| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
|
По разделу |
143979 | 1368 |
75 |
111 |
67 |
115 |
143 |
132 |
118 |
124 |
102 |
107 |
148 |
126 |
0 |
3 |
2 |
3 |
4 |
3 |
4 |
5 |
2 |
3 |
3 |
3 |
3 |
2 |
4 |
3 |
4 |
7 |
4 |
5 |
2 |
6 |
5 |
6 |
4 |
5 |
4 |
8 |
5 |
4 |
6 |
5 |
3 |
3 |
2 |
4 |
2 |
3 |
4 |
4 |
2 |
3 |
3 |
2 |
3 |
3 |
2 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
1 |
2 |
2 |
1 |
4 |
2 |
2 |
2 |
|
Введение в психоанализ |
23720 | 759 |
39 |
58 |
35 |
48 |
101 |
86 |
75 |
77 |
59 |
50 |
70 |
61 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
5 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
7 |
2 |
2 |
1 |
3 |
2 |
2 |
0 |
5 |
3 |
3 |
3 |
4 |
3 |
5 |
3 |
2 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
|
Античность (Платон, Сократ, Аристотель) |
17362 | 744 |
33 |
39 |
20 |
68 |
106 |
62 |
63 |
73 |
44 |
55 |
100 |
81 |
0 |
1 |
0 |
1 |
2 |
3 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
5 |
1 |
3 |
4 |
1 |
2 |
3 |
4 |
5 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
|
Георг Зиммель: философия культуры |
17508 | 549 |
35 |
40 |
19 |
41 |
53 |
58 |
51 |
42 |
36 |
53 |
63 |
58 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
3 |
2 |
3 |
4 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Культурология (учебник) - первые 4 главы |
16548 | 476 |
36 |
67 |
17 |
27 |
54 |
28 |
23 |
42 |
55 |
32 |
40 |
55 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
1 |
1 |
4 |
2 |
1 |
2 |
2 |
3 |
0 |
6 |
2 |
5 |
4 |
4 |
4 |
8 |
4 |
4 |
1 |
4 |
1 |
2 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
В миру и наедине с собой |
10925 | 457 |
29 |
57 |
26 |
40 |
44 |
42 |
31 |
22 |
19 |
32 |
46 |
69 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
4 |
1 |
1 |
3 |
2 |
2 |
5 |
4 |
6 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Фридрих Ницше и рождение культуры из "духа музыки" |
7268 | 381 |
15 |
32 |
16 |
31 |
39 |
39 |
34 |
24 |
24 |
33 |
42 |
52 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Хосе Ортега-и-Гассет: искусство и массовая культура в Хх веке |
11613 | 367 |
14 |
34 |
15 |
21 |
45 |
17 |
22 |
19 |
19 |
39 |
71 |
51 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
2 |
2 |
2 |
1 |
5 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Испанский гений Сальвадора де Мадариаги и проблемы национального характера |
5552 | 267 |
27 |
40 |
11 |
14 |
24 |
17 |
21 |
17 |
13 |
24 |
27 |
32 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
3 |
3 |
5 |
3 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
|
Фотографии автора (Соколов Эльмар Владимирович) |
3519 | 244 |
18 |
37 |
12 |
18 |
17 |
16 |
29 |
9 |
6 |
19 |
27 |
36 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
3 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Возможна ли культурология как наука? |
5842 | 241 |
24 |
38 |
13 |
14 |
13 |
17 |
18 |
8 |
10 |
23 |
26 |
37 |
0 |
0 |
2 |
1 |
4 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
4 |
4 |
3 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Общение с другом |
862 | 241 |
16 |
36 |
19 |
18 |
15 |
22 |
24 |
11 |
10 |
15 |
24 |
31 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
2 |
3 |
3 |
2 |
2 |
5 |
3 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
|
Памяти Эльмара Владимировича Соколова |
849 | 240 |
23 |
31 |
14 |
16 |
11 |
20 |
20 |
11 |
8 |
23 |
30 |
33 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
6 |
1 |
4 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Жизнь штандартенфюрера Сс Штирлица - как воплощенная мечта советского человека |
3716 | 216 |
26 |
31 |
11 |
14 |
21 |
12 |
16 |
7 |
7 |
14 |
29 |
28 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
3 |
5 |
2 |
1 |
0 |
3 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Социальные нормы, запреты и стимулы деятельности в мировом сообществе 21 века |
4766 | 214 |
14 |
31 |
14 |
14 |
19 |
15 |
16 |
8 |
7 |
21 |
23 |
32 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
4 |
3 |
4 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Эльмар и его друзья |
804 | 211 |
17 |
36 |
7 |
19 |
14 |
15 |
27 |
13 |
6 |
10 |
25 |
22 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
4 |
5 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Эльмар Соколов как философ жизни |
849 | 209 |
19 |
26 |
10 |
14 |
15 |
15 |
24 |
11 |
6 |
15 |
24 |
30 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Информация о владельце раздела |
1978 | 209 |
20 |
22 |
12 |
18 |
20 |
23 |
19 |
5 |
5 |
13 |
18 |
34 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
|
Об отце |
787 | 202 |
22 |
25 |
11 |
20 |
11 |
14 |
19 |
9 |
6 |
12 |
24 |
29 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
|
Самопознание науки как вектор культуры Xxi века |
4648 | 195 |
15 |
26 |
11 |
17 |
27 |
14 |
12 |
9 |
3 |
20 |
21 |
20 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |