| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
По разделу |
72959 | 1476 |
41 |
100 |
99 |
114 |
176 |
208 |
173 |
188 |
122 |
109 |
69 |
77 |
0 |
12 |
3 |
4 |
4 |
6 |
9 |
3 |
4 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
4 |
2 |
5 |
5 |
4 |
3 |
3 |
2 |
3 |
3 |
2 |
4 |
3 |
3 |
2 |
3 |
3 |
2 |
2 |
2 |
10 |
3 |
3 |
4 |
4 |
3 |
3 |
3 |
7 |
2 |
4 |
2 |
3 |
4 |
3 |
3 |
3 |
3 |
2 |
6 |
4 |
2 |
2 |
2 |
3 |
3 |
Дик Хэбдидж, Субкультура, значение стиля |
7376 | 1321 |
34 |
86 |
66 |
99 |
171 |
208 |
163 |
176 |
106 |
91 |
56 |
65 |
0 |
12 |
0 |
1 |
3 |
6 |
9 |
3 |
4 |
1 |
2 |
3 |
2 |
4 |
5 |
4 |
4 |
1 |
5 |
5 |
1 |
3 |
3 |
2 |
3 |
3 |
1 |
4 |
2 |
2 |
1 |
3 |
3 |
2 |
2 |
1 |
7 |
3 |
3 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
4 |
0 |
3 |
4 |
2 |
1 |
3 |
3 |
0 |
6 |
4 |
1 |
0 |
1 |
3 |
1 |
Иисус Христос был хиппи |
1195 | 306 |
12 |
24 |
29 |
32 |
35 |
26 |
37 |
46 |
20 |
26 |
10 |
9 |
0 |
1 |
0 |
1 |
1 |
2 |
6 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Словарик терминов полиамории |
1355 | 281 |
9 |
27 |
30 |
15 |
15 |
19 |
31 |
39 |
41 |
28 |
16 |
11 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Paul Goodman "Growing Up Absurd" |
2043 | 279 |
10 |
30 |
33 |
22 |
16 |
17 |
19 |
31 |
40 |
25 |
19 |
17 |
0 |
0 |
2 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
10 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
Контркультура vs левые, история конфликта |
1527 | 203 |
7 |
16 |
22 |
17 |
12 |
15 |
26 |
33 |
17 |
22 |
10 |
6 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Теодор Роззак Создание старшей культуры |
1536 | 198 |
9 |
29 |
16 |
21 |
9 |
16 |
16 |
17 |
22 |
22 |
13 |
8 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Теория праздного класса, Торстейн Веблен |
1424 | 193 |
7 |
19 |
22 |
16 |
11 |
14 |
17 |
19 |
30 |
18 |
11 |
9 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Американская психоистория |
1638 | 189 |
10 |
19 |
20 |
17 |
16 |
7 |
13 |
27 |
24 |
16 |
8 |
12 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Субкультуры и самоубийства, социологический аспект |
1181 | 188 |
8 |
20 |
22 |
12 |
11 |
13 |
27 |
22 |
24 |
11 |
11 |
7 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Джоан Баэз - Воины Солнца |
1305 | 181 |
10 |
20 |
31 |
17 |
13 |
11 |
15 |
17 |
15 |
14 |
11 |
7 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
Youth: The Hippies |
1181 | 179 |
7 |
18 |
24 |
12 |
10 |
12 |
13 |
28 |
23 |
11 |
9 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Банды Манчестера: История «scuttlers» |
1402 | 179 |
8 |
21 |
21 |
20 |
9 |
18 |
16 |
20 |
25 |
10 |
8 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
Атеизм в шестидесятых: Ссср и Сша |
1179 | 178 |
10 |
21 |
21 |
15 |
15 |
8 |
14 |
27 |
20 |
13 |
10 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
Пилат и другие - до Петровича, но с Вайдой |
1428 | 177 |
10 |
20 |
19 |
17 |
16 |
14 |
12 |
27 |
17 |
15 |
6 |
4 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Провалился ли проект религиозной контркультуры? |
1096 | 177 |
9 |
24 |
21 |
12 |
16 |
13 |
18 |
22 |
17 |
13 |
7 |
5 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
Теодор Роззак, Декларация Взаимозависимости |
1304 | 173 |
8 |
15 |
24 |
19 |
6 |
9 |
16 |
19 |
23 |
15 |
10 |
9 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
Мириам Уильямс, Из жизни сакральной проститутки |
1974 | 171 |
10 |
24 |
20 |
13 |
4 |
13 |
22 |
16 |
18 |
15 |
10 |
6 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Словесный бриколаж: тру и цивильное, «новый» стиль жизни |
1080 | 171 |
10 |
20 |
16 |
13 |
15 |
8 |
12 |
15 |
17 |
16 |
11 |
18 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Теодор Роззак, Лсд, хиппи и культ свободной любви |
1645 | 167 |
9 |
21 |
14 |
14 |
9 |
7 |
15 |
22 |
20 |
18 |
11 |
7 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
О хиппи, панках и битниках, взгляд антрополога |
1006 | 165 |
5 |
16 |
19 |
14 |
10 |
10 |
23 |
21 |
14 |
15 |
8 |
10 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Школьные банды |
1174 | 164 |
8 |
17 |
18 |
10 |
11 |
13 |
14 |
22 |
20 |
17 |
9 |
5 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Русские панки - взгляд с Запада |
1206 | 164 |
11 |
16 |
28 |
13 |
14 |
6 |
14 |
16 |
18 |
14 |
11 |
3 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
Кеннет Рексрот, «создавая Контркультуру» |
1614 | 164 |
8 |
20 |
15 |
13 |
7 |
8 |
19 |
18 |
28 |
13 |
7 |
8 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Herbst der Gammler |
1518 | 163 |
7 |
10 |
21 |
18 |
9 |
9 |
11 |
23 |
24 |
17 |
8 |
6 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
Культы и Космическое сознание: видение религии в 1960 годах |
1038 | 163 |
7 |
19 |
17 |
16 |
9 |
9 |
13 |
23 |
23 |
13 |
8 |
6 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Знаменитый Port Huron Statement (1962) |
1110 | 160 |
10 |
19 |
26 |
11 |
11 |
8 |
14 |
18 |
17 |
11 |
10 |
5 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
Хаос и разруха, Танцуй рок с утра до утра |
1571 | 160 |
8 |
19 |
17 |
13 |
8 |
9 |
14 |
20 |
17 |
18 |
10 |
7 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Лоуренс Липтон, Святые варвары |
1524 | 160 |
10 |
12 |
23 |
12 |
11 |
6 |
14 |
25 |
18 |
15 |
8 |
6 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
Теодор Роззак, Альфа-самец человека |
1437 | 159 |
9 |
19 |
18 |
11 |
8 |
10 |
14 |
24 |
21 |
13 |
7 |
5 |
0 |
0 |
0 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
Young Lords Party |
1283 | 154 |
6 |
16 |
17 |
11 |
9 |
9 |
17 |
24 |
13 |
16 |
10 |
6 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
Из истории фотожурналистики |
1200 | 153 |
8 |
21 |
12 |
13 |
11 |
8 |
19 |
16 |
18 |
14 |
9 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Неправда фотографии - Огюст Роден |
1501 | 153 |
7 |
26 |
14 |
13 |
4 |
6 |
12 |
24 |
15 |
19 |
8 |
5 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Welcome to the Digger Archives |
882 | 153 |
8 |
18 |
20 |
13 |
5 |
12 |
11 |
16 |
15 |
17 |
10 |
8 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Август Зандер — между непристойностью и документалистикой. |
1417 | 150 |
11 |
13 |
17 |
13 |
11 |
6 |
12 |
18 |
19 |
15 |
9 |
6 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Дом Гекльберри - первый контркультурный приют для детей |
1014 | 150 |
6 |
21 |
13 |
14 |
7 |
5 |
19 |
24 |
19 |
11 |
7 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Неизвестная классика атеизма, Джордж Уильям Фут |
1610 | 150 |
9 |
14 |
20 |
15 |
7 |
7 |
16 |
17 |
16 |
15 |
7 |
7 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии |
1275 | 149 |
8 |
19 |
12 |
11 |
5 |
9 |
14 |
21 |
23 |
14 |
7 |
6 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Port Huron Statement (1962) |
1302 | 149 |
12 |
9 |
21 |
15 |
12 |
11 |
15 |
14 |
13 |
11 |
11 |
5 |
0 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
Culture, Crime, and Cultural Criminology |
1146 | 149 |
11 |
17 |
16 |
10 |
8 |
6 |
18 |
21 |
16 |
12 |
9 |
5 |
0 |
1 |
0 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
Неформальная литература, размышления о непонятном |
1465 | 148 |
8 |
14 |
16 |
14 |
9 |
7 |
9 |
19 |
18 |
20 |
9 |
5 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Парижские байкеры 70-х годов от Яна Морвана |
973 | 148 |
7 |
15 |
18 |
14 |
7 |
11 |
11 |
20 |
18 |
11 |
10 |
6 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Социалистический гендерный трап |
1267 | 146 |
8 |
15 |
21 |
9 |
4 |
8 |
13 |
23 |
17 |
13 |
9 |
6 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" |
1231 | 145 |
8 |
8 |
19 |
10 |
10 |
11 |
13 |
22 |
15 |
13 |
8 |
8 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
Эпизоды альтернативной эротики |
1013 | 144 |
4 |
16 |
20 |
13 |
13 |
6 |
12 |
20 |
12 |
11 |
9 |
8 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
Исследования Фбр, Lanning Report |
1030 | 142 |
10 |
12 |
20 |
12 |
5 |
8 |
14 |
18 |
20 |
12 |
7 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
Мемуары стареющего хиппи |
1671 | 141 |
7 |
11 |
21 |
16 |
5 |
12 |
10 |
16 |
12 |
13 |
6 |
12 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Теодор Роззак, Любовь, Лояльность и Конец сексуального |
1335 | 140 |
11 |
15 |
16 |
16 |
5 |
5 |
11 |
18 |
20 |
12 |
6 |
5 |
0 |
1 |
0 |
2 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Свободная Любовь или Интеллигенция посещает баню |
1177 | 138 |
8 |
13 |
21 |
13 |
5 |
11 |
10 |
19 |
16 |
11 |
8 |
3 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1968 год в Америке: Музыка, политика, хаос, контркультура |
1152 | 137 |
6 |
10 |
17 |
13 |
8 |
9 |
12 |
19 |
16 |
14 |
9 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Это не трубка |
1060 | 134 |
7 |
20 |
15 |
9 |
9 |
8 |
12 |
19 |
13 |
12 |
5 |
5 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Hunga Dunga: Исповедь непримиримого хиппи |
888 | 133 |
7 |
14 |
16 |
12 |
7 |
6 |
18 |
19 |
14 |
13 |
5 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |