| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
По разделу |
507803 | 1502 |
78 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
88 |
90 |
1 |
5 |
6 |
5 |
4 |
6 |
5 |
5 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
3 |
3 |
4 |
3 |
5 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
6 |
4 |
5 |
4 |
5 |
5 |
3 |
4 |
3 |
2 |
9 |
6 |
5 |
5 |
6 |
4 |
4 |
5 |
5 |
4 |
5 |
7 |
3 |
2 |
3 |
3 |
3 |
2 |
4 |
4 |
5 |
4 |
5 |
7. О символизации насилия. Песочный Человек |
3495 | 696 |
31 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
36 |
44 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
5 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
5 |
Художественные описания механизмов психологической защиты |
13316 | 621 |
22 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
33 |
33 |
0 |
1 |
5 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
9 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1. Расставание брата и сестры |
3869 | 527 |
17 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
26 |
32 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3948 | 506 |
27 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
28 |
27 |
0 |
2 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
3 |
1 |
5 |
2 |
0 |
3 |
1 |
4 |
4 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
5 |
1 |
2 |
0 |
3 |
0 |
4 |
2 |
1 |
5 |
1 |
3 |
2 |
3 |
5 |
0 |
5 |
7 |
3 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1886 | 478 |
32 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
32 |
19 |
0 |
2 |
4 |
2 |
3 |
0 |
0 |
4 |
3 |
3 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
1 |
2 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
3 |
0 |
4 |
3 |
4 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
3 |
0 |
2 |
Ритуал и выгорание в субкультуре скорой помощи |
9658 | 442 |
25 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
25 |
25 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
7. Интерпретация эпоса об Урал-Батыре |
2019 | 422 |
38 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
16 |
10 |
0 |
3 |
6 |
3 |
4 |
0 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
3 |
2 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
3 |
6 |
1 |
1 |
3 |
2 |
5 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
4 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
5 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2511 | 389 |
34 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
18 |
24 |
0 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
5 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
26. Динамика развития психики по оси Самость-Эго |
2012 | 332 |
23 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
20 |
15 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
Мотив Города |
3356 | 318 |
12 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
33 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
6. Насилие и интеграция психики в архаической сказке |
1481 | 299 |
11 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
12 |
10 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
12. Интеграция и Анимы, и Анимуса |
1952 | 296 |
19 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
19 |
19 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
Психосоматика наизнанку |
5137 | 289 |
18 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
18 |
7 |
0 |
1 |
1 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
4. О символизации насилия в эддической поэзии |
2409 | 287 |
21 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
17 |
17 |
0 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2. Андрогинность в сказке и мифе |
1798 | 280 |
14 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
19 |
10 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
Совершая труд |
4843 | 279 |
26 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
18 |
10 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
14. Мастера и шарлатаны Гофмана |
2174 | 277 |
20 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
17 |
7 |
0 |
4 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
Упражнение Бог |
3791 | 276 |
15 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
6 |
10 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
10. Об Аниме женщины |
2002 | 273 |
16 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
16 |
7 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
3 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
6 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
5. Особенности архаической сказки |
1846 | 270 |
18 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
15 |
9 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
Симбиоз гештальта и символдрамы |
3307 | 266 |
20 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
15 |
11 |
0 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
Графоманские стихи |
3575 | 263 |
21 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
13 |
7 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
3 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
3 |
Архетипические мотивы в фольклоре єскорой помощи" |
2392 | 263 |
17 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
14 |
8 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
8. Запутанная история Джона Ди |
1693 | 261 |
13 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
16 |
6 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
24. Травмирующие архетипические персонажи Х. Мураками |
1754 | 259 |
18 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
10 |
6 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2549 | 256 |
9 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
19 |
10 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
Клеменс Брентано. Лоре Лай |
1564 | 255 |
20 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
12 |
9 |
0 |
1 |
2 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1931 | 253 |
14 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
16 |
9 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
16. Список литературы |
1333 | 253 |
21 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
10 |
8 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
4. Ад без жала |
1665 | 251 |
16 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
21 |
25 |
8 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
2. Представления об Анимусе мужчины |
2082 | 250 |
16 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
19 |
10 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
1 |
4. Влияния Анимы и Анимуса на мужское Эго |
2809 | 249 |
21 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
19 |
11 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
13. Аида: комментарии к либретто |
1910 | 246 |
19 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
16 |
6 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
Оценка эффективности работы психолога с клиентами |
2984 | 245 |
17 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
10 |
15 |
12 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2080 | 245 |
13 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
21 |
24 |
11 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
5. Сказка о Персоне, что учится самосознанию |
1763 | 245 |
14 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
19 |
15 |
11 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
13. Женщина перед расстрелом |
1312 | 245 |
17 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
11 |
15 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
13. Внутрениие вредители в произведениях Гофмана |
1768 | 243 |
15 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
13 |
19 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
10. Современные андрогинные персонажи, Душа и Дух |
1743 | 243 |
12 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
15 |
22 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Эмоциональное выгорание, травма и нарциссизм |
5809 | 242 |
17 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
18 |
4 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
6. О символизации насилия. Значимые персонажи |
2087 | 242 |
13 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
15 |
9 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
4 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
Отношения врача и пациента с точки зрения созависимости |
6575 | 242 |
15 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
15 |
11 |
8 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2300 | 240 |
10 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
18 |
10 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
О книге Матрица и потенциал характера |
1617 | 240 |
20 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
15 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
4 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
Графоманские стихи |
2495 | 240 |
15 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
10 |
11 |
8 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3. Как мужчины обращаются с Анимой |
3507 | 240 |
17 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
17 |
16 |
7 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
5 |
3. О символизации насилия в поэзии скальдов |
3324 | 236 |
18 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
16 |
4 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
5 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Двойные ловушки Плоского мира |
1757 | 234 |
17 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
10 |
17 |
5 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
2. Неюнгианские механизмы интеграции психики в сказке |
1623 | 233 |
12 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
18 |
16 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
9. Психика как пара |
1733 | 233 |
14 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
12 |
16 |
7 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
Непрожитая старость |
10424 | 231 |
14 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
17 |
9 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
8. Тотем, Трикстер, Первопредки |
1558 | 231 |
17 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
10 |
17 |
6 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
15. Николай Ставрогин и его адепты |
1940 | 231 |
15 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
19 |
15 |
5 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
5 |
6. Сходство и различия сюжетов о Переодетой сестре |
1770 | 231 |
21 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
16 |
16 |
8 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
4 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1598 | 230 |
11 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
11 |
12 |
9 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
9. Лихтенберг - мыслящее тело |
1202 | 230 |
14 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
8 |
15 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
4 |
Запрет на идентификацию с больным и эмоциональное выгорание |
3037 | 229 |
13 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
12 |
13 |
23 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
3 |
3. Сказочные злодеи: Консолидатор Тени |
1617 | 229 |
14 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
20 |
11 |
5 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1742 | 229 |
10 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
14 |
11 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
9. Персона и Тень |
1763 | 229 |
17 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
14 |
10 |
9 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
2 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1670 | 227 |
12 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
13 |
14 |
7 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
1. Преамбула: феминное и маскулинное |
1860 | 227 |
16 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
16 |
14 |
6 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
Больной Крысолов |
1518 | 226 |
15 |
25 |
24 |
13 |
15 |
17 |
24 |
30 |
27 |
14 |
13 |
9 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
7. Созидающее насилие: подвиги Геракла |
1678 | 226 |
16 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
19 |
15 |
9 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1703 | 225 |
16 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
13 |
11 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
4 |
1 |
2 |
Больница глазами гештальт-терапевта |
4102 | 225 |
14 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
13 |
10 |
5 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
2 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
7 Заклинатели |
1775 | 224 |
16 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
13 |
7 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
1 |
1 |
0 |
3 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
5. Мужчина выбирает между Анимусом и Анимой |
1392 | 224 |
12 |
35 |
24 |
8 |
10 |
21 |
24 |
46 |
14 |
14 |
10 |
6 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
20. О некоторых особенностях структуры фэнтези |
1868 | 223 |
21 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
12 |
13 |
7 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
3. Молитвенная мельница |
1565 | 223 |
13 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
15 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
4. Зловещие магнетизеры |
2307 | 222 |
18 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
12 |
14 |
4 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
3 |
4 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2250 | 222 |
11 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
20 |
15 |
13 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3106 | 222 |
8 |
29 |
21 |
12 |
18 |
37 |
22 |
26 |
17 |
16 |
11 |
5 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
14. Мир и образ зла в эпопее о Гарри Поттере |
1614 | 220 |
19 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
13 |
11 |
6 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
5 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
5. Мужчина выбирает между Анимусом и Анимой |
1685 | 220 |
17 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
11 |
6 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
Дворянин Фаланд или владыка альвов? |
1040 | 219 |
21 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
14 |
10 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
5 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1399 | 219 |
13 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
17 |
20 |
6 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
4 |
11. Миры и зло Средиземья и Валинора |
1615 | 218 |
14 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
13 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
Кошачья подсистема в семье |
1051 | 217 |
12 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
15 |
5 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
3. Сказка о феминном и маскулинном состояниях Эго |
1603 | 215 |
22 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
15 |
17 |
11 |
0 |
5 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
33. Пространство, время, человек и божество в сказке |
1402 | 215 |
14 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
17 |
15 |
5 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
15. Типичные протагонисты произведений Гофмана |
1502 | 214 |
16 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
11 |
23 |
10 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
4 |
Телесный симптом в роли символа |
1982 | 214 |
17 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
14 |
6 |
0 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2. Персонажи "Котлована" строят новый мир и новое тело |
1138 | 214 |
15 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
9 |
6 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
7. О проекции переживаний травмы на Аниму |
1505 | 213 |
19 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
10 |
7 |
0 |
4 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1440 | 213 |
22 |
20 |
17 |
17 |
14 |
19 |
19 |
27 |
20 |
15 |
12 |
11 |
0 |
2 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
Образ Бога и зрелость личности |
2525 | 213 |
19 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
9 |
14 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
5 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
Юные птицы старого русского рока |
977 | 213 |
16 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
11 |
13 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
10. Большая женщина. Начало возрождения |
1093 | 212 |
17 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
12 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
16. Миры и образы зла, связанные с Темной Башней |
2156 | 212 |
16 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
11 |
6 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
Роковой треугольник - 1 |
1898 | 212 |
15 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
10 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
3. Убежища |
1579 | 211 |
18 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
12 |
10 |
6 |
0 |
3 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2. Конец истории о Крысолове |
2036 | 210 |
15 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
11 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
12. Мир и зло "Властелина Колец" |
1961 | 210 |
18 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
10 |
10 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
22. О героях авторских сказок и фэнтези |
1550 | 210 |
21 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
11 |
12 |
7 |
1 |
3 |
3 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
8. Как остаться инфантильной |
1380 | 210 |
15 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
13 |
5 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
Перстень, яблоко, собор |
1759 | 210 |
17 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
16 |
7 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
11. Пространство лагеря |
1139 | 210 |
12 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
14 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
Особенности структуры семьи учащихся техникума |
2102 | 210 |
10 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
16 |
7 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
7. Верховное полутело |
1097 | 209 |
22 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
14 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
1. Тело и мир персонажей Андрея Платонова |
1431 | 208 |
13 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
9 |
9 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
27. О различении Я и Эго-комплекса |
1317 | 207 |
19 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
15 |
7 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
4 |
2 |
3. Выбор художника - Анима или Анимус? |
1600 | 207 |
14 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
16 |
6 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
4. Ранние пьесы М. Цветаевой |
1970 | 207 |
13 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
15 |
5 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
4. Архаичные материнские образы |
1434 | 206 |
17 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
15 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
Тум-балалайка |
1937 | 206 |
18 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
11 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
15. Мир и образ зла в "Темных началах" |
1400 | 206 |
16 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
13 |
5 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2. О преображении в полете |
821 | 206 |
17 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
12 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 консультации в гештальт-подходе |
2340 | 206 |
16 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
6 |
5 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
12. Песочник и его жертва |
1394 | 205 |
18 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
16 |
4 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
Три бестселлера |
1442 | 205 |
22 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
10 |
4 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
О старости |
2211 | 205 |
15 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
11 |
6 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
11. Кое-что об Анимусе женщины |
1553 | 205 |
15 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
11 |
6 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
2 |
3. Произведения молодости М. Цветаевой |
1434 | 205 |
19 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
12 |
9 |
0 |
2 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
10. Самозванцы: Пепсер и Крошка Цахес |
2554 | 204 |
9 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
11 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
Начальство развлекается |
1444 | 204 |
17 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
10 |
16 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
2. Шаманское странствие |
1290 | 203 |
16 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
16 |
8 |
14 |
5 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
6. Насколько опасен Анимус мужчины |
1462 | 203 |
15 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
18 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
Из плена профессиональной Персоны? |
1539 | 203 |
17 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
14 |
4 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
28. О символике эволюции |
1317 | 203 |
18 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
10 |
16 |
6 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
5. Сравнение прогностической ценности разных факторов |
1699 | 203 |
18 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
9 |
3 |
0 |
1 |
3 |
0 |
0 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2092 | 202 |
13 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
17 |
13 |
17 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
3 |
1. Явление Крысолова |
1453 | 202 |
17 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
12 |
6 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
15. Деревня изнутри. Во дворах |
1102 | 202 |
14 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
13 |
6 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
Юнгианское стихотворение о сказках |
1514 | 201 |
14 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
7 |
5 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
Ангел |
1669 | 201 |
19 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
9 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2. Сказка о становлении гендерных различий и женского Эго |
1620 | 201 |
11 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
15 |
15 |
7 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1510 | 201 |
21 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
12 |
7 |
0 |
2 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1721 | 201 |
16 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
8 |
7 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
5. Женщина в плаще цвета Времени |
1337 | 200 |
11 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
12 |
15 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
1 |
3 |
4 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2.Почему же произведения Гофмана популярны до сих пор? |
1289 | 200 |
14 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
7 |
10 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
11. Ничего не кончается |
1080 | 200 |
14 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
10 |
5 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
3 |
2 |
4. Погребальные дроги |
1426 | 200 |
14 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
8 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
Ответ Земли (другой вариант) |
1658 | 199 |
16 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
6 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
О способности понять душевнобольного |
2237 | 199 |
18 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
6 |
7 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
Хороший начальник Емеля |
1050 | 199 |
19 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
11 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
Г. Гессе. Стихотворение о Степном Волке |
1861 | 199 |
13 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
10 |
7 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
21. Властные хитрецы |
1407 | 199 |
14 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
18 |
12 |
12 |
6 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
Роковой треугольник -2 |
1800 | 199 |
14 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
12 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1615 | 199 |
11 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
15 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
Г. Гессе. Ступени |
1733 | 198 |
15 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
14 |
7 |
6 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
Типы семей, получающих помощь в социальном центре |
1691 | 198 |
12 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
8 |
8 |
6 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
5 |
Алгоритм сортировки клиентов социального центра |
2078 | 198 |
13 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
19 |
11 |
13 |
7 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
20. Нвстя заболевает |
1157 | 198 |
10 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
10 |
8 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
8. Поглощенное время |
1498 | 198 |
14 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
10 |
12 |
6 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1648 | 198 |
14 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
11 |
8 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1714 | 198 |
10 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
9 |
14 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
30. Сказочный персонаж: форма и содержимое |
1392 | 197 |
19 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
14 |
13 |
4 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
2 |
Шекспир, сонет 146 |
1392 | 197 |
15 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
10 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
27. Безвременье котлована |
1078 | 197 |
9 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
15 |
10 |
8 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
Звездный ворон и ядовитый волк |
1151 | 197 |
14 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
7 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
23. Настя заболела |
1278 | 197 |
9 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
15 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
Senex - Puer |
1344 | 196 |
14 |
24 |
17 |
19 |
10 |
19 |
17 |
24 |
20 |
11 |
18 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1699 | 196 |
14 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
12 |
12 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
5. Заместитель |
1403 | 196 |
7 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
9 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
5. Идущий следом |
1497 | 196 |
13 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
13 |
13 |
6 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 Дитя в мирах Психеи и Ананке |
1750 | 196 |
18 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
16 |
13 |
12 |
4 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1530 | 196 |
17 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
9 |
7 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2293 | 196 |
17 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
11 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
19. Множественные и парные миры авторской сказки и фэнтези |
1326 | 195 |
13 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
14 |
15 |
16 |
6 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
Венок сонетов Ваське |
1919 | 195 |
13 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
6 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
13. Колхоз идет навстречу |
1072 | 195 |
14 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
12 |
13 |
7 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
16. Медведь |
1223 | 195 |
18 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
8 |
7 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
25. Об особенностях травматической интеграции психики |
1448 | 194 |
15 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
10 |
4 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
18. Диспозиция и динамика некоторых авторских сказок |
1228 | 194 |
13 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
14 |
5 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
Мир на костылях |
1471 | 194 |
17 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
11 |
8 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
7. Индивидуальности котлована |
1146 | 194 |
16 |
26 |
18 |
8 |
11 |
17 |
21 |
28 |
15 |
15 |
14 |
5 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1663 | 194 |
12 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
11 |
13 |
4 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
7. Мужское и женское в произведениях Т. Манна |
1625 | 194 |
13 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
11 |
7 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
9. Начало перехода |
1073 | 193 |
11 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
14 |
7 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1. Миф, мир и психика |
1516 | 193 |
17 |
20 |
22 |
12 |
14 |
20 |
16 |
24 |
17 |
9 |
14 |
8 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
31. Становление символа во времени |
1296 | 192 |
20 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
10 |
16 |
5 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
Реквием Ваське |
1603 | 192 |
18 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
14 |
13 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
4. Блуждания невоплощенного |
1158 | 192 |
18 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
13 |
4 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
17. Плот |
1140 | 192 |
20 |
17 |
13 |
12 |
11 |
34 |
17 |
27 |
14 |
11 |
10 |
6 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1. Маленький рыцарский роман |
1518 | 192 |
10 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
16 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
6. Скорбная земля |
1609 | 192 |
14 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
12 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1408 | 192 |
13 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
13 |
7 |
6 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
Визит Аристокла |
1508 | 191 |
20 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
10 |
7 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
4 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Мотив Цветка и регуляция позы |
869 | 191 |
14 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
11 |
17 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1. Введение |
1609 | 191 |
15 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
12 |
13 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
Информация о владельце раздела |
1440 | 191 |
21 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
7 |
13 |
2 |
0 |
4 |
4 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
9. Некоторые модели психической интеграции |
1502 | 191 |
15 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
14 |
13 |
11 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
32. Для чего нужен символ? |
1256 | 191 |
12 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
13 |
16 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
19. Тишина |
1087 | 190 |
16 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
16 |
9 |
12 |
8 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1874 | 190 |
17 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
15 |
12 |
3 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
Шекспир, сонет 144 |
1509 | 190 |
12 |
21 |
19 |
16 |
10 |
30 |
18 |
27 |
14 |
10 |
10 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1594 | 190 |
15 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
8 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
9. Расщепление Эго и Персоны в отношениях с Анимой |
1376 | 190 |
14 |
22 |
19 |
13 |
15 |
20 |
17 |
27 |
14 |
11 |
13 |
5 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
5. Рядом с общим телом |
1204 | 189 |
15 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
20 |
12 |
12 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
5. Погибшее братство и Лихтенберг |
1017 | 189 |
17 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
18 |
11 |
15 |
6 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
Огонь |
1676 | 189 |
20 |
23 |
14 |
15 |
12 |
25 |
17 |
27 |
15 |
7 |
9 |
5 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
15. Ненаучное животное в мусорном ветре |
1148 | 189 |
13 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
11 |
10 |
5 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
5 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
26. Настина смерть |
1113 | 189 |
15 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
12 |
16 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
18. Ночные пляски |
1089 | 189 |
17 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
12 |
6 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
Вариация на тему |
894 | 188 |
13 |
25 |
19 |
16 |
12 |
17 |
19 |
26 |
17 |
12 |
8 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
Как растет Бог |
1702 | 188 |
13 |
16 |
16 |
25 |
11 |
21 |
14 |
24 |
20 |
9 |
13 |
6 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
Хрупкие миры |
556 | 188 |
15 |
19 |
16 |
16 |
10 |
19 |
17 |
23 |
21 |
12 |
13 |
7 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
10. Модели интеграции психики в героическом эпосе |
1545 | 188 |
17 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
11 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
1. Телесные трансформации в рассказе "Мусорный ветер" |
1088 | 188 |
10 |
20 |
19 |
14 |
13 |
16 |
20 |
24 |
17 |
13 |
12 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
34. Ошибка психики: чрезмерная ее консолидация |
1469 | 188 |
12 |
16 |
22 |
15 |
11 |
18 |
26 |
22 |
14 |
12 |
16 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
3 |
10. Начало контакта |
1071 | 188 |
14 |
25 |
20 |
9 |
12 |
28 |
13 |
25 |
14 |
11 |
11 |
6 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
Из У. Блейка. Ответ Земли |
1831 | 187 |
18 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
9 |
3 |
0 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
14. Мертвая мать и ее дети |
1116 | 187 |
14 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
12 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
Кто это входит в мои мозги? |
1750 | 187 |
14 |
23 |
21 |
9 |
14 |
20 |
15 |
28 |
17 |
10 |
12 |
4 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2217 | 187 |
18 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
15 |
11 |
8 |
5 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
Из Цурэна. Как лист увядший падает на душу... |
1731 | 187 |
12 |
27 |
17 |
18 |
11 |
16 |
28 |
22 |
13 |
10 |
11 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2. Пробуждение |
1120 | 187 |
12 |
15 |
20 |
17 |
9 |
17 |
24 |
26 |
16 |
12 |
14 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
Проблемы профессионального становления личности: работа со сновидениями |
1730 | 187 |
11 |
22 |
18 |
17 |
9 |
16 |
23 |
23 |
16 |
12 |
14 |
6 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
14. Деревня изнутри. В избах |
1142 | 187 |
13 |
28 |
18 |
14 |
9 |
16 |
13 |
26 |
15 |
15 |
17 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
Бестиарий |
1405 | 187 |
15 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
12 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2. Усталость |
1771 | 186 |
13 |
23 |
15 |
12 |
14 |
16 |
27 |
21 |
17 |
12 |
12 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
21. Радость молотобойца |
1128 | 186 |
13 |
22 |
22 |
9 |
10 |
17 |
23 |
22 |
19 |
13 |
9 |
7 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
Путешествиепо склону |
1535 | 185 |
21 |
27 |
20 |
11 |
15 |
15 |
17 |
25 |
17 |
8 |
6 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
3. О смысле телесности в повести А. Платонова "Котлован" |
1138 | 185 |
16 |
25 |
17 |
12 |
12 |
18 |
20 |
20 |
15 |
11 |
11 |
8 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
Юнгианцы и странные научные теории |
773 | 185 |
10 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
13 |
12 |
5 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
726 | 185 |
15 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
12 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
29. Как экономят мышление с помощью мифических образов |
1244 | 185 |
15 |
21 |
22 |
13 |
10 |
18 |
21 |
29 |
10 |
15 |
10 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
2 |
Кости |
1052 | 185 |
15 |
22 |
21 |
14 |
13 |
15 |
17 |
25 |
15 |
10 |
12 |
6 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |