| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
По разделу |
564072 | 1441 |
63 |
135 |
134 |
129 |
99 |
105 |
122 |
127 |
126 |
132 |
129 |
140 |
1 |
3 |
4 |
3 |
5 |
3 |
4 |
6 |
4 |
6 |
5 |
5 |
5 |
5 |
4 |
5 |
4 |
5 |
4 |
4 |
4 |
4 |
2 |
4 |
3 |
4 |
4 |
2 |
3 |
4 |
4 |
4 |
2 |
3 |
3 |
3 |
4 |
4 |
3 |
3 |
2 |
6 |
9 |
28 |
1 |
0 |
10 |
4 |
5 |
3 |
2 |
2 |
5 |
4 |
3 |
3 |
4 |
4 |
4 |
3 |
5 |
6 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4464 | 613 |
19 |
54 |
66 |
63 |
48 |
26 |
48 |
60 |
49 |
62 |
48 |
70 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
4 |
0 |
0 |
2 |
6 |
9 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
4 |
0 |
1 |
0 |
5 |
4 |
|
7. Интерпретация эпоса об Урал-Батыре |
2488 | 561 |
25 |
52 |
53 |
44 |
36 |
35 |
38 |
47 |
51 |
64 |
62 |
54 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
4 |
2 |
1 |
5 |
2 |
2 |
0 |
3 |
2 |
0 |
3 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
6 |
4 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
4 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
2346 | 547 |
30 |
39 |
53 |
51 |
37 |
32 |
41 |
54 |
54 |
55 |
46 |
55 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
6 |
1 |
2 |
4 |
1 |
3 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
6 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
3 |
4 |
|
7. О символизации насилия. Песочный Человек |
3954 | 536 |
16 |
25 |
45 |
52 |
32 |
48 |
51 |
52 |
53 |
60 |
56 |
46 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
3 |
3 |
|
1. Расставание брата и сестры |
4311 | 503 |
18 |
65 |
38 |
44 |
66 |
46 |
50 |
35 |
28 |
38 |
31 |
44 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
6 |
28 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2938 | 491 |
21 |
43 |
53 |
50 |
28 |
24 |
35 |
41 |
53 |
56 |
57 |
30 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
4 |
1 |
4 |
0 |
1 |
4 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
3 |
3 |
|
Художественные описания механизмов психологической защиты |
13657 | 412 |
19 |
21 |
32 |
23 |
29 |
30 |
38 |
33 |
47 |
49 |
42 |
49 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9983 | 398 |
17 |
37 |
48 |
26 |
30 |
16 |
26 |
36 |
44 |
35 |
35 |
48 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
2 |
4 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
6 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
4 |
3 |
1 |
4 |
1 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
3104 | 342 |
18 |
27 |
29 |
40 |
33 |
26 |
23 |
24 |
25 |
40 |
31 |
26 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
2207 | 324 |
15 |
36 |
44 |
22 |
17 |
19 |
15 |
31 |
35 |
32 |
24 |
34 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
8 |
0 |
0 |
10 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
|
Графоманские стихи |
3834 | 312 |
12 |
18 |
28 |
16 |
15 |
17 |
22 |
38 |
37 |
44 |
33 |
32 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
|
О книге Матрица и потенциал характера |
1874 | 311 |
19 |
18 |
26 |
19 |
19 |
16 |
24 |
39 |
33 |
34 |
30 |
34 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Мотив Города |
3615 | 309 |
19 |
15 |
26 |
22 |
16 |
13 |
33 |
27 |
30 |
40 |
30 |
38 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
2012 | 308 |
12 |
22 |
32 |
30 |
14 |
18 |
24 |
30 |
28 |
34 |
32 |
32 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
|
3. Убежища |
1842 | 308 |
19 |
34 |
31 |
17 |
17 |
19 |
39 |
16 |
29 |
29 |
31 |
27 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
8 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
6 |
|
12. Интеграция и Анимы, и Анимуса |
2200 | 301 |
14 |
15 |
24 |
16 |
24 |
28 |
17 |
30 |
32 |
38 |
29 |
34 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Перстень, яблоко, собор |
2014 | 300 |
18 |
23 |
34 |
22 |
16 |
24 |
22 |
23 |
24 |
39 |
27 |
28 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
|
Из плена профессиональной Персоны? |
1788 | 298 |
18 |
20 |
26 |
18 |
19 |
18 |
26 |
19 |
38 |
40 |
24 |
32 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Совершая труд |
5092 | 297 |
11 |
13 |
23 |
25 |
20 |
18 |
19 |
27 |
49 |
37 |
33 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
5. Особенности архаической сказки |
2084 | 289 |
16 |
18 |
27 |
24 |
17 |
18 |
26 |
16 |
26 |
36 |
32 |
33 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
|
4. О символизации насилия в эддической поэзии |
2653 | 289 |
17 |
20 |
25 |
21 |
10 |
16 |
11 |
28 |
31 |
51 |
35 |
24 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1682 | 284 |
15 |
19 |
29 |
23 |
11 |
13 |
17 |
25 |
36 |
35 |
41 |
20 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2489 | 278 |
9 |
18 |
27 |
29 |
12 |
13 |
17 |
38 |
28 |
36 |
23 |
28 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
7 Заклинатели |
2000 | 277 |
9 |
11 |
21 |
20 |
19 |
21 |
25 |
28 |
25 |
34 |
28 |
36 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
|
1. Преамбула: феминное и маскулинное |
2092 | 276 |
19 |
21 |
28 |
27 |
13 |
15 |
20 |
30 |
19 |
30 |
26 |
28 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
28. О символике эволюции |
1552 | 276 |
16 |
32 |
28 |
19 |
12 |
13 |
34 |
22 |
21 |
25 |
31 |
23 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
4 |
9 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
|
3. Как мужчины обращаются с Анимой |
3731 | 274 |
14 |
20 |
31 |
21 |
15 |
16 |
16 |
28 |
21 |
34 |
25 |
33 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
|
3. О символизации насилия в поэзии скальдов |
3554 | 274 |
13 |
20 |
23 |
23 |
14 |
14 |
19 |
23 |
38 |
35 |
26 |
26 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1616 | 271 |
13 |
15 |
28 |
25 |
14 |
16 |
18 |
25 |
33 |
30 |
19 |
35 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
|
Юные птицы старого русского рока |
1204 | 271 |
18 |
26 |
27 |
19 |
9 |
14 |
19 |
24 |
27 |
30 |
30 |
28 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1973 | 270 |
16 |
24 |
29 |
22 |
11 |
10 |
19 |
22 |
29 |
42 |
18 |
28 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
|
Г. Гессе. Стихотворение о Степном Волке |
2098 | 270 |
13 |
25 |
35 |
25 |
19 |
14 |
24 |
18 |
16 |
38 |
23 |
20 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
|
2. Конец истории о Крысолове |
2256 | 270 |
14 |
22 |
24 |
20 |
12 |
10 |
25 |
27 |
21 |
30 |
30 |
35 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
3 |
|
9. Персона и Тень |
1994 | 270 |
14 |
17 |
26 |
22 |
20 |
15 |
22 |
26 |
29 |
32 |
25 |
22 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
|
Эмоциональное выгорание, травма и нарциссизм |
6035 | 268 |
12 |
17 |
27 |
24 |
12 |
11 |
20 |
26 |
30 |
36 |
28 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
|
33. Пространство, время, человек и божество в сказке |
1631 | 268 |
15 |
23 |
23 |
26 |
10 |
14 |
23 |
26 |
25 |
38 |
20 |
25 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
|
6. О символизации насилия. Значимые персонажи |
2312 | 268 |
15 |
20 |
30 |
17 |
12 |
16 |
24 |
18 |
29 |
32 |
25 |
30 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
Образ Бога и зрелость личности |
2749 | 268 |
17 |
19 |
23 |
16 |
14 |
11 |
23 |
25 |
28 |
38 |
29 |
25 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
|
Оценка эффективности работы психолога с клиентами |
3211 | 267 |
11 |
21 |
34 |
24 |
18 |
18 |
13 |
21 |
26 |
35 |
23 |
23 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
26. Динамика развития психики по оси Самость-Эго |
2227 | 267 |
13 |
13 |
28 |
21 |
19 |
14 |
17 |
23 |
23 |
38 |
29 |
29 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
15. Мир и образ зла в "Темных началах" |
1623 | 267 |
14 |
17 |
21 |
21 |
15 |
14 |
25 |
29 |
23 |
30 |
30 |
28 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
|
Симбиоз гештальта и символдрамы |
3526 | 264 |
15 |
24 |
27 |
20 |
12 |
6 |
23 |
20 |
25 |
32 |
35 |
25 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
6 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
|
4. Ад без жала |
1888 | 264 |
17 |
22 |
27 |
20 |
11 |
17 |
21 |
25 |
21 |
38 |
20 |
25 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2783 | 264 |
24 |
28 |
29 |
22 |
11 |
15 |
19 |
20 |
21 |
31 |
18 |
26 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
5 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
|
13. Внутрениие вредители в произведениях Гофмана |
1989 | 263 |
17 |
17 |
24 |
20 |
10 |
12 |
24 |
25 |
30 |
31 |
26 |
27 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
|
8. Поглощенное время |
1721 | 263 |
13 |
17 |
29 |
18 |
17 |
13 |
28 |
25 |
26 |
29 |
22 |
26 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
5 |
|
Графоманские стихи |
2712 | 263 |
9 |
20 |
31 |
17 |
14 |
23 |
16 |
29 |
19 |
29 |
25 |
31 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
|
2. Представления об Анимусе мужчины |
2299 | 263 |
14 |
16 |
21 |
25 |
19 |
15 |
16 |
18 |
30 |
30 |
29 |
30 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1988 | 263 |
14 |
21 |
31 |
24 |
11 |
15 |
17 |
23 |
21 |
32 |
30 |
24 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
|
3 консультации в гештальт-подходе |
2563 | 263 |
10 |
16 |
25 |
26 |
17 |
13 |
24 |
34 |
16 |
33 |
25 |
24 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
3 |
|
22. О героях авторских сказок и фэнтези |
1763 | 261 |
13 |
20 |
25 |
22 |
10 |
9 |
23 |
22 |
21 |
32 |
37 |
27 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
|
7. О проекции переживаний травмы на Аниму |
1712 | 260 |
13 |
15 |
22 |
22 |
13 |
13 |
18 |
25 |
31 |
29 |
25 |
34 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Звездный ворон и ядовитый волк |
1368 | 260 |
12 |
19 |
22 |
13 |
12 |
14 |
30 |
27 |
19 |
38 |
25 |
29 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
|
10. Об Аниме женщины |
2206 | 260 |
11 |
20 |
22 |
20 |
11 |
13 |
18 |
33 |
24 |
29 |
19 |
40 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
|
16. Список литературы |
1543 | 260 |
15 |
17 |
22 |
15 |
9 |
13 |
22 |
25 |
23 |
41 |
29 |
29 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
|
Непрожитая старость |
10644 | 259 |
18 |
15 |
27 |
20 |
11 |
13 |
25 |
23 |
20 |
35 |
27 |
25 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
|
О способности понять душевнобольного |
2458 | 259 |
13 |
22 |
27 |
17 |
15 |
23 |
18 |
18 |
25 |
31 |
30 |
20 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2526 | 259 |
13 |
24 |
24 |
20 |
11 |
9 |
20 |
22 |
24 |
49 |
20 |
23 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
3. Сказочные злодеи: Консолидатор Тени |
1833 | 259 |
20 |
15 |
26 |
24 |
11 |
10 |
18 |
17 |
26 |
43 |
20 |
29 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
4 |
5 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
5. Заместитель |
1631 | 259 |
17 |
32 |
26 |
17 |
17 |
20 |
12 |
20 |
26 |
26 |
22 |
24 |
0 |
3 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
4 |
3 |
4 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
|
15. Типичные протагонисты произведений Гофмана |
1723 | 258 |
18 |
27 |
29 |
24 |
11 |
16 |
16 |
20 |
25 |
28 |
23 |
21 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
|
4. Зловещие магнетизеры |
2512 | 258 |
18 |
19 |
28 |
21 |
10 |
12 |
18 |
23 |
15 |
30 |
29 |
35 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
|
Бумажная Принцесса |
1385 | 258 |
13 |
23 |
24 |
21 |
9 |
11 |
27 |
26 |
25 |
30 |
24 |
25 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
|
Милая жизнь |
1456 | 258 |
15 |
25 |
30 |
20 |
13 |
11 |
18 |
23 |
16 |
35 |
22 |
30 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
|
Клеменс Брентано. Лоре Лай |
1775 | 257 |
13 |
22 |
23 |
18 |
16 |
13 |
10 |
23 |
30 |
35 |
28 |
26 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
|
30. Сказочный персонаж: форма и содержимое |
1608 | 256 |
14 |
15 |
24 |
26 |
16 |
16 |
18 |
22 |
24 |
36 |
24 |
21 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
|
3. Произведения молодости М. Цветаевой |
1640 | 256 |
17 |
21 |
29 |
19 |
10 |
16 |
14 |
22 |
15 |
33 |
29 |
31 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1911 | 255 |
10 |
17 |
24 |
25 |
11 |
9 |
16 |
26 |
19 |
39 |
28 |
31 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Упражнение Бог |
3996 | 254 |
9 |
22 |
21 |
19 |
18 |
14 |
21 |
24 |
18 |
29 |
25 |
34 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
|
13. Аида: комментарии к либретто |
2121 | 254 |
10 |
16 |
23 |
14 |
11 |
16 |
25 |
26 |
23 |
37 |
29 |
24 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
|
Юнгианцы и странные научные теории |
995 | 253 |
19 |
18 |
26 |
21 |
13 |
11 |
21 |
24 |
27 |
36 |
16 |
21 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
3 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1821 | 252 |
16 |
17 |
26 |
21 |
16 |
12 |
16 |
24 |
19 |
33 |
26 |
26 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
5. Сказка о Персоне, что учится самосознанию |
1974 | 252 |
13 |
29 |
23 |
15 |
18 |
18 |
11 |
18 |
25 |
28 |
27 |
27 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
6 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
|
Мы и Они |
2045 | 252 |
11 |
13 |
18 |
11 |
20 |
15 |
23 |
25 |
27 |
36 |
32 |
21 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2282 | 250 |
12 |
17 |
24 |
17 |
11 |
9 |
17 |
27 |
31 |
28 |
22 |
35 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
2. О преображении в полете |
1032 | 250 |
15 |
15 |
29 |
19 |
12 |
12 |
17 |
26 |
18 |
33 |
32 |
22 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
|
10. Модели интеграции психики в героическом эпосе |
1759 | 248 |
13 |
21 |
28 |
18 |
11 |
15 |
19 |
22 |
24 |
29 |
31 |
17 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
8. Запутанная история Джона Ди |
1903 | 248 |
10 |
14 |
19 |
15 |
15 |
12 |
16 |
31 |
26 |
37 |
28 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
4 сонета Шекспира |
2056 | 247 |
11 |
17 |
16 |
16 |
18 |
20 |
26 |
27 |
21 |
26 |
20 |
29 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Роковой треугольник -2 |
2007 | 247 |
9 |
15 |
25 |
27 |
12 |
20 |
17 |
19 |
23 |
30 |
24 |
26 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
|
Дворянин Фаланд или владыка альвов? |
1239 | 246 |
12 |
18 |
26 |
25 |
16 |
11 |
13 |
23 |
19 |
27 |
30 |
26 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
6. Насилие и интеграция психики в архаической сказке |
1695 | 246 |
18 |
18 |
24 |
21 |
11 |
11 |
18 |
21 |
28 |
30 |
25 |
21 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
4. Архаичные материнские образы |
1638 | 246 |
12 |
22 |
17 |
11 |
21 |
20 |
17 |
24 |
25 |
26 |
26 |
25 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
1. Явление Крысолова |
1651 | 246 |
12 |
16 |
26 |
16 |
10 |
13 |
19 |
23 |
24 |
31 |
25 |
31 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
|
4. Сказка о травме и восстановлении |
1803 | 246 |
17 |
17 |
23 |
24 |
10 |
15 |
13 |
22 |
33 |
22 |
26 |
24 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
|
16. Миры и образы зла, связанные с Темной Башней |
2365 | 245 |
17 |
19 |
25 |
22 |
10 |
13 |
17 |
24 |
19 |
33 |
26 |
20 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
|
24. Медведь и другие |
1181 | 245 |
12 |
14 |
20 |
15 |
12 |
15 |
21 |
20 |
32 |
34 |
24 |
26 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
|
7. Верховное полутело |
1298 | 245 |
11 |
11 |
24 |
10 |
17 |
21 |
22 |
25 |
19 |
32 |
31 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
|
1. Тело и мир персонажей Андрея Платонова |
1639 | 244 |
16 |
12 |
27 |
25 |
18 |
15 |
15 |
22 |
22 |
29 |
20 |
23 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1925 | 244 |
15 |
27 |
27 |
17 |
10 |
5 |
18 |
21 |
23 |
31 |
26 |
24 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
|
15. Николай Ставрогин и его адепты |
2145 | 243 |
14 |
19 |
27 |
22 |
14 |
12 |
13 |
22 |
19 |
33 |
25 |
23 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
|
14. Мертвая мать и ее дети |
1321 | 242 |
17 |
21 |
25 |
14 |
11 |
9 |
21 |
19 |
20 |
36 |
26 |
23 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
5 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
5 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1870 | 242 |
13 |
18 |
24 |
19 |
12 |
16 |
17 |
17 |
21 |
35 |
20 |
30 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
|
14. Мастера и шарлатаны Гофмана |
2374 | 242 |
10 |
17 |
23 |
24 |
13 |
11 |
23 |
24 |
14 |
33 |
28 |
22 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1821 | 242 |
14 |
13 |
23 |
23 |
15 |
20 |
15 |
16 |
24 |
28 |
19 |
32 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
|
О старости |
2408 | 242 |
10 |
15 |
19 |
7 |
12 |
12 |
21 |
19 |
29 |
39 |
29 |
30 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
|
Из У. Блейка. Ответ Земли |
2034 | 241 |
9 |
18 |
24 |
17 |
9 |
17 |
17 |
22 |
28 |
30 |
30 |
20 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
|
27. О различении Я и Эго-комплекса |
1517 | 241 |
14 |
14 |
23 |
17 |
11 |
12 |
19 |
18 |
30 |
31 |
30 |
22 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
|
15. Ненаучное животное в мусорном ветре |
1351 | 241 |
14 |
15 |
31 |
17 |
10 |
11 |
19 |
23 |
24 |
31 |
21 |
25 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
11. Пространство лагеря |
1335 | 241 |
16 |
15 |
32 |
19 |
12 |
11 |
13 |
26 |
18 |
25 |
21 |
33 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
5 |
|
26. Настина смерть |
1309 | 241 |
9 |
18 |
21 |
19 |
16 |
11 |
17 |
19 |
25 |
30 |
26 |
30 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
|
7. Созидающее насилие: подвиги Геракла |
1878 | 241 |
14 |
14 |
21 |
22 |
14 |
10 |
13 |
23 |
33 |
26 |
26 |
25 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
3. О смысле телесности в повести А. Платонова "Котлован" |
1337 | 240 |
13 |
20 |
28 |
25 |
12 |
11 |
17 |
17 |
17 |
31 |
24 |
25 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
|
Двойные ловушки Плоского мира |
1947 | 240 |
13 |
15 |
26 |
23 |
9 |
9 |
12 |
19 |
22 |
33 |
26 |
33 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Для чего нужны джинны? |
1196 | 239 |
12 |
16 |
23 |
19 |
16 |
8 |
19 |
25 |
25 |
25 |
28 |
23 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
925 | 239 |
10 |
12 |
21 |
19 |
12 |
11 |
14 |
28 |
24 |
34 |
29 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1948 | 239 |
14 |
23 |
27 |
20 |
11 |
12 |
14 |
16 |
27 |
31 |
21 |
23 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
|
Больница глазами гештальт-терапевта |
4297 | 239 |
15 |
14 |
26 |
23 |
9 |
10 |
13 |
22 |
24 |
31 |
22 |
30 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1824 | 239 |
15 |
26 |
22 |
18 |
12 |
11 |
17 |
23 |
21 |
27 |
23 |
24 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Психосоматика наизнанку |
5330 | 239 |
13 |
13 |
20 |
17 |
9 |
11 |
21 |
20 |
21 |
35 |
31 |
28 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1709 | 239 |
15 |
22 |
22 |
19 |
12 |
18 |
14 |
17 |
24 |
28 |
29 |
19 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1883 | 238 |
12 |
17 |
26 |
20 |
12 |
11 |
20 |
22 |
26 |
25 |
24 |
23 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
18. Ночные пляски |
1284 | 238 |
8 |
13 |
27 |
15 |
11 |
13 |
24 |
19 |
20 |
31 |
31 |
26 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1343 | 238 |
14 |
21 |
27 |
23 |
17 |
17 |
21 |
14 |
15 |
29 |
22 |
18 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
|
9. Начало перехода |
1281 | 237 |
13 |
18 |
23 |
20 |
12 |
14 |
16 |
25 |
29 |
25 |
24 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
|
11. Кое-что об Анимусе женщины |
1747 | 237 |
7 |
18 |
26 |
22 |
14 |
10 |
14 |
24 |
14 |
38 |
22 |
28 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Путешествиепо склону |
1723 | 236 |
10 |
16 |
23 |
16 |
12 |
8 |
20 |
20 |
25 |
33 |
26 |
27 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1824 | 236 |
15 |
29 |
25 |
20 |
11 |
10 |
13 |
22 |
21 |
32 |
22 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
|
Роковой треугольник - 1 |
2094 | 236 |
12 |
21 |
21 |
17 |
15 |
14 |
15 |
22 |
20 |
29 |
25 |
25 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Хороший начальник Емеля |
1239 | 235 |
14 |
13 |
26 |
13 |
11 |
11 |
17 |
21 |
26 |
28 |
28 |
27 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
3 |
|
Из Цурэна. Как лист увядший падает на душу... |
1927 | 235 |
10 |
22 |
18 |
10 |
16 |
13 |
20 |
29 |
28 |
23 |
19 |
27 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
|
20. О некоторых особенностях структуры фэнтези |
2063 | 235 |
13 |
17 |
19 |
20 |
15 |
12 |
19 |
17 |
25 |
33 |
26 |
19 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1492 | 235 |
14 |
19 |
26 |
20 |
10 |
13 |
13 |
23 |
22 |
34 |
23 |
18 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
|
2. Андрогинность в сказке и мифе |
1993 | 235 |
9 |
16 |
22 |
14 |
20 |
15 |
21 |
20 |
24 |
29 |
19 |
26 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3303 | 234 |
10 |
18 |
20 |
22 |
12 |
16 |
11 |
22 |
25 |
31 |
18 |
29 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
|
4. Погребальные дроги |
1621 | 234 |
15 |
13 |
22 |
14 |
13 |
11 |
15 |
21 |
31 |
27 |
27 |
25 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
|
10. Большая женщина. Начало возрождения |
1282 | 233 |
14 |
13 |
25 |
19 |
13 |
14 |
22 |
15 |
25 |
26 |
20 |
27 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1795 | 233 |
10 |
14 |
26 |
20 |
12 |
10 |
12 |
28 |
24 |
31 |
21 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
|
5. Идущий следом |
1691 | 233 |
12 |
12 |
18 |
24 |
11 |
8 |
20 |
25 |
21 |
29 |
27 |
26 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
|
Пьяный двор |
1780 | 233 |
10 |
17 |
18 |
15 |
21 |
17 |
20 |
20 |
20 |
32 |
22 |
21 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
|
5. Погибшее братство и Лихтенберг |
1207 | 232 |
18 |
17 |
25 |
18 |
7 |
12 |
13 |
19 |
27 |
23 |
28 |
25 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
2060 | 232 |
15 |
21 |
24 |
18 |
13 |
11 |
13 |
19 |
21 |
23 |
25 |
29 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Мотив Цветка и регуляция позы |
1064 | 232 |
13 |
15 |
27 |
24 |
15 |
11 |
18 |
17 |
16 |
29 |
24 |
23 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
11. Миры и зло Средиземья и Валинора |
1811 | 232 |
20 |
23 |
27 |
20 |
11 |
10 |
8 |
20 |
23 |
25 |
23 |
22 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
6 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
|
Огонь |
1865 | 232 |
9 |
16 |
19 |
18 |
10 |
13 |
19 |
23 |
27 |
28 |
27 |
23 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
|
Отношения врача и пациента с точки зрения созависимости |
6765 | 232 |
14 |
14 |
21 |
21 |
15 |
7 |
18 |
17 |
24 |
27 |
27 |
27 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1787 | 231 |
16 |
20 |
22 |
17 |
11 |
13 |
13 |
16 |
25 |
27 |
26 |
25 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1607 | 231 |
13 |
27 |
29 |
21 |
12 |
10 |
15 |
15 |
22 |
27 |
21 |
19 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
6 |
4 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
7. Индивидуальности котлована |
1334 | 230 |
10 |
17 |
20 |
19 |
15 |
16 |
16 |
19 |
25 |
25 |
22 |
26 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
5. Женщина в плаще цвета Времени |
1528 | 230 |
18 |
13 |
28 |
17 |
12 |
14 |
13 |
20 |
15 |
31 |
21 |
28 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
9. Лихтенберг - мыслящее тело |
1390 | 230 |
13 |
17 |
18 |
14 |
14 |
11 |
17 |
21 |
21 |
33 |
23 |
28 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
|
9. Некоторые модели психической интеграции |
1692 | 230 |
15 |
20 |
26 |
17 |
12 |
9 |
11 |
28 |
19 |
29 |
19 |
25 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1594 | 230 |
13 |
18 |
25 |
16 |
10 |
11 |
18 |
21 |
24 |
28 |
24 |
22 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
|
Три бестселлера |
1623 | 230 |
12 |
11 |
15 |
11 |
10 |
13 |
20 |
22 |
29 |
28 |
32 |
27 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
13. Колхоз идет навстречу |
1265 | 230 |
11 |
19 |
17 |
12 |
16 |
14 |
23 |
21 |
22 |
28 |
24 |
23 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Бестиарий |
1597 | 230 |
8 |
12 |
20 |
14 |
11 |
15 |
25 |
18 |
24 |
35 |
25 |
23 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2478 | 230 |
9 |
18 |
27 |
20 |
9 |
10 |
11 |
25 |
25 |
24 |
24 |
28 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Больной Крысолов |
1707 | 229 |
11 |
13 |
16 |
13 |
14 |
9 |
18 |
23 |
32 |
33 |
22 |
25 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
1. О символизации насилия. Преамбула |
2024 | 229 |
16 |
22 |
25 |
24 |
11 |
13 |
14 |
16 |
13 |
27 |
26 |
22 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
|
16. Медведь |
1410 | 229 |
9 |
11 |
19 |
13 |
11 |
12 |
18 |
20 |
30 |
30 |
32 |
24 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
|
Юнгианское стихотворение о сказках |
1694 | 228 |
13 |
20 |
28 |
24 |
10 |
8 |
16 |
14 |
14 |
27 |
20 |
34 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
|
21. Властные хитрецы |
1599 | 228 |
11 |
18 |
30 |
23 |
13 |
14 |
13 |
21 |
18 |
26 |
19 |
22 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
4 |
|
3. Молитвенная мельница |
1757 | 228 |
11 |
16 |
28 |
17 |
13 |
12 |
18 |
25 |
24 |
22 |
19 |
23 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
|
10 охламонов |
1963 | 228 |
11 |
10 |
22 |
15 |
12 |
16 |
17 |
31 |
19 |
31 |
22 |
22 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1720 | 228 |
13 |
17 |
24 |
20 |
13 |
14 |
16 |
18 |
22 |
29 |
21 |
21 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
21. Радость молотобойца |
1321 | 228 |
10 |
21 |
25 |
19 |
10 |
12 |
16 |
20 |
19 |
30 |
24 |
22 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
|
Ответ Земли (другой вариант) |
1841 | 227 |
15 |
18 |
27 |
22 |
12 |
8 |
17 |
13 |
18 |
24 |
25 |
28 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Королева |
2011 | 227 |
12 |
14 |
20 |
16 |
12 |
13 |
18 |
18 |
17 |
37 |
25 |
25 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
|
Реквием Ваське |
1784 | 227 |
14 |
14 |
21 |
14 |
10 |
11 |
17 |
17 |
29 |
27 |
25 |
28 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Кости |
1238 | 223 |
10 |
14 |
27 |
14 |
12 |
9 |
21 |
13 |
25 |
29 |
27 |
22 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Прогнозирование эффективности психологической помощи семьям |
1883 | 223 |
9 |
17 |
27 |
22 |
10 |
13 |
14 |
16 |
19 |
33 |
21 |
22 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Мир на костылях |
1650 | 222 |
10 |
13 |
17 |
13 |
15 |
11 |
16 |
16 |
26 |
37 |
22 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
|
31. Становление символа во времени |
1476 | 222 |
12 |
11 |
16 |
11 |
15 |
18 |
26 |
19 |
27 |
17 |
28 |
22 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1663 | 222 |
12 |
22 |
23 |
18 |
14 |
15 |
17 |
17 |
19 |
30 |
19 |
16 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Информация о владельце раздела |
1617 | 222 |
4 |
14 |
25 |
15 |
12 |
18 |
17 |
13 |
21 |
32 |
27 |
24 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
|
Г. Гессе. Ступени |
1914 | 221 |
9 |
22 |
18 |
18 |
12 |
11 |
18 |
19 |
19 |
26 |
24 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Вскрытие |
1840 | 221 |
11 |
12 |
19 |
16 |
13 |
11 |
12 |
17 |
23 |
31 |
30 |
26 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
|
Алгоритм сортировки клиентов социального центра |
2262 | 221 |
8 |
20 |
27 |
18 |
12 |
7 |
19 |
19 |
18 |
24 |
25 |
24 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Орфей |
1813 | 221 |
13 |
14 |
18 |
18 |
10 |
16 |
26 |
19 |
16 |
29 |
19 |
23 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
|
9. Психика как пара |
1913 | 221 |
13 |
22 |
18 |
18 |
13 |
9 |
14 |
17 |
22 |
29 |
19 |
27 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
|
1. Введение |
1785 | 220 |
9 |
12 |
20 |
12 |
8 |
13 |
13 |
19 |
26 |
33 |
26 |
29 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
|
Кто это входит в мои мозги? |
1933 | 220 |
10 |
22 |
29 |
21 |
11 |
7 |
14 |
18 |
15 |
31 |
19 |
23 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
|
Человек |
1808 | 220 |
13 |
18 |
20 |
10 |
12 |
10 |
15 |
19 |
23 |
28 |
26 |
26 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Кошачья подсистема в семье |
1231 | 220 |
8 |
17 |
24 |
18 |
13 |
9 |
19 |
16 |
17 |
32 |
19 |
28 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
|
5. Рядом с общим телом |
1386 | 219 |
12 |
9 |
27 |
17 |
12 |
8 |
21 |
17 |
19 |
30 |
25 |
22 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
|
6. Насколько опасен Анимус мужчины |
1647 | 219 |
10 |
13 |
23 |
19 |
11 |
13 |
21 |
15 |
22 |
26 |
27 |
19 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
|
Человек, Которого Не Было Дома |
1967 | 219 |
10 |
24 |
23 |
14 |
11 |
13 |
16 |
18 |
15 |
25 |
22 |
28 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
|
1. Телесные трансформации в рассказе "Мусорный ветер" |
1277 | 219 |
13 |
19 |
30 |
17 |
12 |
8 |
13 |
19 |
29 |
23 |
16 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2570 | 219 |
11 |
20 |
22 |
20 |
13 |
13 |
9 |
14 |
25 |
23 |
25 |
24 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
6. Следуя за стихами 1921 года |
1631 | 218 |
16 |
8 |
23 |
14 |
12 |
8 |
23 |
16 |
19 |
30 |
23 |
26 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
|
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1800 | 217 |
11 |
15 |
23 |
17 |
9 |
8 |
14 |
20 |
28 |
25 |
26 |
21 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
|
Ангел |
1845 | 217 |
12 |
15 |
17 |
12 |
12 |
13 |
14 |
21 |
27 |
27 |
25 |
22 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Особенности структуры семьи учащихся техникума |
2283 | 217 |
7 |
12 |
27 |
22 |
11 |
8 |
14 |
20 |
21 |
30 |
19 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
|
2. Усталость |
1952 | 217 |
13 |
16 |
18 |
15 |
11 |
13 |
22 |
16 |
19 |
28 |
23 |
23 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
|
4. Ранние пьесы М. Цветаевой |
2151 | 216 |
13 |
17 |
15 |
16 |
17 |
13 |
11 |
23 |
17 |
30 |
22 |
22 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
4. Расчлененное и воссозданное тело толпы |
1326 | 215 |
16 |
17 |
29 |
19 |
11 |
13 |
15 |
17 |
14 |
23 |
21 |
20 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Ты - мой инструмент |
1822 | 215 |
11 |
18 |
20 |
19 |
9 |
12 |
15 |
18 |
25 |
23 |
21 |
24 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
|
Телесный симптом в роли символа |
2156 | 215 |
12 |
14 |
19 |
17 |
13 |
13 |
19 |
17 |
21 |
22 |
24 |
24 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
|
Дорога длиною в тысячу ли |
1782 | 215 |
11 |
13 |
16 |
21 |
13 |
21 |
19 |
13 |
19 |
24 |
21 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
|
22. Девушки и Прушевский |
1320 | 214 |
12 |
18 |
16 |
12 |
10 |
12 |
21 |
20 |
27 |
23 |
22 |
21 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
Король |
1691 | 214 |
9 |
18 |
14 |
15 |
11 |
11 |
15 |
21 |
23 |
27 |
28 |
22 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Шекспир, сонет 144 |
1690 | 214 |
7 |
18 |
24 |
18 |
14 |
11 |
16 |
21 |
22 |
23 |
19 |
21 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
|
5. Сравнение прогностической ценности разных факторов |
1871 | 214 |
13 |
18 |
26 |
18 |
11 |
11 |
9 |
15 |
21 |
23 |
25 |
24 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1405 | 213 |
15 |
16 |
27 |
18 |
10 |
10 |
7 |
15 |
25 |
23 |
24 |
23 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1507 | 213 |
15 |
15 |
24 |
20 |
11 |
8 |
13 |
18 |
24 |
22 |
24 |
19 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
|
1. Миф, мир и психика |
1692 | 213 |
15 |
19 |
19 |
14 |
10 |
15 |
13 |
19 |
19 |
26 |
24 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
|
Сначала была деперсонализация |
2112 | 213 |
10 |
22 |
24 |
22 |
10 |
11 |
15 |
15 |
25 |
20 |
18 |
21 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
3. Выбор художника - Анима или Анимус? |
1777 | 213 |
14 |
18 |
23 |
17 |
13 |
11 |
11 |
15 |
23 |
26 |
20 |
22 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
5 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Гроза летом |
2232 | 213 |
14 |
21 |
18 |
11 |
9 |
11 |
13 |
24 |
22 |
21 |
27 |
22 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |