|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| По разделу | 73814 | 1557 | 122 | 100 | 99 | 114 | 176 | 208 | 173 | 188 | 122 | 109 | 69 | 77 | 0 | 4 | 4 | 4 | 5 | 3 | 3 | 8 | 3 | 3 | 4 | 2 | 3 | 4 | 3 | 3 | 4 | 5 | 2 | 3 | 2 | 4 | 3 | 2 | 12 | 3 | 4 | 4 | 6 | 9 | 3 | 4 | 2 | 3 | 3 | 2 | 4 | 5 | 4 | 4 | 2 | 5 | 5 | 4 | 3 | 3 | 2 | 3 | 3 | 2 | 4 | 3 | 3 | 2 | 3 | 3 | 2 | 2 | 2 | 10 | 3 | 3 | 
| Дик Хэбдидж, Субкультура, значение стиля | 7446 | 1391 | 104 | 86 | 66 | 99 | 171 | 208 | 163 | 176 | 106 | 91 | 56 | 65 | 0 | 4 | 3 | 4 | 4 | 2 | 1 | 8 | 3 | 3 | 4 | 1 | 0 | 4 | 1 | 3 | 4 | 5 | 2 | 3 | 2 | 4 | 3 | 2 | 12 | 0 | 1 | 3 | 6 | 9 | 3 | 4 | 1 | 2 | 3 | 2 | 4 | 5 | 4 | 4 | 1 | 5 | 5 | 1 | 3 | 3 | 2 | 3 | 3 | 1 | 4 | 2 | 2 | 1 | 3 | 3 | 2 | 2 | 1 | 7 | 3 | 3 | 
| Иисус Христос был хиппи | 1223 | 334 | 40 | 24 | 29 | 32 | 35 | 26 | 37 | 46 | 20 | 26 | 10 | 9 | 0 | 1 | 0 | 0 | 3 | 2 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 6 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 
| Paul Goodman "Growing Up Absurd" | 2066 | 302 | 33 | 30 | 33 | 22 | 16 | 17 | 19 | 31 | 40 | 25 | 19 | 17 | 0 | 2 | 4 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 10 | 2 | 2 | 
| Словарик терминов полиамории | 1373 | 299 | 27 | 27 | 30 | 15 | 15 | 19 | 31 | 39 | 41 | 28 | 16 | 11 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 
| Теодор Роззак  Создание старшей культуры | 1555 | 217 | 28 | 29 | 16 | 21 | 9 | 16 | 16 | 17 | 22 | 22 | 13 | 8 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 
| Контркультура vs левые, история конфликта | 1541 | 217 | 21 | 16 | 22 | 17 | 12 | 15 | 26 | 33 | 17 | 22 | 10 | 6 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 
| Теория праздного класса, Торстейн Веблен | 1438 | 207 | 21 | 19 | 22 | 16 | 11 | 14 | 17 | 19 | 30 | 18 | 11 | 9 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 
| Американская психоистория | 1652 | 203 | 24 | 19 | 20 | 17 | 16 | 7 | 13 | 27 | 24 | 16 | 8 | 12 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 
| Субкультуры и самоубийства, социологический аспект | 1194 | 201 | 21 | 20 | 22 | 12 | 11 | 13 | 27 | 22 | 24 | 11 | 11 | 7 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 
| Банды Манчестера: История «scuttlers» | 1423 | 200 | 29 | 21 | 21 | 20 | 9 | 18 | 16 | 20 | 25 | 10 | 8 | 3 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 
| Атеизм в шестидесятых: Ссср и Сша | 1201 | 200 | 32 | 21 | 21 | 15 | 15 | 8 | 14 | 27 | 20 | 13 | 10 | 4 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 4 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 4 | 1 | 0 | 
| Провалился ли проект религиозной контркультуры? | 1116 | 197 | 29 | 24 | 21 | 12 | 16 | 13 | 18 | 22 | 17 | 13 | 7 | 5 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 
| Пилат и другие - до Петровича, но с Вайдой | 1447 | 196 | 29 | 20 | 19 | 17 | 16 | 14 | 12 | 27 | 17 | 15 | 6 | 4 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 
| Джоан Баэз - Воины Солнца | 1319 | 195 | 24 | 20 | 31 | 17 | 13 | 11 | 15 | 17 | 15 | 14 | 11 | 7 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 
| Youth: The Hippies | 1193 | 191 | 19 | 18 | 24 | 12 | 10 | 12 | 13 | 28 | 23 | 11 | 9 | 12 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 
| Словесный бриколаж: тру и цивильное, «новый» стиль жизни | 1099 | 190 | 29 | 20 | 16 | 13 | 15 | 8 | 12 | 15 | 17 | 16 | 11 | 18 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 
| Теодор Роззак, Декларация Взаимозависимости | 1320 | 189 | 24 | 15 | 24 | 19 | 6 | 9 | 16 | 19 | 23 | 15 | 10 | 9 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 
| Мириам Уильямс, Из жизни сакральной проститутки | 1991 | 188 | 27 | 24 | 20 | 13 | 4 | 13 | 22 | 16 | 18 | 15 | 10 | 6 | 0 | 1 | 1 | 1 | 5 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 
| Теодор Роззак, Лсд, хиппи и культ свободной любви | 1660 | 182 | 24 | 21 | 14 | 14 | 9 | 7 | 15 | 22 | 20 | 18 | 11 | 7 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| О хиппи, панках и битниках, взгляд антрополога | 1023 | 182 | 22 | 16 | 19 | 14 | 10 | 10 | 23 | 21 | 14 | 15 | 8 | 10 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 
| Кеннет Рексрот, «создавая Контркультуру» | 1631 | 181 | 25 | 20 | 15 | 13 | 7 | 8 | 19 | 18 | 28 | 13 | 7 | 8 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 4 | 1 | 1 | 
| Herbst der Gammler | 1535 | 180 | 24 | 10 | 21 | 18 | 9 | 9 | 11 | 23 | 24 | 17 | 8 | 6 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 
| Школьные банды | 1189 | 179 | 23 | 17 | 18 | 10 | 11 | 13 | 14 | 22 | 20 | 17 | 9 | 5 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 
| Лоуренс Липтон, Святые варвары | 1541 | 177 | 27 | 12 | 23 | 12 | 11 | 6 | 14 | 25 | 18 | 15 | 8 | 6 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 
| Культы и Космическое сознание: видение религии в 1960 годах | 1052 | 177 | 21 | 19 | 17 | 16 | 9 | 9 | 13 | 23 | 23 | 13 | 8 | 6 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 
| Теодор Роззак, Альфа-самец человека | 1454 | 176 | 26 | 19 | 18 | 11 | 8 | 10 | 14 | 24 | 21 | 13 | 7 | 5 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 
| Русские панки - взгляд с Запада | 1218 | 176 | 23 | 16 | 28 | 13 | 14 | 6 | 14 | 16 | 18 | 14 | 11 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 4 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 
| Знаменитый Port Huron Statement (1962) | 1123 | 173 | 23 | 19 | 26 | 11 | 11 | 8 | 14 | 18 | 17 | 11 | 10 | 5 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 5 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 
| Хаос и разруха, Танцуй рок с утра до утра | 1583 | 172 | 20 | 19 | 17 | 13 | 8 | 9 | 14 | 20 | 17 | 18 | 10 | 7 | 0 | 3 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 
| Из истории фотожурналистики | 1215 | 168 | 23 | 21 | 12 | 13 | 11 | 8 | 19 | 16 | 18 | 14 | 9 | 4 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 
| Port Huron Statement (1962) | 1321 | 168 | 31 | 9 | 21 | 15 | 12 | 11 | 15 | 14 | 13 | 11 | 11 | 5 | 0 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 
| Неправда фотографии - Огюст Роден | 1515 | 167 | 21 | 26 | 14 | 13 | 4 | 6 | 12 | 24 | 15 | 19 | 8 | 5 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 
| Young Lords Party | 1296 | 167 | 19 | 16 | 17 | 11 | 9 | 9 | 17 | 24 | 13 | 16 | 10 | 6 | 0 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 
| Welcome to the Digger Archives | 896 | 167 | 22 | 18 | 20 | 13 | 5 | 12 | 11 | 16 | 15 | 17 | 10 | 8 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 
| Culture, Crime, and Cultural Criminology | 1163 | 166 | 28 | 17 | 16 | 10 | 8 | 6 | 18 | 21 | 16 | 12 | 9 | 5 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 
| Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии | 1291 | 165 | 24 | 19 | 12 | 11 | 5 | 9 | 14 | 21 | 23 | 14 | 7 | 6 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 
| Дом Гекльберри - первый контркультурный приют для детей | 1029 | 165 | 21 | 21 | 13 | 14 | 7 | 5 | 19 | 24 | 19 | 11 | 7 | 4 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 
| Август Зандер — между непристойностью и документалистикой. | 1431 | 164 | 25 | 13 | 17 | 13 | 11 | 6 | 12 | 18 | 19 | 15 | 9 | 6 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 
| Парижские байкеры 70-х годов от Яна Морвана | 989 | 164 | 23 | 15 | 18 | 14 | 7 | 11 | 11 | 20 | 18 | 11 | 10 | 6 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| Социалистический гендерный трап | 1283 | 162 | 24 | 15 | 21 | 9 | 4 | 8 | 13 | 23 | 17 | 13 | 9 | 6 | 0 | 1 | 0 | 4 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 
| Неизвестная классика атеизма, Джордж Уильям Фут | 1622 | 162 | 21 | 14 | 20 | 15 | 7 | 7 | 16 | 17 | 16 | 15 | 7 | 7 | 0 | 2 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 
| Неформальная литература, размышления о непонятном | 1476 | 159 | 19 | 14 | 16 | 14 | 9 | 7 | 9 | 19 | 18 | 20 | 9 | 5 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 
| Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" | 1244 | 158 | 21 | 8 | 19 | 10 | 10 | 11 | 13 | 22 | 15 | 13 | 8 | 8 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 
| Исследования Фбр,  Lanning Report | 1046 | 158 | 26 | 12 | 20 | 12 | 5 | 8 | 14 | 18 | 20 | 12 | 7 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 
| Свободная Любовь или Интеллигенция посещает баню | 1194 | 155 | 25 | 13 | 21 | 13 | 5 | 11 | 10 | 19 | 16 | 11 | 8 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 
| Мемуары стареющего хиппи | 1684 | 154 | 20 | 11 | 21 | 16 | 5 | 12 | 10 | 16 | 12 | 13 | 6 | 12 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 
| Теодор Роззак, Любовь, Лояльность и Конец сексуального | 1348 | 153 | 24 | 15 | 16 | 16 | 5 | 5 | 11 | 18 | 20 | 12 | 6 | 5 | 0 | 2 | 0 | 0 | 4 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 
| Это не трубка | 1077 | 151 | 24 | 20 | 15 | 9 | 9 | 8 | 12 | 19 | 13 | 12 | 5 | 5 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 
| Эпизоды альтернативной эротики | 1020 | 151 | 11 | 16 | 20 | 13 | 13 | 6 | 12 | 20 | 12 | 11 | 9 | 8 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 
| Hunga Dunga: Исповедь непримиримого хиппи | 905 | 150 | 24 | 14 | 16 | 12 | 7 | 6 | 18 | 19 | 14 | 13 | 5 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 
| 1968 год в Америке: Музыка, политика, хаос, контркультура | 1163 | 148 | 17 | 10 | 17 | 13 | 8 | 9 | 12 | 19 | 16 | 14 | 9 | 4 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 |