| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 |
|
По разделу |
58401 | 951 |
84 |
53 |
53 |
92 |
109 |
89 |
94 |
78 |
87 |
68 |
65 |
79 |
0 |
3 |
3 |
3 |
1 |
3 |
2 |
4 |
2 |
3 |
4 |
5 |
3 |
3 |
3 |
2 |
4 |
4 |
5 |
4 |
3 |
6 |
2 |
3 |
2 |
3 |
4 |
2 |
1 |
2 |
2 |
2 |
4 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
|
Питер Уоттс "Ложная слепота" |
1789 | 316 |
29 |
18 |
14 |
35 |
37 |
37 |
36 |
22 |
16 |
24 |
20 |
28 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ясунари Кавабата, «мастер игры в го/мэйдзин/名人» (1951-1954) Япония |
1657 | 312 |
19 |
20 |
8 |
46 |
34 |
35 |
31 |
24 |
18 |
28 |
25 |
24 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
|
Чайна Мьевиль "Посольский город" |
1646 | 304 |
21 |
15 |
14 |
32 |
41 |
25 |
33 |
21 |
35 |
25 |
16 |
26 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Марло Морган, "Послание с того края земли" (1990) |
1690 | 281 |
22 |
12 |
12 |
25 |
33 |
44 |
23 |
24 |
24 |
22 |
18 |
22 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Адам Нэвилл "Судные дни"(2012) |
1689 | 273 |
21 |
19 |
16 |
32 |
28 |
19 |
34 |
21 |
28 |
17 |
15 |
23 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
|
Жан Мари Леклезио, "Пустыня" |
1586 | 256 |
17 |
9 |
6 |
30 |
34 |
22 |
27 |
21 |
27 |
20 |
21 |
22 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Обзор на триллер "Стрингер / Nightcrawler" (2013) Сша |
1306 | 250 |
21 |
19 |
19 |
27 |
39 |
16 |
21 |
14 |
23 |
17 |
12 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Лиза Си, «снежный Цветок и заветный веер» (2005) |
1474 | 250 |
20 |
11 |
13 |
23 |
37 |
27 |
28 |
21 |
22 |
20 |
13 |
15 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Марк Леви, "Где ты?" |
1502 | 245 |
18 |
14 |
11 |
18 |
27 |
19 |
21 |
22 |
27 |
29 |
16 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
|
Мика Валтари "Синухе - египтянин" |
1448 | 244 |
19 |
7 |
10 |
24 |
37 |
22 |
40 |
26 |
21 |
14 |
9 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Олаф Стэплдон "Создатель звёзд" (1937) |
1544 | 239 |
22 |
9 |
13 |
24 |
28 |
22 |
34 |
17 |
22 |
18 |
10 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Эрик Эммануэль Шмитт, "Ночь огня" |
1526 | 234 |
23 |
5 |
14 |
29 |
30 |
15 |
27 |
14 |
32 |
14 |
15 |
16 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Артур Кларк "Свидание с Рамой" |
1570 | 233 |
23 |
9 |
9 |
25 |
29 |
17 |
30 |
19 |
30 |
15 |
10 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
5 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Марина Степнова, «где-то под Гроссето» (2016) |
1415 | 232 |
18 |
17 |
18 |
23 |
31 |
18 |
21 |
24 |
15 |
18 |
11 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Альберто Васкес Фигероа "Туарег" (1980) |
1466 | 227 |
18 |
8 |
11 |
21 |
33 |
22 |
22 |
20 |
23 |
12 |
16 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Чон Унён, «прощай, цирк» (2015) Южная Корея |
1368 | 227 |
18 |
7 |
10 |
21 |
34 |
27 |
26 |
23 |
21 |
16 |
13 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Обзор на нелюбимую столь многим "Нелюбовь" Андрея Звягинцева (2017) Россия |
1073 | 224 |
21 |
13 |
14 |
25 |
36 |
21 |
24 |
15 |
20 |
13 |
6 |
16 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Обзор на музыкальную, психологическую драму "Одержимость / Whiplash" (2013) Сша |
1122 | 215 |
19 |
6 |
7 |
32 |
38 |
15 |
26 |
19 |
12 |
12 |
7 |
22 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Антон Первушин "Почтальон сингулярности" |
1695 | 210 |
16 |
7 |
6 |
23 |
24 |
21 |
22 |
16 |
19 |
19 |
8 |
29 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 |
|
Фредерик Бегбедер, "99 франков" (2000) |
1483 | 208 |
22 |
10 |
6 |
23 |
33 |
14 |
16 |
27 |
16 |
22 |
5 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
2 |
1 |
6 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Глава первая - Боевая зона |
548 | 207 |
16 |
10 |
4 |
18 |
29 |
15 |
21 |
15 |
24 |
26 |
8 |
21 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
О Чхунь Хи, «птица» (2008) |
1259 | 207 |
18 |
7 |
9 |
21 |
35 |
22 |
27 |
19 |
13 |
15 |
6 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Дикая / Wild" (2014) Сша |
1057 | 201 |
17 |
7 |
12 |
28 |
33 |
23 |
20 |
24 |
12 |
9 |
3 |
13 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Обзор на драму "Всё ещё Элис / Still Alice" (2014) Сша, Франция |
1199 | 201 |
16 |
5 |
6 |
20 |
36 |
16 |
24 |
21 |
19 |
15 |
7 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Орбита 9 / Órbita 9 (2017) Испания, Колумбия |
990 | 199 |
20 |
4 |
12 |
23 |
30 |
13 |
22 |
21 |
14 |
13 |
9 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Фредерик Бегбедер, «идеаль» (2007) |
1268 | 198 |
21 |
7 |
6 |
20 |
25 |
12 |
26 |
21 |
16 |
16 |
10 |
18 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
5 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Бегущий по лезвию / Blade Runner (1982) Сша |
961 | 195 |
22 |
3 |
9 |
16 |
26 |
20 |
25 |
9 |
19 |
15 |
14 |
17 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Обзор на фильм-катастрофу "Землятрясения" (2016) Армения, Россия |
1060 | 195 |
24 |
10 |
10 |
24 |
32 |
17 |
20 |
11 |
19 |
12 |
4 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
|
Глава третья - Чпок-чпок! |
501 | 195 |
15 |
8 |
5 |
16 |
23 |
26 |
31 |
12 |
23 |
11 |
12 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Глава вторая - Балаган |
457 | 194 |
8 |
10 |
7 |
18 |
29 |
17 |
25 |
16 |
21 |
19 |
10 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Глава четвёртая - Вопросы требуют ответов |
444 | 194 |
16 |
9 |
5 |
24 |
19 |
17 |
25 |
17 |
16 |
11 |
13 |
22 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Обзор на фантастическую драму Алексея Германа "Трудно быть богом" (2013) Россия |
1121 | 193 |
16 |
7 |
6 |
24 |
28 |
22 |
21 |
17 |
17 |
13 |
4 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Екатерина Казакова и Елена Харитонова, "Жнецы страданий" |
1595 | 193 |
17 |
7 |
11 |
17 |
32 |
20 |
24 |
18 |
14 |
11 |
11 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Жан Мари Леклезио "Онича" |
1323 | 193 |
16 |
9 |
9 |
9 |
33 |
24 |
20 |
12 |
24 |
16 |
7 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Мэри Роуч, "Обратной стороны космонавтики" |
1308 | 192 |
19 |
6 |
8 |
19 |
26 |
17 |
28 |
12 |
17 |
13 |
10 |
17 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Арчибальд Кронин "Ключи Царства" |
1385 | 191 |
17 |
8 |
5 |
22 |
25 |
16 |
20 |
17 |
17 |
13 |
13 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Обзор на психологическую драму "Стена / Die Wand" (2011) Германия, Австрия |
1152 | 191 |
23 |
8 |
11 |
13 |
34 |
24 |
19 |
13 |
17 |
13 |
7 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Виктория Борисова "Поезд следует в ад" (2006) |
1402 | 189 |
28 |
4 |
11 |
18 |
19 |
17 |
17 |
22 |
19 |
11 |
11 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
4 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Сергей Попов "Суперобъекты. Звёзды размером с гор" |
1361 | 188 |
21 |
3 |
6 |
19 |
28 |
24 |
19 |
18 |
14 |
11 |
10 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 |
|
Наташа Кампуш, "3096 дней" |
1401 | 184 |
16 |
7 |
6 |
19 |
23 |
17 |
26 |
17 |
20 |
10 |
5 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Джеймс Хэрриот "О всех созданиях прекрасных и удивительных" (1974) |
1296 | 184 |
23 |
4 |
4 |
19 |
27 |
14 |
21 |
18 |
22 |
12 |
8 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Глава пятая - Смертные демиурги |
471 | 184 |
18 |
8 |
4 |
21 |
20 |
20 |
17 |
12 |
20 |
18 |
10 |
16 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Глава вторая - В аду она уже была |
484 | 183 |
13 |
5 |
9 |
21 |
28 |
18 |
24 |
24 |
14 |
7 |
8 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Глава пятая - Счастье в Светящемся море |
422 | 183 |
17 |
7 |
6 |
21 |
26 |
19 |
21 |
14 |
17 |
8 |
9 |
18 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Глава шестая - Всегда есть рыба крупнее |
487 | 183 |
19 |
6 |
7 |
20 |
27 |
19 |
25 |
8 |
16 |
13 |
4 |
19 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Обзор на фантастическую молодёжную драму "Матрица времени / Before i fall" (2017) Сша |
1124 | 178 |
20 |
6 |
8 |
22 |
27 |
15 |
18 |
9 |
19 |
13 |
5 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Глава четвёртая - Хочешь выжить, чувак? Заходи! |
437 | 178 |
18 |
8 |
4 |
25 |
22 |
17 |
19 |
12 |
15 |
12 |
10 |
16 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Глава первая - Тесты |
480 | 176 |
11 |
7 |
4 |
19 |
21 |
15 |
21 |
16 |
17 |
14 |
15 |
16 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Глава третья - За нами идут |
429 | 169 |
15 |
8 |
8 |
16 |
28 |
19 |
16 |
10 |
18 |
12 |
5 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Мама! / mother! (2017) Сша |
930 | 152 |
17 |
6 |
7 |
18 |
18 |
20 |
17 |
10 |
9 |
11 |
9 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |