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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
По разделу | 513595 | 1507 | 44 | 129 | 140 | 113 | 155 | 134 | 138 | 148 | 128 | 192 | 98 | 88 | 1 | 3 | 4 | 5 | 5 | 7 | 4 | 6 | 5 | 4 | 7 | 4 | 2 | 3 | 6 | 3 | 3 | 6 | 5 | 3 | 5 | 5 | 5 | 6 | 5 | 4 | 6 | 5 | 5 | 4 | 4 | 5 | 5 | 3 | 3 | 4 | 3 | 3 | 4 | 3 | 5 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 6 | 4 | 5 | 4 | 5 | 5 | 3 | 4 | 3 | 2 | 9 | 6 |
7. О символизации насилия. Песочный Человек | 3534 | 691 | 14 | 56 | 46 | 40 | 55 | 74 | 60 | 96 | 82 | 76 | 56 | 36 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 5 | 0 | 0 | 1 | 6 | 0 | 1 | 1 | 4 | 0 | 5 | 2 | 4 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 5 | 3 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 4 |
Художественные описания механизмов психологической защиты | 13353 | 625 | 17 | 42 | 49 | 39 | 44 | 47 | 75 | 93 | 73 | 51 | 62 | 33 | 1 | 3 | 1 | 1 | 3 | 2 | 0 | 3 | 1 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 5 | 0 | 0 | 2 | 1 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 3 | 3 | 2 | 0 | 3 | 1 | 9 | 2 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3990 | 521 | 21 | 48 | 70 | 62 | 47 | 55 | 46 | 43 | 38 | 38 | 25 | 28 | 0 | 0 | 2 | 2 | 4 | 3 | 4 | 1 | 4 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 3 | 0 | 5 | 2 | 2 | 4 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 5 | 2 | 0 | 3 | 1 | 4 | 4 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 5 | 1 | 2 | 0 | 3 | 0 | 4 | 2 |
1. Расставание брата и сестры | 3893 | 519 | 10 | 31 | 44 | 37 | 113 | 47 | 38 | 41 | 54 | 42 | 36 | 26 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 2 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1922 | 495 | 22 | 46 | 55 | 47 | 50 | 50 | 59 | 43 | 38 | 26 | 27 | 32 | 0 | 2 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 2 | 4 | 2 | 3 | 0 | 0 | 4 | 3 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 3 | 1 | 2 | 4 | 1 | 2 | 1 | 0 | 3 | 1 |
7. Интерпретация эпоса об Урал-Батыре | 2069 | 462 | 26 | 62 | 54 | 50 | 42 | 55 | 41 | 37 | 34 | 27 | 18 | 16 | 0 | 0 | 1 | 1 | 3 | 7 | 4 | 5 | 1 | 4 | 2 | 2 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 3 | 2 | 5 | 3 | 6 | 3 | 4 | 0 | 1 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 3 | 2 | 2 | 3 | 2 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 3 | 6 | 1 | 1 | 3 | 2 | 5 | 0 | 1 | 2 | 1 | 2 | 1 |
Ритуал и выгорание в субкультуре скорой помощи | 9677 | 436 | 9 | 35 | 48 | 23 | 93 | 36 | 38 | 41 | 30 | 37 | 21 | 25 | 0 | 1 | 1 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 3 | 4 | 1 | 0 | 1 | 0 | 3 | 3 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2558 | 412 | 24 | 57 | 30 | 30 | 33 | 29 | 31 | 42 | 50 | 46 | 22 | 18 | 0 | 2 | 2 | 5 | 4 | 5 | 1 | 2 | 2 | 1 | 2 | 4 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 3 | 4 | 1 | 2 | 4 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 4 | 1 | 3 | 2 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 2 |
26. Динамика развития психики по оси Самость-Эго | 2033 | 338 | 15 | 29 | 29 | 29 | 25 | 27 | 39 | 41 | 34 | 27 | 23 | 20 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 5 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 0 | 1 |
Мотив Города | 3384 | 335 | 10 | 30 | 38 | 22 | 22 | 29 | 24 | 33 | 41 | 34 | 19 | 33 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 |
6. Насилие и интеграция психики в архаической сказке | 1508 | 316 | 13 | 25 | 21 | 23 | 27 | 19 | 21 | 24 | 24 | 85 | 22 | 12 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 |
Психосоматика наизнанку | 5165 | 310 | 15 | 31 | 28 | 29 | 20 | 19 | 39 | 30 | 39 | 23 | 19 | 18 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 4 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 6 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
12. Интеграция и Анимы, и Анимуса | 1976 | 301 | 14 | 29 | 34 | 25 | 24 | 20 | 33 | 37 | 29 | 20 | 17 | 19 | 0 | 0 | 2 | 2 | 3 | 4 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 4 |
4. О символизации насилия в эддической поэзии | 2439 | 300 | 16 | 35 | 24 | 21 | 21 | 19 | 23 | 34 | 46 | 28 | 16 | 17 | 0 | 0 | 2 | 1 | 3 | 3 | 0 | 3 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 1 | 1 | 2 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 |
14. Мастера и шарлатаны Гофмана | 2195 | 291 | 13 | 28 | 22 | 24 | 38 | 15 | 22 | 31 | 45 | 21 | 15 | 17 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
5. Особенности архаической сказки | 1875 | 290 | 15 | 32 | 33 | 29 | 18 | 19 | 27 | 30 | 32 | 25 | 15 | 15 | 0 | 0 | 3 | 2 | 1 | 2 | 3 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 0 |
Упражнение Бог | 3814 | 289 | 13 | 25 | 34 | 27 | 27 | 19 | 28 | 30 | 37 | 27 | 16 | 6 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 4 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Совершая труд | 4862 | 288 | 12 | 33 | 22 | 24 | 18 | 17 | 21 | 24 | 31 | 52 | 16 | 18 | 0 | 0 | 3 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
2. Андрогинность в сказке и мифе | 1813 | 285 | 10 | 19 | 26 | 30 | 18 | 20 | 16 | 34 | 41 | 33 | 19 | 19 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
24. Травмирующие архетипические персонажи Х. Мураками | 1783 | 282 | 15 | 32 | 32 | 26 | 21 | 22 | 22 | 29 | 28 | 21 | 24 | 10 | 0 | 0 | 3 | 2 | 1 | 4 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 4 |
8. Запутанная история Джона Ди | 1718 | 280 | 10 | 28 | 25 | 20 | 24 | 28 | 23 | 24 | 41 | 26 | 15 | 16 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 |
10. Об Аниме женщины | 2016 | 280 | 11 | 19 | 40 | 25 | 27 | 20 | 28 | 23 | 41 | 17 | 13 | 16 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 0 | 3 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Симбиоз гештальта и символдрамы | 3331 | 279 | 9 | 35 | 25 | 23 | 17 | 25 | 30 | 29 | 26 | 29 | 16 | 15 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 3 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Графоманские стихи | 3598 | 279 | 11 | 33 | 32 | 23 | 22 | 23 | 31 | 25 | 31 | 22 | 13 | 13 | 0 | 0 | 2 | 0 | 1 | 4 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 5 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 3 | 3 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 3 |
Архетипические мотивы в фольклоре єскорой помощи" | 2409 | 272 | 9 | 25 | 24 | 20 | 12 | 23 | 21 | 21 | 25 | 69 | 9 | 14 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 |
Клеменс Брентано. Лоре Лай | 1586 | 268 | 14 | 28 | 26 | 16 | 17 | 16 | 17 | 32 | 40 | 26 | 24 | 12 | 0 | 0 | 1 | 2 | 4 | 4 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 5 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1955 | 268 | 14 | 24 | 34 | 23 | 21 | 21 | 16 | 33 | 30 | 21 | 15 | 16 | 0 | 1 | 2 | 0 | 3 | 2 | 2 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2571 | 268 | 10 | 21 | 26 | 27 | 26 | 21 | 22 | 35 | 30 | 17 | 14 | 19 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 |
16. Список литературы | 1355 | 267 | 14 | 29 | 29 | 25 | 12 | 16 | 21 | 37 | 32 | 31 | 11 | 10 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 3 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 |
2. Представления об Анимусе мужчины | 2108 | 266 | 13 | 29 | 30 | 20 | 14 | 16 | 14 | 34 | 31 | 34 | 12 | 19 | 1 | 0 | 1 | 0 | 2 | 4 | 2 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 0 |
13. Аида: комментарии к либретто | 1933 | 263 | 13 | 29 | 24 | 24 | 30 | 14 | 19 | 30 | 25 | 19 | 20 | 16 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 5 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 4 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
13. Внутрениие вредители в произведениях Гофмана | 1791 | 261 | 12 | 26 | 27 | 17 | 24 | 22 | 27 | 28 | 28 | 18 | 13 | 19 | 0 | 0 | 0 | 3 | 1 | 4 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
5. Сказка о Персоне, что учится самосознанию | 1788 | 259 | 12 | 27 | 27 | 24 | 17 | 17 | 19 | 23 | 32 | 27 | 19 | 15 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 |
4. Ад без жала | 1681 | 259 | 12 | 20 | 25 | 18 | 16 | 18 | 23 | 21 | 28 | 32 | 21 | 25 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 |
6. О символизации насилия. Значимые персонажи | 2113 | 259 | 14 | 25 | 30 | 24 | 24 | 18 | 19 | 24 | 27 | 28 | 11 | 15 | 0 | 0 | 1 | 2 | 3 | 4 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
Эмоциональное выгорание, травма и нарциссизм | 5829 | 258 | 9 | 28 | 25 | 21 | 16 | 16 | 23 | 32 | 33 | 19 | 18 | 18 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 0 |
О книге Матрица и потенциал характера | 1639 | 258 | 12 | 30 | 34 | 18 | 13 | 21 | 20 | 21 | 36 | 20 | 18 | 15 | 0 | 0 | 0 | 2 | 2 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 |
4. Влияния Анимы и Анимуса на мужское Эго | 2829 | 258 | 10 | 31 | 26 | 22 | 14 | 19 | 17 | 33 | 30 | 19 | 18 | 19 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2327 | 257 | 17 | 20 | 23 | 23 | 16 | 16 | 20 | 28 | 36 | 21 | 19 | 18 | 0 | 1 | 1 | 2 | 3 | 3 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
10. Современные андрогинные персонажи, Душа и Дух | 1765 | 256 | 16 | 18 | 28 | 22 | 23 | 13 | 18 | 25 | 29 | 27 | 15 | 22 | 0 | 1 | 2 | 0 | 2 | 3 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Отношения врача и пациента с точки зрения созависимости | 6597 | 256 | 10 | 27 | 27 | 24 | 21 | 23 | 21 | 24 | 36 | 17 | 15 | 11 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
3. О символизации насилия в поэзии скальдов | 3346 | 254 | 14 | 26 | 26 | 18 | 21 | 37 | 14 | 24 | 25 | 19 | 14 | 16 | 0 | 0 | 1 | 0 | 4 | 3 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 2 | 0 | 5 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 2 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 2098 | 252 | 9 | 22 | 35 | 24 | 13 | 15 | 18 | 26 | 26 | 19 | 21 | 24 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 4 | 2 | 0 | 1 | 1 | 0 | 1 | 2 |
Оценка эффективности работы психолога с клиентами | 3002 | 251 | 12 | 23 | 23 | 26 | 19 | 20 | 30 | 24 | 32 | 17 | 10 | 15 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 |
13. Женщина перед расстрелом | 1329 | 251 | 10 | 24 | 24 | 19 | 25 | 18 | 29 | 23 | 30 | 23 | 11 | 15 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
Графоманские стихи | 2513 | 250 | 8 | 25 | 31 | 24 | 15 | 22 | 21 | 25 | 34 | 24 | 10 | 11 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 1 |
Непрожитая старость | 10451 | 249 | 14 | 27 | 25 | 25 | 18 | 18 | 14 | 31 | 24 | 20 | 16 | 17 | 0 | 0 | 1 | 0 | 2 | 3 | 3 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
Двойные ловушки Плоского мира | 1777 | 249 | 11 | 26 | 33 | 17 | 16 | 13 | 17 | 28 | 32 | 29 | 10 | 17 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 1 |
2. Неюнгианские механизмы интеграции психики в сказке | 1642 | 249 | 12 | 19 | 32 | 22 | 15 | 19 | 23 | 23 | 35 | 15 | 18 | 16 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 |
15. Николай Ставрогин и его адепты | 1962 | 248 | 12 | 25 | 23 | 33 | 15 | 15 | 19 | 18 | 32 | 22 | 19 | 15 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 5 |
3. Как мужчины обращаются с Анимой | 3522 | 248 | 7 | 25 | 33 | 34 | 13 | 16 | 18 | 23 | 24 | 22 | 17 | 16 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1727 | 247 | 12 | 28 | 31 | 30 | 10 | 16 | 35 | 19 | 26 | 16 | 13 | 11 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1620 | 243 | 12 | 21 | 25 | 23 | 11 | 18 | 24 | 28 | 35 | 23 | 11 | 12 | 0 | 0 | 2 | 0 | 2 | 4 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 |
9. Лихтенберг - мыслящее тело | 1220 | 243 | 9 | 23 | 28 | 29 | 21 | 16 | 33 | 17 | 27 | 17 | 8 | 15 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1692 | 242 | 14 | 20 | 30 | 20 | 19 | 16 | 30 | 21 | 27 | 18 | 13 | 14 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 4 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 3 |
9. Персона и Тень | 1785 | 242 | 14 | 25 | 22 | 21 | 19 | 16 | 30 | 22 | 28 | 21 | 14 | 10 | 0 | 0 | 0 | 3 | 2 | 2 | 4 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
6. Сходство и различия сюжетов о Переодетой сестре | 1789 | 242 | 10 | 30 | 24 | 18 | 16 | 23 | 17 | 21 | 35 | 16 | 16 | 16 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 4 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
3. Сказочные злодеи: Консолидатор Тени | 1634 | 241 | 11 | 20 | 29 | 19 | 13 | 17 | 16 | 25 | 33 | 27 | 20 | 11 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2273 | 241 | 11 | 23 | 28 | 21 | 19 | 13 | 25 | 28 | 25 | 20 | 15 | 13 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1761 | 241 | 8 | 21 | 23 | 24 | 14 | 25 | 21 | 31 | 21 | 28 | 14 | 11 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 |
1. Преамбула: феминное и маскулинное | 1880 | 241 | 10 | 26 | 28 | 20 | 20 | 15 | 17 | 22 | 33 | 20 | 16 | 14 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 3129 | 240 | 13 | 18 | 29 | 21 | 12 | 18 | 37 | 22 | 26 | 17 | 16 | 11 | 0 | 0 | 1 | 1 | 3 | 5 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 |
9. Психика как пара | 1747 | 240 | 9 | 19 | 27 | 20 | 18 | 13 | 20 | 20 | 34 | 32 | 12 | 16 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
7 Заклинатели | 1797 | 239 | 10 | 28 | 36 | 14 | 20 | 14 | 19 | 20 | 35 | 18 | 12 | 13 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 6 |
8. Тотем, Трикстер, Первопредки | 1571 | 238 | 8 | 22 | 26 | 25 | 15 | 14 | 20 | 28 | 28 | 25 | 10 | 17 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Больница глазами гештальт-терапевта | 4120 | 238 | 10 | 22 | 30 | 20 | 17 | 11 | 20 | 27 | 35 | 23 | 13 | 10 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 2 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
4. Зловещие магнетизеры | 2326 | 237 | 8 | 29 | 35 | 31 | 19 | 13 | 17 | 18 | 26 | 15 | 12 | 14 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 4 |
5. Мужчина выбирает между Анимусом и Анимой | 1411 | 237 | 12 | 19 | 35 | 24 | 8 | 10 | 21 | 24 | 46 | 14 | 14 | 10 | 0 | 1 | 1 | 2 | 1 | 5 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
7. Созидающее насилие: подвиги Геракла | 1698 | 237 | 10 | 26 | 25 | 20 | 18 | 11 | 31 | 25 | 22 | 15 | 19 | 15 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1423 | 237 | 13 | 24 | 22 | 24 | 14 | 18 | 18 | 30 | 23 | 14 | 17 | 20 | 0 | 0 | 1 | 1 | 3 | 5 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 |
Больной Крысолов | 1536 | 235 | 11 | 22 | 25 | 24 | 13 | 15 | 17 | 24 | 30 | 27 | 14 | 13 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
3. Молитвенная мельница | 1581 | 235 | 10 | 19 | 23 | 17 | 14 | 15 | 27 | 29 | 32 | 22 | 12 | 15 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 |
Юные птицы старого русского рока | 1002 | 235 | 11 | 30 | 28 | 21 | 11 | 13 | 26 | 21 | 33 | 17 | 11 | 13 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 3 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 |
20. О некоторых особенностях структуры фэнтези | 1886 | 234 | 13 | 26 | 19 | 20 | 17 | 15 | 20 | 22 | 35 | 22 | 12 | 13 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1633 | 233 | 12 | 26 | 26 | 21 | 11 | 16 | 22 | 30 | 29 | 16 | 13 | 11 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 |
22. О героях авторских сказок и фэнтези | 1580 | 233 | 14 | 37 | 27 | 23 | 12 | 10 | 22 | 19 | 26 | 20 | 11 | 12 | 0 | 1 | 2 | 3 | 1 | 4 | 1 | 1 | 0 | 1 | 5 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 3 | 3 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 |
12. Песочник и его жертва | 1426 | 233 | 13 | 37 | 18 | 20 | 19 | 16 | 21 | 22 | 23 | 17 | 11 | 16 | 0 | 0 | 1 | 2 | 3 | 3 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 6 | 1 | 1 | 0 | 3 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1703 | 232 | 11 | 24 | 23 | 23 | 20 | 20 | 25 | 22 | 25 | 16 | 12 | 11 | 0 | 0 | 0 | 3 | 2 | 2 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 |
2. Конец истории о Крысолове | 2062 | 232 | 11 | 30 | 35 | 16 | 12 | 11 | 22 | 28 | 25 | 19 | 12 | 11 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1470 | 232 | 11 | 41 | 20 | 17 | 17 | 14 | 19 | 19 | 27 | 20 | 15 | 12 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 |
Образ Бога и зрелость личности | 2546 | 232 | 11 | 29 | 25 | 24 | 18 | 10 | 28 | 23 | 19 | 22 | 9 | 14 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 |
33. Пространство, время, человек и божество в сказке | 1423 | 231 | 15 | 20 | 25 | 20 | 9 | 14 | 30 | 22 | 28 | 16 | 17 | 15 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 2 |
Запрет на идентификацию с больным и эмоциональное выгорание | 3061 | 230 | 11 | 26 | 24 | 25 | 11 | 17 | 18 | 23 | 32 | 18 | 12 | 13 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
2. О преображении в полете | 848 | 230 | 12 | 32 | 22 | 20 | 26 | 14 | 15 | 19 | 29 | 21 | 8 | 12 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 |
11. Миры и зло Средиземья и Валинора | 1634 | 229 | 10 | 23 | 22 | 20 | 15 | 19 | 21 | 23 | 28 | 20 | 15 | 13 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
3. Убежища | 1603 | 229 | 11 | 31 | 27 | 21 | 11 | 11 | 15 | 23 | 32 | 25 | 12 | 10 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 4 | 3 | 5 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
Роковой треугольник - 1 | 1920 | 229 | 12 | 25 | 25 | 17 | 12 | 14 | 20 | 21 | 28 | 33 | 12 | 10 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
О старости | 2241 | 229 | 16 | 29 | 30 | 15 | 16 | 32 | 16 | 15 | 27 | 15 | 7 | 11 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
15. Мир и образ зла в "Темных началах" | 1427 | 228 | 13 | 30 | 28 | 18 | 14 | 14 | 17 | 21 | 28 | 18 | 14 | 13 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 |
Кошачья подсистема в семье | 1067 | 228 | 9 | 19 | 28 | 21 | 14 | 15 | 23 | 20 | 31 | 25 | 8 | 15 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 |
16. Миры и образы зла, связанные с Темной Башней | 2177 | 227 | 11 | 26 | 20 | 17 | 18 | 17 | 17 | 25 | 27 | 22 | 16 | 11 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
Перстень, яблоко, собор | 1783 | 227 | 14 | 27 | 28 | 24 | 12 | 16 | 17 | 20 | 23 | 18 | 12 | 16 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 |
11. Пространство лагеря | 1159 | 227 | 11 | 21 | 33 | 17 | 18 | 18 | 31 | 14 | 27 | 12 | 11 | 14 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 6 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 4 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
7. Верховное полутело | 1116 | 227 | 10 | 31 | 22 | 21 | 13 | 15 | 27 | 23 | 23 | 14 | 14 | 14 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Дворянин Фаланд или владыка альвов? | 1057 | 226 | 8 | 30 | 26 | 20 | 16 | 16 | 16 | 21 | 30 | 19 | 10 | 14 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 5 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
6. Насколько опасен Анимус мужчины | 1488 | 226 | 14 | 27 | 19 | 19 | 11 | 11 | 19 | 23 | 33 | 18 | 14 | 18 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 3 | 2 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
Три бестселлера | 1467 | 226 | 15 | 32 | 27 | 18 | 14 | 16 | 12 | 21 | 28 | 21 | 12 | 10 | 0 | 0 | 1 | 3 | 1 | 4 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 |
7. О проекции переживаний травмы на Аниму | 1524 | 225 | 13 | 25 | 34 | 17 | 11 | 15 | 17 | 30 | 29 | 11 | 13 | 10 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 0 | 1 | 0 | 1 | 1 | 0 |
8. Как остаться инфантильной | 1399 | 224 | 10 | 24 | 26 | 28 | 20 | 12 | 17 | 23 | 26 | 15 | 10 | 13 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Начальство развлекается | 1465 | 224 | 10 | 28 | 25 | 23 | 11 | 11 | 25 | 22 | 28 | 15 | 10 | 16 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 |
27. О различении Я и Эго-комплекса | 1341 | 224 | 13 | 30 | 22 | 25 | 12 | 14 | 16 | 22 | 27 | 12 | 16 | 15 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 |
Телесный симптом в роли символа | 1998 | 224 | 9 | 24 | 24 | 21 | 13 | 20 | 23 | 19 | 33 | 14 | 10 | 14 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 5 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 2 |
Из плена профессиональной Персоны? | 1563 | 223 | 17 | 24 | 32 | 16 | 12 | 15 | 18 | 22 | 23 | 16 | 14 | 14 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 4 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 0 |
Особенности структуры семьи учащихся техникума | 2122 | 223 | 11 | 19 | 26 | 23 | 23 | 11 | 19 | 19 | 25 | 21 | 10 | 16 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
2. Персонажи "Котлована" строят новый мир и новое тело | 1153 | 223 | 8 | 22 | 18 | 25 | 19 | 11 | 34 | 23 | 26 | 16 | 12 | 9 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
10. Большая женщина. Начало возрождения | 1105 | 222 | 9 | 20 | 27 | 22 | 17 | 11 | 26 | 21 | 28 | 16 | 13 | 12 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 |
10. Самозванцы: Пепсер и Крошка Цахес | 2575 | 221 | 12 | 18 | 26 | 18 | 14 | 16 | 16 | 27 | 32 | 20 | 11 | 11 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 |
4. Ранние пьесы М. Цветаевой | 1989 | 221 | 10 | 22 | 22 | 22 | 16 | 14 | 17 | 18 | 31 | 22 | 12 | 15 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
4. Архаичные материнские образы | 1453 | 220 | 10 | 26 | 25 | 23 | 14 | 14 | 21 | 19 | 26 | 16 | 11 | 15 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Звездный ворон и ядовитый волк | 1178 | 220 | 16 | 25 | 29 | 31 | 13 | 11 | 15 | 23 | 23 | 17 | 10 | 7 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 4 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 |
4. Погребальные дроги | 1451 | 220 | 12 | 27 | 25 | 19 | 12 | 14 | 12 | 26 | 26 | 28 | 11 | 8 | 0 | 0 | 0 | 2 | 4 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 |
15. Типичные протагонисты произведений Гофмана | 1517 | 219 | 8 | 23 | 21 | 19 | 11 | 17 | 19 | 24 | 27 | 16 | 11 | 23 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
5. Заместитель | 1433 | 219 | 15 | 22 | 24 | 25 | 11 | 14 | 19 | 19 | 27 | 20 | 14 | 9 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 2 | 1 | 4 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 0 |
3 консультации в гештальт-подходе | 2358 | 219 | 9 | 25 | 24 | 17 | 10 | 14 | 32 | 24 | 27 | 21 | 10 | 6 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
3. Произведения молодости М. Цветаевой | 1457 | 219 | 13 | 29 | 31 | 14 | 13 | 11 | 17 | 21 | 26 | 17 | 15 | 12 | 0 | 0 | 3 | 0 | 1 | 5 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 2 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 |
3. Сказка о феминном и маскулинном состояниях Эго | 1617 | 218 | 10 | 26 | 25 | 17 | 15 | 17 | 14 | 18 | 25 | 19 | 15 | 17 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 2 | 1 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1639 | 218 | 13 | 22 | 16 | 21 | 13 | 13 | 18 | 26 | 33 | 13 | 15 | 15 | 0 | 1 | 4 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
11. Ничего не кончается | 1103 | 218 | 8 | 29 | 22 | 31 | 11 | 12 | 19 | 19 | 29 | 12 | 16 | 10 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 |
2. Сказка о становлении гендерных различий и женского Эго | 1644 | 218 | 12 | 23 | 24 | 22 | 11 | 14 | 18 | 26 | 21 | 17 | 15 | 15 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
28. О символике эволюции | 1338 | 218 | 8 | 31 | 23 | 22 | 14 | 12 | 23 | 15 | 29 | 15 | 10 | 16 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Ответ Земли (другой вариант) | 1678 | 217 | 11 | 25 | 28 | 22 | 13 | 13 | 26 | 23 | 23 | 12 | 15 | 6 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 4 | 1 | 0 | 1 | 1 |
Г. Гессе. Стихотворение о Степном Волке | 1886 | 217 | 15 | 23 | 20 | 14 | 16 | 17 | 19 | 24 | 27 | 19 | 13 | 10 | 0 | 0 | 1 | 3 | 2 | 2 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 |
12. Мир и зло "Властелина Колец" | 1978 | 217 | 10 | 25 | 28 | 24 | 14 | 19 | 20 | 20 | 25 | 13 | 9 | 10 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
Ангел | 1688 | 217 | 13 | 25 | 22 | 18 | 13 | 11 | 28 | 25 | 24 | 17 | 12 | 9 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
3. Выбор художника - Анима или Анимус? | 1616 | 217 | 10 | 20 | 22 | 20 | 11 | 15 | 20 | 28 | 22 | 19 | 14 | 16 | 0 | 0 | 1 | 2 | 2 | 4 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 |
15. Деревня изнутри. Во дворах | 1122 | 216 | 9 | 25 | 26 | 19 | 16 | 10 | 19 | 22 | 28 | 17 | 12 | 13 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1689 | 216 | 20 | 18 | 21 | 19 | 16 | 13 | 23 | 25 | 23 | 14 | 11 | 13 | 0 | 1 | 2 | 2 | 2 | 3 | 2 | 5 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 4 |
1. Тело и мир персонажей Андрея Платонова | 1448 | 216 | 10 | 20 | 23 | 21 | 14 | 17 | 20 | 25 | 25 | 17 | 15 | 9 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
11. Кое-что об Анимусе женщины | 1570 | 216 | 10 | 22 | 28 | 23 | 10 | 10 | 26 | 22 | 25 | 14 | 15 | 11 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 |
1. Явление Крысолова | 1472 | 215 | 11 | 25 | 31 | 18 | 14 | 14 | 14 | 19 | 27 | 22 | 8 | 12 | 0 | 0 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 |
Шекспир, сонет 146 | 1413 | 215 | 9 | 27 | 23 | 21 | 14 | 11 | 17 | 20 | 30 | 23 | 10 | 10 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 |
2.Почему же произведения Гофмана популярны до сих пор? | 1314 | 215 | 16 | 23 | 18 | 23 | 12 | 14 | 31 | 16 | 29 | 14 | 12 | 7 | 0 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 4 | 2 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 0 |
Роковой треугольник -2 | 1821 | 215 | 11 | 24 | 26 | 16 | 8 | 15 | 14 | 24 | 34 | 22 | 9 | 12 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
5. Идущий следом | 1522 | 215 | 11 | 27 | 26 | 14 | 16 | 13 | 15 | 22 | 25 | 20 | 13 | 13 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
5. Сравнение прогностической ценности разных факторов | 1714 | 215 | 8 | 25 | 24 | 23 | 15 | 14 | 18 | 28 | 23 | 17 | 11 | 9 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Тум-балалайка | 1949 | 214 | 9 | 21 | 18 | 18 | 15 | 12 | 28 | 22 | 27 | 23 | 10 | 11 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 |
Хороший начальник Емеля | 1070 | 214 | 11 | 28 | 27 | 20 | 10 | 15 | 19 | 16 | 25 | 15 | 17 | 11 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 |
5. Женщина в плаще цвета Времени | 1355 | 214 | 8 | 21 | 28 | 26 | 13 | 10 | 19 | 18 | 27 | 17 | 12 | 15 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 |
Юнгианское стихотворение о сказках | 1532 | 214 | 12 | 20 | 34 | 22 | 11 | 15 | 19 | 22 | 25 | 15 | 12 | 7 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 3 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1741 | 214 | 10 | 26 | 24 | 20 | 21 | 17 | 14 | 18 | 28 | 16 | 12 | 8 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 |
Г. Гессе. Ступени | 1754 | 213 | 12 | 24 | 25 | 15 | 18 | 10 | 15 | 25 | 29 | 19 | 14 | 7 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 3 | 2 |
Senex - Puer | 1364 | 213 | 11 | 23 | 24 | 17 | 19 | 10 | 19 | 17 | 24 | 20 | 11 | 18 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
О способности понять душевнобольного | 2258 | 213 | 9 | 30 | 20 | 21 | 10 | 12 | 30 | 19 | 28 | 14 | 14 | 6 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 2109 | 213 | 10 | 20 | 17 | 26 | 17 | 11 | 23 | 17 | 25 | 17 | 13 | 17 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1733 | 213 | 12 | 17 | 24 | 18 | 19 | 17 | 14 | 32 | 21 | 16 | 9 | 14 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 |
Венок сонетов Ваське | 1939 | 213 | 10 | 23 | 25 | 18 | 10 | 8 | 16 | 38 | 24 | 24 | 11 | 6 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 |
16. Медведь | 1248 | 213 | 11 | 32 | 24 | 20 | 10 | 12 | 19 | 21 | 26 | 17 | 13 | 8 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1529 | 213 | 11 | 29 | 19 | 24 | 11 | 13 | 19 | 19 | 25 | 18 | 13 | 12 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 3 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1719 | 212 | 10 | 24 | 26 | 18 | 21 | 11 | 18 | 22 | 24 | 14 | 12 | 12 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 2 | 1 | 1 |
Алгоритм сортировки клиентов социального центра | 2099 | 212 | 9 | 25 | 24 | 19 | 16 | 12 | 21 | 16 | 27 | 19 | 11 | 13 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 5 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 2 |
8. Поглощенное время | 1518 | 212 | 12 | 22 | 26 | 21 | 10 | 20 | 18 | 21 | 26 | 14 | 10 | 12 | 0 | 0 | 0 | 0 | 2 | 5 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 |
1. Маленький рыцарский роман | 1542 | 212 | 12 | 22 | 30 | 18 | 17 | 10 | 18 | 17 | 24 | 15 | 13 | 16 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
2. Шаманское странствие | 1303 | 211 | 8 | 21 | 19 | 26 | 19 | 9 | 18 | 33 | 20 | 16 | 8 | 14 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 |
4. Блуждания невоплощенного | 1181 | 211 | 14 | 27 | 21 | 19 | 10 | 15 | 15 | 24 | 23 | 15 | 15 | 13 | 0 | 0 | 2 | 0 | 2 | 4 | 1 | 3 | 1 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 |
23. Настя заболела | 1297 | 211 | 11 | 17 | 30 | 17 | 16 | 11 | 14 | 22 | 24 | 19 | 15 | 15 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
18. Диспозиция и динамика некоторых авторских сказок | 1249 | 210 | 10 | 24 | 23 | 21 | 11 | 17 | 17 | 22 | 21 | 18 | 12 | 14 | 0 | 0 | 1 | 3 | 1 | 4 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 |
Типы семей, получающих помощь в социальном центре | 1709 | 210 | 9 | 21 | 20 | 23 | 13 | 12 | 22 | 24 | 28 | 22 | 8 | 8 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
Мотив Цветка и регуляция позы | 889 | 210 | 10 | 24 | 23 | 16 | 14 | 8 | 24 | 17 | 27 | 19 | 11 | 17 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 |
1. Введение | 1631 | 210 | 11 | 26 | 29 | 19 | 15 | 11 | 17 | 16 | 23 | 18 | 12 | 13 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
27. Безвременье котлована | 1099 | 210 | 14 | 16 | 23 | 18 | 15 | 13 | 21 | 22 | 23 | 20 | 15 | 10 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
9. Начало перехода | 1096 | 209 | 10 | 24 | 18 | 16 | 11 | 15 | 29 | 17 | 30 | 15 | 10 | 14 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 |
30. Сказочный персонаж: форма и содержимое | 1408 | 209 | 11 | 24 | 21 | 18 | 21 | 14 | 20 | 18 | 20 | 15 | 14 | 13 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 |
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2310 | 209 | 10 | 24 | 28 | 16 | 14 | 12 | 27 | 19 | 26 | 10 | 12 | 11 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 5 | 0 |
25. Об особенностях травматической интеграции психики | 1466 | 208 | 9 | 24 | 24 | 20 | 16 | 13 | 19 | 18 | 25 | 16 | 14 | 10 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
10. Модели интеграции психики в героическом эпосе | 1569 | 208 | 10 | 31 | 17 | 21 | 15 | 12 | 18 | 20 | 29 | 12 | 12 | 11 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 |
19. Множественные и парные миры авторской сказки и фэнтези | 1345 | 208 | 8 | 24 | 19 | 19 | 12 | 18 | 17 | 19 | 27 | 14 | 15 | 16 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 |
Реквием Ваське | 1622 | 208 | 12 | 25 | 28 | 17 | 9 | 10 | 16 | 23 | 25 | 16 | 14 | 13 | 0 | 0 | 1 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 1 |
20. Нвстя заболевает | 1175 | 208 | 12 | 16 | 25 | 15 | 12 | 15 | 12 | 26 | 30 | 22 | 13 | 10 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
21. Властные хитрецы | 1422 | 208 | 10 | 19 | 22 | 18 | 13 | 16 | 18 | 23 | 27 | 18 | 12 | 12 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1664 | 208 | 9 | 21 | 25 | 20 | 16 | 14 | 19 | 20 | 27 | 18 | 11 | 8 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
7. Мужское и женское в произведениях Т. Манна | 1646 | 208 | 9 | 25 | 22 | 20 | 11 | 20 | 14 | 20 | 24 | 17 | 15 | 11 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 |
26. Настина смерть | 1136 | 208 | 12 | 26 | 30 | 18 | 10 | 12 | 13 | 18 | 25 | 16 | 12 | 16 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1613 | 208 | 11 | 23 | 24 | 17 | 13 | 11 | 29 | 25 | 26 | 12 | 9 | 8 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 3 | 0 | 1 | 1 |
13. Колхоз идет навстречу | 1092 | 208 | 10 | 24 | 23 | 14 | 16 | 16 | 16 | 23 | 22 | 19 | 12 | 13 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
Из У. Блейка. Ответ Земли | 1854 | 207 | 11 | 30 | 20 | 22 | 10 | 12 | 14 | 28 | 27 | 12 | 12 | 9 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 4 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2242 | 207 | 9 | 34 | 23 | 20 | 11 | 10 | 21 | 21 | 24 | 15 | 11 | 8 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 7 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 753 | 207 | 13 | 29 | 25 | 15 | 14 | 12 | 21 | 20 | 21 | 14 | 11 | 12 | 0 | 0 | 0 | 3 | 2 | 4 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 |
15. Ненаучное животное в мусорном ветре | 1171 | 207 | 15 | 21 | 25 | 24 | 10 | 13 | 17 | 21 | 26 | 14 | 11 | 10 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 5 | 2 | 0 | 1 | 0 | 0 | 1 | 0 |
Информация о владельце раздела | 1458 | 207 | 12 | 27 | 24 | 20 | 11 | 13 | 16 | 20 | 26 | 18 | 7 | 13 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 4 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
1 Дитя в мирах Психеи и Ананке | 1765 | 207 | 8 | 25 | 24 | 16 | 20 | 11 | 19 | 22 | 21 | 16 | 13 | 12 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 5 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 |
32. Для чего нужен символ? | 1275 | 207 | 10 | 21 | 19 | 20 | 16 | 12 | 16 | 18 | 29 | 17 | 13 | 16 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
18. Ночные пляски | 1113 | 207 | 10 | 31 | 26 | 16 | 14 | 10 | 14 | 19 | 24 | 18 | 13 | 12 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 1 | 5 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
Как растет Бог | 1726 | 206 | 11 | 26 | 16 | 16 | 25 | 11 | 21 | 14 | 24 | 20 | 9 | 13 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1893 | 206 | 11 | 25 | 29 | 19 | 12 | 11 | 15 | 17 | 27 | 13 | 15 | 12 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 |
17. Плот | 1160 | 206 | 13 | 27 | 17 | 13 | 12 | 11 | 34 | 17 | 27 | 14 | 11 | 10 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 5 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 2 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1397 | 206 | 10 | 25 | 22 | 19 | 13 | 15 | 20 | 17 | 27 | 14 | 11 | 13 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1428 | 206 | 12 | 21 | 19 | 26 | 13 | 14 | 16 | 22 | 28 | 15 | 13 | 7 | 0 | 1 | 0 | 1 | 3 | 4 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
5. Рядом с общим телом | 1223 | 205 | 9 | 25 | 22 | 12 | 17 | 10 | 21 | 18 | 27 | 20 | 12 | 12 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Мы и Они | 1855 | 205 | 9 | 32 | 21 | 21 | 16 | 13 | 18 | 19 | 21 | 16 | 11 | 8 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 4 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Бестиарий | 1428 | 205 | 13 | 25 | 23 | 21 | 15 | 15 | 16 | 22 | 21 | 13 | 9 | 12 | 0 | 0 | 1 | 0 | 4 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 |
Мир на костылях | 1489 | 204 | 13 | 22 | 26 | 18 | 9 | 15 | 20 | 18 | 27 | 16 | 9 | 11 | 0 | 1 | 1 | 1 | 4 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
14. Мертвая мать и ее дети | 1141 | 204 | 13 | 26 | 23 | 20 | 13 | 14 | 13 | 20 | 22 | 15 | 13 | 12 | 0 | 1 | 2 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 |
5. Погибшее братство и Лихтенберг | 1038 | 204 | 10 | 28 | 25 | 16 | 11 | 9 | 17 | 19 | 25 | 18 | 11 | 15 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
Хрупкие миры | 579 | 204 | 11 | 27 | 19 | 16 | 16 | 10 | 19 | 17 | 23 | 21 | 12 | 13 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
6. Скорбная земля | 1628 | 204 | 13 | 20 | 23 | 17 | 13 | 16 | 14 | 24 | 23 | 18 | 11 | 12 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
Жили-были... | 1673 | 204 | 12 | 19 | 22 | 21 | 9 | 14 | 27 | 24 | 23 | 15 | 7 | 11 | 0 | 0 | 1 | 0 | 2 | 3 | 3 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1545 | 204 | 11 | 21 | 21 | 17 | 21 | 15 | 16 | 20 | 28 | 15 | 10 | 9 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 |
7. Индивидуальности котлована | 1160 | 203 | 8 | 22 | 26 | 18 | 8 | 11 | 17 | 21 | 28 | 15 | 15 | 14 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 |
Визит Аристокла | 1527 | 203 | 11 | 28 | 23 | 23 | 11 | 12 | 16 | 21 | 25 | 16 | 7 | 10 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 5 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Шекспир, сонет 144 | 1525 | 203 | 9 | 19 | 21 | 19 | 16 | 10 | 30 | 18 | 27 | 14 | 10 | 10 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Из Цурэна. Как лист увядший падает на душу... | 1749 | 203 | 11 | 19 | 27 | 17 | 18 | 11 | 16 | 28 | 22 | 13 | 10 | 11 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 |
Огонь | 1695 | 203 | 12 | 27 | 23 | 14 | 15 | 12 | 25 | 17 | 27 | 15 | 7 | 9 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Компьютерная игра вместо визуализации | 1814 | 203 | 11 | 28 | 28 | 18 | 17 | 12 | 17 | 17 | 22 | 12 | 9 | 12 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 5 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 4 | 2 |
Прогнозирование эффективности психологической помощи семьям | 1719 | 203 | 16 | 21 | 22 | 19 | 10 | 16 | 19 | 23 | 24 | 13 | 10 | 10 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 |
31. Становление символа во времени | 1311 | 202 | 7 | 28 | 22 | 21 | 11 | 11 | 20 | 19 | 25 | 12 | 10 | 16 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 |
29. Как экономят мышление с помощью мифических образов | 1262 | 202 | 10 | 23 | 21 | 22 | 13 | 10 | 18 | 21 | 29 | 10 | 15 | 10 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 |
34. Ошибка психики: чрезмерная ее консолидация | 1487 | 202 | 11 | 19 | 16 | 22 | 15 | 11 | 18 | 26 | 22 | 14 | 12 | 16 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
1. Миф, мир и психика | 1533 | 202 | 10 | 24 | 20 | 22 | 12 | 14 | 20 | 16 | 24 | 17 | 9 | 14 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 5 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Проблемы профессионального становления личности: работа со сновидениями | 1751 | 202 | 10 | 22 | 22 | 18 | 17 | 9 | 16 | 23 | 23 | 16 | 12 | 14 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 3 |
21. Радость молотобойца | 1151 | 202 | 12 | 24 | 22 | 22 | 9 | 10 | 17 | 23 | 22 | 19 | 13 | 9 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
Вскрытие | 1686 | 201 | 11 | 30 | 26 | 17 | 12 | 10 | 15 | 15 | 26 | 17 | 11 | 11 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Вариация на тему | 911 | 201 | 8 | 22 | 25 | 19 | 16 | 12 | 17 | 19 | 26 | 17 | 12 | 8 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 |
9. Некоторые модели психической интеграции | 1516 | 201 | 10 | 19 | 25 | 22 | 9 | 14 | 19 | 18 | 27 | 14 | 13 | 11 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 |
14. Деревня изнутри. В избах | 1159 | 201 | 9 | 21 | 28 | 18 | 14 | 9 | 16 | 13 | 26 | 15 | 15 | 17 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 3 |
2. Усталость | 1790 | 201 | 9 | 23 | 23 | 15 | 12 | 14 | 16 | 27 | 21 | 17 | 12 | 12 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
2. Пробуждение | 1138 | 200 | 10 | 20 | 15 | 20 | 17 | 9 | 17 | 24 | 26 | 16 | 12 | 14 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 |
Кости | 1073 | 200 | 9 | 27 | 22 | 21 | 14 | 13 | 15 | 17 | 25 | 15 | 10 | 12 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
Из У. Блейка. Ангел | 1580 | 200 | 11 | 27 | 28 | 21 | 10 | 11 | 14 | 24 | 25 | 11 | 11 | 7 | 0 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 |
Юнгианцы и странные научные теории | 792 | 199 | 13 | 16 | 21 | 22 | 12 | 12 | 18 | 23 | 23 | 14 | 13 | 12 | 0 | 0 | 0 | 1 | 2 | 1 | 4 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Милая жизнь | 1263 | 199 | 13 | 22 | 30 | 17 | 17 | 10 | 13 | 14 | 23 | 15 | 14 | 11 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 2 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1298 | 198 | 11 | 28 | 27 | 20 | 8 | 8 | 16 | 21 | 25 | 13 | 10 | 11 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 |
Кто это входит в мои мозги? | 1765 | 198 | 10 | 19 | 23 | 21 | 9 | 14 | 20 | 15 | 28 | 17 | 10 | 12 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 |
3. На улице | 1122 | 198 | 14 | 23 | 30 | 14 | 12 | 13 | 13 | 17 | 29 | 13 | 10 | 10 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 |
10. Начало контакта | 1087 | 198 | 9 | 21 | 25 | 20 | 9 | 12 | 28 | 13 | 25 | 14 | 11 | 11 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Возвращение | 1747 | 198 | 13 | 22 | 22 | 18 | 17 | 11 | 14 | 17 | 24 | 15 | 11 | 14 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 |
Королева | 1846 | 197 | 12 | 25 | 25 | 19 | 10 | 9 | 15 | 15 | 26 | 20 | 11 | 10 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 5 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
19. Тишина | 1102 | 197 | 11 | 20 | 22 | 19 | 12 | 12 | 16 | 24 | 24 | 16 | 9 | 12 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
Путешествиепо склону | 1550 | 197 | 10 | 26 | 27 | 20 | 11 | 15 | 15 | 17 | 25 | 17 | 8 | 6 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 |
24. Медведь и другие | 998 | 197 | 12 | 24 | 26 | 17 | 12 | 13 | 16 | 19 | 25 | 15 | 10 | 8 | 0 | 0 | 0 | 1 | 4 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 |
1. О символизации насилия. Преамбула | 1854 | 197 | 11 | 26 | 22 | 14 | 15 | 11 | 13 | 25 | 26 | 14 | 10 | 10 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 |
12. Новое пространство | 1043 | 196 | 11 | 22 | 25 | 17 | 8 | 10 | 18 | 19 | 26 | 16 | 11 | 13 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 6 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
Человек, Которого Не Было Дома | 1808 | 196 | 10 | 22 | 28 | 16 | 12 | 10 | 17 | 16 | 28 | 13 | 10 | 14 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Жил-был кот | 1799 | 195 | 10 | 21 | 23 | 22 | 15 | 12 | 14 | 15 | 24 | 14 | 14 | 11 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1156 | 195 | 10 | 24 | 25 | 17 | 12 | 12 | 18 | 20 | 20 | 15 | 11 | 11 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 |
4. Расчлененное и воссозданное тело толпы | 1161 | 195 | 9 | 21 | 20 | 21 | 10 | 11 | 14 | 26 | 21 | 16 | 14 | 12 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
4. Сказка о травме и восстановлении | 1615 | 195 | 8 | 26 | 24 | 19 | 11 | 19 | 15 | 17 | 20 | 13 | 13 | 10 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Понтий Пилат | 1446 | 195 | 11 | 21 | 23 | 20 | 15 | 8 | 14 | 25 | 22 | 17 | 11 | 8 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 2 |
Попурри а-ля постмодерн | 1722 | 194 | 12 | 21 | 21 | 15 | 21 | 12 | 15 | 18 | 26 | 14 | 8 | 11 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
6. Следуя за стихами 1921 года | 1472 | 194 | 10 | 23 | 26 | 9 | 17 | 8 | 16 | 15 | 25 | 21 | 9 | 15 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
1. Телесные трансформации в рассказе "Мусорный ветер" | 1104 | 194 | 10 | 16 | 20 | 19 | 14 | 13 | 16 | 20 | 24 | 17 | 13 | 12 | 0 | 0 | 1 | 0 | 4 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
Заклинатель дождя | 1850 | 194 | 12 | 15 | 26 | 23 | 14 | 11 | 20 | 13 | 24 | 15 | 11 | 10 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
22. Девушки и Прушевский | 1160 | 193 | 11 | 22 | 21 | 19 | 10 | 12 | 18 | 17 | 25 | 14 | 12 | 12 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 |
8. Избыток сознания и общее тело | 1120 | 193 | 12 | 18 | 23 | 19 | 8 | 11 | 21 | 15 | 26 | 11 | 14 | 15 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
Выгоревшее тело | 1701 | 193 | 9 | 16 | 30 | 16 | 19 | 14 | 13 | 13 | 26 | 17 | 10 | 10 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 1 |
Бумажная Принцесса | 1189 | 193 | 13 | 24 | 25 | 18 | 8 | 15 | 15 | 22 | 22 | 17 | 8 | 6 | 0 | 1 | 0 | 1 | 4 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1639 | 192 | 9 | 26 | 21 | 21 | 9 | 13 | 13 | 16 | 26 | 15 | 12 | 11 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 |
6 Тело и труд | 1089 | 192 | 8 | 20 | 23 | 20 | 12 | 9 | 18 | 20 | 20 | 16 | 12 | 14 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
Человек | 1653 | 192 | 13 | 26 | 26 | 18 | 10 | 11 | 13 | 16 | 25 | 13 | 12 | 9 | 0 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 0 | 2 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
Обряд изгнания чужого в субкультуре скорой помощи | 2171 | 192 | 11 | 22 | 26 | 16 | 11 | 14 | 12 | 18 | 27 | 13 | 10 | 12 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 |
12. Люди лагеря | 1042 | 192 | 11 | 18 | 19 | 18 | 16 | 12 | 17 | 19 | 29 | 15 | 8 | 10 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
Мышиная звезда | 750 | 192 | 8 | 21 | 24 | 20 | 11 | 14 | 14 | 24 | 26 | 13 | 8 | 9 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 |
Реквием по идиоту | 1759 | 192 | 10 | 20 | 23 | 22 | 10 | 12 | 14 | 19 | 22 | 21 | 7 | 12 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
Слоненок учится мыслить | 555 | 192 | 13 | 15 | 24 | 16 | 12 | 10 | 18 | 17 | 29 | 18 | 8 | 12 | 0 | 0 | 2 | 0 | 1 | 3 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 |
Гроза летом | 2077 | 192 | 9 | 27 | 22 | 13 | 17 | 14 | 16 | 15 | 21 | 17 | 12 | 9 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 |
Король | 1536 | 191 | 9 | 28 | 22 | 23 | 10 | 11 | 16 | 18 | 21 | 13 | 11 | 9 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 4 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 |
Среда обитания | 1777 | 191 | 9 | 26 | 29 | 18 | 10 | 11 | 15 | 15 | 24 | 14 | 9 | 11 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 |
Пустоты | 1539 | 191 | 13 | 22 | 24 | 14 | 11 | 9 | 17 | 19 | 23 | 19 | 9 | 11 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
Гулял молодец | 1321 | 190 | 10 | 21 | 19 | 22 | 9 | 10 | 12 | 21 | 21 | 21 | 8 | 16 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Среда обитания | 1739 | 189 | 7 | 21 | 26 | 21 | 9 | 11 | 18 | 17 | 23 | 15 | 10 | 11 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Для кота | 1742 | 189 | 7 | 21 | 19 | 23 | 9 | 9 | 17 | 26 | 25 | 16 | 8 | 9 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
10 охламонов | 1788 | 189 | 9 | 22 | 22 | 20 | 11 | 7 | 15 | 23 | 26 | 18 | 8 | 8 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
Плач на реках Вавилонских | 1504 | 188 | 12 | 19 | 27 | 20 | 10 | 10 | 13 | 17 | 23 | 13 | 12 | 12 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 |
Из У. Блейка. Тигр | 1788 | 188 | 13 | 25 | 22 | 17 | 13 | 13 | 13 | 16 | 24 | 14 | 10 | 8 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
Дорога длиною в тысячу ли | 1623 | 188 | 11 | 21 | 24 | 19 | 13 | 9 | 16 | 15 | 25 | 15 | 12 | 8 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
Колыбельная | 1440 | 187 | 11 | 20 | 24 | 17 | 13 | 12 | 11 | 16 | 25 | 16 | 11 | 11 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 5 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 |
Рождество | 1548 | 187 | 6 | 21 | 28 | 20 | 9 | 12 | 13 | 18 | 22 | 18 | 10 | 10 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
8. Наказанное полутело | 1086 | 186 | 10 | 22 | 23 | 16 | 9 | 18 | 11 | 17 | 22 | 14 | 12 | 12 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Сначала была деперсонализация | 1947 | 186 | 9 | 18 | 21 | 18 | 12 | 10 | 20 | 17 | 25 | 16 | 11 | 9 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 |
4 сонета Шекспира | 1870 | 185 | 12 | 20 | 29 | 20 | 9 | 12 | 11 | 19 | 24 | 14 | 8 | 7 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 3 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 |
Человек Божий | 2007 | 184 | 14 | 22 | 22 | 17 | 13 | 10 | 16 | 13 | 21 | 17 | 9 | 10 | 0 | 0 | 2 | 1 | 1 | 5 | 1 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Ангельская роса | 1703 | 184 | 10 | 24 | 19 | 23 | 10 | 10 | 15 | 17 | 22 | 14 | 8 | 12 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Ты - мой инструмент | 1661 | 184 | 9 | 21 | 24 | 19 | 10 | 14 | 14 | 19 | 24 | 14 | 6 | 10 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Поиск света | 2149 | 183 | 10 | 25 | 25 | 15 | 9 | 9 | 16 | 13 | 22 | 16 | 8 | 15 | 0 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 |
Для чего нужны джинны? | 1018 | 182 | 10 | 28 | 23 | 14 | 5 | 10 | 12 | 12 | 26 | 19 | 10 | 13 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 |
6. Лихтенберг - предмет | 1058 | 182 | 10 | 23 | 17 | 19 | 8 | 10 | 16 | 14 | 25 | 16 | 11 | 13 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
3. Ничтожные | 1578 | 180 | 11 | 20 | 23 | 14 | 16 | 13 | 15 | 16 | 19 | 16 | 9 | 8 | 1 | 0 | 0 | 1 | 5 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 |
Шекспир, сонет 20 | 1402 | 179 | 7 | 21 | 21 | 16 | 9 | 16 | 15 | 12 | 25 | 16 | 11 | 10 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
25. Утильсырье | 994 | 178 | 10 | 18 | 23 | 16 | 10 | 10 | 16 | 20 | 23 | 15 | 9 | 8 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
Пьяный двор | 1600 | 176 | 10 | 22 | 21 | 17 | 9 | 11 | 14 | 18 | 25 | 12 | 8 | 9 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
Орфей | 1644 | 173 | 10 | 19 | 23 | 14 | 15 | 8 | 18 | 14 | 23 | 14 | 8 | 7 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"