 | 23 | 25 | 23 | 14 | 11 | 13 | 4 | 8 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1633 | 190 | 24 | 20 | 16 | 14 | 19 | 20 | 27 | 18 | 11 | 8 | 6 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
11. Ничего не кончается | 1065 | 190 | 21 | 31 | 11 | 12 | 19 | 19 | 29 | 12 | 16 | 10 | 5 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 |
7. Верховное полутело | 1073 | 190 | 20 | 21 | 13 | 15 | 27 | 23 | 23 | 14 | 14 | 14 | 1 | 5 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Типы семей, получающих помощь в социальном центре | 1677 | 189 | 18 | 23 | 13 | 12 | 22 | 24 | 28 | 22 | 8 | 8 | 6 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 5 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Юнгианское стихотворение о сказках | 1496 | 189 | 30 | 22 | 11 | 15 | 19 | 22 | 25 | 15 | 12 | 7 | 5 | 6 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Роковой треугольник -2 | 1783 | 189 | 23 | 16 | 8 | 15 | 14 | 24 | 34 | 22 | 9 | 12 | 5 | 7 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1705 | 189 | 24 | 20 | 21 | 17 | 14 | 18 | 28 | 16 | 12 | 8 | 7 | 4 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
1. Явление Крысолова | 1434 | 188 | 29 | 18 | 14 | 14 | 14 | 19 | 27 | 22 | 8 | 12 | 6 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 5 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 |
19. Множественные и парные миры авторской сказки и фэнтези | 1313 | 188 | 19 | 19 | 12 | 18 | 17 | 19 | 27 | 14 | 15 | 16 | 6 | 6 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
1. Маленький рыцарский роман | 1506 | 188 | 28 | 18 | 17 | 10 | 18 | 17 | 24 | 15 | 13 | 16 | 4 | 8 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 |
Три бестселлера | 1420 | 188 | 27 | 18 | 14 | 16 | 12 | 21 | 28 | 21 | 12 | 10 | 4 | 5 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 3 | 0 | 0 | 0 |
5. Сравнение прогностической ценности разных факторов | 1679 | 188 | 22 | 23 | 15 | 14 | 18 | 28 | 23 | 17 | 11 | 9 | 3 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 |
Г. Гессе. Ступени | 1717 | 187 | 24 | 15 | 18 | 10 | 15 | 25 | 29 | 19 | 14 | 7 | 6 | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
9. Начало перехода | 1062 | 187 | 18 | 16 | 11 | 15 | 29 | 17 | 30 | 15 | 10 | 14 | 7 | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
30. Сказочный персонаж: форма и содержимое | 1372 | 187 | 20 | 18 | 21 | 14 | 20 | 18 | 20 | 15 | 14 | 13 | 4 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
Ответ Земли (другой вариант) | 1641 | 186 | 27 | 22 | 13 | 13 | 26 | 23 | 23 | 12 | 15 | 6 | 2 | 4 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
О способности понять душевнобольного | 2217 | 186 | 18 | 21 | 10 | 12 | 30 | 19 | 28 | 14 | 14 | 6 | 7 | 7 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Звездный ворон и ядовитый волк | 1135 | 186 | 27 | 31 | 13 | 11 | 15 | 23 | 23 | 17 | 10 | 7 | 4 | 5 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 3 | 3 |
Ангел | 1648 | 186 | 20 | 18 | 13 | 11 | 28 | 25 | 24 | 17 | 12 | 9 | 3 | 6 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 |
7. Мужское и женское в произведениях Т. Манна | 1611 | 186 | 21 | 20 | 11 | 20 | 14 | 20 | 24 | 17 | 15 | 11 | 7 | 6 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 2 | 0 | 1 | 0 | 1 | 0 |
Венок сонетов Ваське | 1905 | 186 | 24 | 18 | 10 | 8 | 16 | 38 | 24 | 24 | 11 | 6 | 2 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
32. Для чего нужен символ? | 1244 | 186 | 19 | 20 | 16 | 12 | 16 | 18 | 29 | 17 | 13 | 16 | 3 | 7 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1489 | 186 | 19 | 24 | 11 | 13 | 19 | 19 | 25 | 18 | 13 | 12 | 7 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Senex - Puer | 1328 | 185 | 22 | 17 | 19 | 10 | 19 | 17 | 24 | 20 | 11 | 18 | 3 | 5 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
18. Диспозиция и динамика некоторых авторских сказок | 1214 | 185 | 22 | 21 | 11 | 17 | 17 | 22 | 21 | 18 | 12 | 14 | 5 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 |
1. Телесные трансформации в рассказе "Мусорный ветер" | 1077 | 185 | 19 | 19 | 14 | 13 | 16 | 20 | 24 | 17 | 13 | 12 | 10 | 8 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 |
9. Некоторые модели психической интеграции | 1487 | 185 | 25 | 22 | 9 | 14 | 19 | 18 | 27 | 14 | 13 | 11 | 4 | 9 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1394 | 185 | 18 | 26 | 13 | 14 | 16 | 22 | 28 | 15 | 13 | 7 | 6 | 7 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 |
Хороший начальник Емеля | 1031 | 184 | 27 | 20 | 10 | 15 | 19 | 16 | 25 | 15 | 17 | 11 | 5 | 4 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 |
Шекспир, сонет 146 | 1375 | 184 | 21 | 21 | 14 | 11 | 17 | 20 | 30 | 23 | 10 | 10 | 3 | 4 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 2 |
34. Ошибка психики: чрезмерная ее консолидация | 1456 | 184 | 15 | 22 | 15 | 11 | 18 | 26 | 22 | 14 | 12 | 16 | 4 | 9 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 |
1 Дитя в мирах Психеи и Ананке | 1731 | 184 | 23 | 16 | 20 | 11 | 19 | 22 | 21 | 16 | 13 | 12 | 4 | 7 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1362 | 184 | 22 | 19 | 13 | 15 | 20 | 17 | 27 | 14 | 11 | 13 | 5 | 8 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 4 |
7. Индивидуальности котлована | 1130 | 183 | 26 | 18 | 8 | 11 | 17 | 21 | 28 | 15 | 15 | 14 | 5 | 5 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
5. Идущий следом | 1480 | 183 | 22 | 14 | 16 | 13 | 15 | 22 | 25 | 20 | 13 | 13 | 6 | 4 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Проблемы профессионального становления личности: работа со сновидениями | 1718 | 183 | 21 | 18 | 17 | 9 | 16 | 23 | 23 | 16 | 12 | 14 | 6 | 8 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 |
13. Колхоз идет навстречу | 1055 | 183 | 20 | 14 | 16 | 16 | 16 | 23 | 22 | 19 | 12 | 13 | 7 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 |
16. Медведь | 1203 | 183 | 22 | 20 | 10 | 12 | 19 | 21 | 26 | 17 | 13 | 8 | 7 | 8 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1512 | 183 | 20 | 17 | 21 | 15 | 16 | 20 | 28 | 15 | 10 | 9 | 7 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2275 | 183 | 27 | 16 | 14 | 12 | 27 | 19 | 26 | 10 | 12 | 11 | 4 | 5 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 |
25. Об особенностях травматической интеграции психики | 1429 | 182 | 20 | 20 | 16 | 13 | 19 | 18 | 25 | 16 | 14 | 10 | 4 | 7 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
Шекспир, сонет 144 | 1496 | 182 | 20 | 19 | 16 | 10 | 30 | 18 | 27 | 14 | 10 | 10 | 3 | 5 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 |
Мотив Цветка и регуляция позы | 853 | 181 | 21 | 16 | 14 | 8 | 24 | 17 | 27 | 19 | 11 | 17 | 1 | 6 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Кто это входит в мои мозги? | 1736 | 181 | 23 | 21 | 9 | 14 | 20 | 15 | 28 | 17 | 10 | 12 | 4 | 8 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
1. Миф, мир и психика | 1498 | 181 | 19 | 22 | 12 | 14 | 20 | 16 | 24 | 17 | 9 | 14 | 8 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
6. Скорбная земля | 1593 | 181 | 21 | 17 | 13 | 16 | 14 | 24 | 23 | 18 | 11 | 12 | 7 | 5 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
31. Становление символа во времени | 1276 | 180 | 22 | 21 | 11 | 11 | 20 | 19 | 25 | 12 | 10 | 16 | 5 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 |
5. Рядом с общим телом | 1188 | 180 | 21 | 12 | 17 | 10 | 21 | 18 | 27 | 20 | 12 | 12 | 3 | 7 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1857 | 180 | 29 | 19 | 12 | 11 | 15 | 17 | 27 | 13 | 15 | 12 | 3 | 7 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 |
18. Ночные пляски | 1072 | 180 | 26 | 16 | 14 | 10 | 14 | 19 | 24 | 18 | 13 | 12 | 6 | 8 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 |
19. Тишина | 1071 | 179 | 22 | 19 | 12 | 12 | 16 | 24 | 24 | 16 | 9 | 12 | 8 | 5 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 1 |
Вариация на тему | 878 | 179 | 22 | 19 | 16 | 12 | 17 | 19 | 26 | 17 | 12 | 8 | 4 | 7 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 |
Хрупкие миры | 541 | 179 | 19 | 16 | 16 | 10 | 19 | 17 | 23 | 21 | 12 | 13 | 7 | 6 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 |
Юнгианцы и странные научные теории | 762 | 179 | 20 | 22 | 12 | 12 | 18 | 23 | 23 | 14 | 13 | 12 | 5 | 5 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 |
4. Блуждания невоплощенного | 1139 | 179 | 20 | 19 | 10 | 15 | 15 | 24 | 23 | 15 | 15 | 13 | 4 | 6 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 |
Из Цурэна. Как лист увядший падает на душу... | 1718 | 179 | 26 | 17 | 18 | 11 | 16 | 28 | 22 | 13 | 10 | 11 | 2 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
2. Пробуждение | 1107 | 179 | 14 | 20 | 17 | 9 | 17 | 24 | 26 | 16 | 12 | 14 | 5 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
Компьютерная игра вместо визуализации | 1775 | 179 | 28 | 18 | 17 | 12 | 17 | 17 | 22 | 12 | 9 | 12 | 4 | 11 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 5 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 |
10. Начало контакта | 1057 | 179 | 25 | 20 | 9 | 12 | 28 | 13 | 25 | 14 | 11 | 11 | 6 | 5 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
Жили-были... | 1641 | 179 | 21 | 21 | 9 | 14 | 27 | 24 | 23 | 15 | 7 | 11 | 1 | 6 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 |
2. Усталость | 1758 | 179 | 23 | 15 | 12 | 14 | 16 | 27 | 21 | 17 | 12 | 12 | 4 | 6 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 |
8. Избыток сознания и общее тело | 1089 | 178 | 22 | 19 | 8 | 11 | 21 | 15 | 26 | 11 | 14 | 15 | 5 | 11 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
Мир на костылях | 1451 | 178 | 23 | 18 | 9 | 15 | 20 | 18 | 27 | 16 | 9 | 11 | 8 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Как растет Бог | 1688 | 178 | 15 | 16 | 25 | 11 | 21 | 14 | 24 | 20 | 9 | 13 | 6 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
17. Плот | 1120 | 178 | 17 | 13 | 12 | 11 | 34 | 17 | 27 | 14 | 11 | 10 | 6 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
15. Ненаучное животное в мусорном ветре | 1132 | 178 | 22 | 24 | 10 | 13 | 17 | 21 | 26 | 14 | 11 | 10 | 5 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 5 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1578 | 178 | 23 | 17 | 13 | 11 | 29 | 25 | 26 | 12 | 9 | 8 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Бестиарий | 1390 | 178 | 23 | 21 | 15 | 15 | 16 | 22 | 21 | 13 | 9 | 12 | 5 | 6 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 |
Прогнозирование эффективности психологической помощи семьям | 1680 | 178 | 20 | 19 | 10 | 16 | 19 | 23 | 24 | 13 | 10 | 10 | 4 | 10 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 |
21. Радость молотобойца | 1115 | 178 | 22 | 22 | 9 | 10 | 17 | 23 | 22 | 19 | 13 | 9 | 7 | 5 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 |
14. Мертвая мать и ее дети | 1101 | 177 | 22 | 20 | 13 | 14 | 13 | 20 | 22 | 15 | 13 | 12 | 8 | 5 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1120 | 177 | 23 | 17 | 12 | 12 | 18 | 20 | 20 | 15 | 11 | 11 | 8 | 10 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 5 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Реквием Ваське | 1583 | 177 | 26 | 17 | 9 | 10 | 16 | 23 | 25 | 16 | 14 | 13 | 3 | 5 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 |
29. Как экономят мышление с помощью мифических образов | 1229 | 177 | 21 | 22 | 13 | 10 | 18 | 21 | 29 | 10 | 15 | 10 | 1 | 7 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 5 |
14. Деревня изнутри. В избах | 1127 | 177 | 26 | 18 | 14 | 9 | 16 | 13 | 26 | 15 | 15 | 17 | 3 | 5 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 |
Визит Аристокла | 1488 | 176 | 23 | 23 | 11 | 12 | 16 | 21 | 25 | 16 | 7 | 10 | 7 | 5 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
5. Погибшее братство и Лихтенберг | 1000 | 176 | 25 | 16 | 11 | 9 | 17 | 19 | 25 | 18 | 11 | 15 | 6 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 |
10. Модели интеграции психики в героическом эпосе | 1528 | 176 | 17 | 21 | 15 | 12 | 18 | 20 | 29 | 12 | 12 | 11 | 4 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 |
1. Введение | 1590 | 176 | 25 | 19 | 15 | 11 | 17 | 16 | 23 | 18 | 12 | 13 | 3 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
Выгоревшее тело | 1674 | 176 | 28 | 16 | 19 | 14 | 13 | 13 | 26 | 17 | 10 | 10 | 4 | 6 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
26. Настина смерть | 1097 | 176 | 29 | 18 | 10 | 12 | 13 | 18 | 25 | 16 | 12 | 16 | 4 | 3 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 4 | 0 | 4 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
Заклинатель дождя | 1822 | 176 | 25 | 23 | 14 | 11 | 20 | 13 | 24 | 15 | 11 | 10 | 2 | 8 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Попурри а-ля постмодерн | 1689 | 175 | 21 | 15 | 21 | 12 | 15 | 18 | 26 | 14 | 8 | 11 | 6 | 8 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2196 | 175 | 20 | 20 | 11 | 10 | 21 | 21 | 24 | 15 | 11 | 8 | 5 | 9 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
Информация о владельце раздела | 1418 | 175 | 23 | 20 | 11 | 13 | 16 | 20 | 26 | 18 | 7 | 13 | 2 | 6 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 |
Возвращение | 1712 | 175 | 22 | 18 | 17 | 11 | 14 | 17 | 24 | 15 | 11 | 14 | 4 | 8 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 |
22. Девушки и Прушевский | 1126 | 174 | 20 | 19 | 10 | 12 | 18 | 17 | 25 | 14 | 12 | 12 | 8 | 7 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 |
Человек, Которого Не Было Дома | 1775 | 174 | 27 | 16 | 12 | 10 | 17 | 16 | 28 | 13 | 10 | 14 | 8 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Огонь | 1655 | 174 | 22 | 14 | 15 | 12 | 25 | 17 | 27 | 15 | 7 | 9 | 5 | 6 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
Милая жизнь | 1224 | 174 | 26 | 17 | 17 | 10 | 13 | 14 | 23 | 15 | 14 | 11 | 8 | 6 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
Из У. Блейка. Ответ Земли | 1812 | 173 | 19 | 22 | 10 | 12 | 14 | 28 | 27 | 12 | 12 | 9 | 3 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 |
4. Расчлененное и воссозданное тело толпы | 1130 | 173 | 19 | 21 | 10 | 11 | 14 | 26 | 21 | 16 | 14 | 12 | 6 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
6. Следуя за стихами 1921 года | 1439 | 173 | 26 | 9 | 17 | 8 | 16 | 15 | 25 | 21 | 9 | 15 | 5 | 7 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 707 | 173 | 21 | 15 | 14 | 12 | 21 | 20 | 21 | 14 | 11 | 12 | 5 | 7 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
10 охламонов | 1757 | 173 | 22 | 20 | 11 | 7 | 15 | 23 | 26 | 18 | 8 | 8 | 6 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 0 |
3. На улице | 1085 | 172 | 30 | 14 | 12 | 13 | 13 | 17 | 29 | 13 | 10 | 10 | 7 | 4 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 |
4. Сказка о травме и восстановлении | 1580 | 172 | 23 | 19 | 11 | 19 | 15 | 17 | 20 | 13 | 13 | 10 | 2 | 10 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
Обряд изгнания чужого в субкультуре скорой помощи | 2137 | 172 | 25 | 16 | 11 | 14 | 12 | 18 | 27 | 13 | 10 | 12 | 6 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
Кости | 1035 | 172 | 20 | 21 | 14 | 13 | 15 | 17 | 25 | 15 | 10 | 12 | 6 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1604 | 171 | 21 | 21 | 9 | 13 | 13 | 16 | 26 | 15 | 12 | 11 | 5 | 9 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Жил-был кот | 1768 | 171 | 23 | 22 | 15 | 12 | 14 | 15 | 24 | 14 | 14 | 11 | 3 | 4 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 |
Для кота | 1714 | 171 | 19 | 23 | 9 | 9 | 17 | 26 | 25 | 16 | 8 | 9 | 5 | 5 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 |
Слоненок учится мыслить | 527 | 171 | 24 | 16 | 12 | 10 | 18 | 17 | 29 | 18 | 8 | 12 | 2 | 5 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
12. Новое пространство | 1008 | 170 | 23 | 17 | 8 | 10 | 18 | 19 | 26 | 16 | 11 | 13 | 4 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 |
12. Люди лагеря | 1012 | 170 | 18 | 18 | 16 | 12 | 17 | 19 | 29 | 15 | 8 | 10 | 3 | 5 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
Мы и Они | 1813 | 170 | 20 | 21 | 16 | 13 | 18 | 19 | 21 | 16 | 11 | 8 | 2 | 5 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
Мышиная звезда | 720 | 170 | 23 | 20 | 11 | 14 | 14 | 24 | 26 | 13 | 8 | 9 | 3 | 5 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 |
Королева | 1809 | 169 | 25 | 19 | 10 | 9 | 15 | 15 | 26 | 20 | 11 | 10 | 6 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 |
Гулял молодец | 1289 | 169 | 18 | 22 | 9 | 10 | 12 | 21 | 21 | 21 | 8 | 16 | 3 | 8 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 |
Понтий Пилат | 1413 | 169 | 22 | 20 | 15 | 8 | 14 | 25 | 22 | 17 | 11 | 8 | 3 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 |
Из У. Блейка. Ангел | 1541 | 169 | 27 | 21 | 10 | 11 | 14 | 24 | 25 | 11 | 11 | 7 | 2 | 6 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
Реквием по идиоту | 1728 | 169 | 22 | 22 | 10 | 12 | 14 | 19 | 22 | 21 | 7 | 12 | 4 | 4 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 |
1. О символизации насилия. Преамбула | 1816 | 168 | 21 | 14 | 15 | 11 | 13 | 25 | 26 | 14 | 10 | 10 | 3 | 6 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 |
Вскрытие | 1643 | 167 | 24 | 17 | 12 | 10 | 15 | 15 | 26 | 17 | 11 | 11 | 4 | 5 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1256 | 167 | 24 | 20 | 8 | 8 | 16 | 21 | 25 | 13 | 10 | 11 | 5 | 6 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 |
Пустоты | 1504 | 167 | 24 | 14 | 11 | 9 | 17 | 19 | 23 | 19 | 9 | 11 | 7 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 |
Плач на реках Вавилонских | 1473 | 167 | 27 | 20 | 10 | 10 | 13 | 17 | 23 | 13 | 12 | 12 | 4 | 6 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 |
6 Тело и труд | 1057 | 167 | 19 | 20 | 12 | 9 | 18 | 20 | 20 | 16 | 12 | 14 | 2 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 |
24. Медведь и другие | 962 | 167 | 26 | 17 | 12 | 13 | 16 | 19 | 25 | 15 | 10 | 8 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 |
Дорога длиною в тысячу ли | 1590 | 167 | 23 | 19 | 13 | 9 | 16 | 15 | 25 | 15 | 12 | 8 | 7 | 5 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 |
Бумажная Принцесса | 1151 | 166 | 24 | 18 | 8 | 15 | 15 | 22 | 22 | 17 | 8 | 6 | 3 | 8 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 |
Гроза летом | 2041 | 166 | 22 | 13 | 17 | 14 | 16 | 15 | 21 | 17 | 12 | 9 | 6 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
Путешествиепо склону | 1511 | 165 | 24 | 20 | 11 | 15 | 15 | 17 | 25 | 17 | 8 | 6 | 3 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Сначала была деперсонализация | 1918 | 165 | 19 | 18 | 12 | 10 | 20 | 17 | 25 | 16 | 11 | 9 | 2 | 6 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 |
4 сонета Шекспира | 1838 | 164 | 29 | 20 | 9 | 12 | 11 | 19 | 24 | 14 | 8 | 7 | 3 | 8 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
Среда обитания | 1710 | 164 | 25 | 21 | 9 | 11 | 18 | 17 | 23 | 15 | 10 | 11 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
Рождество | 1519 | 164 | 26 | 20 | 9 | 12 | 13 | 18 | 22 | 18 | 10 | 10 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 |
Король | 1499 | 163 | 22 | 23 | 10 | 11 | 16 | 18 | 21 | 13 | 11 | 9 | 5 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 3 | 0 | 0 |
Среда обитания | 1740 | 163 | 27 | 18 | 10 | 11 | 15 | 15 | 24 | 14 | 9 | 11 | 4 | 5 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
Колыбельная | 1407 | 162 | 22 | 17 | 13 | 12 | 11 | 16 | 25 | 16 | 11 | 11 | 5 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 4 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Шекспир, сонет 20 | 1373 | 161 | 20 | 16 | 9 | 16 | 15 | 12 | 25 | 16 | 11 | 10 | 4 | 7 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 |
Человек | 1614 | 160 | 26 | 18 | 10 | 11 | 13 | 16 | 25 | 13 | 12 | 9 | 2 | 5 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
Поиск света | 2112 | 160 | 23 | 15 | 9 | 9 | 16 | 13 | 22 | 16 | 8 | 15 | 9 | 5 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 |
3. Ничтожные | 1545 | 160 | 21 | 14 | 16 | 13 | 15 | 16 | 19 | 16 | 9 | 8 | 7 | 6 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
8. Наказанное полутело | 1052 | 159 | 21 | 16 | 9 | 18 | 11 | 17 | 22 | 14 | 12 | 12 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 2 |
25. Утильсырье | 964 | 158 | 21 | 16 | 10 | 10 | 16 | 20 | 23 | 15 | 9 | 8 | 6 | 4 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
Из У. Блейка. Тигр | 1750 | 158 | 22 | 17 | 13 | 13 | 13 | 16 | 24 | 14 | 10 | 8 | 3 | 5 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
Человек Божий | 1970 | 157 | 21 | 17 | 13 | 10 | 16 | 13 | 21 | 17 | 9 | 10 | 4 | 6 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 |
Ты - мой инструмент | 1628 | 157 | 21 | 19 | 10 | 14 | 14 | 19 | 24 | 14 | 6 | 10 | 2 | 4 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Ангельская роса | 1668 | 156 | 18 | 23 | 10 | 10 | 15 | 17 | 22 | 14 | 8 | 12 | 3 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
6. Лихтенберг - предмет | 1024 | 155 | 16 | 19 | 8 | 10 | 16 | 14 | 25 | 16 | 11 | 13 | 3 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
Орфей | 1611 | 152 | 19 | 14 | 15 | 8 | 18 | 14 | 23 | 14 | 8 | 7 | 7 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Пьяный двор | 1566 | 151 | 19 | 17 | 9 | 11 | 14 | 18 | 25 | 12 | 8 | 9 | 5 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 |
Итого | За последние 12 месяцев | Aug | Jul | Jun | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | |
Для чего нужны джинны? | 978 | 149 | 21 | 14 | 5 | 10 | 12 | 12 | 26 | 19 | 10 | 13 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"