| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
По разделу |
531372 | 1471 |
1 |
127 |
126 |
132 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
1 |
4 |
3 |
4 |
4 |
4 |
6 |
4 |
4 |
4 |
3 |
6 |
3 |
4 |
3 |
5 |
5 |
4 |
5 |
6 |
5 |
5 |
4 |
3 |
4 |
4 |
3 |
4 |
4 |
3 |
3 |
4 |
3 |
4 |
4 |
4 |
3 |
3 |
3 |
4 |
5 |
7 |
4 |
4 |
4 |
4 |
3 |
5 |
4 |
3 |
4 |
2 |
6 |
3 |
3 |
5 |
5 |
5 |
4 |
5 |
6 |
7 |
|
7. О символизации насилия. Песочный Человек |
3685 | 674 |
0 |
52 |
53 |
60 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
5 |
3 |
4 |
1 |
1 |
2 |
0 |
4 |
3 |
3 |
1 |
2 |
3 |
1 |
0 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
7 |
|
Художественные описания механизмов психологической защиты |
13465 | 591 |
0 |
33 |
47 |
49 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
4 |
4 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4140 | 580 |
0 |
60 |
49 |
62 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
0 |
2 |
1 |
2 |
2 |
0 |
3 |
1 |
4 |
1 |
3 |
3 |
3 |
0 |
1 |
0 |
4 |
3 |
0 |
6 |
1 |
5 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
4 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
2063 | 551 |
0 |
54 |
54 |
55 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
0 |
3 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
3 |
0 |
4 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
6 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
5 |
2 |
3 |
5 |
3 |
|
7. Интерпретация эпоса об Урал-Батыре |
2205 | 537 |
0 |
47 |
51 |
64 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
6 |
5 |
|
1. Расставание брата и сестры |
3984 | 506 |
0 |
35 |
28 |
38 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9783 | 459 |
0 |
36 |
44 |
35 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
2 |
5 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2684 | 452 |
0 |
41 |
53 |
56 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
3 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
7 |
|
Графоманские стихи |
3706 | 339 |
0 |
38 |
37 |
44 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
0 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
5 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
5 |
|
26. Динамика развития психики по оси Самость-Эго |
2102 | 337 |
0 |
23 |
23 |
38 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Мотив Города |
3471 | 336 |
0 |
27 |
30 |
40 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
|
4. О символизации насилия в эддической поэзии |
2533 | 333 |
0 |
28 |
31 |
51 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
0 |
0 |
3 |
2 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
|
12. Интеграция и Анимы, и Анимуса |
2062 | 331 |
0 |
30 |
32 |
38 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
5 |
4 |
|
Психосоматика наизнанку |
5226 | 311 |
0 |
20 |
21 |
35 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
|
10. Об Аниме женщины |
2091 | 309 |
0 |
33 |
24 |
29 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
|
8. Запутанная история Джона Ди |
1802 | 307 |
0 |
31 |
26 |
37 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1860 | 304 |
0 |
30 |
28 |
34 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
|
Совершая труд |
4963 | 303 |
0 |
27 |
49 |
37 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
7 |
2 |
3 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
4 |
2 |
1 |
4 |
5 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
2039 | 300 |
0 |
31 |
35 |
32 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
3 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
О книге Матрица и потенциал характера |
1733 | 299 |
0 |
39 |
33 |
34 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
6 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
3 |
2 |
|
Упражнение Бог |
3872 | 298 |
0 |
24 |
18 |
29 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
5. Особенности архаической сказки |
1938 | 298 |
0 |
16 |
26 |
36 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
|
14. Мастера и шарлатаны Гофмана |
2253 | 296 |
0 |
24 |
14 |
33 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
|
16. Список литературы |
1430 | 290 |
0 |
25 |
23 |
41 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
|
Симбиоз гештальта и символдрамы |
3399 | 287 |
0 |
20 |
25 |
32 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
|
3. О символизации насилия в поэзии скальдов |
3428 | 287 |
0 |
23 |
38 |
35 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
3 |
3 |
1 |
4 |
4 |
|
Эмоциональное выгорание, травма и нарциссизм |
5912 | 286 |
0 |
26 |
30 |
36 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
4 |
|
13. Внутрениие вредители в произведениях Гофмана |
1865 | 285 |
0 |
25 |
30 |
31 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2364 | 284 |
0 |
38 |
28 |
36 |
23 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
5 |
2 |
0 |
1 |
5 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
|
13. Аида: комментарии к либретто |
2006 | 281 |
0 |
26 |
23 |
37 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2908 | 281 |
0 |
24 |
25 |
40 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
4 |
|
Клеменс Брентано. Лоре Лай |
1660 | 280 |
0 |
23 |
30 |
35 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
5 |
|
Оценка эффективности работы психолога с клиентами |
3072 | 279 |
0 |
21 |
26 |
35 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
5 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1799 | 279 |
0 |
26 |
19 |
39 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2631 | 278 |
0 |
19 |
24 |
27 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
1 |
1 |
2 |
1 |
2 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2405 | 277 |
0 |
22 |
24 |
49 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
|
2. Андрогинность в сказке и мифе |
1876 | 277 |
0 |
20 |
24 |
29 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1487 | 275 |
0 |
25 |
33 |
30 |
19 |
35 |
24 |
8 |
10 |
21 |
24 |
46 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
4 |
0 |
2 |
2 |
|
Графоманские стихи |
2582 | 274 |
0 |
29 |
19 |
29 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
5 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
7 Заклинатели |
1874 | 273 |
0 |
28 |
25 |
34 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
|
Отношения врача и пациента с точки зрения созависимости |
6655 | 271 |
0 |
17 |
24 |
27 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
|
9. Персона и Тень |
1858 | 270 |
0 |
26 |
29 |
32 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
4 |
4 |
|
6. О символизации насилия. Значимые персонажи |
2178 | 270 |
0 |
18 |
29 |
32 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
1 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1555 | 270 |
0 |
25 |
36 |
35 |
41 |
20 |
17 |
17 |
14 |
19 |
19 |
27 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
2 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1842 | 269 |
0 |
22 |
29 |
42 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
|
9. Лихтенберг - мыслящее тело |
1286 | 269 |
0 |
21 |
21 |
33 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
|
3. Как мужчины обращаются с Анимой |
3598 | 269 |
0 |
28 |
21 |
34 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1691 | 268 |
0 |
28 |
24 |
31 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
|
Образ Бога и зрелость личности |
2626 | 267 |
0 |
25 |
28 |
38 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
|
О старости |
2312 | 267 |
0 |
19 |
29 |
39 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
|
2. Представления об Анимусе мужчины |
2173 | 266 |
0 |
18 |
30 |
30 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
6 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2175 | 265 |
0 |
27 |
31 |
28 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
4 |
2 |
3 |
|
Юные птицы старого русского рока |
1072 | 264 |
0 |
24 |
27 |
30 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
4 |
|
6. Насилие и интеграция психики в архаической сказке |
1574 | 263 |
0 |
21 |
28 |
30 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
5 |
3 |
|
7. О проекции переживаний травмы на Аниму |
1596 | 263 |
0 |
25 |
31 |
29 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
4 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3194 | 261 |
0 |
22 |
25 |
31 |
18 |
29 |
21 |
12 |
18 |
37 |
22 |
26 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
5 |
1 |
|
Непрожитая старость |
10515 | 260 |
0 |
23 |
20 |
35 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
|
1. Преамбула: феминное и маскулинное |
1949 | 260 |
0 |
30 |
19 |
30 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
|
7. Созидающее насилие: подвиги Геракла |
1770 | 260 |
0 |
23 |
33 |
26 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
3 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1855 | 260 |
0 |
23 |
21 |
32 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
|
Из плена профессиональной Персоны? |
1643 | 259 |
0 |
19 |
38 |
40 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
6 |
|
Больница глазами гештальт-терапевта |
4187 | 259 |
0 |
22 |
24 |
31 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Больной Крысолов |
1613 | 258 |
0 |
23 |
32 |
33 |
22 |
25 |
24 |
13 |
15 |
17 |
24 |
30 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
5 |
|
3. Сказочные злодеи: Консолидатор Тени |
1709 | 258 |
0 |
17 |
26 |
43 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
5 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1697 | 257 |
0 |
24 |
19 |
33 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
|
5. Сказка о Персоне, что учится самосознанию |
1847 | 257 |
0 |
18 |
25 |
28 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
|
2. Конец истории о Крысолове |
2129 | 257 |
0 |
27 |
21 |
30 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
|
33. Пространство, время, человек и божество в сказке |
1497 | 257 |
0 |
26 |
25 |
38 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
|
13. Женщина перед расстрелом |
1384 | 257 |
0 |
14 |
26 |
25 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
4 |
4 |
|
4. Зловещие магнетизеры |
2386 | 256 |
0 |
23 |
15 |
30 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1751 | 256 |
0 |
17 |
21 |
35 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Двойные ловушки Плоского мира |
1840 | 256 |
0 |
19 |
22 |
33 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1698 | 256 |
0 |
16 |
24 |
28 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
4 |
2 |
|
3 консультации в гештальт-подходе |
2432 | 256 |
0 |
34 |
16 |
33 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
0 |
1 |
2 |
0 |
0 |
0 |
6 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1765 | 255 |
0 |
22 |
26 |
25 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
3 |
1 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1827 | 254 |
0 |
16 |
27 |
31 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
2 |
2 |
|
Звездный ворон и ядовитый волк |
1246 | 254 |
0 |
27 |
19 |
38 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
|
15. Николай Ставрогин и его адепты |
2024 | 254 |
0 |
22 |
19 |
33 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
|
2. О преображении в полете |
913 | 254 |
0 |
26 |
18 |
33 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
Перстень, яблоко, собор |
1855 | 253 |
0 |
23 |
24 |
39 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
|
4. Ад без жала |
1753 | 253 |
0 |
25 |
21 |
38 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
15. Мир и образ зла в "Темных началах" |
1496 | 252 |
0 |
29 |
23 |
30 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
0 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3125 | 251 |
0 |
17 |
22 |
36 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
|
22. О героях авторских сказок и фэнтези |
1641 | 251 |
0 |
22 |
21 |
32 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
|
12. Песочник и его жертва |
1488 | 251 |
0 |
23 |
28 |
24 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
|
7. Верховное полутело |
1182 | 251 |
0 |
25 |
19 |
32 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
20. О некоторых особенностях структуры фэнтези |
1948 | 249 |
0 |
17 |
25 |
33 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
|
Мы и Они |
1934 | 249 |
0 |
25 |
27 |
36 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4 |
|
11. Пространство лагеря |
1217 | 248 |
0 |
26 |
18 |
25 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
3. Молитвенная мельница |
1642 | 247 |
0 |
25 |
24 |
22 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
|
27. О различении Я и Эго-комплекса |
1407 | 247 |
0 |
18 |
30 |
31 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
|
Три бестселлера |
1531 | 247 |
0 |
22 |
29 |
28 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
2 |
|
8. Тотем, Трикстер, Первопредки |
1631 | 246 |
0 |
20 |
18 |
30 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1483 | 246 |
0 |
21 |
24 |
28 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1377 | 245 |
0 |
23 |
22 |
34 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
|
3. Убежища |
1666 | 245 |
0 |
16 |
29 |
29 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
|
Дворянин Фаланд или владыка альвов? |
1118 | 244 |
0 |
23 |
19 |
27 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
|
О способности понять душевнобольного |
2323 | 244 |
0 |
18 |
25 |
31 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
|
8. Поглощенное время |
1586 | 244 |
0 |
25 |
26 |
29 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
16. Медведь |
1317 | 244 |
0 |
20 |
30 |
30 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
3 |
|
Из У. Блейка. Ответ Земли |
1923 | 243 |
0 |
22 |
28 |
30 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
|
4. Архаичные материнские образы |
1518 | 243 |
0 |
24 |
25 |
26 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
4 |
2 |
2 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
826 | 243 |
0 |
28 |
24 |
34 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
|
16. Миры и образы зла, связанные с Темной Башней |
2242 | 243 |
0 |
24 |
19 |
33 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1806 | 243 |
0 |
21 |
23 |
31 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
4 |
|
11. Кое-что об Анимусе женщины |
1636 | 242 |
0 |
24 |
14 |
38 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
8. Как остаться инфантильной |
1454 | 241 |
0 |
15 |
27 |
23 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
4 |
|
Ангел |
1750 | 241 |
0 |
21 |
27 |
27 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
5 |
|
1. Явление Крысолова |
1539 | 240 |
0 |
23 |
24 |
31 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
|
12. Мир и зло "Властелина Колец" |
2033 | 240 |
0 |
17 |
17 |
31 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1674 | 240 |
0 |
21 |
15 |
36 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
|
4. Погребальные дроги |
1518 | 240 |
0 |
21 |
31 |
27 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
4 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2374 | 240 |
0 |
25 |
25 |
24 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
|
9. Начало перехода |
1165 | 239 |
0 |
25 |
29 |
25 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
5 |
4 |
3 |
|
11. Миры и зло Средиземья и Валинора |
1692 | 239 |
0 |
20 |
23 |
25 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2635 | 239 |
0 |
20 |
21 |
31 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
|
9. Психика как пара |
1806 | 239 |
0 |
17 |
22 |
29 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
|
30. Сказочный персонаж: форма и содержимое |
1479 | 238 |
0 |
22 |
24 |
36 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
|
10. Модели интеграции психики в героическом эпосе |
1634 | 238 |
0 |
22 |
24 |
29 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
10. Большая женщина. Начало возрождения |
1162 | 238 |
0 |
15 |
25 |
26 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
|
Из Цурэна. Как лист увядший падает на душу... |
1818 | 238 |
0 |
29 |
28 |
23 |
19 |
27 |
17 |
18 |
11 |
16 |
28 |
22 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
6 |
|
Огонь |
1761 | 238 |
0 |
23 |
27 |
28 |
27 |
23 |
14 |
15 |
12 |
25 |
17 |
27 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
|
24. Медведь и другие |
1072 | 238 |
0 |
20 |
32 |
34 |
24 |
26 |
17 |
12 |
13 |
16 |
19 |
25 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
|
1. Тело и мир персонажей Андрея Платонова |
1511 | 238 |
0 |
22 |
22 |
29 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
5 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1701 | 237 |
0 |
22 |
21 |
32 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
|
Телесный симптом в роли символа |
2049 | 237 |
0 |
17 |
21 |
22 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
|
28. О символике эволюции |
1398 | 237 |
0 |
22 |
21 |
25 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
|
Начальство развлекается |
1518 | 236 |
0 |
22 |
16 |
25 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Особенности структуры семьи учащихся техникума |
2182 | 236 |
0 |
20 |
21 |
30 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
|
Кошачья подсистема в семье |
1123 | 236 |
0 |
16 |
17 |
32 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1203 | 236 |
0 |
14 |
15 |
29 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
|
Хороший начальник Емеля |
1134 | 235 |
0 |
21 |
26 |
28 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
6 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1746 | 235 |
0 |
21 |
15 |
41 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
15. Ненаучное животное в мусорном ветре |
1234 | 235 |
0 |
23 |
24 |
31 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
0 |
1 |
3 |
|
Бестиарий |
1492 | 235 |
0 |
18 |
24 |
35 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
|
Мир на костылях |
1555 | 234 |
0 |
16 |
26 |
37 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
4 |
|
Тум-балалайка |
2013 | 234 |
0 |
20 |
24 |
29 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
|
15. Типичные протагонисты произведений Гофмана |
1582 | 234 |
0 |
20 |
25 |
28 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
4 |
3 |
|
Путешествиепо склону |
1618 | 234 |
0 |
20 |
25 |
33 |
26 |
27 |
20 |
11 |
15 |
15 |
17 |
25 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
1. Введение |
1698 | 234 |
0 |
19 |
26 |
33 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
4 |
|
Юнгианцы и странные научные теории |
866 | 234 |
0 |
24 |
27 |
36 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
1 |
4 |
|
5. Заместитель |
1490 | 233 |
0 |
20 |
26 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
|
Роковой треугольник -2 |
1882 | 233 |
0 |
19 |
23 |
30 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
|
5. Идущий следом |
1586 | 233 |
0 |
25 |
21 |
29 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
|
Из У. Блейка. Ангел |
1642 | 233 |
0 |
20 |
24 |
29 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
|
Роковой треугольник - 1 |
1979 | 233 |
0 |
22 |
20 |
29 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2462 | 233 |
0 |
14 |
25 |
23 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
|
Г. Гессе. Стихотворение о Степном Волке |
1943 | 232 |
0 |
18 |
16 |
38 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
|
4. Ранние пьесы М. Цветаевой |
2049 | 232 |
0 |
23 |
17 |
30 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
3. Произведения молодости М. Цветаевой |
1514 | 232 |
0 |
22 |
15 |
33 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
|
Типы семей, получающих помощь в социальном центре |
1768 | 231 |
0 |
22 |
19 |
27 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1790 | 231 |
0 |
22 |
20 |
27 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
|
11. Ничего не кончается |
1154 | 231 |
0 |
18 |
15 |
26 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1703 | 230 |
0 |
23 |
21 |
27 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
|
Бумажная Принцесса |
1257 | 230 |
0 |
26 |
25 |
30 |
24 |
25 |
18 |
8 |
15 |
15 |
22 |
22 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
4 |
|
Шекспир, сонет 146 |
1470 | 229 |
0 |
15 |
25 |
26 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
|
9. Некоторые модели психической интеграции |
1582 | 229 |
0 |
28 |
19 |
29 |
19 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
5. Сравнение прогностической ценности разных факторов |
1765 | 229 |
0 |
15 |
21 |
23 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
|
Ответ Земли (другой вариант) |
1722 | 228 |
0 |
13 |
18 |
24 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
5. Женщина в плаще цвета Времени |
1413 | 228 |
0 |
20 |
15 |
31 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
|
15. Деревня изнутри. Во дворах |
1176 | 228 |
0 |
18 |
20 |
25 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
|
4. Сказка о травме и восстановлении |
1684 | 228 |
0 |
22 |
33 |
22 |
26 |
24 |
19 |
11 |
19 |
15 |
17 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
5 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
6 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1587 | 228 |
0 |
17 |
24 |
28 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1603 | 228 |
0 |
18 |
22 |
29 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
6 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1772 | 227 |
1 |
20 |
12 |
30 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
|
10 охламонов |
1860 | 227 |
0 |
31 |
19 |
31 |
22 |
22 |
20 |
11 |
7 |
15 |
23 |
26 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
|
23. Настя заболела |
1362 | 227 |
0 |
23 |
19 |
34 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
|
2. Шаманское странствие |
1356 | 226 |
0 |
20 |
15 |
26 |
21 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
|
14. Мертвая мать и ее дети |
1203 | 226 |
0 |
19 |
20 |
36 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
|
Шекспир, сонет 144 |
1582 | 226 |
0 |
21 |
22 |
23 |
19 |
21 |
19 |
16 |
10 |
30 |
18 |
27 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
4 |
|
Реквием Ваське |
1683 | 226 |
0 |
17 |
29 |
27 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
|
26. Настина смерть |
1198 | 226 |
0 |
19 |
25 |
30 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
7 |
|
Г. Гессе. Ступени |
1806 | 225 |
0 |
19 |
19 |
26 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
|
6. Насколько опасен Анимус мужчины |
1537 | 225 |
0 |
15 |
22 |
26 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
|
4. Блуждания невоплощенного |
1238 | 225 |
0 |
17 |
24 |
30 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1675 | 225 |
0 |
16 |
25 |
27 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
6 |
|
17. Плот |
1214 | 225 |
0 |
23 |
19 |
25 |
27 |
17 |
13 |
12 |
11 |
34 |
17 |
27 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
|
6. Скорбная земля |
1690 | 225 |
0 |
21 |
20 |
34 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
|
13. Колхоз идет навстречу |
1153 | 225 |
0 |
21 |
22 |
28 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
25. Об особенностях травматической интеграции психики |
1522 | 224 |
0 |
21 |
21 |
23 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
|
Визит Аристокла |
1581 | 224 |
0 |
19 |
19 |
27 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
|
27. Безвременье котлована |
1158 | 224 |
0 |
21 |
26 |
26 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
|
18. Ночные пляски |
1173 | 224 |
0 |
19 |
20 |
31 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
4 |
|
Юнгианское стихотворение о сказках |
1575 | 223 |
0 |
14 |
14 |
27 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Информация о владельце раздела |
1512 | 223 |
0 |
13 |
21 |
32 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
7. Мужское и женское в произведениях Т. Манна |
1704 | 223 |
0 |
27 |
18 |
22 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1480 | 223 |
0 |
15 |
22 |
27 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
3 |
2 |
|
Вскрытие |
1746 | 222 |
0 |
17 |
23 |
31 |
30 |
26 |
17 |
12 |
10 |
15 |
15 |
26 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1715 | 222 |
0 |
15 |
23 |
22 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
|
1. Маленький рыцарский роман |
1596 | 222 |
0 |
17 |
21 |
28 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
|
Компьютерная игра вместо визуализации |
1866 | 222 |
0 |
14 |
24 |
25 |
28 |
28 |
18 |
17 |
12 |
17 |
17 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
|
Прогнозирование эффективности психологической помощи семьям |
1771 | 222 |
0 |
16 |
19 |
33 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
|
3. Выбор художника - Анима или Анимус? |
1670 | 222 |
0 |
15 |
23 |
26 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2164 | 221 |
0 |
18 |
18 |
29 |
20 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
19. Тишина |
1163 | 221 |
0 |
19 |
27 |
26 |
20 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
4 |
4 |
|
Алгоритм сортировки клиентов социального центра |
2151 | 221 |
0 |
19 |
18 |
24 |
25 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
|
20. Нвстя заболевает |
1233 | 221 |
0 |
21 |
23 |
26 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
5 |
|
21. Властные хитрецы |
1477 | 221 |
0 |
21 |
18 |
26 |
19 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
|
Кости |
1131 | 221 |
0 |
13 |
25 |
29 |
27 |
22 |
21 |
14 |
13 |
15 |
17 |
25 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
Венок сонетов Ваське |
1988 | 221 |
0 |
19 |
16 |
24 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
|
31. Становление символа во времени |
1367 | 220 |
0 |
19 |
27 |
17 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
|
7. Индивидуальности котлована |
1221 | 220 |
0 |
19 |
25 |
25 |
22 |
26 |
18 |
8 |
11 |
17 |
21 |
28 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
|
Король |
1598 | 220 |
0 |
21 |
23 |
27 |
28 |
22 |
23 |
10 |
11 |
16 |
18 |
21 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
|
1 Дитя в мирах Психеи и Ананке |
1819 | 220 |
0 |
17 |
19 |
26 |
25 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
|
Милая жизнь |
1324 | 220 |
0 |
23 |
16 |
35 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1302 | 219 |
0 |
15 |
25 |
23 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
|
5. Погибшее братство и Лихтенберг |
1097 | 219 |
0 |
19 |
27 |
23 |
28 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
2 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1401 | 219 |
0 |
18 |
24 |
22 |
24 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
|
Попурри а-ля постмодерн |
1780 | 219 |
0 |
22 |
23 |
25 |
21 |
21 |
15 |
21 |
12 |
15 |
18 |
26 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2288 | 219 |
0 |
15 |
15 |
25 |
34 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
|
3. На улице |
1176 | 219 |
0 |
14 |
18 |
36 |
23 |
30 |
14 |
12 |
13 |
13 |
17 |
29 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
|
Жили-были... |
1721 | 219 |
0 |
12 |
21 |
27 |
19 |
22 |
21 |
9 |
14 |
27 |
24 |
23 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
5 |
|
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1703 | 218 |
0 |
20 |
28 |
25 |
26 |
21 |
21 |
9 |
13 |
13 |
16 |
26 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
4 |
5 |
|
5. Рядом с общим телом |
1280 | 218 |
0 |
17 |
19 |
30 |
25 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1945 | 218 |
0 |
19 |
21 |
23 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
|
4 сонета Шекспира |
1932 | 218 |
0 |
27 |
21 |
26 |
20 |
29 |
20 |
9 |
12 |
11 |
19 |
24 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
|
29. Как экономят мышление с помощью мифических образов |
1313 | 218 |
0 |
16 |
19 |
26 |
23 |
21 |
22 |
13 |
10 |
18 |
21 |
29 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
|
Мышиная звезда |
806 | 218 |
0 |
15 |
18 |
31 |
21 |
24 |
20 |
11 |
14 |
14 |
24 |
26 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
21. Радость молотобойца |
1208 | 218 |
0 |
20 |
19 |
30 |
24 |
22 |
22 |
9 |
10 |
17 |
23 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |