| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
По разделу |
82921 | 1778 |
30 |
275 |
204 |
171 |
147 |
118 |
125 |
207 |
173 |
129 |
100 |
99 |
0 |
5 |
8 |
4 |
4 |
9 |
10 |
7 |
10 |
6 |
5 |
2 |
2 |
3 |
6 |
7 |
9 |
2 |
5 |
9 |
9 |
11 |
9 |
3 |
8 |
11 |
21 |
9 |
12 |
18 |
17 |
5 |
30 |
18 |
8 |
3 |
0 |
4 |
12 |
13 |
11 |
5 |
15 |
10 |
5 |
7 |
4 |
3 |
9 |
8 |
5 |
7 |
7 |
2 |
5 |
6 |
9 |
9 |
8 |
7 |
3 |
7 |
|
Дик Хэбдидж, Субкультура, значение стиля |
8838 | 1648 |
27 |
272 |
195 |
168 |
145 |
111 |
106 |
204 |
159 |
109 |
86 |
66 |
0 |
2 |
8 |
4 |
4 |
9 |
10 |
7 |
10 |
6 |
5 |
2 |
1 |
1 |
6 |
7 |
9 |
2 |
5 |
9 |
9 |
11 |
9 |
3 |
8 |
11 |
21 |
9 |
12 |
18 |
17 |
5 |
30 |
18 |
8 |
3 |
0 |
4 |
12 |
13 |
11 |
5 |
15 |
10 |
5 |
7 |
4 |
3 |
9 |
8 |
5 |
7 |
7 |
1 |
5 |
3 |
9 |
9 |
8 |
7 |
0 |
7 |
|
Словарик терминов полиамории |
1639 | 350 |
9 |
44 |
38 |
40 |
17 |
29 |
22 |
41 |
24 |
29 |
27 |
30 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
5 |
2 |
1 |
1 |
0 |
2 |
1 |
5 |
0 |
2 |
2 |
2 |
2 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
5 |
6 |
0 |
1 |
4 |
1 |
2 |
0 |
|
Иисус Христос был хиппи |
1473 | 343 |
13 |
34 |
34 |
34 |
20 |
9 |
24 |
39 |
39 |
44 |
24 |
29 |
0 |
5 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
6 |
0 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
1 |
6 |
1 |
0 |
|
Paul Goodman "Growing Up Absurd" |
2302 | 332 |
10 |
25 |
39 |
33 |
20 |
11 |
30 |
36 |
30 |
35 |
30 |
33 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
0 |
3 |
1 |
3 |
4 |
5 |
0 |
0 |
|
Банды Манчестера: История «scuttlers» |
1606 | 254 |
8 |
27 |
29 |
24 |
14 |
13 |
22 |
28 |
16 |
31 |
21 |
21 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
8 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
5 |
4 |
0 |
0 |
|
Мириам Уильямс, Из жизни сакральной проститутки |
2159 | 239 |
10 |
27 |
28 |
22 |
9 |
4 |
13 |
29 |
25 |
28 |
24 |
20 |
0 |
1 |
2 |
0 |
4 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
9 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
3 |
3 |
2 |
1 |
1 |
|
Лоуренс Липтон, Святые варвары |
1717 | 238 |
6 |
18 |
23 |
21 |
16 |
11 |
18 |
37 |
23 |
30 |
12 |
23 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
3 |
2 |
2 |
1 |
0 |
|
Port Huron Statement (1962) |
1498 | 238 |
4 |
14 |
24 |
26 |
18 |
17 |
23 |
28 |
21 |
33 |
9 |
21 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
|
Атеизм в шестидесятых: Ссср и Сша |
1363 | 236 |
8 |
16 |
25 |
23 |
3 |
9 |
20 |
36 |
18 |
36 |
21 |
21 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
|
Неформальная литература, размышления о непонятном |
1659 | 232 |
6 |
20 |
19 |
21 |
10 |
7 |
25 |
31 |
41 |
22 |
14 |
16 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
0 |
|
Субкультуры и самоубийства, социологический аспект |
1362 | 231 |
7 |
21 |
27 |
32 |
5 |
7 |
16 |
31 |
20 |
23 |
20 |
22 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
5 |
6 |
1 |
0 |
|
Джоан Баэз - Воины Солнца |
1471 | 227 |
6 |
21 |
24 |
24 |
5 |
8 |
15 |
25 |
22 |
26 |
20 |
31 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
|
Пилат и другие - до Петровича, но с Вайдой |
1601 | 222 |
6 |
18 |
19 |
23 |
12 |
10 |
14 |
28 |
21 |
32 |
20 |
19 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
3 |
2 |
0 |
0 |
|
Август Зандер — между непристойностью и документалистикой. |
1598 | 222 |
8 |
13 |
26 |
22 |
5 |
9 |
19 |
39 |
23 |
28 |
13 |
17 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
4 |
0 |
1 |
|
Словесный бриколаж: тру и цивильное, «новый» стиль жизни |
1256 | 222 |
6 |
23 |
22 |
25 |
7 |
9 |
17 |
25 |
20 |
32 |
20 |
16 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
|
Хаос и разруха, Танцуй рок с утра до утра |
1746 | 219 |
7 |
18 |
21 |
22 |
19 |
10 |
15 |
29 |
19 |
23 |
19 |
17 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
3 |
1 |
1 |
|
Теодор Роззак Создание старшей культуры |
1700 | 218 |
6 |
20 |
19 |
19 |
9 |
6 |
15 |
25 |
23 |
31 |
29 |
16 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Американская психоистория |
1807 | 218 |
5 |
15 |
28 |
28 |
5 |
7 |
16 |
26 |
23 |
26 |
19 |
20 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
4 |
3 |
1 |
|
Провалился ли проект религиозной контркультуры? |
1259 | 217 |
3 |
15 |
22 |
21 |
8 |
4 |
19 |
24 |
24 |
32 |
24 |
21 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
4 |
0 |
0 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Неправда фотографии - Огюст Роден |
1670 | 216 |
5 |
17 |
26 |
21 |
6 |
11 |
22 |
28 |
16 |
24 |
26 |
14 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
5 |
2 |
0 |
|
Это не трубка |
1231 | 213 |
7 |
22 |
23 |
21 |
4 |
12 |
17 |
25 |
21 |
26 |
20 |
15 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
2 |
0 |
1 |
|
Эпизоды альтернативной эротики |
1185 | 212 |
10 |
15 |
27 |
21 |
9 |
8 |
19 |
20 |
32 |
15 |
16 |
20 |
0 |
0 |
3 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
|
Социалистический гендерный трап |
1434 | 211 |
5 |
23 |
25 |
23 |
5 |
6 |
17 |
24 |
20 |
27 |
15 |
21 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
5 |
0 |
2 |
2 |
4 |
0 |
1 |
|
Кеннет Рексрот, «создавая Контркультуру» |
1780 | 209 |
4 |
15 |
22 |
22 |
10 |
10 |
17 |
25 |
22 |
27 |
20 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
|
Youth: The Hippies |
1340 | 208 |
6 |
15 |
27 |
23 |
10 |
5 |
13 |
24 |
22 |
21 |
18 |
24 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
4 |
1 |
0 |
|
Исследования Фбр, Lanning Report |
1196 | 208 |
11 |
17 |
23 |
22 |
6 |
6 |
17 |
26 |
20 |
28 |
12 |
20 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
|
Русские панки - взгляд с Запада |
1357 | 206 |
7 |
25 |
23 |
16 |
6 |
4 |
16 |
17 |
22 |
26 |
16 |
28 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
5 |
0 |
0 |
|
Welcome to the Digger Archives |
1042 | 206 |
3 |
20 |
27 |
22 |
11 |
5 |
11 |
27 |
17 |
25 |
18 |
20 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
5 |
0 |
0 |
|
Знаменитый Port Huron Statement (1962) |
1258 | 203 |
7 |
15 |
24 |
23 |
7 |
7 |
15 |
20 |
14 |
26 |
19 |
26 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
3 |
2 |
1 |
0 |
|
Неизвестная классика атеизма, Джордж Уильям Фут |
1770 | 203 |
8 |
20 |
21 |
23 |
6 |
9 |
14 |
25 |
19 |
24 |
14 |
20 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
|
Теодор Роззак, Декларация Взаимозависимости |
1460 | 203 |
7 |
13 |
20 |
21 |
9 |
8 |
17 |
26 |
18 |
25 |
15 |
24 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
|
Теория праздного класса, Торстейн Веблен |
1578 | 202 |
9 |
22 |
20 |
20 |
6 |
8 |
13 |
21 |
19 |
23 |
19 |
22 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
3 |
1 |
1 |
0 |
|
О хиппи, панках и битниках, взгляд антрополога |
1168 | 202 |
7 |
17 |
21 |
24 |
7 |
8 |
12 |
28 |
18 |
25 |
16 |
19 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
0 |
3 |
2 |
1 |
0 |
1 |
|
Свободная Любовь или Интеллигенция посещает баню |
1336 | 201 |
9 |
12 |
23 |
18 |
6 |
15 |
12 |
28 |
17 |
27 |
13 |
21 |
0 |
0 |
1 |
1 |
4 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
|
Hunga Dunga: Исповедь непримиримого хиппи |
1051 | 200 |
5 |
18 |
23 |
23 |
7 |
6 |
18 |
29 |
15 |
26 |
14 |
16 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
3 |
2 |
0 |
0 |
|
Контркультура vs левые, история конфликта |
1682 | 200 |
5 |
20 |
25 |
23 |
9 |
6 |
20 |
19 |
12 |
23 |
16 |
22 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
|
Herbst der Gammler |
1678 | 198 |
2 |
26 |
24 |
23 |
8 |
6 |
10 |
28 |
13 |
27 |
10 |
21 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
5 |
0 |
0 |
|
Парижские байкеры 70-х годов от Яна Морвана |
1131 | 198 |
5 |
19 |
24 |
23 |
7 |
8 |
13 |
24 |
17 |
25 |
15 |
18 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
|
Культы и Космическое сознание: видение религии в 1960 годах |
1190 | 195 |
4 |
15 |
22 |
22 |
10 |
8 |
9 |
28 |
19 |
22 |
19 |
17 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
4 |
0 |
0 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Мемуары стареющего хиппи |
1827 | 195 |
8 |
17 |
28 |
19 |
6 |
8 |
12 |
19 |
19 |
27 |
11 |
21 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
2 |
4 |
1 |
1 |
0 |
|
Школьные банды |
1325 | 194 |
6 |
16 |
25 |
25 |
5 |
6 |
13 |
20 |
18 |
25 |
17 |
18 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
1 |
3 |
1 |
1 |
1 |
|
Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии |
1428 | 192 |
7 |
12 |
21 |
16 |
9 |
9 |
16 |
26 |
20 |
25 |
19 |
12 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
|
Young Lords Party |
1436 | 192 |
6 |
19 |
30 |
22 |
9 |
9 |
8 |
23 |
12 |
21 |
16 |
17 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
3 |
1 |
1 |
|
Culture, Crime, and Cultural Criminology |
1292 | 190 |
3 |
24 |
16 |
20 |
6 |
6 |
8 |
21 |
23 |
30 |
17 |
16 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
|
Теодор Роззак, Лсд, хиппи и культ свободной любви |
1790 | 189 |
5 |
12 |
15 |
19 |
7 |
6 |
18 |
25 |
21 |
26 |
21 |
14 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
|
Дом Гекльберри - первый контркультурный приют для детей |
1162 | 188 |
4 |
13 |
25 |
22 |
8 |
6 |
19 |
19 |
14 |
24 |
21 |
13 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
4 |
0 |
0 |
|
Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" |
1382 | 186 |
12 |
16 |
20 |
15 |
6 |
8 |
15 |
27 |
17 |
23 |
8 |
19 |
0 |
3 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
|
1968 год в Америке: Музыка, политика, хаос, контркультура |
1303 | 184 |
9 |
15 |
23 |
27 |
8 |
7 |
10 |
25 |
13 |
20 |
10 |
17 |
0 |
2 |
1 |
2 |
0 |
4 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
6 |
0 |
0 |
|
Из истории фотожурналистики |
1341 | 182 |
4 |
16 |
21 |
24 |
6 |
7 |
10 |
18 |
18 |
25 |
21 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
3 |
3 |
2 |
0 |
0 |
|
Теодор Роззак, Альфа-самец человека |
1573 | 182 |
4 |
7 |
18 |
16 |
7 |
8 |
15 |
26 |
16 |
28 |
19 |
18 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
|
Теодор Роззак, Любовь, Лояльность и Конец сексуального |
1471 | 178 |
5 |
9 |
21 |
18 |
6 |
8 |
17 |
22 |
16 |
25 |
15 |
16 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |