| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
По разделу |
568086 | 1395 |
41 |
116 |
135 |
134 |
129 |
99 |
105 |
122 |
127 |
126 |
132 |
129 |
0 |
4 |
2 |
4 |
3 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
1 |
6 |
5 |
4 |
2 |
2 |
3 |
2 |
1 |
3 |
7 |
3 |
4 |
3 |
5 |
3 |
4 |
6 |
4 |
6 |
5 |
5 |
5 |
5 |
4 |
5 |
4 |
5 |
4 |
4 |
4 |
4 |
2 |
4 |
3 |
4 |
4 |
2 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4501 | 580 |
13 |
43 |
54 |
66 |
63 |
48 |
26 |
48 |
60 |
49 |
62 |
48 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
3 |
0 |
|
7. Интерпретация эпоса об Урал-Батыре |
2517 | 536 |
7 |
47 |
52 |
53 |
44 |
36 |
35 |
38 |
47 |
51 |
64 |
62 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
4 |
2 |
1 |
5 |
2 |
2 |
0 |
3 |
2 |
0 |
3 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
2372 | 518 |
10 |
46 |
39 |
53 |
51 |
37 |
32 |
41 |
54 |
54 |
55 |
46 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
6 |
1 |
2 |
4 |
1 |
3 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
|
7. О символизации насилия. Песочный Человек |
3980 | 516 |
6 |
36 |
25 |
45 |
52 |
32 |
48 |
51 |
52 |
53 |
60 |
56 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
7 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2969 | 492 |
14 |
38 |
43 |
53 |
50 |
28 |
24 |
35 |
41 |
53 |
56 |
57 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
4 |
1 |
4 |
0 |
1 |
4 |
1 |
|
1. Расставание брата и сестры |
4327 | 475 |
10 |
24 |
65 |
38 |
44 |
66 |
46 |
50 |
35 |
28 |
38 |
31 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Художественные описания механизмов психологической защиты |
13675 | 381 |
9 |
28 |
21 |
32 |
23 |
29 |
30 |
38 |
33 |
47 |
49 |
42 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
|
Ритуал и выгорание в субкультуре скорой помощи |
10001 | 368 |
7 |
28 |
37 |
48 |
26 |
30 |
16 |
26 |
36 |
44 |
35 |
35 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
2 |
4 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
3124 | 336 |
6 |
32 |
27 |
29 |
40 |
33 |
26 |
23 |
24 |
25 |
40 |
31 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
2224 | 307 |
7 |
25 |
36 |
44 |
22 |
17 |
19 |
15 |
31 |
35 |
32 |
24 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
|
3. Убежища |
1865 | 304 |
10 |
32 |
34 |
31 |
17 |
17 |
19 |
39 |
16 |
29 |
29 |
31 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Мотив Города |
3645 | 301 |
12 |
37 |
15 |
26 |
22 |
16 |
13 |
33 |
27 |
30 |
40 |
30 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
|
Совершая труд |
5111 | 294 |
9 |
21 |
13 |
23 |
25 |
20 |
18 |
19 |
27 |
49 |
37 |
33 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Графоманские стихи |
3848 | 294 |
3 |
23 |
18 |
28 |
16 |
15 |
17 |
22 |
38 |
37 |
44 |
33 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Перстень, яблоко, собор |
2035 | 293 |
7 |
32 |
23 |
34 |
22 |
16 |
24 |
22 |
23 |
24 |
39 |
27 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
5. Особенности архаической сказки |
2120 | 292 |
22 |
30 |
18 |
27 |
24 |
17 |
18 |
26 |
16 |
26 |
36 |
32 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
5 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
2027 | 291 |
3 |
24 |
22 |
32 |
30 |
14 |
18 |
24 |
30 |
28 |
34 |
32 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
|
О книге Матрица и потенциал характера |
1884 | 287 |
4 |
25 |
18 |
26 |
19 |
19 |
16 |
24 |
39 |
33 |
34 |
30 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Из плена профессиональной Персоны? |
1804 | 282 |
5 |
29 |
20 |
26 |
18 |
19 |
18 |
26 |
19 |
38 |
40 |
24 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
4. О символизации насилия в эддической поэзии |
2670 | 282 |
9 |
25 |
20 |
25 |
21 |
10 |
16 |
11 |
28 |
31 |
51 |
35 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
|
12. Интеграция и Анимы, и Анимуса |
2214 | 281 |
5 |
23 |
15 |
24 |
16 |
24 |
28 |
17 |
30 |
32 |
38 |
29 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
3 консультации в гештальт-подходе |
2601 | 277 |
21 |
27 |
16 |
25 |
26 |
17 |
13 |
24 |
34 |
16 |
33 |
25 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1694 | 276 |
4 |
23 |
19 |
29 |
23 |
11 |
13 |
17 |
25 |
36 |
35 |
41 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2509 | 270 |
9 |
20 |
18 |
27 |
29 |
12 |
13 |
17 |
38 |
28 |
36 |
23 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
28. О символике эволюции |
1568 | 269 |
6 |
26 |
32 |
28 |
19 |
12 |
13 |
34 |
22 |
21 |
25 |
31 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
|
Оценка эффективности работы психолога с клиентами |
3232 | 265 |
9 |
23 |
21 |
34 |
24 |
18 |
18 |
13 |
21 |
26 |
35 |
23 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
|
Г. Гессе. Стихотворение о Степном Волке |
2113 | 265 |
4 |
24 |
25 |
35 |
25 |
19 |
14 |
24 |
18 |
16 |
38 |
23 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
|
3. О символизации насилия в поэзии скальдов |
3568 | 262 |
6 |
21 |
20 |
23 |
23 |
14 |
14 |
19 |
23 |
38 |
35 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Симбиоз гештальта и символдрамы |
3548 | 261 |
10 |
27 |
24 |
27 |
20 |
12 |
6 |
23 |
20 |
25 |
32 |
35 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
1. Преамбула: феминное и маскулинное |
2104 | 260 |
5 |
26 |
21 |
28 |
27 |
13 |
15 |
20 |
30 |
19 |
30 |
26 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
9. Персона и Тень |
2006 | 260 |
3 |
23 |
17 |
26 |
22 |
20 |
15 |
22 |
26 |
29 |
32 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1640 | 260 |
11 |
26 |
15 |
28 |
25 |
14 |
16 |
18 |
25 |
33 |
30 |
19 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Юные птицы старого русского рока |
1221 | 260 |
10 |
25 |
26 |
27 |
19 |
9 |
14 |
19 |
24 |
27 |
30 |
30 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
|
Эмоциональное выгорание, травма и нарциссизм |
6051 | 259 |
6 |
22 |
17 |
27 |
24 |
12 |
11 |
20 |
26 |
30 |
36 |
28 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Образ Бога и зрелость личности |
2765 | 259 |
9 |
24 |
19 |
23 |
16 |
14 |
11 |
23 |
25 |
28 |
38 |
29 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
4. Ад без жала |
1907 | 258 |
9 |
27 |
22 |
27 |
20 |
11 |
17 |
21 |
25 |
21 |
38 |
20 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2803 | 258 |
10 |
34 |
28 |
29 |
22 |
11 |
15 |
19 |
20 |
21 |
31 |
18 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
5 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
33. Пространство, время, человек и божество в сказке |
1644 | 256 |
7 |
21 |
23 |
23 |
26 |
10 |
14 |
23 |
26 |
25 |
38 |
20 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1986 | 255 |
3 |
26 |
24 |
29 |
22 |
11 |
10 |
19 |
22 |
29 |
42 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
15. Мир и образ зла в "Темных началах" |
1639 | 255 |
4 |
26 |
17 |
21 |
21 |
15 |
14 |
25 |
29 |
23 |
30 |
30 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
7 Заклинатели |
2014 | 255 |
4 |
19 |
11 |
21 |
20 |
19 |
21 |
25 |
28 |
25 |
34 |
28 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
3. Как мужчины обращаются с Анимой |
3745 | 255 |
3 |
25 |
20 |
31 |
21 |
15 |
16 |
16 |
28 |
21 |
34 |
25 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
8. Поглощенное время |
1738 | 254 |
9 |
21 |
17 |
29 |
18 |
17 |
13 |
28 |
25 |
26 |
29 |
22 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Непрожитая старость |
10663 | 253 |
11 |
26 |
15 |
27 |
20 |
11 |
13 |
25 |
23 |
20 |
35 |
27 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
6. О символизации насилия. Значимые персонажи |
2327 | 253 |
6 |
24 |
20 |
30 |
17 |
12 |
16 |
24 |
18 |
29 |
32 |
25 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
|
30. Сказочный персонаж: форма и содержимое |
1625 | 252 |
8 |
23 |
15 |
24 |
26 |
16 |
16 |
18 |
22 |
24 |
36 |
24 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
13. Внутрениие вредители в произведениях Гофмана |
2005 | 252 |
7 |
26 |
17 |
24 |
20 |
10 |
12 |
24 |
25 |
30 |
31 |
26 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
26. Динамика развития психики по оси Самость-Эго |
2241 | 252 |
8 |
19 |
13 |
28 |
21 |
19 |
14 |
17 |
23 |
23 |
38 |
29 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
О способности понять душевнобольного |
2469 | 250 |
3 |
21 |
22 |
27 |
17 |
15 |
23 |
18 |
18 |
25 |
31 |
30 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
3. Сказочные злодеи: Консолидатор Тени |
1853 | 250 |
8 |
32 |
15 |
26 |
24 |
11 |
10 |
18 |
17 |
26 |
43 |
20 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
4 |
5 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1998 | 249 |
5 |
19 |
21 |
31 |
24 |
11 |
15 |
17 |
23 |
21 |
32 |
30 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Клеменс Брентано. Лоре Лай |
1792 | 248 |
7 |
23 |
22 |
23 |
18 |
16 |
13 |
10 |
23 |
30 |
35 |
28 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2538 | 248 |
4 |
21 |
24 |
24 |
20 |
11 |
9 |
20 |
22 |
24 |
49 |
20 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
|
Юнгианцы и странные научные теории |
1011 | 248 |
5 |
30 |
18 |
26 |
21 |
13 |
11 |
21 |
24 |
27 |
36 |
16 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
3 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
|
5. Заместитель |
1644 | 248 |
4 |
26 |
32 |
26 |
17 |
17 |
20 |
12 |
20 |
26 |
26 |
22 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
|
2. Представления об Анимусе мужчины |
2314 | 248 |
4 |
25 |
16 |
21 |
25 |
19 |
15 |
16 |
18 |
30 |
30 |
29 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
2. Конец истории о Крысолове |
2268 | 247 |
4 |
22 |
22 |
24 |
20 |
12 |
10 |
25 |
27 |
21 |
30 |
30 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
15. Типичные протагонисты произведений Гофмана |
1732 | 246 |
3 |
24 |
27 |
29 |
24 |
11 |
16 |
16 |
20 |
25 |
28 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
|
22. О героях авторских сказок и фэнтези |
1775 | 246 |
4 |
21 |
20 |
25 |
22 |
10 |
9 |
23 |
22 |
21 |
32 |
37 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Графоманские стихи |
2726 | 246 |
6 |
17 |
20 |
31 |
17 |
14 |
23 |
16 |
29 |
19 |
29 |
25 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
|
13. Аида: комментарии к либретто |
2136 | 245 |
6 |
19 |
16 |
23 |
14 |
11 |
16 |
25 |
26 |
23 |
37 |
29 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Бумажная Принцесса |
1397 | 245 |
5 |
20 |
23 |
24 |
21 |
9 |
11 |
27 |
26 |
25 |
30 |
24 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Мы и Они |
2058 | 244 |
1 |
23 |
13 |
18 |
11 |
20 |
15 |
23 |
25 |
27 |
36 |
32 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Милая жизнь |
1472 | 244 |
8 |
23 |
25 |
30 |
20 |
13 |
11 |
18 |
23 |
16 |
35 |
22 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
16. Список литературы |
1555 | 243 |
3 |
24 |
17 |
22 |
15 |
9 |
13 |
22 |
25 |
23 |
41 |
29 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
6. Насилие и интеграция психики в архаической сказке |
1712 | 242 |
7 |
28 |
18 |
24 |
21 |
11 |
11 |
18 |
21 |
28 |
30 |
25 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
4. Зловещие магнетизеры |
2531 | 242 |
10 |
27 |
19 |
28 |
21 |
10 |
12 |
18 |
23 |
15 |
30 |
29 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Звездный ворон и ядовитый волк |
1378 | 241 |
3 |
19 |
19 |
22 |
13 |
12 |
14 |
30 |
27 |
19 |
38 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
|
15. Николай Ставрогин и его адепты |
2166 | 241 |
5 |
30 |
19 |
27 |
22 |
14 |
12 |
13 |
22 |
19 |
33 |
25 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
2. О преображении в полете |
1045 | 241 |
5 |
23 |
15 |
29 |
19 |
12 |
12 |
17 |
26 |
18 |
33 |
32 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
7. Верховное полутело |
1316 | 241 |
8 |
21 |
11 |
24 |
10 |
17 |
21 |
22 |
25 |
19 |
32 |
31 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
16. Миры и образы зла, связанные с Темной Башней |
2380 | 240 |
7 |
25 |
19 |
25 |
22 |
10 |
13 |
17 |
24 |
19 |
33 |
26 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
14. Мастера и шарлатаны Гофмана |
2394 | 240 |
9 |
21 |
17 |
23 |
24 |
13 |
11 |
23 |
24 |
14 |
33 |
28 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
|
9. Начало перехода |
1301 | 239 |
7 |
26 |
18 |
23 |
20 |
12 |
14 |
16 |
25 |
29 |
25 |
24 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
8. Запутанная история Джона Ди |
1919 | 239 |
8 |
18 |
14 |
19 |
15 |
15 |
12 |
16 |
31 |
26 |
37 |
28 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1833 | 238 |
3 |
25 |
17 |
26 |
21 |
16 |
12 |
16 |
24 |
19 |
33 |
26 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
|
10. Модели интеграции психики в героическом эпосе |
1766 | 238 |
3 |
17 |
21 |
28 |
18 |
11 |
15 |
19 |
22 |
24 |
29 |
31 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
7. О проекции переживаний травмы на Аниму |
1724 | 238 |
3 |
22 |
15 |
22 |
22 |
13 |
13 |
18 |
25 |
31 |
29 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
3. Произведения молодости М. Цветаевой |
1653 | 238 |
5 |
25 |
21 |
29 |
19 |
10 |
16 |
14 |
22 |
15 |
33 |
29 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1924 | 237 |
4 |
19 |
17 |
24 |
25 |
11 |
9 |
16 |
26 |
19 |
39 |
28 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
5. Сказка о Персоне, что учится самосознанию |
1985 | 236 |
5 |
19 |
29 |
23 |
15 |
18 |
18 |
11 |
18 |
25 |
28 |
27 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Упражнение Бог |
4011 | 235 |
6 |
18 |
22 |
21 |
19 |
18 |
14 |
21 |
24 |
18 |
29 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Из У. Блейка. Ответ Земли |
2048 | 235 |
3 |
20 |
18 |
24 |
17 |
9 |
17 |
17 |
22 |
28 |
30 |
30 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
|
Дворянин Фаланд или владыка альвов? |
1254 | 235 |
5 |
22 |
18 |
26 |
25 |
16 |
11 |
13 |
23 |
19 |
27 |
30 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
4. Сказка о травме и восстановлении |
1816 | 235 |
5 |
25 |
17 |
23 |
24 |
10 |
15 |
13 |
22 |
33 |
22 |
26 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
|
Роковой треугольник -2 |
2021 | 235 |
7 |
16 |
15 |
25 |
27 |
12 |
20 |
17 |
19 |
23 |
30 |
24 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
1. Тело и мир персонажей Андрея Платонова |
1653 | 235 |
4 |
26 |
12 |
27 |
25 |
18 |
15 |
15 |
22 |
22 |
29 |
20 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1357 | 234 |
4 |
24 |
21 |
27 |
23 |
17 |
17 |
21 |
14 |
15 |
29 |
22 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2300 | 233 |
6 |
24 |
17 |
24 |
17 |
11 |
9 |
17 |
27 |
31 |
28 |
22 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
3. О смысле телесности в повести А. Платонова "Котлован" |
1355 | 233 |
7 |
24 |
20 |
28 |
25 |
12 |
11 |
17 |
17 |
17 |
31 |
24 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
7. Созидающее насилие: подвиги Геракла |
1895 | 233 |
9 |
22 |
14 |
21 |
22 |
14 |
10 |
13 |
23 |
33 |
26 |
26 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
4. Архаичные материнские образы |
1649 | 232 |
3 |
20 |
22 |
17 |
11 |
21 |
20 |
17 |
24 |
25 |
26 |
26 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
4 сонета Шекспира |
2070 | 232 |
4 |
21 |
17 |
16 |
16 |
18 |
20 |
26 |
27 |
21 |
26 |
20 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
27. О различении Я и Эго-комплекса |
1530 | 232 |
6 |
21 |
14 |
23 |
17 |
11 |
12 |
19 |
18 |
30 |
31 |
30 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1721 | 232 |
4 |
23 |
22 |
22 |
19 |
12 |
18 |
14 |
17 |
24 |
28 |
29 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1899 | 231 |
10 |
18 |
17 |
26 |
20 |
12 |
11 |
20 |
22 |
26 |
25 |
24 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
14. Мертвая мать и ее дети |
1333 | 231 |
4 |
25 |
21 |
25 |
14 |
11 |
9 |
21 |
19 |
20 |
36 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
5 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1835 | 231 |
6 |
20 |
29 |
25 |
20 |
11 |
10 |
13 |
22 |
21 |
32 |
22 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
|
24. Медведь и другие |
1193 | 231 |
4 |
20 |
14 |
20 |
15 |
12 |
15 |
21 |
20 |
32 |
34 |
24 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
940 | 229 |
5 |
20 |
12 |
21 |
19 |
12 |
11 |
14 |
28 |
24 |
34 |
29 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Больница глазами гештальт-терапевта |
4317 | 229 |
9 |
26 |
14 |
26 |
23 |
9 |
10 |
13 |
22 |
24 |
31 |
22 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1838 | 229 |
9 |
20 |
26 |
22 |
18 |
12 |
11 |
17 |
23 |
21 |
27 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1934 | 229 |
2 |
22 |
27 |
27 |
17 |
10 |
5 |
18 |
21 |
23 |
31 |
26 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
|
1. Явление Крысолова |
1664 | 228 |
4 |
21 |
16 |
26 |
16 |
10 |
13 |
19 |
23 |
24 |
31 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1503 | 228 |
3 |
22 |
19 |
26 |
20 |
10 |
13 |
13 |
23 |
22 |
34 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
15. Ненаучное животное в мусорном ветре |
1363 | 228 |
4 |
22 |
15 |
31 |
17 |
10 |
11 |
19 |
23 |
24 |
31 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
18. Ночные пляски |
1300 | 228 |
6 |
18 |
13 |
27 |
15 |
11 |
13 |
24 |
19 |
20 |
31 |
31 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
10. Об Аниме женщины |
2214 | 228 |
2 |
17 |
20 |
22 |
20 |
11 |
13 |
18 |
33 |
24 |
29 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1623 | 228 |
8 |
21 |
27 |
29 |
21 |
12 |
10 |
15 |
15 |
22 |
27 |
21 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
Для чего нужны джинны? |
1207 | 227 |
4 |
19 |
16 |
23 |
19 |
16 |
8 |
19 |
25 |
25 |
25 |
28 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
11. Миры и зло Средиземья и Валинора |
1828 | 227 |
8 |
29 |
23 |
27 |
20 |
11 |
10 |
8 |
20 |
23 |
25 |
23 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
|
20. О некоторых особенностях структуры фэнтези |
2074 | 227 |
3 |
21 |
17 |
19 |
20 |
15 |
12 |
19 |
17 |
25 |
33 |
26 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Роковой треугольник - 1 |
2110 | 227 |
6 |
22 |
21 |
21 |
17 |
15 |
14 |
15 |
22 |
20 |
29 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1884 | 226 |
4 |
23 |
18 |
24 |
19 |
12 |
16 |
17 |
17 |
21 |
35 |
20 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1958 | 226 |
2 |
22 |
23 |
27 |
20 |
11 |
12 |
14 |
16 |
27 |
31 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
|
2. Андрогинность в сказке и мифе |
2010 | 226 |
5 |
21 |
16 |
22 |
14 |
20 |
15 |
21 |
20 |
24 |
29 |
19 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
|
12. Песочник и его жертва |
1600 | 224 |
7 |
22 |
19 |
16 |
12 |
8 |
14 |
14 |
23 |
28 |
24 |
37 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
26. Настина смерть |
1322 | 224 |
4 |
18 |
18 |
21 |
19 |
16 |
11 |
17 |
19 |
25 |
30 |
26 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Пьяный двор |
1792 | 224 |
4 |
18 |
17 |
18 |
15 |
21 |
17 |
20 |
20 |
20 |
32 |
22 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
13. Колхоз идет навстречу |
1282 | 224 |
6 |
22 |
19 |
17 |
12 |
16 |
14 |
23 |
21 |
22 |
28 |
24 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
11. Кое-что об Анимусе женщины |
1762 | 224 |
6 |
16 |
18 |
26 |
22 |
14 |
10 |
14 |
24 |
14 |
38 |
22 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
|
Хороший начальник Емеля |
1254 | 223 |
7 |
22 |
13 |
26 |
13 |
11 |
11 |
17 |
21 |
26 |
28 |
28 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Из Цурэна. Как лист увядший падает на душу... |
1942 | 223 |
5 |
20 |
22 |
18 |
10 |
16 |
13 |
20 |
29 |
28 |
23 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Бестиарий |
1613 | 223 |
5 |
19 |
12 |
20 |
14 |
11 |
15 |
25 |
18 |
24 |
35 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
О старости |
2419 | 223 |
3 |
18 |
15 |
19 |
7 |
12 |
12 |
21 |
19 |
29 |
39 |
29 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
4. Погребальные дроги |
1635 | 223 |
5 |
24 |
13 |
22 |
14 |
13 |
11 |
15 |
21 |
31 |
27 |
27 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
10. Большая женщина. Начало возрождения |
1298 | 222 |
6 |
24 |
13 |
25 |
19 |
13 |
14 |
22 |
15 |
25 |
26 |
20 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1809 | 222 |
5 |
19 |
14 |
26 |
20 |
12 |
10 |
12 |
28 |
24 |
31 |
21 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
21. Властные хитрецы |
1615 | 222 |
5 |
22 |
18 |
30 |
23 |
13 |
14 |
13 |
21 |
18 |
26 |
19 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
11. Пространство лагеря |
1349 | 222 |
4 |
26 |
15 |
32 |
19 |
12 |
11 |
13 |
26 |
18 |
25 |
21 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1608 | 222 |
4 |
23 |
18 |
25 |
16 |
10 |
11 |
18 |
21 |
24 |
28 |
24 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1833 | 222 |
4 |
22 |
13 |
23 |
23 |
15 |
20 |
15 |
16 |
24 |
28 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
9. Некоторые модели психической интеграции |
1708 | 221 |
6 |
25 |
20 |
26 |
17 |
12 |
9 |
11 |
28 |
19 |
29 |
19 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Психосоматика наизнанку |
5340 | 221 |
3 |
20 |
13 |
20 |
17 |
9 |
11 |
21 |
20 |
21 |
35 |
31 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3319 | 221 |
4 |
22 |
18 |
20 |
22 |
12 |
16 |
11 |
22 |
25 |
31 |
18 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Отношения врача и пациента с точки зрения созависимости |
6781 | 221 |
8 |
22 |
14 |
21 |
21 |
15 |
7 |
18 |
17 |
24 |
27 |
27 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1734 | 221 |
5 |
22 |
17 |
24 |
20 |
13 |
14 |
16 |
18 |
22 |
29 |
21 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
21. Радость молотобойца |
1336 | 221 |
4 |
21 |
21 |
25 |
19 |
10 |
12 |
16 |
20 |
19 |
30 |
24 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Путешествиепо склону |
1734 | 220 |
6 |
15 |
16 |
23 |
16 |
12 |
8 |
20 |
20 |
25 |
33 |
26 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Двойные ловушки Плоского мира |
1960 | 220 |
4 |
22 |
15 |
26 |
23 |
9 |
9 |
12 |
19 |
22 |
33 |
26 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
3. Молитвенная мельница |
1772 | 220 |
7 |
19 |
16 |
28 |
17 |
13 |
12 |
18 |
25 |
24 |
22 |
19 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Больной Крысолов |
1722 | 219 |
8 |
18 |
13 |
16 |
13 |
14 |
9 |
18 |
23 |
32 |
33 |
22 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
31. Становление символа во времени |
1495 | 219 |
8 |
23 |
11 |
16 |
11 |
15 |
18 |
26 |
19 |
27 |
17 |
28 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
5. Погибшее братство и Лихтенберг |
1219 | 219 |
5 |
25 |
17 |
25 |
18 |
7 |
12 |
13 |
19 |
27 |
23 |
28 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
|
Гулял молодец |
1509 | 219 |
5 |
15 |
16 |
18 |
18 |
16 |
20 |
25 |
22 |
15 |
28 |
21 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Огонь |
1875 | 219 |
3 |
16 |
16 |
19 |
18 |
10 |
13 |
19 |
23 |
27 |
28 |
27 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1676 | 219 |
5 |
20 |
22 |
23 |
18 |
14 |
15 |
17 |
17 |
19 |
30 |
19 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
5. Идущий следом |
1703 | 219 |
4 |
20 |
12 |
18 |
24 |
11 |
8 |
20 |
25 |
21 |
29 |
27 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
16. Медведь |
1424 | 219 |
3 |
20 |
11 |
19 |
13 |
11 |
12 |
18 |
20 |
30 |
30 |
32 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Мотив Цветка и регуляция позы |
1073 | 218 |
2 |
20 |
15 |
27 |
24 |
15 |
11 |
18 |
17 |
16 |
29 |
24 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
10 охламонов |
1975 | 218 |
3 |
20 |
10 |
22 |
15 |
12 |
16 |
17 |
31 |
19 |
31 |
22 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3241 | 217 |
9 |
15 |
15 |
25 |
25 |
8 |
10 |
9 |
17 |
22 |
36 |
26 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
2074 | 217 |
4 |
25 |
21 |
24 |
18 |
13 |
11 |
13 |
19 |
21 |
23 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1798 | 217 |
4 |
23 |
20 |
22 |
17 |
11 |
13 |
13 |
16 |
25 |
27 |
26 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1868 | 217 |
4 |
16 |
16 |
22 |
17 |
12 |
8 |
27 |
21 |
15 |
41 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
1. О символизации насилия. Преамбула |
2034 | 217 |
3 |
23 |
22 |
25 |
24 |
11 |
13 |
14 |
16 |
13 |
27 |
26 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Кости |
1253 | 216 |
5 |
20 |
14 |
27 |
14 |
12 |
9 |
21 |
13 |
25 |
29 |
27 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
10. Начало контакта |
1273 | 216 |
6 |
22 |
18 |
20 |
16 |
13 |
14 |
22 |
17 |
22 |
25 |
21 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Прогнозирование эффективности психологической помощи семьям |
1898 | 216 |
8 |
16 |
17 |
27 |
22 |
10 |
13 |
14 |
16 |
19 |
33 |
21 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
25. Об особенностях травматической интеграции психики |
1648 | 215 |
6 |
20 |
12 |
26 |
23 |
13 |
12 |
14 |
21 |
21 |
23 |
24 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Типы семей, получающих помощь в социальном центре |
1894 | 215 |
5 |
15 |
19 |
26 |
24 |
7 |
14 |
16 |
22 |
19 |
27 |
21 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Алгоритм сортировки клиентов социального центра |
2280 | 215 |
8 |
18 |
20 |
27 |
18 |
12 |
7 |
19 |
19 |
18 |
24 |
25 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
|
Кто это входит в мои мозги? |
1951 | 215 |
7 |
21 |
22 |
29 |
21 |
11 |
7 |
14 |
18 |
15 |
31 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
|
5. Женщина в плаще цвета Времени |
1541 | 215 |
7 |
24 |
13 |
28 |
17 |
12 |
14 |
13 |
20 |
15 |
31 |
21 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
9. Лихтенберг - мыслящее тело |
1403 | 215 |
4 |
22 |
17 |
18 |
14 |
14 |
11 |
17 |
21 |
21 |
33 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1794 | 215 |
5 |
18 |
15 |
26 |
19 |
7 |
9 |
21 |
21 |
15 |
36 |
23 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
7. Индивидуальности котлована |
1344 | 214 |
4 |
16 |
17 |
20 |
19 |
15 |
16 |
16 |
19 |
25 |
25 |
22 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
6. Насколько опасен Анимус мужчины |
1661 | 214 |
4 |
20 |
13 |
23 |
19 |
11 |
13 |
21 |
15 |
22 |
26 |
27 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Шекспир, сонет 146 |
1591 | 214 |
2 |
20 |
14 |
23 |
16 |
18 |
11 |
17 |
15 |
25 |
26 |
27 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2413 | 214 |
6 |
17 |
20 |
26 |
15 |
14 |
12 |
15 |
15 |
15 |
25 |
34 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1918 | 214 |
5 |
16 |
17 |
23 |
18 |
12 |
7 |
30 |
22 |
20 |
27 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Компьютерная игра вместо визуализации |
1989 | 214 |
6 |
20 |
21 |
24 |
21 |
9 |
11 |
11 |
14 |
24 |
25 |
28 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Из У. Блейка. Ангел |
1756 | 214 |
6 |
20 |
16 |
15 |
15 |
13 |
8 |
21 |
20 |
24 |
29 |
27 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
2. Усталость |
1972 | 214 |
4 |
29 |
16 |
18 |
15 |
11 |
13 |
22 |
16 |
19 |
28 |
23 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Г. Гессе. Ступени |
1931 | 213 |
2 |
24 |
22 |
18 |
18 |
12 |
11 |
18 |
19 |
19 |
26 |
24 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
|
7. Мужское и женское в произведениях Т. Манна |
1825 | 213 |
5 |
18 |
13 |
26 |
20 |
10 |
17 |
12 |
27 |
18 |
22 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Три бестселлера |
1633 | 213 |
5 |
17 |
11 |
15 |
11 |
10 |
13 |
20 |
22 |
29 |
28 |
32 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Королева |
2021 | 212 |
3 |
19 |
14 |
20 |
16 |
12 |
13 |
18 |
18 |
17 |
37 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
23. Снейп и Колтер: маргинальные персонажи фэнтези |
1471 | 212 |
3 |
24 |
13 |
26 |
20 |
7 |
13 |
14 |
16 |
20 |
28 |
28 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1816 | 212 |
4 |
23 |
15 |
23 |
17 |
9 |
8 |
14 |
20 |
28 |
25 |
26 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Шекспир, сонет 144 |
1709 | 212 |
5 |
21 |
18 |
24 |
18 |
14 |
11 |
16 |
21 |
22 |
23 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
8. Тотем, Трикстер, Первопредки |
1753 | 212 |
5 |
22 |
16 |
19 |
16 |
16 |
13 |
15 |
20 |
18 |
30 |
22 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2488 | 212 |
4 |
15 |
18 |
27 |
20 |
9 |
10 |
11 |
25 |
25 |
24 |
24 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
|
Мир на костылях |
1665 | 211 |
7 |
18 |
13 |
17 |
13 |
15 |
11 |
16 |
16 |
26 |
37 |
22 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
1. Телесные трансформации в рассказе "Мусорный ветер" |
1289 | 211 |
4 |
21 |
19 |
30 |
17 |
12 |
8 |
13 |
19 |
29 |
23 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
|
Информация о владельце раздела |
1630 | 211 |
6 |
11 |
14 |
25 |
15 |
12 |
18 |
17 |
13 |
21 |
32 |
27 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Ответ Земли (другой вариант) |
1852 | 210 |
4 |
22 |
18 |
27 |
22 |
12 |
8 |
17 |
13 |
18 |
24 |
25 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
23. Настя заболела |
1479 | 210 |
6 |
17 |
13 |
23 |
17 |
12 |
10 |
19 |
23 |
19 |
34 |
17 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2750 | 210 |
4 |
16 |
17 |
26 |
20 |
9 |
11 |
16 |
19 |
24 |
27 |
21 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
|
Вскрытие |
1854 | 209 |
3 |
22 |
12 |
19 |
16 |
13 |
11 |
12 |
17 |
23 |
31 |
30 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Реквием Ваське |
1794 | 209 |
6 |
18 |
14 |
21 |
14 |
10 |
11 |
17 |
17 |
29 |
27 |
25 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
3. На улице |
1294 | 209 |
6 |
24 |
14 |
17 |
15 |
11 |
13 |
18 |
14 |
18 |
36 |
23 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
5. Рядом с общим телом |
1397 | 208 |
3 |
20 |
9 |
27 |
17 |
12 |
8 |
21 |
17 |
19 |
30 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
6. Следуя за стихами 1921 года |
1647 | 208 |
7 |
25 |
8 |
23 |
14 |
12 |
8 |
23 |
16 |
19 |
30 |
23 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Обряд изгнания чужого в субкультуре скорой помощи |
2346 | 208 |
4 |
16 |
17 |
28 |
18 |
12 |
12 |
10 |
22 |
21 |
26 |
22 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2286 | 207 |
5 |
18 |
18 |
26 |
19 |
13 |
12 |
11 |
18 |
18 |
29 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
|
4. Расчлененное и воссозданное тело толпы |
1338 | 207 |
6 |
22 |
17 |
29 |
19 |
11 |
13 |
15 |
17 |
14 |
23 |
21 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
|
Человек |
1821 | 207 |
5 |
21 |
18 |
20 |
10 |
12 |
10 |
15 |
19 |
23 |
28 |
26 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
1. Миф, мир и психика |
1706 | 207 |
4 |
25 |
19 |
19 |
14 |
10 |
15 |
13 |
19 |
19 |
26 |
24 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |