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Шкловский Лев Переводчик
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banging my head on a badly placed rock. Otherwise, I
would have thought about Carla in the split second
that it happened. But I didn't until I got back on my
feet and realized I was alone.
"Carter! Do you hear me?" Another shot rang out
to punctuate the scream of pain- and hate-maddened
rage. "Do you hear me, you pig? You left me for dead,
but now you've got a big surprise coming! Do you hear
me? Don't try to hide from me! I should have killed
you when I first had the chance, you bastard!"
There was more of the same—a lot more, most of it
incoherent and unprintable. While the wheezing voice
ranted on, I covered a good hundred yards on the
ledge and spotted a narrow toehold in the rock. I was
thinking hard as I ran.
He must have been waiting behind the prow-shaped
node on the side of the cliff that had sheltered us at
night from the brunt of the wind. God knew for how
long—hours, maybe. He wasn't in a hurry, and he
wasn't taking chances. He had waited until we were out
in the open, easy targets, with our backs to him.
The impossible has a way of happening, and always
at the worst possible times. Somehow, Felipe had man-
aged to crawl out of the wrecked Cessna in one piece
and follow our tracks down the slope. From the way he
sounded, either the crash or the subzero night must
have unglued him a little mentally. That might be a
point in my favor.
Slowly, cautiously, I slipped my right foot into the
crack and pushed myself up and quickly jerked my
head over the rim and down again. I wouldn't try a
thing like that ordinarily, but I'd had a sample of Fe-
lipe's marksmanship back at the airfield in Argentina
and didn't sweat it much.
There was nothing up there to see—nothing moving,
that is. No sign of the kill-crazed Felipe. He had prob-
ably retreated into the cave or was back behind the
protruding rock, waiting for me to break cover. The
question was why. He must know I wasn't armed.
There was something else that barely had time to regis-
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There was something else that barely had time to regis-
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NICK CARTER: KTLLMASTER
ter in the quick glimpse I had of the scene. r tried to
push it in a corner of my mind and concentrate, but it
wouldn't go away. A still, spread-eagled female form
sprawled out face down on the shiny dark granite; the
stiff, chill, indifferent wind tousling her hair and play-
fully ruffling the hem Of the ill-fitting dress.
===================================
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CHAPTER TEN
There was no time to think about it. To think about
anything. If I stayed any longer on the lower ledge, Fe-
lipe would get his nerve together and calmly walk over
to the dropoff, point his gun down, and shoot me. The
same would happen if I tried hopping down to the next
ledge below. I had to move, and move fast.
squeezed my toes back into the foothold, put all
the weight of my body on it, then half-vaulted, half-
scrambled over the top. Like in trench warfare, vintage
World War J. I got halfway up in a crouch and ran like
hell for the rock wall on the other side.
Again, I was counting on the fact that Felipe was a
lousy shot at moving targets more than a couple feet
away. He was a butcher, not a hunter. I knew it. Proba-
bly he didn't. That was the only slim hope I had.
I was right but, almighty Christ, was it close! Felipe
darted from the shadows of the cave and fired just as I
flattened myself against the wall. The bullet slashed
into the wall a couple of inches from my face. One of
the shards caught me under the chin. Too close, Car-
ter, too close! He's better than you think.
Now we were both flush against the surface of the
wall. Desperately, I looked up to the lip of the next
ledge. Only three feet above my head. No way. I'd be
dead before I could scramble half the distance. Felipe
had to come out. The wall was bumpy and slightly
curved; bullets travel in a straight line. He'd have to
move away from the portal of the tiny cave to get an-
other shot at me.
He took a single, short step forward, then hesitated.
136
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NICK CARTER: KILT-MASTER
I matched him by inching toward the cave he had just
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NICK CARTER: KILT-MASTER
I matched him by inching toward the cave he had just
emerged from, hugging the wall. He moved another
step out toward the edge of the rock shelf, and I got
one step closer to the cave. Like two ballet dancers, a
pas de deux in slow motion. We could see each other
now.
He had a clear diaconal shot at me then, but he
didn't take it. He didn't have to. I'd never get close
enough for it to make any difference. We both knew it.
A little wobbly, but with exaggerated deliberation, he
took a couple of confident steps away from the cave
while I edged slightly nearer its mouth. Still too far,
much, much too far.
I felt embalming fluid throbbing in my veins. An-
other minute or two, that's what I'd need.
He stopped when we were directly opposite each
other, face to face, with no more than a dozen yards
between us. He looked like a disaster area. Blood
streamed from his nostrils and caked around his lips.
Altitude sickness; some people are extremely vulner-
able to it. His hands were badly scratched, and the
gashes and black-and-blue splotches on his face made
him look as if Frankenstein's makeup man had been
drunk on the job. The expression on that face suited
the metaohor to a T.
He had a speech to make: thev always do. I had to
start talkino first to buy time. T still had no idea what I
was coinc to do with it. assuming I got it.
I kept my hands palm down against the rock. T tried
to make mv voice sound reascuring, reasonable. "Don't
do it, Felipe. I can get you down from here. You can't
do it by vourself. I know the safe route. We can make
it to the fint village before dark, if we start now. be-
fore the cold sets in. I'll show vou the wav. You keep
the mm. You won't have to worrv about me."
*Ille gun trembled slightly in his outstretched hand,
and he brought his other arm up to the elbow and
steadied it.
All of what I'd said was a bare-faced lie. of course,
especially the last sentence. And Felipe knew it or
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guessed it or just plain didn't want to bother. I saw
that it wasn't going over and quickly changed my ap-
proach.
"Come down with me and we'll both have a chance
to get back at Porcell. He set us up, Felipe, both of us.
He's the one who planted the bomb on the plane. It's
him you want... s"
He took a deep breath and started to reel off a string
of dirty names. He eyes were with amassed fury. I
said to hell with it and rushed him head on, expecting
the blast and piercing pain of the entering bullet at any
moment, with nothing but adrenalin and a silent prayer
to get me from here to there. Something plucked at my
shirt and burned, something smashed at my thigh and
smarted, and then I was on top of him.
I wrenched the revolver from his hands, knelt with
one knee digging into his chest, and jammed the gun
against his throat using both hands, one clenching the
stubby barrel, the other on the butt, pressing with all
my strength against the knot of flesh and cartilage until
it slackened and caved in.
It wasn't much of a struggle at that point. The rage
evaporated as soon as I landed on top of him, and what
Jittle strength he had remaining was going fast. His
arms thrashed a couple of times on the slick rock, then
gave up. Only his eyes stayed alive until the end—the
sad, clouded eyes of a dying animal pleading for re-
lease.
When it was finished, I tried getting to my feet and
almost didn't make it. My one knee was locked in place
digging into his rib cage, and the searing pain shooting
through my leg and groin seemed to center on a point
just above it. The slug had exited through the back, and
that was something. The first bullet had only grazed
me; there was a big bloodstain encircling my waist, but
it didn't mean anything.
I yanked out the tails of Felipe's filthy pin-stripe
shirt, tore off a strip, and tied it around my thigh to
stanch the slow trickle of blood from both sides. I took
off his socks and stuffed them in my pocket, flipped him
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anc t sow tnc eo 00 fromboth sides. 00
off his socks and stuffed them in my pocket, flipped him
138
NICK CARTER: RILLMASTER
over, and removed the heavy corduroy jacket. I'd be
needing them more than he would.
I staggered over to the other end of the ledge, know-
ing what I would find long before I got there. Face
down on the rock, her arms and legs making a gro-
tesque swastika, she wasn't a pretty sight. I cupped my
hand gently against Carla's long, fine, tangled black
hair, and my fingers came out wet and sticky. Slowly, I
wiped them on the rock and reflected that at least she
hadn't known it was coming.
I knelt down—it wasn't easy, but I did it—and lifted
her slightly off the ground, turning her over. You could
see it in the brown, placid, still oddly pretty face. The
hope was still there.
I brushed her eyelids shut and thought to myself, too
bad. Yeah. Too bad. But my grief wasn't anything like
the personal kind, the kind that hurts. Be honest, Car-
ter. You were never really attracted to her. Despite her
best efforts in that direction. Never. She had been too
mixed-up, too vulnerable, too—let's face it—too much
Of a nuisance, as far as the assignment was concerned.
She had served her purpose in filling me in on the de-
tails of Steyer's dope-running operation. After that, she
had had to be coddled. I reminded myself that it wasn't
my fault she got mixed up with Steyer in the first place.
That had been her own choice. There was no way out.
And yet the bullet that killed her had plainly been
meant for me.
Too much thinking, especially along those lines,
wouldn't get me anywhere at all. Or do Carla much
good now. All of a sudden I realized that my thoughts
were coming across as if Hawk were talking to me, ra-
tionalizing the ugly loose ends of a job in the same way,
with the same words he usually winds up using. Maybe